Part 17

The daughter of an obscure juge d'instruction of the Canton of Vaud, singing in a Swiss meadow, had been taken up by a wealthy American, traveling in Switzerland on an April morning-old, enervated with the sun of the Riviera, and displeased with life. And this rich old woman, her rheumatic fingers loaded with jewels, had transformed the daughter of the juge d'instruction of the Canton of Vaud into a singing wonder that made every human creature see again the dreams of his youth before him leading into the Elysian Fields.

And to the girl herself this transformation also seemed the wonder of witch-work. Her early life lay so far below in a world remote and detached; a little house in a village of the Canton of Vaud with the genteel poverty that attended the slender salary of a juge d'instruction, and the weight of duties that accumulated on her shoulders. Her father's life was given over to the labors of criminal investigation, but it was a field that returned nothing in the way of material gain. Honorable mention, a medal, the distinction of having his reports copied into the official archives, were the fruits of the man's life. She remembered the minutely exhaustive details of those reports which she used to copy painfully at night by the light of a candle. The old man, absorbed by his deductions, with his trained habits of observation and his prodigious memory, never seemed to realize the drudgery imposed upon the girl by his endless dictation.

“To-morrow,” the heavenly creature had said softly, like a caress, in the woman's ear when an attendant had taken her through the little door into the empty box. But the to-morrow broke with every illusion vanished.

The woman sat beside her husband in the dismal court-room when the court convened. The judge, old and tired, was on the bench. A sulphurous, depressing fog entered from the city. The court-room smelled of a cleaner's mop. The jury entered; and a few spectators, who looked as though they might have spent the night on the benches of the park out, side, drifted in. The attorneys and the officials of the court were present and the trial resumed.

Every detail of the departed, evening was, to the woman, a mirage except the brutal threat of the attorney, uttered before she had gone down into the street. This threat, with that power of reality which evil things seem always to possess, now materialized. After the court had opened, but before the trial could proceed, the attorney for the defendant rose and addressed the court.

He spoke for some moments, handling his innuendoes with skill. His intent was to withdraw from the case. He realized that this was an unusual procedure and that the course must be justified upon a high ethical plane. He was a person of acumen and of no inconsiderable skill and he succeeded. Without making any direct charge, and disclaiming any intent to prejudice the prisoner and his defense, or to deprive him of any safeguard of the law, he was able to convey the impression that he had been misled in undertaking the defense of the case; that his confidence in the innocence of the accused had been removed by unquestionable evidence which he had been led to believe did not exist.

He made this explanation with profound regret. But he felt that, having been induced to undertake the defense by representations not justified in fact, and by an impression of the nature of the case which developments in the court-room had not confirmed, he had the right to step aside out of an equivocal position. He wished to do this without injury to the prisoner and while there was yet an opportunity for him to obtain other counsel. The whole tenor of the speech was the right to be relieved from the obligation of an error; an error that had involved him unwittingly by reason of assurances which the developments of the case had now set aside. And through it all there was the manifest wish to do the prisoner no vestige of injury.

After this speech of his attorney the conviction of the man was inevitable. He sat stooped over, his back bent, his head down, his thin hands aimlessly in his lap like one who has come to the end of all things; like one who no longer makes any effort against a destiny determined on his ruin.

The thing had the overpowering vitality which evil things seem always to possess, and the woman felt helpless against it; so utterly, so completely helpless that it was useless to protest by any word or gesture. She could have gotten up and explained the true motive behind this man's speech; she could have repeated the dialogue in his office; she could have asserted his unspeakable treachery; but she saw with an unerring instinct that against the skill of the man her effort would be wholly useless. With his resources and his dominating cunning he would not only make her words appear obviously false, but he would make them fasten upon her a malicious intent to injure the man who had undertaken her husband's defense; and somehow he would be able, she felt, to divert the obliquity and cause it to react upon herself.

This was all clear to her, and like some little trapped creature of the wood that finds escape closed on every side and no longer makes any effort, she remained motionless.

The judge was an honorable man, concerned to accomplish justice and not always misled by an obvious intent. The proceeding did not please him, but he knew that no benefit, rather a continued injury, would result to the prisoner by forcing the attorney to go on with a case which it was evident that he no longer cared to make any effort to support. He permitted the man to withdraw. Then he spoke to the prisoner.

“Have you any other counsel?” he asked.

The prisoner did not look up. He replied in a low, almost inaudible voice.

“No, Your Honor,” he said.

“Then I shall appoint some one to go on with the case,” and he looked up over the docket before him and out at the few attorneys sitting within the rail.

It was at this moment that the woman, crying silently, without a sound and without moving in her chair, heard behind her the voice which she had heard the evening before, when, as now, at the bottom of the pit, she stood before the shutter of the shop-window.

“Will it be necessary, monsieur le judge?”

It was the same wonderful, moving, heavenly voice. Every sound in the court-room suddenly ceased. All eyes were lifted. And Thompson, sitting beside the district-attorney, saw, standing before the rail in the court-room, the splendid, alluring creature that had called him out of the sordid lobby of the Hotel Markheim and entranced him with an evidence of her favor. Unconsciously he put up his hand to feel for the bud in the lapel of his coat. It had remained there--not, as it happened, from her wish, but because he dare not lay the coat aside.

In the interval of intense interest arising at the withdrawal of the attorney from the case the girl had come in unnoticed. She might have appeared out of the floor. Her voice was the first indication of her presence.

The judge turned swiftly. “What do you mean?” he said.

“I mean, monsieur,” she answered, “that if a man is innocent of a crime, he cannot require a lawyer to defend him.”

The judge was astonished, but he was an old man and had seen many strange events happen along the way of a criminal trial.

“But why do you say this man is innocent,” he said.

“I will show you, monsieur,” and she came around the railing into the pit of the court before his bench. She carried in her hand the menu upon which, at the table in the cafe the night before, she had made a drawing of the scene of the homicide.

The extraordinary event had happened so swiftly that the attorney for the prosecution had not been able to interpose an objection. Now the nephew of the dead man spoke hurriedly, in whispers, and the attorney arose.

“I object to this irregular proceeding,” he said. “If this person is a witness, let her be sworn in the usual manner and let her take her place in the witness-chair where she may be examined by the attorney whom the court may see fit to appoint for the defense.”

It was evident that Mr. Thompson, urging the prosecutor, was alarmed. The folds of his obese neck lying above the collar of his coat took on a deeper color, and his mouth visibly sagged as with some unexpected emotion. He felt that he was becoming entangled in some vast, invisible net spread about him by this girl who had appeared as if by magic before the Hotel Markheim.

The judge looked down at the attorney. “I will have the witness sworn,” he said, “but I shall not at present appoint anybody to conduct an examination. When a prisoner before me has no counsel, I sometimes look after his case myself.”

He spoke to the girl. “Will you hold up your hand?” he said.

“Why, yes, monsieur,” she said, “if you will also ask Mr. Thompson to hold up his hand.”

“Do you wish him sworn as a witness?” said the judge.

The girl hesitated. “Yes, monsieur,” she said, “if that is the way to have him hold up his hand.”

Again Thompson was disturbed. Again he spoke to the prosecutor and again that attorney objected.

“We have not asked to have Mr. Thompson testify in this case,” he said. “It is true Mr. Thompson is concerned about the result of this trial. He is the nephew of the decedent and his heir. It is only natural that he should properly concern himself to see that the assassin is brought to justice.”

He spoke to the girl. “Do you wish to make Mr. Thompson your witness?” he said.

And again she replied with the hesitating formula:

“Why, yes, monsieur, if that is the way to cause him to hold up his hand.”

The judge turned to the clerk. “Will you administer the oath to these two persons?” he said.

Thompson rose. His face was disconcerted and slack. He hesitated, but the prosecutor spoke to him. Then he faced the judge and put up his hand. Immediately the girl cried out:

“Look, monsieur,” she said. “It is his left hand he is holding up!”

Immediately Thompson raised the other hand. “I beg your pardon, Your Honor,” he muttered. “I am left-handed; I sometimes make that mistake.”

And again the girl cried out: “You see... you notice it... it is true, then... he is left-handed.”

“I see he is left-handed,” said the judge, “but what has that to do with the case?”

“Oh, monsieur,” she said, “it has everything to do with it. I will show you.”

She moved up on the step before the judge's bench and laid the menu before him. The attorney for the prosecution also arose. He wished to prevent this proceeding, to object to it, but he feared to disturb the judge and he remained silent.

“Monsieur,” she said, “I have made a little drawing... I know how such things are done.... My father was juge d'instruction of the Canton of Vaud. He always made little drawings of places where crimes were committed.... Here you will see,” and she put her finger on the card, “the narrow passage leading from the butler's pantry into the dining-room used for a library. You will notice, monsieur, that the writing-table stood with one end against the wall, the left wall of the room, as one enters from the butler's pantry. It is a queer table. One side of it has a row of drawers coming to the floor and the other side is open so one may sit with one's knees under it. On the night of the tragedy this table was sitting at right angles to the left wall, that is to say, monsieur, with this end open for the writer's knees close up against the left wall of the room. That meant, monsieur, that on this night Mr. Marsh was sitting at the table with his back to the passage from the butler's pantry, close up against the left wall of the room.

“Therefore, monsieur,” the girl went on, “the man who assassinated Mr. Marsh entered from the butler's pantry. He slipped into the room along the left wall close up behind his victim.... Did it not occur so.”

This was the evidence of the police officials and the experts. It was clear from the position of the desk in the room and from the details of the evidence.

“And, monsieur,” she said, “will you tell me, is it true that the stab wound which killed Mr. Marsh was in the shoulder on the side next to the wall?”

“Yes,” said the judge, “that is true.”

The prosecutor, urged by Thompson, now made a verbal objection. The case was practically completed. The incident going on in the court-room followed no definite legal procedure and could not be permitted to proceed. The judge stopped him.

“Sit down,” he said. He did not offer any explanation or comment. He merely silenced the man and returned to the girl standing eagerly on the step before the bench.

“The wound was in the base of the man's neck at the top of the left shoulder on the side next to the wall,” he said. “But what has this fact to do with the case?”

“Oh, monsieur,” she cried, “it has everything to do with it. If the assassin who slipped along the wall had carried the knife in his right hand, the wound would have been on the right side of the dead man's neck. But if, monsieur, the assassin carried the knife in his left hand, then the wound would be where it is, on the left side. That made me believe, at first, that the assassin had only one arm--had lost his right arm--and must use the other; then, a little later, I understood.... Oh, monsieur, don't you understand; don't you see that the assassin who stabbed Mr. Marsh was left-handed?”

In a moment it was all clear to everybody. Only a left-handed man could have committed the crime, for only a left-handed man standing close against the left side of a room above one sitting at a desk against that wall could have struck straight down into the left shoulder of the murdered man. A right-handed assassin would have struck straight down into the right shoulder, he would not have risked a doubtful blow, delivered awkwardly across his body, into the left shoulder of his victim.

The girl indicated Thompson with her hand. “He did it; he's left-handed. I found out by dropping my glove.”

Panic enveloped the cornered man. He began to shake as with an ague. Sweat like a thin oil spread over his debauched face and the folds of his obese neck. With his fatal left hand he began to finger the lapel of his coat where the faded rosebud hung pinned into the buttonhole. And the girl's voice broke the profound silence of the court-room.

“He has the money, too,” she said. “I felt a bulky packet when I gave him the flower out of my bouquet last night.”

The big, thin-haired lawyer, leaving the courtroom after his withdrawal from the case, stopped at a window arrested by the amazing scene: The police taking the stolen money out of Thompson's pocket; the woman in the girl's arms, and the transfigured prisoner standing up as in the presence of a heavenly angel. This before him... and the splendid motor below under the sweep of the window, waiting before the courthouse door, brought back the memory of his biting, sarcastic words:

“... or Cinderella in a pumpkin coach!”

And there occurred to him a doubt of the exclusive dominance of life by the gods he served.

XIV. The Yellow Flower

The girl sat in a great chair before the fire, huddled, staring into the glow of the smoldering logs.

Her dark hair clouded her face. The evening gown was twisted and crumpled about her. There was no ornament on her; her arms, her shoulders, the exquisite column of her throat were bare.

She sat with her eyes wide, unmoving, in a profound reflection.

The library was softly lighted; richly furnished, a little beyond the permission of good taste. On a table at the girl's elbow were two objects; a ruby necklace, and a dried flower. The flower, fragile with age, seemed a sort of scrub poppy of a delicate yellow; the flower of some dwarfed bush, prickly like a cactus.

The necklace made a great heap of jewels on the buhl top of the table, above the intricate arabesque of silver and tortoise-shell.

It was nearly midnight. Outside, the dull rumble of London seemed a sound, continuous, unvarying, as though it were the distant roar of a world turning in some stellar space.

It was a great old house in Park Lane, heavy and of that gloomy architecture with which the feeling of the English people, at an earlier time, had been so strangely in accord. It stood before St. James's Park oppressive and monumental, and now in the midst of yellow fog its heavy front was like a mausoleum.

But within, the house had been treated to a modern re-casting, not entirely independent of the vanity of wealth.

After the dinner at the Ritz, the girl felt that she could not go on; and Lady Mary's party, on its way to the dancing, put her down at the door. She gave the excuse of a crippling headache. But it was a deeper, more profound aching that disturbed her. She was before the tragic hour, appearing in the lives of many women, when suddenly, as by the opening of a door, one realizes the irrevocable aspect of a marriage of which the details are beginning to be arranged. That hour in which a woman must consider, finally, the clipping of all threads, except the single one that shall cord her to a mate for life.

Until to-night, in spite of preparations on the way, the girl had not felt this marriage as inevitable. Her aunt had pressed for it, subtly, invisibly, as an older woman is able to do.

Her situation was always, clearly before her. She was alone in the world; with very little, almost nothing. The estate her father inherited he had finally spent in making great explorations. There was no unknown taste of the world that he had not undertaken to enter. The final driblets of his fortune had gone into his last adventure in the Great Gobi Desert from which he had never returned.

The girl had been taken by this aunt in London, incredibly rich, but on the fringes of the fashionable society of England, which she longed to enter. Even to the young girl, her aunt's plan was visible. With a great settlement, such as this ambitious woman could manage, the girl could be a duchess.

The marriage to Lord Eckhart in the diplomatic service, who would one day be a peer of England, had been a lure dangled unavailingly before her, until that night, when, on his return from India, he had carried her off her feet with his amazing incredible sacrifice. It was the immense idealism, the immense romance of it that had swept her into this irrevocable thing.

She got up now, swiftly, as though she would again realize how the thing had happened and stooped over the table above the heap of jewels. They were great pigeon-blood rubies, twenty-seven of them, fastened together with ancient crude gold work. She lifted the long necklace until it hung with the last jewel on the table.

The thing was a treasure, an immense, incredible treasure. And it was for this--for the privilege of putting this into her hands, that the man had sold everything he had in England--and endured what the gossips said--endured it during the five years in India--kept silent and was now silent. She remembered every detail the rumor of a wild life, a dissolute reckless life, the gradual, piece by piece sale of everything that could be turned into money. London could not think of a ne'er-do-well to equal him in the memory of its oldest gossips--and all the time with every penny, he was putting together this immense treasure--for her. A dreamer writing a romance might imagine a thing like this, but had it any equal in the realities of life?

She looked down at the chain of great jewels, and the fragment of prickly shrub with its poppy-shaped yellow flower. They were symbols, each, of an immense idealism, an immense conception of sacrifice that lifted the actors in their dramas into gigantic figures illumined with the halos of romance.

Until to-night it had been this ideal figure of Lord Eckhart that the girl considered in this marriage. And to-night, suddenly, the actual physical man had replaced it. And, alarmed, she had drawn back. Perhaps it was the Teutonic blood in him--a grandmother of a German house. And, yet, who could say, perhaps this piece of consuming idealism was from that ancient extinct Germany of Beethoven.

But the man and the ideal seemed distinct things having no relation. She drew back from the one, and she stood on tip-toe, with arms extended longingly toward the other.

What should she do?

Had the example of her father thrown on Lord Eckhart a golden shadow? She moved the bit of flower, gently as in a caress. He had given up the income of a leading profession and gone to his death. His fortune and his life had gone in the same high careless manner for the thing he sought. For the treasure that he believed lay in the Gobi Desert--not for himself, but for every man to be born into the world. He was the great dreamer, the great idealist, a vague shining figure before the girl like the cloud in the Hebraic Myth.

The girl stood up and linked her fingers together behind her back. If her father were only here--for an hour, for a moment! Or if, in the world beyond sight and hearing, he could somehow get a message to her!

At this moment a bell, somewhere in the deeps of the house, jangled, and she heard the old butler moving through the hall to the door. The other servants had been dismissed for the night, and her aunt on the preliminaries of this marriage was in Paris.

A moment later the butler appeared with a card on his tray. It was a card newly engraved in some English shop and bore the name “Dr. Tsan-Sgam.” The girl stood for a moment puzzled at the queer name, and then the memory of the strange outlandish human creatures, from the ends of the world, who used sometimes to visit her father, in the old time, returned, and with it there came a sudden upward sweep of the heart--was there an answer to her longing, somehow, incredibly on the way!