CHAPTER X
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Now let us tighten our girdles for our first experience in Swiss mountain-climbing, for we start for Righi at nine A. M., on the summit of which we propose to see the sun set, and watch his rising on the morrow. Out of the handsome railway station we ride in an elegant and comfortable car, and in two hours are at the steamboat landing at Lake Zug, one of the most picturesque sheets of water in Switzerland--an azure pond nine miles in length; and, as we float upon its blue bosom, we see the object of our excursion, Righi-Kulm, which towers full forty-two hundred feet above the lake. The "Righi" consists of a group of mountains lying between the three Swiss lakes of Zug, Lucerne, and Lowerz, and "Righi-Kulm" is the Righi summit, or highest peak--fifty-five hundred and forty feet above the level of the sea. We disembark at Arth, get a bad dinner, or lunch, of tough chicken, poor soup, and bad claret, and start away for the foot of the mountain in an open carriage, with our saddle horses, mules, and guides rattling along behind us, for the ascent. Half an hour brings us to Goldau.
Goldau! And as I stood on the high road, and looked over into what was once the little valley where stood the village, and marked the track of the tremendous avalanche of a thousand feet broad and a hundred feet thick, which started three thousand feet above, from the mountain, on its resistless career of destruction, my memory went back to days in the public schools of Boston, where, from that best of compilations as a school reader, John Pierpont's American First Class Book, we used to read the "Lament of a Swiss Minstrel over the Ruins of Goldau," commencing,--
"O Switzerland, my country, 'tis to thee I strike my harp in agony,--"
and in which the author describes the catastrophe, more graphically than grammatically, perhaps, as follows:--
"An everlasting hill was torn From its primeval base, and borne, In gold and crimson vapors dressed, To where a people are at rest. Slowly it came in its mountain wrath, And the forests vanished before its path, And the rude cliffs bowed, and the waters fled, And the living were buried, while over their head They heard the full march of their foe as he sped, And the valley of life was the tomb of the dead."
But this avalanche occurred over half a century ago, and may be it is too old-fashioned to recall its story, though it will long live in historic record as destroying four villages, and overwhelming five hundred of their inhabitants. The sole trace of it now is the track of the avalanche on the side of the mountain, and some few huge bowlders piled together here and there in the valley, which have not been covered by the hand of time with vegetation.
And here our party descended from the carriage, and mounted their horses preparatory to the ascent. A young physician and the author concluded that their first experience in Alpine travel should be pedestrian; we therefore started up our mules, riderless, after the rest of the party, and, like all fresh tourists, stepped into a house here at the foot of the mountain to purchase our first alpenstocks. These, as everyone knows, are stout staffs, about six feet in length, with an iron spike at one end and a hook of chamois horn at the other--the latter ornament being generally an imitation, made of the head ornament of the common goat, blackened and polished. Nevertheless, the alpenstocks are of great assistance; indeed, the tourist who makes any attempts at pedestrianism among the Alpine passes will find them almost an absolute necessity.
Away went the string of mules and guides with our merry party on their winding way. The Swiss guides are excellent, and in many parts of the country they seem to be formed into associations, and under the best of regulations to prevent any imposition upon travellers, or the employment of unskilled guides.
As an illustration of the excellence of their regulations, we copy a few of those of the Righi guides:--
"The horses must be sound and strong, the gear in good order. The chief of guides, who holds office under the superintendence of the burgomaster, is responsible for the observance of the regulations; and he shall maintain order among the guides, render assistance to travellers, and inform against any infraction of the rules. Guides are forbidden to importune travellers. Civility and sobriety are strictly enjoined, and guides are personally responsible for luggage intrusted to them. Guides are forbidden to ask for gratuities in excess of the regular tariff. The chief of guides has sole right to offer horses to tourists, without, however, dictating their choice," &c.
Having procured our alpenstocks, we follow on over the broad, pleasant road of the first part of the ascent, through the woods, hearing the voices of our fellow-tourists, and now and then catching a glimpse of them, as they zigzag across the hill-side, and beat gradually up its steep height; we begin to come to the little mountain waterfalls, foaming and tumbling over the rocks on their way to feed the lake below; pass through scenery of the character not unlike the commencement of the ascent of Mount Washington, in New Hampshire, until finally we reach a halting-place--"Righi Inn." Bread, cheese--pah! the very smell of it caused all to beat a retreat; and the inevitable Swiss honey, and good French wine, were offered here. Causing a removal of the cheese, we refreshed ourselves with the bread, wine, and honey, and, with renewed vigor, pushed on.
Now the path is more open, we pass little crosses, or praying-places, and can see them at intervals up the mountain; they mark the halting-places of pilgrims to a little chapel above us, known as the chapel of "Our Lady of the Snow;" and their frequency does not argue so much in favor of the endurance of the pilgrims' powers of wind and muscle as it does of their devotion. This little chapel is inhabited by Capuchin monks, was built in 1689, and pilgrimages are generally made to it and Mass celebrated once a year.
After about two hours' climbing we find ourselves at a place called Oberes Dächli, and half way up the ascent; now we leave the woods below, and begin to have a view of huge peaks rising all about us; as we mount still higher, the air grows pure, bracing, and invigorating. Pedestrians think climbing the Alps is pastime, songs are sung with a will, and American songs, especially the choruses, make the guides stare with astonishment.
Hurrah! Here is Righi Staffel, four thousand nine hundred feet above the level of the sea, and a good hour's pull from our last halt; and now our guides lead us out to a sort of bend in the pathway, and we begin to see what we have climbed to enjoy. From this bend, which overhangs, and seems to form, as it were, a sort of proscenium box of the scene, we look down on the grand view below us--Lake Lucerne, Arth, the road we have passed, the mountains swelling blue in the distance.
What beautiful views we have had as we ascended! An attempt at description would be but a series of rhapsodies. Let any one who has seen the view from the Catskill Mountains imagine the scene filled in with eight Swiss lakes shining in the sunlight, dozens of Swiss villages in the valleys, chapels on the mountain-sides, ribbons of rivers sparkling in the distance, the melodious tinkle of cow-bells from the many herds on the mountain-sides below, coming up like the faint notes of a musical box, and the whole framed by a lofty chain of mountain peaks, that seem to rim in the picture in a vast oval. The view changed twenty times in the ascent, and a faint idea may be had of its grandeur and beauty.
"But wait till you reach the Kulm, if you want to see a view," says one, pointing to the tip-top hotel of the mountain, on its great platform above us.
"Will monsieur ride now?"
"Pshaw! No."
The rest of the distance is so short--just up there--that monsieur, though breathless and fatigued, will do no such thing, and so sits down on a broad, flat stone, to look at the view and recover wind for the last _brief_ "spurt," as he thinks; and the guide, with a smile, starts on.
We have learned a lesson of the deceptive appearance of distance in the mountains, for what appeared at most a ten minutes' journey, was a good half hour's vigorous climb before the hotel of Righi-Kulm was gained; and we stood breathless and exhausted in the portico, mentally vowing never to attempt mountain climbing on foot when horses could be had--a vow with which, perhaps, the last portion of the journey over a path made slippery by a shower, making the pedestrian's ascent resemble that of the arithmetical frog in the well, whose retrogression amounted to two thirds of his progression, had something to do--and a vow which, it is unnecessary to say, was not rigidly adhered to.
But Righi-Kulm was gained. Here we were, at a large, well-kept hotel. The rattle of the French, German, Italian, and English tongues tells us that Switzerland has attractions for all nations, and the fame of her natural scenery attracts all to worship at its shrine. A brief rest, after our nearly four hours' journey, and we are called out, one and all, to see the sun set. Forth we went, and mounted on a high, broad platform, a great, flat, table-like cliff, which, when contemplating the scene below, I could liken only to a Titanic sacrificial altar, erected to the Most High, it jutted out so towards heaven, with all the world below it.
But were we to be disappointed in the sunset?
Look! huge clouds are rising; one already veils the sun, its edges crimsoned, and its centre translucent. A moment more and the cloudy veil is torn aside as by the hand of a genie, and as the red rays of the great orb of day blaze into our faces like a huge conflagration, a universal burst of admiration follows at one of the grandest and most magnificent views the eye of man can look upon. The sudden effect of the sunburst revealed a spectacle that was like a vision of the promised land.
We realized now how "distance lends enchantment to the view." That blue atmosphere of distance, that seems to paint everything with its softening finish, is exquisite here. Lake Lucerne was at our very feet, and looked as though we might toss a pebble into it; eight other lakes, calm and still, and looking like polished blue steel plates resting in the landscape, flashed in the sunbeams, the little water-craft like motes upon their surface; silver ribbons of rivers glittered on the bosom of the mountains like necklaces, while villages appeared like pearls scattered on the dark-green carpet below, and we looked right through a great rainbow, "the half of the signet ring of the Almighty," at one, and the landscape about it--a singular and beautiful effect. Villages, lakes, landscapes were seen, as it were, through a river of light in a great panorama of hundreds of miles in extent, forming a view the grandeur and splendor of which it is impossible to describe.
But while we are looking at this wondrous picture, the sun sinks lower, and we raise our gaze to the grand chain of mountains, whose edges are now fringed with fire, or their snow peaks glowing in rose tints, sending back reflections from their blue glaciers, or sparkling in the latent rays.
There rises the great chain of Bernese Alps.
There _are_ mountains--eight, ten, twelve thousand feet into the air. How sharply they are printed against the sky! and how they roll away off towards the horizon in a great billowy swell, till lost in the far distance, the white-topped peak of one tall sentinel just visible, touched by the arrowy beam of the sun that glances from his icy helmet!
Look which way you may, and a new scene of surpassing beauty chains the attention. Here rises rugged old Pilatus, almost from the bosom of Lake Lucerne; beyond Lucerne, the whole canton is spread out to view, with a little river crinkling through it, like a strip of silver bullion thread; away off, at one side, the top of the Cathedral of Zurich catches the eye; down at our very feet, on the lake, is a little speck--Tell's Chapel; right around us rise the Righi group of mountains, green to their summits, and in contrast to the perpetual snow mantles of the distant Bernese. But the sun, which has been like a huge glittering and red, flashing shield, is now only showing a flaming edge of fire behind the apparently tallest peak, making it look like the flame bursting from a volcano; the landscape is deepening in huge shadows, which we can see are cast by the mountains, half obscuring it from view; the blaze is fainter--it is extinguished; a few moments of red, fiery glow where it sank, and anon a great, rushing group of clouds, and the blackness of night closes in, and the fierce rush of the Alpine wind is upon us.
We turned and groped our way back to the house, whose brightly-lighted windows spoke of comfort within; and round the board at the meal, which served alike for dinner and supper, we exhausted the vocabulary of terms of admiration over the grand spectacle we had just witnessed, which seemed worth a journey across the Atlantic to see.
At the supper table, we fraternize with other Americans from different parts of our country; and even the reserved and reticent Englishman finds it pleasant to converse, or address a few words to those he has not been introduced to, it is "so pleasant to talk one's own language, you know." Out in a little sanded sitting-room, where cigars and warming fluids were enjoyed before retiring, the attention of us Americans was attracted to an old and familiar friend, whose unlooked-for presence in this quarter was no less surprising than it was gratifying to our national pride. It was nothing more nor less than a print of Trumbull's well-known picture of the Battle of Bunker Hill, suspended over the mantelpiece. There were General Warren, falling into the arms of the shirt-sleeved soldier, and the British captain, pushing aside the bayonets that were thrust at his prostrate figure. There was Pitcairn, falling backwards from the redoubt, shot dead in the moment of victory by the colored soldier in the foreground. And there was old Putnam, waving his sword over his head at the advancing grenadiers--the very same old picture that every one of us had seen in our histories and geographies in school-boy days.
"The thing was neither rich nor rare, But how the devil it got there,"
away up at the top of one of the Alps, was the wonder.
However, it is not to be wondered at that, after its discovery, the toast of America and Switzerland was drank, with all the honors. Now that the night had come down, we could hear the mountain wind roaring around the house, as if it were clamoring for admittance; but the great dining-hall was full of light and cheerfulness; tourists of different nationalities recounted their adventures in little groups, and the Swiss carved work, which was brought out and spread upon the tables for sale, found many purchasers among those who desired to preserve a memento of their visit to the top of Mount Rhigi.
We were warned to retire early, as all would be roused at four A. M., next morning, to witness a sunrise, which we were assured was infinitely more grand than sunset.
It was easier for me to get to bed than to sleep. The fatigue of the climb, the bracing effect of the atmosphere, the remembrance of the superb panorama, and, besides this, the rush, roar, and whistle of the mountain breeze which rattled at the casement, all served to banish sleep from my eyes till the time arrived when the horn should have sounded for sunrise; but it did not, because of the thick clouds, as I heard from the few restless ones who clattered through the corridors; and so, relieved of the expectancy of the call, I sank into slumber, broken only by morning's light, although thick clouds veiled the god of day from view.
There appeared no prospect of clear weather; and so, after a late breakfast, our horses were ordered, and we began the descent, which, for the first half hour, was damp and cheerless enough, and made the coats and water-proofs we had been thoughtful enough to bring comfortable accessories. But, as we were slowly winding down the mountain, the clouds began to break; the wind had changed; gap after gap was rent in the vapor, which was rolled off at one side in great heaps; the bright blue sky looked through the rifts, and the landscape began to come out in great patches below; away went the clouds; what had seemed a great, dull curtain was broken up into sheets of billowy mist and huge patches of vapor, slowly rolling away in the distance, or heaping up in silvery banks; and below once more came out the blue, quiet lakes, the white villages, and the lovely landscape, while above, even above the clouds themselves, would start great peaks, round which they clung like fleecy garlands.
The rain-drops sparkled on the grass and bushes as I sat on a projecting cliff gazing at the scene, and the train of my companions wound out of sight, their voices growing fainter and fainter, till lost in the distance, and all was silent. There was no song of bird, or chirp of insect--a mountain solitude of stillness unbroken, when just below me came up that peculiar and melodious cry of the Alpine shepherd, "Ye-o-eo-o-leo-leo-leo-ye-ho-le-o," echoing and winding among the mountains, clear and bell-like, as it floated away.
The yodlyn! and this was the first time I had ever heard it in Switzerland.
But listen!
Above where I stand comes a reply, clear and musical, mellowed by distance, the curious falsetto, the "yo-e-ho-o-leo," is returned, and scarcely ceases ere taken up, away across the valley, by an answering voice, so faint in the distance that it quavers like a flute on the ear. And so the herdsmen in these solitudes call and answer one another during their journeyings, or their lonely hours in the mountains.
Now we wind down, through trees, herbage, and wild flowers. Here is an ocean of white and buff garden heliotropes, monkshood, handsome lilac candytuft, and a flower in abundance which very much resembles the Mexican ageratum. Now we come to a broad sort of open field, and a _chalet_, where we halted, and rested upon rustic seats at the door, while the horses were baited. While we sat here, the officious host branded our Alpine stocks with the names of Goldau and Righi, showing that we had passed those points. At this place, the open field was rich in sweet red-clover, and pretty little flowers, like dwarfed sweet-peas. As we rode on, the air was melodious with the tinkling of the bells of the mountain herds, and the woods and fields rich in wild white roses and numerous other flowers.
At length we reached Kusnacht, on Lake Lucerne; and, embarking on a little steamboat, we glided along past the beautiful slopes of the Righi range, having a fine view of the frowning peak of Pilatus, and some towering snow-clads in the distance. Finally we rounded a point, and there lay Lucerne, in a sort of natural amphitheatre, fronting on the blue lake, and between the Righi and Pilatus on either side. Upon the whole length of the long quay is a broad avenue of shady chestnut trees; then, strung along behind it, are the great hotels; and in the background, running over on the heights above the town, are the walls and watch-towers, the whole forming a most charming and picturesque scene.
The steamer glides up to the stone pier almost opposite to the great hotel, where our rooms had been engaged and luggage forwarded, and in a few minutes more the officious porters have us domiciled in fine apartments in the "Schweizerhoff," where we proceed to remove the stains of travel and mountain climbing, enjoy the luxury of a good bath, and in other ways prepare for the _table d'hote_.
The Schweizerhoff is a splendid hotel, and, with its dependencies, accommodates some three hundred or more guests. It is admirably kept, the rooms clean, well furnished, and airy, and the front commanding a superb view of the lake, Mount Pilatus, Righi, and a whole range of Alps, green hill-sides, rocky crags, or great snow-clads, running up five, six, seven, and eight thousand feet high. A picture it seemed we could never tire gazing at, as we sat at our windows looking at them, and the blue lake, with its steamboats coming and going, row-boats and pleasure sail-boats gliding hither and thither. In this house is a reading-room for ladies and gentlemen, with English, French, German, and Italian newspapers, books and magazines, a billiard-room, pretty garden, and great dining-room, with conservatory at one end of it, filled with plants and birds. A fountain in the room spouts and flashes merrily during the dinner hour, and a band of music plays. There are waiters and porters who speak French, German, Italian, and English, and hearing the latter spoken on every side so frequently, seeing so many Americans, and the ladies going through with the usual display of dress and flirtations as at home, it was difficult to imagine that we were not at some Saratoga, or Newport, and that a few hours by rail would not bear us to Boston or New York.
The sights in Lucerne are few and easily seen, the principal attraction being the loveliness of the situation. The River Reuss emerges from the lake at this point, and rushes off at a tremendous rate, and two of the curious old wooden bridges that span it are features of the place; they are roofed over and partially enclosed. In the inner triangular compartments of the roof of the longest are a series of over a hundred pictures, illustrating scenes in the lives of saints and in the history of Switzerland; in the other the Dance of Death is quaintly and rudely depicted; picturesque old places these bridges, cool and shady for a summer afternoon's stroll.
The great attraction in the old cathedral in Lucerne is the fine organ, which all visitors go to hear played; and we strolled in on a quiet summer's evening, after dinner, to listen to it. The slanting beams of the sun gleamed through the stained-glass windows, and lighted up some of the old carved wood reliefs of the stalls in the church, as we took our seats, with some fifty or sixty other tourists, here and there in the body of the house; and soon the music began. First there were two or three hymns, whose pure, simple melody was given with a grace and delicacy that seemed to carry their sacred sentiment to the very heart; from these the performer burst into one of the grandest performances of Mendelssohn's Wedding March I ever listened to. There was the full band, with hautboy, flute, clarinet, and trumpet accompaniment, introducing perfect solo obligatos, and closing with the full, grand sweep of melody, in which, amid the blending of all in one grand harmonious whole, the strains of each were distinguishable, perfect, pure, and faultless. The liquid ripple of the flute, the blare of the trumpet, and the mellow murmur of the clarinet, till the march arose in one grand volume of harmony that made the vaulted arches of the old cathedral ring again, and it seemed as if every nook and corner was filled with exultant melody. It was a glorious performance, and I felt like leaping to my feet, swinging my hat, and shouting, Bravo! when it was finished.
But, if this was glorious, the last piece, which represented a thunder storm amid the Alps, was little short of marvellous, and may be regarded as a masterpiece of organ-playing. It commenced with a beautiful pastoral introduction; this was succeeded by the muttering of distant thunder, the fitful gusts of a gradually rising tempest, the sharp _shirr_ of the wind, and the very rattling and trickling of the rain drops; mountain streams could be heard, rushing, swollen into torrents; the mutter of the tempest increased to a gradual and rising roar of wind; a resistless rush of rain was heard, that made the spectator look anxiously towards church windows, and feel nervous that he had no umbrella. Finally the tremendous tempest of the Alps seemed to shake the great cathedral, the winds howled and shrieked, the rain beat, rushed, and came down in torrents; the roar of the swollen mountain streams was heard between the terrific peals of thunder that reverberated among the mountains, awaking a hundred echoes, and one of those sharp, terrible rattles, that betokens the falling bolt, made more than one lady sit closer to her protector, with an involuntary shudder.
But anon the thunder peals grew less and less frequent, and rolled slowly and grandly off among the mountains, with heavy reverberations, between which the rush of the mountain streams and the rattle of the brooks were heard, till finally the peals of heaven's artillery died away entirely, the streams rushed less fiercely, and the brooks purled over the pebbles. Then, amid the subsiding of the tempest, the notes of a little organ, which had been heard only at intervals during the war of elements, became more clear and distinct: now, as the thunder ceased and the rush of rain was over, you heard it as in some distant convent or chapel among the mountains, and there arose a chant so sweet, so clear, so heavenly as to seem hardly of this earth--a chant of nuns before their altar; anon it increased in volume as tenor, alto, and even the full bass of monkish chant joined, and the whole choir burst into a glorious hymn of praise.
The audience were breathless as they listened to the chant of this invisible choir, whose voices they could distinguish in sweet accord as they arose and blended into a great anthem, and then gradually faded in the distance, as though the meek sisterhood were gliding away amid their cloisters, and the voices of the procession of hooded monks ceased one after the other, as they sought the quiet of their cells. The chant dropped away, voice by voice, into silence; all ceased but the little chapel organ accompaniment, which lingered and quavered, till, like a last trembling seraph breath, it faded away in the still twilight, and--the performance was over.
There was full a moment's spell-bound hush among the listeners after its conclusion, and then followed one universal burst of admiration and applause in half a dozen different languages. Some of the ladies of our party, not dreaming of the wonders of the vox humana stop, desired to see the choir that sang so sweetly; and to gratify them we ascended to the organ gallery, where, to their surprise, we met the sole performer on the wonderful instrument to which they had listened, in the person of an old German, with scattered gray hairs peeping out beneath his velvet skull-cap, wearing black knee-breeches and silk stockings, and shoes with broad buckles--a perfect old virtuoso in appearance, and a genuine musical enthusiast, trembling with pleasure at our praise, and his eyes glistening with tears at our admiration of his marvellous skill.
The lion of Lucerne is, in fact, literally the lion; that is, the celebrated lion sculptured out of the natural rock by the celebrated Danish sculptor Thorwaldsen, in memory of the Swiss guard that were massacred in defence of the Tuileries in 1792. The figure is in a beautiful grotto, a sheet of water, which is fed by springs that trickle out from the stone that it is carved from, separating it from the spectator.
The reclining figure of this dying lion, so familiar to all from pictorial representations, is twenty-eight feet in length, and, as it lies transfixed with the broken lance, and in the agonies of death, sheltering the French shield and _fleur de lis_ with its great paws, forms a most appropriate monument, and one not easily forgotten.
Lake Lucerne, the Lake of the Four Cantons, is the most beautiful in Switzerland, and the grandeur and beauty of the scenery on every side are heightened by the historical associations connected with the country bordering on its waters; for these cantons are the birthplace of Switzerland's freedom, and the scenes of the struggles of William Tell and his brave associates. It was a beautiful summer's morning when we embarked on board one of the little steamers that leave Lucerne four or five times a day, and steamed out from the pier, leaving the long string of hotels, the range of hills above them, with the curious walls and watch-towers, behind us, and grim old Mount Pilatus with his necklace of clouds standing guard over the whole.
We again pass the green slopes of the Righi, and in the distance the great Alpine peaks begin to appear, printed against the sky. Soon we come to Burgenstock, a great forest-clad hill that rises abruptly from the very lake to the height of over three thousand four hundred feet; we pass beautiful slopes rimmed with a background of lofty mountain peaks; here is the picturesque little village of Waggis, from which many make the ascent of the Righi; next we pass a beautiful little crescent-shaped village, and then come in sight two great barren, rocky-looking peaks named Mythen, nearly six thousand feet high; and the boat rounds up to the pier of Brunnen, a lovely situation, where many tourists disembark and others come on board. Shortly after leaving here, we pass a perpendicular rock, nearly a hundred feet high, on which is inscribed, in huge gilt letters, an inscription signifying it is to "Frederick Schiller, the Bard of Tell." Just beyond this a passenger directs our view to a green field, and a few scattered chalets. That is Rutli, what little we can see of it, and where the founders of Swiss liberty met, and bound themselves by oath to free the land from the invader.
The steamer glides close to the shore, and gives us an opportunity of seeing Tell's Chapel, situated upon a rock on the shore, and marking the place where Tell sprang out of Gessler's boat, as is told in the stories of the Swiss hero. Leaving this behind, we soon come in sight of Fluelen, our point of destination, situated in the midst of a surrounding of grand Alpine scenery. Between two great peaks, in full view, we can see a glacier, with its white snow and blue ice, and a great peak, with castle-shaped summit, looms up seventy-five hundred feet, while behind Fluelen rise two other peaks nearly ten thousand feet. We are circled by great Alps, with their snowy crowns and glaciers gleaming in the sunlight.
Landing at Fluelen, we engaged for our party of five a private open carriage, for the journey through St. Gothard Pass, instead of taking the great cumbrous ark of a diligence that was in waiting. By this means we secured a vehicle very much like an open barouche, roomy, comfortable, and specially designed for the journey, with privilege, of course, of stopping when and where we liked, driving fast or slow; in fact, travelling at our own convenience. This is by far the pleasantest way of travelling the mountain passes accessible to carriages, and where a party can be made up of four or five, the expense per head is but a small advance on that charged in the diligence, a dusty, dirty, crowded vehicle, with but few positions commanding the view, which is what the tourist comes to see.
Crack, crack, crack! went the driver's whip, like a succession of pistol-shots, as we rattled out of Fluelen, and, after a pleasant ride of half an hour, rolled into the romantic little village of Altorf, embosomed in a lovely valley, with the huge mountains rising all about it.
Altorf! William Tell! "Men of Altorf!"
Yes; this was the place embalmed in school-boy memories with all that was bold, heroic, brave, and romantic. Here was where William Tell defied Gessler, dashed down his cap from the pole, and appealed to the men of Altorf.
Pleasant little Swiss town. We ride through a narrow street, which widens out into a sort of market-place, at one end of which stands a huge plaster statue of the Swiss liberator, which is said to occupy the very spot that he stood upon when he performed his wondrous feat of archery, and one hundred and fifty paces distant a fountain marks the spot where his son Albert stood awaiting the arrow from his father's bow, though some of the Swiss insist that Albert's position was thirty paces farther, where a tower now stands, upon which some half-obliterated frescoes, representing scenes in Tell's life, are painted.
We descended from our carriage, walked over the space of the arrow flight, and called to each other from the opposite points; pictured to ourselves the crowd of villagers, the fierce soldiery that pressed them back, the anxiety of the father, the twang of the bow, distinctly heard in the awe-struck hush of the assemblage as the arrow sped on its flight, and then the shout that went up as the apple was cleft, and the boy, unhurt, ran to his father's arms.
Away we sped from the town of Altorf, passed a little castle on a height, said to be that of Gessler, and soon emerged on the broad, hard, floor-like road of the St. Gothard Pass; and what pen can describe the grandeur and beauty of this most magnificent of all Alpine passes! One may read descriptions, see engravings, paintings, photographs, or panoramas, and yet get no idea of the grandeur of the spectacle.
There were huge walls of splintered crags, so high that they seemed to be rocky curtains hung down out of the blue heavens. These _were_ mountains, such as I imagined mountains were when a child. We had to look straight up into the sky to see them. Great rocky walls rose almost from the road-side sheer up thousands and thousands of feet. A whole range of peaks is printed against the sky directly before us, half of them glittering with snow and ice. On we rolled over the smooth road, and emerged into a vast oval amphitheatre, as it were, the road passing through the centre, the green slopes the sides, and the huge peaks surrounding the outer barriers that enclosed it. We all stood up in our carriage, with exclamations of admiration at the magnificent scene that suddenly burst upon us.
Just below the broad road we were upon rushed the River Reuss, a foaming torrent. Beyond it, on the opposite side, all the rest of the distance, the whole beautiful valley, and along the green slope of the opposite mountain, for three or four miles, were Swiss chalets, flocks feeding, men and women at work, streams turning water-wheels, romantic waterfalls spattering down in large and small ravines. We could see them starting from their source miles away up among the blue glaciers, where, beneath the sun's beams, they fluttered like little threads of silver, and farther down came into view in great brooks of feathery foam, till they rushed into the river that owed its life to their contributions.
The distance is so enormous, the scenery so grand, that it is beyond description. I was like Gulliver among the Brobdingnagians, and feared I never should get my head down to a level with ordinary mortals again. I discovered, too, how deceptive the distance was among these huge peaks. In attempting to toss a pebble into the stream that flowed apparently thirty or forty feet below the road, and, as I thought, about twenty feet from it, it fell far short. Another and another effort failed to reach it; for it rolled over three hundred feet below, and more than two hundred and fifty from us.
Every variety of mountain peak rose before us against the dark-blue afternoon sky. There were peaks that ran away up into heaven, glittering with snow; old gray crags, splintered, as it were, with thunder-bolts; huge square, throne-like walls, the very throne of Jupiter; mountains that were like great brown castles; and peaks that the blue atmosphere of distance painted with a hundred softened and varied hues.
The reader may fancy himself viewing this scene, if possible, which we saw as we rode over this smooth, well-kept road--at our right a ridge of mountain wall, at our left the great ravine, with the white-foamed torrent rushing over its rocky bed, every mile or so spanned by arched stone bridges. On the other side of the stream were the pretty rural picture of farms, chalets, gardens, herds, and flocks. Every inch of ground that was available was cultivated, and the cultivation runs up the mountain side as far as vegetation can exist. All around the air was filled with the rattle of running water. Rushing torrents leaped from great ravines, little ribbons tumbled down in silver sheets, brooks clattered and flashed as they wound in and out of view on their way to the valley, cascades vaulted over sharp crags, and the sides of this vast amphitheatre were glistening with silvery veins. I counted over twenty waterfalls within one sweep of the eye.
We were surprised into admiration at the state of the road. It is a magnificent specimen of engineering, and, although it is a steady ascent, it is rendered easy and comparatively imperceptible by numerous curves. There are forty-six great curves, or zigzags, in the ascent. The road itself is nearly twenty feet wide, kept in admirable order, free as a floor from the least obstruction, and protected on the side towards the precipice by strong stone posts planted at regular intervals. There are many streets in Boston more difficult of ascent and more dangerous of descent than the road of the St. Gothard Pass.
The magnificent roads in the mountain passes, the fine hotels, the regulations respecting guides, and the care and attention bestowed upon travellers in Switzerland, are all for a purpose; for the Swiss, as I have remarked, live on the travel of foreigners, and are wise enough to know that the more easy and pleasant they make travelling to tourists, the more of them will come, and the more money will be spent. The roads are almost as great a wonder as the scenery. Sometimes, when a spur of the mountain juts out, a tunnel, or gallery, is cut right through it; and really there is comparatively but very little danger in traversing the Swiss passes, except to those venturesome spirits who persist in attempting to scale almost inaccessible peaks, or ascending Mont Blanc, Mont Rosa, or the dangerous Matterhorn.
As we rode on and on, and up and up, we came to a wild scene that seemed a very chaos--the commencement of creation. We found ourselves in the midst of great black and iron-rust colored crags, five or six thousand feet high, jagged, splintered, and shattered into every variety of shape. The torrent fairly roared hundreds of feet below. I had left the carriage, and was walking some hundreds of yards in advance alone as I entered this tremendous pass. The road hugged the great black rocky wall of the mountain that rose so high as almost to shut out the light. On the opposite side were mountains of solid black rock, not a spear of grass, not a speck of verdure, from base to summit. The great rushing mountain torrent tore, rushed, and leaped madly over the huge boulders that had rolled into its jagged bed, and its fall was all that broke the awful stillness and the gloomy grandeur of the place; for the whole scene, which the eye took in for miles, was lofty masses of everlasting granite, hurled together and cleft asunder as by supernatural means. I could think of nothing like it but Gustave Doré's pictures in Dante's Inferno; and this terrific pass was a good representation of the approach to hell itself. It is astonishing to notice how the scene hushes the visitor into an awe-struck silence; for it seems as if in these wild and awful heights, as on mid-ocean, man stands more immediately in the presence of the Almighty.
The scene culminates at the bridge itself,--appropriately named the Devil's Bridge,--where is a tremendously rapid waterfall pouring down, and where the eye takes in the whole of the black ravine, with the road like a white snake clinging to the precipitous mountain wall. Thirty or forty feet below, also spanning the torrent, are the remains of the old bridge upon which the battle was fought between the French and Austrians--a terrible place, indeed, for a death struggle. The new bridge, over which we crossed, is a splendid structure of granite, and has a single arch of twenty-five feet. Through the mighty ravines we wound upward and onward, on through a great tunnel, fifteen feet high and sixteen feet wide, cut through the solid rock a distance of over two hundred feet, soon after emerging from which we came to a verdant, broad, level pasture, here up among the mountains, a valley surrounded by lofty snow-clads. This is the valley of Uri, and its pleasant verdure, watered by the river which flows through it, is an agreeable contrast to the savage and gloomy grandeur of the scenery we had left behind us. There are only about four months of summer here, and the inhabitants subsist by their herds, and by conveying travellers' baggage and merchandise over to St. Gothard Pass.
We next came to the little village of Andermatt, and just beyond it, at nightfall, reached Hospenthal, fatigued and glad to reach the Meyerhof Hotel, just outside the village. The house, which had accommodations for seventy or eighty guests, was crowded with tourists, among whom was a liberal representation of Americans and Englishmen. In the morning, after discussing a hearty breakfast, we started on our return, having a fine view of the glacier of St. Anna, rising high above the mountain ridges, and glittering in the morning sunshine. We drove back through the same pass, and halted on the Devil's Bridge to watch the waterfall of the Reuss, that leaps and foams down its descent here of a hundred feet, as it passes beneath the bridge, and, looking up, saw the spray of the descending torrent made into beautiful rainbows by the morning sunbeams. There were the terrible masses of rock, the huge, splintered peaks, and tremendous ravines; but the grand effect of ascending in the twilight of afternoon, which is the time chosen, if possible, by tourists, is lost, to a great extent, in the early part of the day.
Once more, adieu to Lucerne; and this time we start from the door of the Schweizerhoff in private conveyance for Interlaken, _via_ the Brunig Pass. We rode along for miles over a smooth, level road, on the very banks of the Lake of the Four Cantons, the scenery being a succession of charming pictures of lake and mountain. Our road led us through several Swiss villages, generally closely built, with narrow and irregular streets, and very dirty. The Swiss peasants that we meet are browned and bent with hard toil. Men and women toil alike, in the fields and by the roadside. All are trained to burden-bearing, which is by means of a long basket made to fit the back and shoulders, the top higher than the head. The women over thirty years of age are coarse and masculine, their faces and hands browned, seamed, and wrinkled with toil. They clamber about in the mountain passes, and gather grass for their herds, carrying the burdens in their baskets, or the manure which may be found on the road during the travelling season, or break stones for mending the roads.
The Brunig road was another one of those wonderful specimens of engineering, with not a loose pebble upon its floor-like surface, the scenery romantic and beautiful, but not of so grand a description as the St. Gothard. We wind through the woods, have occasional glimpses of the valley below, until finally, at the summit of the pass, the magnificent scenery of the Meiringen valley bursts upon the view. This is, as it were, a level, beautiful country, deep between two great ranges of mountains, and you stand upon one and look down upon it, and across to the other.
This smiling valley was like a framed picture in the sunshine; the silver River Aare wound through it, white villages were nestled here and there, orchards bloomed, and fields were verdant, sheltered by the high crags from the north wind, and brown roads wound in and out among finely cultivated farms. Directly opposite us, away over the other side of the valley, rose up the sheer, rocky sides of the mountain wall, out of which waterfalls were spurting and cascades dashing in every direction, to feed the stream below. There were the beautiful falls of the Reichenbach, rushing over the cliff, and dropping hundreds and hundreds of feet down to the valley. The different waterfalls that we could see at the opposite side of the valley seemed like white, waving wreaths hung upon the mountain-sides. To the rear of these, overtopping all at intervals, lofty snow-clads lifted their white crowns into the sunshine. The view of this lovely valley, with its green pastures, meandering rivers, and picturesque waterfalls; its verdant carpet, dotted with villages, and the whole fringed with a belt of firs and dark green foliage, as we looked down into it from our lofty platform, reminded me of the story of the genius who stamped his foot on the mountain, which was cleft open, and showed in its depths to an astonished peasant the lovely country of the elves and fairies, in contrast with the desolation of the rocky crags and mountains that rose about him.
Down we ride, amid beautiful mountain scenery on every side, and finally through the town of Brienz, where the beautiful wood carving is wrought. We have a good view of the Faulhorn in the distance, pass through two or three little Swiss villages, and finally drive into a beautiful green valley, with quite a New England appearance to the _pensions_, or boarding-houses, which passed, we come to a string of splendid hotels upon one side of the broad road, the other side being open, and affording an unobstructed view of the Jungfrau and its snowy crown. Fatigued with a ten-hours' ride, and sight-seeing, we drive up to the door of the magnificent Hotel Victoria. Price of the carriage hire, extra horses, driver's fee, horse baiting, and all, for the whole day's journey, fifty francs,--ten dollars, or two dollars apiece,--and a very reasonable price it was considered for private conveyance, _première classe_, at the height of the travelling season.
The hotels at Interlaken are fine establishments, and well kept. The Victoria, where we were domiciled, has fine grounds in front, and commands a view of the Jungfrau glacier. It contains two hundred and forty rooms, and has reading-rooms, parlors, and music-rooms equal to the hotels at our fashionable watering-places. Prices high--about two dollars per day, each person. There are numerous other smaller hotels, where the living is equally good, and the prices are less; and still others, known as _pensions_, where visitors stay for a few weeks or the season, which are very comfortable, and at which prices are half the rate above mentioned.
Interlaken is beautifully and romantically situated, and is a popular resort for tourists in Switzerland, as a place from which many interesting excursions may be made. We chose ours to be up over the Wengernalp to Grindenwald, sending our carriage around from Lauterbrunnen to Grindenwald, to meet us as we came down by the bridle-path to that place. The ride to Lauterbrunnen was the same succession of beautiful Alpine scenery that I have so often described--lofty mountains, cascades, waterfalls, green slopes, distant snow-clads, dark pines, blue distance, Swiss _chalets_, and picturesque landscape.
Beggars now begin to be a serious nuisance, especially when your carriage stops at different points for you to enjoy the view. Then boys and girls come with milk, plums, apricots, cheap wood carvings, and curious pebbles, to sell, till one gets perfectly nervous at their approach, especially after the halt, the lame, and the blind have besought you; and one fellow capped the climax, as we were enjoying a beautiful view, by gracefully swaying a toy flexible snake into our carriage, to our most intense disgust and indignation. As you progress, women waylay the carriage at the top of a small ascent, which it must approach slowly, and bawl Swiss songs, ending with an outstretched palm, as you reach them. Boys and men, at certain points in the passes, sound Alpine horns,--a wide-mouthed instrument of wood, six feet in length,--which gives out a sonorous but mellow sound, peculiarly musical in the Alpine echoes. The blowers expect that a few sous will be tossed to them, and children chase you with bunches of mountain flowers to sell.
How people manage to exist far up in some of these wild mountain defiles is a wonder; and it seems as though it must be a struggle for some of them to keep soul and body together: they save every bit of herbage, scrape up manure from the roads, cultivate all they can in the short summers, keep goats and cows, and live on travellers.
The Catholic priests have penetrated every pass and defile in the country, and at their little chapels in the Alps and by the roadsides are rude and fearfully rough-looking representations of our Saviour on the cross, and of various saints undergoing all sorts of tortures. Now and then we meet a party of peasants on foot, men and women travelling over the mountain pass from one canton to another, the leader holding a rosary, and all repeating a prayer together, invoking protection from dangers on the road. The priests, with their long black robes and huge hats, you meet all over Europe. We had one--a jolly fellow he was, too--in the same compartment of a railway carriage on one of the Swiss roads, who laughed, joked, had a pleasant chat with the ladies, asking all sorts of questions about America, and at parting, bade us adieu with an air.
As we approached Lauterbrunnen, we rode through the romantic valley of the River Lutschine, which rushes and boils over the rocks at such a rate that the cloudy glacier water has exactly the appearance of soap-suds. Here, on this river's banks, rests the picturesque little village of Lauterbrunnen, which name, we were told, signified springs. The little waterfalls and cascades can be seen flashing out in every direction from the lofty mountains that surround it; but chief among them is the superb and graceful Staubbach, that tumbles down from a lofty cliff _nine hundred and twenty-five feet_ in height. The best view of this beautiful fall is at a point nearly half a mile distant, as the water, which is not of great volume, becomes converted into a shower of mist before reaching the ground, after its lofty leap; but at this point, where we had the best view of it, it was like a wreath of snowy foam, broadening at the base into a million of beautiful scintillations in the sunlight, and the effect of the wind was to sway it hither and thither like a huge strip of snowy lace that had been hung down over the green side of the mountain.
Now we take horses, after leaving the road that runs through Lauterbrunnen. Every half hour reveals to us new wonders of Alpine scenery and beauty; we reach the little village of Wengen, and see great peaks rising all around us; upward and onward, and from our mountain path we can look back and down in the valley of Lauterbrunnen, that we have left far, far below; we see the Staubbach fall dwarfed to a little glittering line, and, above it its other waterfall, of several hundred feet, which was not visible from the valley. But still upward and onward we go, and now come to a long ridge, upon which the bridle-path runs, as it were on the back-bone of the mountain. Here we have a view as grand, as Alpine, as Swiss, as one has ever read about or imagined.
Right across the ravine, which appeared like a deep crevasse, scarcely half a mile wide, was a huge blue wall of ice, seamed with great chasms, rent into great fissures, cold, still, awful, and terrible, with its background of lofty mountains covered with eternal snow. Now we had a view of the Jungfrau in all its majesty, as its snow crest sparkled in the sunshine, twelve thousand eight hundred and twenty-seven feet in height. There were the Silverhorn and the Schneerhorn, springing their lofty peaks out of a vast expanse of snow and ice; a whole chain of gigantic cliffs, so lofty in height that you seem to look up into the very heavens at their peaks of dazzling whiteness; the Shreckhorn, twelve thousand two hundred feet high; the Black Monk, a dark mass of rocks, twelve thousand feet, in striking contrast with the snowy mantles that clothe the other mountains.
Great glaciers, miles in extent, put a chill into the air that makes you shudder. The gap that I thought half a mile wide is a space nearly six times that distance across; we feel dwarfed amid the immensity and stupendous grandeur of the scene, and, as we unconsciously become silent, are struck with the unbroken, awful stillness of the Alps.
We are above the murmur of brooks and the rush of waterfalls; no bird or insect chirrups here; there is not even a bush for the wind to sigh through. Now and then a deep, sonorous murmur, as of the sigh of some laboring gnome in the mountain, or the twang of a gigantic harp-string, breaks the silence for a moment, and then dies away. It is a distant avalanche. We listen. It is gone! and all is still, awful, sublime.
We rode on; the view took in a whole chain of lofty mountains: now we pass great walls of crag, three or four thousand feet high, now looked across the ravine at the great glaciers, commencing with layers of snow and ice, and running out till they became a huge sheet of blue ice, the color deepening till it was blue as vitriol; but we were doomed to pay one of the penalties of sight-seeing in the Alps, for swiftly came a thick cloud, shutting out the whole view, and out of it came a heavy shower, drenching all thoroughly. A quarter of an hour of this, and the cloud had passed on, and we had nearly reached the little Hotel Bellevue, our point of destination, and come in sight of a verdant hill-side, a vast green, sheltered slope, in striking contrast to the ice and snow of the other part of the pass.
Our guides made us first halt, and look at the herd of cattle that were feeding upon it, and then pause, and listen to the tinkle of their bells,--more than three hundred in number,--that sounded like a vast music-box in the Alpine stillness. Then we looked away across the valley, and saw the little village of Mürren, the highest village in Switzerland, five thousand and eighteen feet, on a mountain-side; and finally we reached the hotel on the highest point of the little Scheideck, six thousand two hundred and eighty-four feet (Righi is five thousand five hundred and forty-one feet), and as we approached across the little plat of level ground in front of it, found we had arrived at a "reapers' festival;" and there was quite a gathering of peasants, who assemble here on the first Sunday in August, dressed in the Grindenwald costume, for dancing, wrestling, and other festivities. They had been driven in-doors by the rain; the entry of the little hotel was crowded; and however romantic and picturesque the Swiss mountaineer may look in his national costume in the picture-books, or poetical he and the Swiss maiden may be in songs and ballads, there is an odor of garlic and tobacco about them at close quarters that seriously affects poetic sentimentality.
As the rain had ceased, the peasants once more betook themselves to dancing to the music of a cracked clarinet and a melodeon; and another group got up an extemporaneous fight, two of them tumbling down a dozen or fifteen feet into a gully without injury, while we put the house under contribution for wood for a fire in the best room, and were soon drying our clothes by a blaze of claret-wine boxes. A capital mountain dinner, in which tea, honey, sweet bread, butter, and chamois chops figured, was so much better and cheaper than the soggy doughnuts, indigestible pie, sour bread, and cold beans that used to be set before the traveller at the Tip Top House, Mount Washington, New Hampshire, for the tip top price of _one dollar_ a head, that we could not help drawing the comparison.
A rest and an enjoyment of the grand view of mountain chain, snowy peaks, and vast glaciers that surround us, and we start for the descent to Grindenwald. Grand views we had of the Wetterhorn, the Faulhorn, and the upper and lower glaciers of Grindenwald. We pass where avalanches have torn down the mountain-side, and thrown huge boulders about like pebbles, then over patches of open field, where stunted herbage grows, and Alpine roses redden the ground with their blossoms; then we come to woods, pastures, and peasants, and reach Grindenwald just before nightfall, to find our carriage waiting to take us back to Interlaken, which we reached after an absence of about eleven hours.
Interlaken is a grand depository and mart of the Swiss carved wood work, Alpine crystals, &c.; and grand stores of this merchandise, after the fashion of the "Indian stores" at Niagara Falls, attract the tourist. Some of this carving is very beautifully and artistically done, and some of it is cheap and not worth the trouble of taking away; but it is positively amusing to see how some American travellers will load themselves down with this trash because it _is_ cheap. Some of the smoke crystals and rock crystals, fashioned into sleeve-buttons and watch-seals, were both handsome and low priced.
I strolled into the little shop of an honest old Hebrew from Prague, who had a cheaply-painted little sign, in English, that he sold "Garnets, real Stones," and found that he did not, or had not learned to charge extravagant prices; he spoke English, and was teaching it to his little daughter, from a primer, when we entered, for "English and Americans buy garnet, and must be talk wis." The old fellow's garnets were excellent and cheap, and I soon had sleeve-buttons, and scarf-pin, large pin, and small pin, studs, and the garnet in forms enough to render me ruddy for the next ten years, and was preparing to take my departure, when leaning too heavily upon the little show-case, my elbow went through it with a crash. Here was a chance for damage! To be sure the pane of glass was little larger than a sheet of foolscap; but we must pay what the proprietor charged; and was he not a Jew? Well, this Jew thought two francs would amply reimburse him; but monsieur had been so kind, be could only charge him one.
After being deceived in the Rue de la Paix, cheated on the Boulevards, swindled barefacedly in the Grand Hotel, and humbugged outrageously in the Palais Royal, I rather relished being "Jewed" in this manner; none the less agreeable and satisfactory from its being so un-Christian-like a transaction. Accordingly I hailed two other Americans from the street, men who "bought everything everywhere," one of whom had got one of his trunks so mixed up, and tightly packed with shirts, curiosities, gloves, carved wood-work, stockings, photographs, crystals, boots, guide-books, under clothing, fans, and stereoscopic views, that he denominated it the Chinese puzzle, gave up trying to find his articles of wearing apparel in it, and sent it back to Paris. I hailed these two as they were passing, commended the merchandise and "much kindness in the Jew," and the old fellow, in less than half an hour, felt that he had brought his glittering gems from Prague to some purpose, as many of his best jewels changed places with the gold Napoleons of the Americans.
The little hotel at Giessbach was full when we arrived, although we had telegraphed a day in advance for rooms; and a polite porter met us at the pier, as the boat drew up, with regrets, and commended the "Bear," which was situated in the village of Brienz, opposite, where we could sup, lodge, and breakfast, and row over to see the Giessbach Falls. There was no resource but to go to the Bear, and we went; and after a bad supper, a boat's crew of two men and a woman rowed us back across the lake to Giessbach to see the lime light illumination of the falls. From the landing to the terrace commanding the falls is a good twenty minutes' climb; but in the darkness, preceded by a couple of guides bearing lanterns, there is not much opportunity for a critical examination of the surrounding scenery: however, we determined to revisit it by daylight, and all agreed that the idea of exhibiting a waterfall on a dark night, by means of an illumination, at a franc a head, was an idea worthy a Barnum, or at least the inventive qualities of an American.
We reached the terrace, and there waited in the blackness of night with an expectant group. We could hear the torrent dashing and tumbling down opposite to where we stood, and high above among the cliffs, but our vision failed to penetrate half a dozen yards into the Cimmerian gloom.
Suddenly a little rocket shot out from below us; another, above, with momentary flash revealed a tumbling cascade and the dark green foliage, and then all again was blackness. In a moment or two, however, a bright glare shot out from below, another above it, another and another flashed up, and then from out the blackness, like an illuminated picture, we saw the beautiful fall, a series of seven cascades, leaping and tumbling down amid the verdant foliage, every twig of which stood out in the powerful light, while through the romantic and picturesque ravine poured a mass of foam of molten silver, beneath the colored light, rich, gleaming and dazzling. But while we gazed, the hue changed, and purple equal to Tyrian dye for robe of Roman emperor tumbled over purple rocks, and dashed up violet spray into the air. Once more, and the rocks were ingots, the stream was Pactolus itself, the bark on trees at the brink were as if Midas himself had smote them, and the branches bore gold leaf above the yellow current. But it changed again, and a torrent red as ruby gushed over the rocks, the ravine was lighted with a red glare as of a conflagration, and as we gazed on those spurting, tumbling crimson torrents there was something horribly suggestive in the sight.
"Blood, blood! Iago."
But we did not see it long in that light, for the herbage, trees, and foliage were next clothed in an emerald hue, till the ravine looked like a peep into Aladdin's cavern, and the torrent was of that deep green tinge which marks that great bend of the falling water when it pours with such majestic sweep over the crag near Table Rock, at Niagara.
The green faded gradually, the torrent leaped a few moments in paler light, cascade after cascade disappeared; we were again in darkness, and the exhibition was over. Preceded by our lantern-bearers, we gained the boat, and our crew started out into the blackness of the lake for the opposite shore, and for one of the dozen groups of lights that marked the landings.
We were compelled to bear with the "Bear" for one night, but cannot commend it as the "Great Bear" or a planet of much brilliancy; so we bore away from it early in the morning for the opposite shores, again to see the falls by daylight, ere the steamer started on the return trip to Interlaken. The ascent is a series of curves up a delightful, romantic pathway, and when part way up crosses a bridge commanding a view of a portion of the falls; but from the charming terrace near the hotel, the sight of the series of six or seven successive leaps or continuous cascades of the water as it rushes down an impetuous foaming torrent from a height of three to four hundred feet in the mountain wall is magnificent. We sat beneath the trees and enjoyed the sight till the last moment, and saw, by turning towards the lake, that the steamer had left the opposite shore, then reluctantly tore ourselves away from the charming scene, and descended to the pier.
A pleasant sail back to Interlaken, an omnibus ride over to a steamboat landing, and we were once more embarked on another Swiss lake,--Lake Thun,--a beautiful sheet of water ten miles long, a portion of its banks covered with vineyards, and the view of Alps on Alps, in every direction in the distance, most magnificent; there were our old acquaintances, the Jungfrau, Monk, Eiger, and Wetterhorn, also the Faulhorn, and dozens of others, with their pure frosted summits and blue glaciers all around us as we paddled over the little blue lake, till reaching the town of Thun, we stepped into the railway carriage of the Central Swiss Railway, and in an hour were at Berne, at the fine hotel known as the Bernerhoff, which commands a view of the whole line of snow-clad Bernese Alps in one continuous chain in the distance, looking like gigantic ramparts thrown up by Titans. This city is on the River _Aare_, or, rather, on the high bank above it; for the river is more than a hundred feet below, and that portion of the city towards its bank seems placed, as it were, on a grand terrace for a lookout to the distant mountains.
If the tourist has not previously learned that the Bear is the heraldic emblem of Berne, he will learn that fact before he has been in the city a quarter of an hour. Two granite bears guard the city gates; a shield in the Corn Exchange is upheld by a pair of them, in wood; fountains have their effigy carved upon the top; and in the cathedral square, keeping guard of a large bronze statue of a mounted knight in full armor, Rudolf von Erlach, are four huge fellows, the size of life, in bronze, at the four corners of the pedestal. Then the city government keep a bears' den at the public expense--a huge circular pit, in which three or four living specimens of their tutelar deity solemnly promenade or climb a pole for buns and biscuits from visitors.
Wood-carving can be bought at Berne of very pretty and artistic execution, and the wood-carvers have exhausted their ingenuity in producing groups of bears, engaged in all sorts of occupations. I had no idea what a comical figure this clumsy beast makes when put in such positions. We have stopped at many a shop window and laughed heartily at the comical groups. Here were a party of bears playing at ten-pins: a solemn old Bruin is adding up the score; another, with one foot advanced and the ball poised, is about to make a ten strike, and a bear with body half bent forward watches the effect of the roll. Another group represented a couple at the billiard table, with one, a rakish-looking cub, making a scientific stroke, and his companion, another young "buster," with arm akimbo and cigar in mouth, watching them. There was a group of bear students, all drunk, arm in arm; two old bears meeting and shaking hands on 'Change; whole schools studying, with a master putting the rod upon a refractory bear; and a full orchestra of bears playing on every variety of musical instrument; in fact, bears doing almost everything one had seen men do, and presenting a most irresistibly comic appearance. These figures were all carved from wood, and were from a couple of inches to six inches in height. Scarce any tourist leaves without a bear memento.
The great music-box and carved wood-work stores here are museums in their way. Of course the more elaborate and best wrought specimens of wood-carving command high prices, but nothing like the extortions of the fancy goods stores in America. Berne is a grand place to buy music-boxes in carved wood-work, and cuckoo clocks; some of these contrivances are very ingenious. We visited one great "_magasin_" near the hotel, where they had photograph albums, with carved wood covers, that played three tunes when you opened them; cigar buffets that performed a polka when you turned out the weed to your guests; work-boxes that went off into quadrilles when you lifted the lid, and tables that performed grand marches when you twisted their drawer-knobs. Every once in a while the cuckoos darted out of one or two of the threescore clocks, of which no two were set alike, bobbed their heads, cuckooed, and went back again with a snap; and there was one clock fashioned like a Swiss _chalet_, from the door of which at the hour a figure of a little fellow, six inches in height, emerged, and, raising a horn to his mouth, played an air of a minute's duration, and retired. Fatigued, I sank into a chair whose arms were spread invitingly, when I was startled by that well-known air, the Sailor's Hornpipe, going off as if somebody had put a band of music into my coat-tail pocket. Springing to my feet, the music stopped; but as I sat down, away it went again right underneath me. It was a musical chair, and I _sat_ it playing.
We strolled through the curious old streets with the sidewalks under the arcades of the buildings, saw the curious old clock-tower, where, a few minutes before the hour, an automaton cock crows, and then it is struck by a comical figure with a bell and a hammer, while a troop of automaton bears appear, and march around on a wooden platform. An old fellow with an hour-glass turns it over, and the cock concludes the performance by again flapping his wings and crowing.
One of the most delightful places of promenade in the city is the cathedral terrace, a broad, shady walk, three or four hundred feet long and two hundred or more wide. It is one hundred feet above the river, and about ninety above the city street at the base. This terrace commands a fine view of the whole range of distant mountains, and is a favorite resort on summer evenings, where one may enjoy an ice-cream, cigar, cup of coffee, or light wine, and long after the twilight has deepened in the valley, watch the rosy hue that varies its tints upon the shining mountain peaks in the distance.
At the old cathedral we heard a finer and larger organ than that at Lucerne, but an inferior performer, which made even the beautiful harmony that pealed beneath the Gothic arches seem tame in comparison. From Berne by rail, a ride of an hour and a half brought us to Freiburg, where we tarried a few hours to see its great suspension bridges, and hear its great organ. The hotel at which we stopped commanded a fine view of both the bridges, black threads spanning a deep ravine. Freiburg is upon a steep rocky hill-side, at the base of which winds the river, and extending over the chasm, to the opposite bank, are the graceful and wondrous bridges. The first we crossed was nine hundred and eighty-five feet long, and one hundred and seventy-five feet above the river beneath, and is suspended by four chains of about twelve hundred feet in length. The ends of this great bridge are secured by one hundred and twenty huge anchors, fastened to granite blocks sunk deep into the earth. After crossing, we took a pleasant walk upon the lofty bank opposite, from which we had a good view of the town, with the River Sarine winding close about it. We passed on to some distance above, where the other bridge, known as the Bridge of Gotteron, spanned a romantic rocky ravine; and from the centre of this structure we looked down two hundred and eighty-five feet, into the very streets of a little village directly under us, jammed in between the cliffs. This bridge is seven hundred feet long.
The great organ in Freiburg is said to be one of the finest in Europe, and a little guide-book says it has sixty-seven stops and seven thousand eight hundred pipes, some of them thirty-two feet in length. We heard almost the same programme performed as at Lucerne, and had, therefore, opportunity of comparison. The instrument was not managed with the consummate skill of that at Lucerne, and the vox humana stop was vastly inferior; but in the Storm piece the performer, in addition to the music of the convent organ, faintly heard amid the war of elements, also introduced the pealing of the convent bell, a wonderfully correct imitation; and in the Wedding March the blast of the trumpet was blown with a vigor and naturalness not exceeded even by human lips.
From Freiburg we sped on to Lausanne, and, without stopping in the town, rode down to the little port of the place, Ouchy, on the very bank of the very blue and beautiful Lake Leman, and stopped at the Hotel Beau Rivage. This hotel is another one of those handsome and well-kept hotels, which, from their comfort, elegant surroundings, and many conveniences, add so much to the tourist's enjoyment. This house is three hundred feet long and five stories high, fronts upon the lake, and has a beautifully laid out garden and park of nearly two acres in front and about it. My fine double room looks out upon the blue lake, with its plying steamboats and its superb background of distant mountains. At the little piers in front of the hotel grounds are row and sail boats for the use of visitors; and some of the former are plying hither and thither, with merry parties of ladies and gentlemen beneath their gay striped awnings. Flowers of every hue bloom in the gardens. A band of eight or ten pieces performs on the promenade balcony in front of the house every evening from six to ten o'clock. There are reading-rooms, parlors, and saloons. The table is excellent, and attention perfect. Prices--for one of the best rooms looking out on the lake, for two persons, eight francs; breakfast, three francs each; dinner, four francs each; service, one franc each; total, for two persons, twenty-one francs, or four dollars and twenty-five cents, gold, per day; and these are the high prices at the height of the season for the best rooms. Reasonable enough here, but which they are fast learning to charge at inferior inns, in other parts of the country, on account of the prodigality of "shoddy" Americans.
The view of Lake Geneva, or Lake Leman, as it is called, is beautiful from Ouchy. The panorama of mountains upon the opposite shore extends as far as the eye can reach, and in the sunset they assume a variety of beautiful hues--red, blue, violet, and rose-color. We have been
## particularly fortunate in arriving here while the moon is near its full;
and the effect of the silver rays on the lake, mountains, and surrounding scenery is beautiful beyond description.
Up in Lausanne we have visited the old cathedral, which is built upon a high terrace, and reached by a dirty, irregular flight of plank steps, about one hundred and seventy-five in number; at any rate, enough to render the climber glad to reach the top of them. From the cathedral terrace we have a view of the tortuous streets of the town, with its picturesque, irregular piles of buildings, a beautiful view of the blue lake, and the battlements of the distant peaks of Savoy. The cathedral, which is now a Protestant church, is very fine, with its cluster columns supporting the graceful vaulted roof over sixty feet above. It is three hundred and thirty-three feet long and one hundred and forty-three feet in width; and at one end, near where the high altar once stood, we were shown deep marks worn into the stone floor, which the guide averred were worn by the mailed knees of thousands of crusaders, who knelt there, one after the other, as they received the priestly blessing as their army passed through here on its way to do battle with the Saracen, and recover the Holy Sepulchre.
From the Beau Rivage Hotel we took steamer, and sailed along the shore, passing Vevay, with its handsome hotels, the romantic village of Clarens, and finally landing at Villeneuve, rode up to the beautifully situated Hotel Byron. This hotel, although small compared with the others, was admirably kept, and is in one of the most romantic and lovely positions that can be imagined. It is placed upon a broad terrace, a little above the shore, and, being at the very end of the lake, commands an extensive view of both sides, with all lovely and romantic scenery.
There, as we sat beneath the trees, we looked upon the scene, which is just as Byron wrote about it, and as true to the description as if written yesterday. The "clear placid Leman" is as blue as if colored with indigo. There was Jura; there were "the mountains, with their thousand years of snow;" the wide, long lake below; there, at our left, went the swift Rhone, who
"cleaves his way between Heights which appear as lovers who have parted in hate."
At a little distance we could see
"Clarens, sweet Clarens, birthplace of deep love;"
and there, directly before us, was the "small green isle" that the prisoner of Chillon saw from his dungeon window; and only a quarter of a mile away is the Castle of Chillon itself. Down the dusty road we started to visit this celebrated place, which almost every visitor who has read the poem feels that he is acquainted with.
The castle, which is small, is on a point of land that juts out into the lake, and its whole appearance realizes an imagination of a gloomy old feudal castle, or prison. It was formerly surrounded by the waters of the lake, and is still connected on one side with the land by a drawbridge, and the lake washes up to its very base, seven hundred feet deep, on the other. Something of the romance of the place is taken away by the railway track, within a few rods of the drawbridge, and the shrieking locomotive rushes past the very point where once stood the castle outworks.
The massive, irregular walls of this old castle have five or six towers, with the loopholes and battlements of old times. We crossed the bridge, passed into the old rooms--the Hall of Knights, and the Chamber of Question, where the rack and other instruments of torture were used upon the victims of jealous tyrants. Here we grasped a now useless fragment of old shattered machinery, which had once been bathed with the sweat of agony, as the victim's limbs stretched and cracked beneath the terrible force of the executioner. Here was the huge stone that was fastened to the sufferer's feet when he was hoisted by the wrists to the iron staple above. This was the square chamber in the solid masonry, where the victim's groans were unheard by those without, now transformed into a peaceful storehouse for an old wagon or two, with the sun streaming in at a square opening in the thick wall. But a few steps from here, and we come to the _oubliette_, the staircase down which the victim made three or four steps, and then went plunging a hundred feet or more into the yawning chasm of blackness upon the jagged rocks, or into the deep waters of the lake below.
But what we all came to see were the dungeons beneath the castle, the scene of Byron's story. These dungeons are several cells, of different sizes, dug out of the rock upon which the massive arches of the castle seem to rest. The two largest of them are beneath the dining and justice halls. From the latter we were shown a narrow staircase, descending into a little narrow recess, where victims were brought down, and strangled with a rope thrown across an oak beam, which still remains, blackened with age. Near it was another narrow, gloomy cell, said to be that in which the prisoner passed the night previous to execution, and near by the place where thousands of Jews were beheaded in the thirteenth century, on accusation of poisoning the wells, and causing the plague. The gloomy place fairly reeked with horror; its stones seemed cemented with blood, and the very sighing of the summer breeze without was suggestive of the groans of the sufferers who had been tortured and murdered within this terrible prison.
Next we came to the dungeon where
"There are seven pillars of Gothic mould,"
and there _are_ the pillars to which the prisoners were chained, and there is the stone floor, worn by the pacing of the prisoner, as his footsteps, again and again as the weary years went by, described the circuit of his chain. Bonivard's pillar, to which he was chained for six weary years, hearing no sound but the plashing of the waters of the lake without, or the clanking of his own chain, is thickly covered with autographs, carved and cut into it. Conspicuous among them is that of Byron, which looks so fresh and new as to excite suspicion that it has been occasionally deepened, "Old Mortality" like, in order that the record may not be lost.
Here we were, then,
"In Chillon's dungeons, deep and old."
Now every word of Byron's poem, that we had read and heard recited at school, and which made such an impression on our mind when a boy, came back to us.
Which was the pillar the younger brother was chained to?
There was "the crevice in the wall," where the slanting sunbeam came in.
Here was the very iron ring at the base of the huge pillar; there were the barred windows--narrow slits, through which the setting sun streamed, and to which the prisoner climbed to look upon the scene without,--
"to bend Once more upon the mountains high The quiet of a loving eye."
I stood, and mused, and dreamed, as my companions passed on, and suddenly started to find myself alone in that terrible place, and, with a shudder, I hurried after the voices, leaving the gloomy dungeon behind me; after which the white-curtained, quiet room of the Hotel Byron seemed a very palace, and the beautiful view of lovely lake and lofty mountain a picture that lent additional charm to liberty and freedom.
Is it to be wondered at that so many people quote Byron at this place? For it is his poetry that has given such a peculiar and nameless charm to it, that if one has a spark of poetic fire in his composition, and sits out amid the flowers and trees, of a pleasant afternoon, looking at the blue lake, the distant, white-walled town, the little isle, with its three trees, that the prisoner saw from his dungeon, and even sees the eagle riding on the blast, up towards the great Jura range,--Jura, that answered,--
"through her misty shroud, Back to the joyous Alps, that call on her aloud,"--
and follows up his thought by reading part of the third canto of Childe Harold, in which Lake Leman and a thunder storm in the Alps are described, he feels very much like repeating it aloud.
Not having Childe Harold to read, I found relief in quoting those passages that everybody knows, and doing the following bit of inspiration upon the spot:--
Dreams of my youth, my boyhood's castles fair, That seemed, in later years, but made of air, Are these the scenes that now my soul entrance, Scenes hallowed in dim history and romance? This dark old castle, with its wave-washed wall, Its ancient drawbridge, and its feudal hall, Its dreary dungeon, where the sweet sun's ray Scarce tells the tenant that without 'tis day; These seven grim pillars of the Gothic mould, Where weary years the chainéd captive told, Waited, and wept, and prayed for freedom sweet, Paced round the dungeon pillar, till his feet Wore in the floor of rock this time-enduring mark Of cruelty of men, in ages past and dark. Glorious Childe Harold! How, in boyhood's age, Longing I traced that wondrous pilgrimage. Thine imperishable verse invests these mountains grand With new glories. Can it be that here I stand And gaze, as thou, upon the self-same things? The glassy lake, "the eagle on the blast," who slowly wings His flight to the gray peaks that lift their crests on high, In everlasting grandeur to the sky? There rise the mountain peaks, here shines the lake; Familiar scenes the beauteous picture make. The "white-walled, distant town," glassed in the tide, And on its breast the whiter sails still ride, As when thine eye swept o'er the lovely view; Thy glorious fancies and imagination grew T' immortal verse, and with a nameless charm Embalmed the scene for ages yet to come. Others shall, deep in Chillon's dungeon drear, Muse round th' historic pillars, for 'twas here, If we accept th' entrancing fable of thy lay, The brothers pined, and wasted life away. The guide clanks here the rusted iron ring-- We shudder; "iron is a cankering thing." Through the rent walls a silver sunbeam flashes; Faint is the sound of waves that 'gainst them dashes; There is the window where, with azure wing, The bright bird perched the prisoner heard sing; Here, 'neath our very feet, perhaps, the place The boy, "his mother's image in fair face," Was laid. 'Tis but a fable; yet we love to trace These pictures, hallowed in our youthful dreams, And think thy lay all truthful as it seems.
We leave Villeneuve, and the pleasant Hotel Byron, with regret, and
"Once more on the deck I stand, Of my own swift-gliding craft;"
or, in other words, we are again on board one of the pretty little lake steamers, paddling through the blue waters of Lake Geneva. Back we went, past Vevay and Ouchy, with their elegant hotels and gardens; past Clarens, and amid scenes of exquisite and picturesque beauty, for five or six hours, till we reach Geneva, at the other extreme of this lovely sheet of water, about fifty-five miles from Villeneuve. There is nothing very striking in this city to the tourist,--none of those curious old walls, towers, cathedrals, or quaint and antique-looking streets that he finds in so many of the other old European cities. There is a long and splendid row of fine buildings upon the quay on the river bank, elegant jewelry stores and hotels, a few other good streets, and the usual amount of narrow alleys and dirty lanes.
The pleasantest part of the city seen during our brief stay was the fine quays, and the town at that part of the lake where it began to narrow into a river, with the splendid bridge spanning it, and a little island at about the middle of the bridge, or rather just at one side of it, and connecting with it by a pretty suspension bridge. This little island is Rousseau's Island, has his bronze statue, and pleasant shade trees upon it, a charming little promenade and seats, and is an agreeable resort, besides being an admirable point to view the blue lake, the River Rhone emerging from it with arrowy swiftness, and the snowy Mont Blanc chain of mountains in the distance. From the windows of our room in Hotel Ecu de Genève, we look down upon the swiftly-flowing blue tide of the river, upon which, nearly all day, black and white swans float, breasting against the current, and apparently keeping just about in the same place, arching their necks gracefully, and now and then going over to their home on a little isle just above Rousseau's, or coming on shore here and there--popular pets, and well cared for.
The display of jewelry, particularly watches and chains, in the splendid shops along the grand quay, is very fine. Geneva is headquarters for watches and chains, and nearly all Americans who mean to buy those articles abroad do so at Geneva, for two reasons; first, because a very good article can be bought there much cheaper than at home; and next, because they are always assured of the quality of the gold. None is sold at any of the shops in Geneva under eighteen carats in fineness. Very handsome enamelled jewelry, of the best workmanship, is also sold in Geneva. Indeed, the quality of the material and the excellence of the workmanship of the Geneva jewelry are obvious even to the uninitiated. In Paris more elaborate designs and a greater variety can be found, but the prices are from fifteen to twenty per cent. higher.
I had always supposed, from a boy, that Geneva was overflowing with musical box manufacturers, from the fact that all I used to see in the stores at home were stamped with the name of that city. Judge of my surprise in finding scarcely any exhibited in the shop windows here. At the hotel a fine large one played in the lower hall, with drum accompaniment, and finding from the dealer's cards beside it that it was intended as a sample of his wares, we went to his factory across the river, where the riddle was explained in the fact that the retail shopkeepers demanded so large a commission for selling, that the music-box makers had refused to send any more to them for sale. This may be a good move for their jobbing trade, but death to the retail trade with foreigners. Berne is the place for music-boxes.
Returning across the long bridge to our hotel, we saw a specimen of Swiss clothes washing, and which in a measure may constitute some of the reasons why some of the inhabitants of this part of the world change their linen so seldom. Beneath a long wooden shed, with its side open to the swift-flowing stream, were a row of stout-armed, red-cheeked women bending over a long wash-board, which extended into the stream before them. Seizing a shirt, they first gave it a swash into the stream; next it was thoroughly daubed with soap, and received other vigorous swashes into the water, and was then drawn forth dripping, moulded into a moist mass, and beaten with a short wooden bludgeon with a will; then come two or three more swashes and a thrashing by the stalwart washerwoman of the garment down upon the hard board before her with a vigor that makes the buttons spatter out into the stream like a charge of bird shot. After witnessing this, I accounted for the recent transformation of a new linen garment by one washing into a mass of rags and button splinters. This style of washing may be avoided to some extent by particular direction, but the gloss or glazing which the American laundries put upon shirt fronts seems to be unknown on the continent.
The sun beat down fiercely as we started out of Geneva,--one of the hottest places in Switzerland I really believe,--and for fifteen miles or so its rays poured down pitilessly upon the unshaded road. Grateful indeed was a verdant little valley, bounded by lofty mountains, and the cliff road shaded with woods, that we next reached, and rattled through a place called Cluses; and going over a bridge spanning the River Arve, we entered a great rocky gorge, and again began to feel the cold breath of the mountains, and come in sight of grand Alpine ranges, snowy peaks, and rushing waterfalls. Finally we reach Sallanches. Here we have a fine view of the white and dazzling peaks of Mont Blanc towering into the blue sky, apparently within two or three miles from where we stand, but which our driver tells us are nearly fifteen miles away.
Again we are in the midst of the magnificent scenery of the great mountain passes, verdant and beautiful slopes, gray splintered peaks, huge mountain walls, wild picturesque crags, waterfalls dashing down the mountain sides far and near, the whole air musical with their rush; and the breath of the Alps was pure, fresh, and invigorating as cordial to the lungs.
We that a few hours ago were limp, wilted, and moist specimens of humanity, were now bright, cheery, and animated; we quoted poetry, laughed, sang, and exhausted our terms of admiration at the great rocky peaks that seemed almost lost in the heavens, or the fir-clad mountain side that jutted its dark fringe sharply against the afternoon sky. Beyond, as ever, rose the pure frosted peaks, and as they glowed and sparkled, and finally grew rose-colored and pink in the sunset, it became almost like a dream of enchantment, that darkness gradually blotted out from view.
We had started from Geneva with coat and vest thrown aside for a linen duster; we descended into the valley of Chamouny with coat and vest replaced, and covered with a substantial surtout. As we came down to the village, the driver pointed out to us what looked like a great blue steel shield, thousands of feet up in the heavens, hanging sharply out from the dome of impenetrable blackness above, and shining in a mysterious light. It was the first beams of the rising moon, as yet invisible, striking upon the clear, blue ice of a great glacier far above us. It gradually came more distinctly into view, flashing out in cold, icy splendor, as the moon began to frost the opposite mountain, from behind which it seemed to climb into the heavens with a fringe of pale silver. We had expressed disappointment at not being able to enter Chamouny by daylight, but found some compensation in the novel scene of moonlight upon these vast fields of ice, with their sharp points rising up like the marshalled spears of an army of Titans, glittering in the moonlight, or stretching away in other directions in great sheets of blue ice, or ghostly snow shrouds in the dark distance. We reached the Hotel Royal at nine and a half P. M., thoroughly tired with our eleven hours' ride.
Fatigued with travel, I certainly felt no inclination to rise early the next morning; and so, when a sonorous cow-bell passed, slowly sounding beneath our window at about four and a half A. M., I mentally anathematized the wearer, and composed myself for a renewal of sleep. Scarce comfortably settled ere another cow-bell, with a more spiteful clang, was heard approaching; clank, clink, clank, clink, like the chain about a walking ghost, it neared the window at the foot of my couch, passed, and faded off into the distance. That's gone; but what is this distant tinkle? Can it be there is sleighing here, and this is a party returning home? Tinkle, jinkle, tinkle, tinkle--there they come!
"Away to the window I flew like a flash, Tore open"--the curtain, looked out through the sash,-- "When what to my wondering eyes should appear But"
a procession of goats being driven to pasture by a girl in the gray light of the morning! With an ejaculation more fervid than elegant, the couch was sought again; but it was of no avail; a new campanologian company was heard approaching with differently toned instruments of torture; this was in turn succeeded by another, till it seemed as if every note in the bell-ringing gamut had been sounded, and every contrivance, from a church to a tea bell, had been rung.
After half an hour of this torture, flesh and blood could endure it no longer, and I went once more to the window, to find that beneath it ran the path by which the goats and cattle of the whole district were driven to pasture, and, casting my eyes upwards, saw the gorgeous spectacle of sunrise on Mont Blanc, whose glistening peaks were in full view. Half an hour's admiration of this spectacle was enough for one not clad for the occasion, and having made the discovery that the cows and goats were all driven to pasture before half past six A. M., we took our revenge in two hours of tired nature's sweet restorer after that time, before discussing breakfast and topographically examining Chamouny.
Chamouny appears to be a village of eight or ten hotels, a church or two, and a collection of peasants' huts and poor Swiss houses, surrounded on all sides by the grandest and most sublime scenery ever looked upon. It seems to be a grand central point in Switzerland for the tourists of all nations. The great hotels are full, their _table d'hotes_ are noisy with the clatter of tongues of half a dozen nationalities, and gay with the fashions of Paris. The principal portion of the inhabitants are either employés of the hotels; or guides, and these Chamouny guides are the best, most honest, and most reliable of their craft in Europe. They are formed into a regular association, and bound by very strict rules, such as not being permitted to guide until of a certain age, not to take the lead till after a certain amount of experience; and absolute honesty and temperance being requisite for the service. Indeed, I find that some consider honesty a characteristic of the Swiss in this region; for upon my remonstrating with a fellow-tourist, an old traveller, for leaving his watch and chain exposed upon his dressing-table during his absence from his room at the hotel, he replied there was no danger, as the attendants in the wing of the house he occupied were all Swiss, and no English, French, or Americans ever came there. To be a guide upon the excursions from Chamouny requires a man of very steady habits, and of unquestionable skill and endurance; and all of these men that we saw appeared so. They are very jealous also of their reputation, and never allow it to be injured by incompetency, dishonesty, or any species of imposition upon travellers.
Here we are in the midst of Alps, a whole panorama of them in full view on every side. The River Arve, a dark-colored stream fresh from the glaciers, roars and rushes through the valley into which Chamouny seems sunk. Above us are great mountains with snowy peaks; great mountains with dark-green pines at their base, and splintered, gray, needle-like points; glittering glaciers, like frozen rivers, can be seen coming down through great ravines; waterfalls are on the mountain-sides; and towering up like a gigantic dome, the vastness and awful sublimity of which is indescribable, is Mont Blanc, which the lover of grand mountain scenery will pause and gaze at, again and again, in silent awe and admiration. But whither shall we go? There are dozens of excursions that may be made. Looking across a level pasture of the valley from our window, we see a waterfall leaping down the mountain. An easy path to it is visible, and we make a little excursion, in the forenoon, to the Falls of Blatière, just to get used to climbing; for at two P. M. mules were at the door, with trusty guides at their heads, and away we started for the ascent of the Flegère, a height on the spur of one of the mountains, commanding a fine view of the Mer de Glace and Glacier des Bois, which are directly opposite. The ascent of this occupied some three hours, and the path reminds one very much of the ascent of Mount Washington, New Hampshire, although the distant scenery is of course incomparably more grand. We went through woods, and over rocks, across stony slopes, and up zigzags, until finally we reached the Cross of Flegère, the point of view.
From this perch we looked right over across on to the Mer de Glace, where it gushed out like a great frozen torrent around the Montanvert, and the Glacier des Bois, another silent ice torrent, that flowed out of it. At our right, far down, five thousand feet below, rested Chamouny, with the cloudy Arve running beside it. Away off to the left were a number of needle-like peaks, with vast snow-fields between them; and nearly in front of us, a little to the left, rose the sharp, jagged points about the Aiguille Verte, and a right lofty needle it was, its point piercing the air to the height of twelve thousand five hundred feet; and then there were the Red Needles, and the Middle Needles, and, in fact, a whole chain of peaks of the range--the best view we have had yet, including, of course, the grand old snowy sovereign, Mont Blanc, at the right, overtopping all the rest.
An hour was spent gazing upon this magnificent scene; after which we began the descent, which was made in about an hour and a quarter, bringing us to the hotel door at seven P. M. Our leading guide we discovered to be an experienced one, of many years' service, who had guided Louis Napoleon, on his visit here in 1861, soon after Savoy was annexed to France--a service of which he was quite proud, as the emperor held his hand during his excursion to the centre of the Mer de Glace (always necessary for safety); he was also interested in the American war of the rebellion, and, like all the Swiss who know enough to read, was strong on the Union side of the question. Being an old soldier, the song of "Tramp, tramp, the boys are marching," had especial charms for him, and he called for a repetition of the "Glory, glory, hallelujah" chorus, till he had mastered the words himself, from a young Union officer of our party. Of course we were glad to engage our cheerful _vieux moustache_ for our excursion on the morrow to the Montanvert and Mer de Glace. In the evening we were called out to see the lights of a party at the Grand Mulets, where they had halted for the night, preparatory to completing the ascent of Mont Blanc. The sight of the little twinkling flame, away up in the darkness, I confess, awakened no desire in my mind to make the ascent; and I fully agree with one of the guide-books, which says it cannot conceive why people will undergo the trial and fatigue of the ascent, when they can risk their lives in a balloon for one half of the expense.
Next morning we started with guides, and on muleback, for the Montanvert, directly opposite the Flegère, the scene of our ascent the day before, twenty minutes' ride across the meadow, and by the river side; and then we began to ascend the mountain, through romantic pine woods, and by a zigzag pathway upon the brow of the mountain, crossing, occasionally, the deep channel of an avalanche, or an earth-slide, and getting occasional glimpses of the valley below or the mountain opposite, till, after a three hours' climb, we stand upon a rugged crag, overlooking the tremendous and awful sea of ice, and the huge mountains that enclose it.
This great petrified or frozen stream, between its precipitous banks, seemed more like a mass of dirty snow or dingy plaster than ice. Looking far up into the gorge between the mountains, we could see where the ice and snow looked purer and more glistening than that directly beneath us. Indeed, we began to imagine that the terrors of the passage, told by travellers and letter-writers, were pure fables; and, to some extent, they are; and a marked instance of magnifying the dangers is shown in the account of Miss Frederika Bremer's experience, quoted in Harper's Guide-Book, which, to any one of ordinary nerves, who has recently made the passage, appears to be a most ridiculous piece of affectation.
We descended the rocky sides of the cliff, seamed and creased by the ice-flood, and stood upon the great glacier. At first, near the shore, it seemed like a mixture of dirty snow and ice, such as is frozen in a country road after a thaw, and its surface but slightly irregular, and but little trouble to be anticipated in crossing; but as we advanced far into its centre, we began to realize more forcibly the appropriateness of the title given to this great ice-field. On every side of us were frozen billows, sharp, upheaved points, great spires of ice, congealed waves, as if a mighty torrent were tumbling down this great ravine, and had been suddenly arrested by the wand of the ice-king in mid career. We came to crevasses,--broad splits,--revealing the clear, clean, blue ice, as we looked hundreds of feet down into them. We crossed and passed some of them on narrow ice-bridges, not more than two or three feet wide, where notched steps were cut for us by the forward guide's hatchet, and we held the firm grasp of one before and one behind, to guard against a slip, which might have been fatal.
We passed little pools, which were melted into the bosom of this silent field, and now and then a huge piece of rock in the midst of a pellucid pool, which had been borne along upon the surface of this slow-moving stream since it fell from the mountain-side, and gradually sank by its weight, and the action of the sun. Midway, we were bidden to halt and look away up the ravine, and see the frozen stream that was coming tumbling down towards us. There was genuine ice enough now--waves, mounds, peaks, hillocks, great blue sheets, and foaming masses. It sparkled like silver beneath the sunbeams between the dark framework of the two mountains on either side. We stopped talking. Not a sound was heard. The stillness was as profound as the hush preceding a thunder storm; and, as we listened, the crash of a great boulder that had become loosed by the slow-moving torrent, falling into a crevasse from its brink, echoed for a moment in the solitude, and all was still again.
The sure-footed guides, with their iron-spiked shoes, led us on. The ladies were a trifle nervous as we passed one or two of the narrower ice-bridges; but on the route we crossed there were not above three or four such, and the whole passage was made in less than an hour. Arrived at the other side, we clambered up the cliff, and began our descent. I should have remarked, that we sent back the mules from Montanvert, to meet us upon our descent on the other side of the Mer de Glace, on foot, by the way of the Mauvais Pas, a tiresome, but most interesting tramp of three or four miles, over rugged rocks and rough pathways, but such a one as gives real zest to Alpine journeys, from its exciting scenes.
We now entered upon the celebrated Mauvais Pas. I had read so much, from youth upwards, about the dangers of this pass, that I began to wonder if we had done right in bringing ladies, and how we should get around that sharp projection of the cliff; where a traveller is said to be obliged to hold on to the face of the rock, and stretch his leg around the projecting cliff, and feel for a foothold, the guides guarding him from a slip out into empty space, by standing, one on each side of the projection, and forming an outside hand-rail, by holding each end of an alpenstock. Was not this the pass where the Swiss hunter met the chamois, and, finding that neither could turn backward, had lain down and let the herd jump over him?
But how these travellers' tales and sublime exaggerations vanish as one approaches them! The Mauvais Pas may have been _très mauvais_ many years ago; but either its dangers have been greatly exaggerated, or the hand of improvement has rendered it _pas mauvais_ at present. It is a series of steps, hewn for some distance along the rocky side of the mountain. These steps are about three feet in width from the face of the cliff, into which a strong iron rail is fastened, by which the traveller may hold on, the whole distance. The outer edge is unprotected, and, at some points, it must be confessed, it is an ugly look to glance down the tremendous heights to the jagged rocks below, that form the shores of the icy sea; but in some of the more dangerous places, modern improvement has provided an additional safeguard in an outer rail, so that the danger is but trifling to persons of ordinary nerve.
Finally, we reach the end of this narrow pathway, and find ourselves at a small house on a jutting precipice, called the _Chapeau_; and here we pause and breathe a while, buy beer, Swiss bread and honey, curious Alpine crystals, &c., and enjoy another one of those wondrous Alpine views which, once seen, live in memory forever as a scene of sublime beauty and grandeur.
They call all the mountain peaks needles here. There were the Aiguilles de Charmoz, ten thousand two hundred feet high, and ever so many other "_aiguilles_," whose names I have not noted. As we looked down here upon the glacier, it seemed to be more broken and upheaved; it rose into huge, sharp, icicle-pointed waves, rent in every direction by large cracks and fissures; the great pointed pinnacles and upheavals assumed as curious appearances as the frost-work upon a window; there were a procession of monks, the pinnacles of a Gothic cathedral, and the ruins of a temple. It is here that the Mer de Glace begins to debouche into the Glacier des Bois, which, in turn, runs down into the Chamouny valley, and from which runs the Arveiron; in fact, the end of this glacier is the river's source.
Down we go through the woods, and finally strike upon a rocky, rugged path, on through a mass of miles of pulverized rock, fragments of boulders, stone chips, and the rocky debris of ages, which has been brought down by the tremendous grinding of the slow-moving glaciers, till we reach a valley covered with the moraine in front of the great ice arches of the Glacier des Bois, out of which rushes the river. Of course here was a wooden hut, with Swiss crystals, carved work, and a fee of a franc, if we would like to go under the glacier. There had been a winding cavern hewed into this great ice wall, and planks laid along into it for two hundred feet or more, and, with umbrellas to protect us, the author and two other gentlemen started for this ice grotto, about a hundred rods distant.
Arrived near its mouth, we beheld, on one side, the river, rushing out from under a great natural ice arch, fifty feet in height, the glacier here appearing to be about one hundred feet in height; the stream came out with a force and vigor, gained, doubtless, from running a long distance beneath the ice before it came out into the daylight. The ice grotto, which has been hollowed out for visitors, is eight or ten feet high, and the guide, who goes on before, lights it up with numerous candles, placed at intervals, causing the clear, deep-blue ice to resemble walls of polished steel; but the thought suggested by one visitor when we had reached the farthermost extremity, "What if the arches overhead should give way beneath the pressure?" did not incline us to protract our stay in its chilly recesses; so, returning to the chalet, where our mules were waiting, that had been sent round and down from the Montanvert, we completed the day's laborious excursion by an hour's ride back to the hotel at Chamouny.
Now good by to Chamouny, and away to the Tête Noir Pass, on our way to Martigny. Starting at eight o'clock A. M., a vehicle carried us to Argentière, about two hours' ride, where mules were found in waiting, by the aid of which the rest of the journey, occupying the remainder of the day, was made, though why the road of this pass is not laid out like others, as a carriage road, I am at a loss to comprehend, unless it be that the fees for mules and guides are too profitable a source of income to be easily relinquished. Indeed, a large portion of the pass, in its present condition, could be traversed safely by a one-horse vehicle--some improvement over the tedious muleback ride of a whole day's duration.
The road is romantic, pleasant, and picturesque, with deep gorges, dark pine-clad mountains, crags, and waterfalls. Invigorated by the fresh mountain air, we left our mules to follow in the train with the guides and ladies, and, alpenstock in hand, trudged forward on foot, keeping in advance by short cuts, and having an infinitely better opportunity, under the guidance of a tourist who had been over the route, of enjoying the scenery. We passed two or three waterfalls, walked over a spot noted as being swept by avalanches in the early spring, where was a cross in memory of a young count and two guides who fell beneath one: the guides say, when the avalanche is heard approaching, it is already too late to think of escaping, so swift is its career, and nothing but the hand of Providence will save the traveller from destruction.
Our path carried us through a wild, stony ravine, with great mountains on either side, and the inevitable river in the centre, rushing and foaming over the rocks. Then we went up and over a beautiful mountain path, commanding fine views of the distant mountains, with deep gorges below, then wound round the base of the Tête Noir Mountain and through the woods, and a tunnel, pierced through a rocky spur of the mountain, that jutted out upon the pass. We saw away across, from one point on our journey, the wild-looking road that was the route to the Pass of the Great St. Bernard, and at another, looked far down into the valley, where we could see the River Trient rushing and tumbling on its course. We soon came to a point, before commencing our descent, which commanded a view of the Rhone valley as far as Sion, spread out, seemingly, as flat as a carpet, with the river meandering through its entire length, the white chalets and brown roads looking rather hot in the blaze of the afternoon sunlight. The view of this valley--what little we saw of it--is far better at this distance than when one reaches its tumble-down towns and poor inhabitants.
We went down a pleasant descent, past orchards and farm-houses, till we reached Martigny, where we had supper, and were nearly devoured by mosquitos, so that at nine P. M. we were glad to take the railway train. How odd it seemed to be rattling over a railroad, in a comfortable railway carriage, after our mountain experiences! The train, at quarter past ten o'clock, landed us at Sion, where we took up our quarters at the Hotel de la Poste, an Italian inn, with an obsequious little French landlord, who was continually bowing, and rubbing his hands, as if washing them with invisible soap, and saying, "_Oui, monsieur_," to every question that was asked him, and withal looking so like the old French teacher of my boyhood's days, that it seemed as though it must be the old fellow, who had stopped growing old, and been transported here by some mysterious means.
The fifteen-mile mountain tramp I had made, and the day's journey, as a whole, caused the not very comfortable beds of the hotel to seem luxurious couches soon after arrival, and we therefore deferred interviews with Italian drivers, a crowd of whom were in attendance from Stressa, via the Simplon Road, and who were anxious to open negotiations, till the next morning, notwithstanding their assertions that they might be engaged and gone when we should come down to breakfast, and that we should, therefore, lose the magnificent opportunities they were offering.
We were fortunate in having the company of a gentleman who had frequently been over this route, and fully understood the _modus operandi_ of making contracts with Italian post drivers, as will be seen. It seems that there are often drivers here at Sion who have driven
## parties from Stressa (via the Simplon) who desire to get a freight back,
and with whom the tourist, if he understands matters, can make a very reasonable contract, as they prefer to take a party back at a low rate, rather than to wait long at an expense, or return with empty vehicles. If there be more than one (as in our case) of these waiting post drivers, there is likely to be a competition among them, which of course results to the tourist's advantage.
Therefore, after breakfast, instead of "having been engaged and gone," we found two or three anxious drivers, who jabbered with all their might about the merits of their respective vehicles and themselves, and were anxious to be engaged. The price mentioned as _bon marché_ at first was four hundred francs for our whole party of seven for the three days' journey over the Simplon Pass to Lake Maggiore; and really, I thought it was, and had I been the negotiator for the party, should have closed; but not so he who acted for us--acted in more senses than one; for when this price was named, he gave the true French deprecatory shrug of the shoulders, filled his pipe, and sat down on the hotel portico to smoke. Ere long he was waited upon by driver number two, who represented that three hundred and fifty francs would induce _him_ to take the party, "if monsieur would start _to-day_." Smoker only elevated his eyebrows, and thought if he "waited a few days there would be more carriages here."
In fifteen minutes the price was down to three hundred francs--no anxiety on the part of monsieur to close.
A smart young driver, whose team had been "eating their heads off" for three days, proposed two hundred and twenty francs, and to pay all expenses, except our own hotel bills; and monsieur concluded to accept him, putting the agreement, to prevent mistakes, in writing, which is necessary with the Italian drivers. The contract was duly signed.
"When would monsieur's party be ready?"
"In fifteen minutes;" and the calm, indifferent smoker, to the driver's surprise, became a lithe, elastic American, driving half a dozen servants nearly crazy by hurrying them down with the luggage, mustering the whole party with explanations of the necessity of starting at once, and helping the landlord's major-domo make out the bills, without giving any opportunity of getting in extras that we didn't have.
He shouted in Italian at the driver, who, with the stable-helpers, was putting in the horses, jabbered in French with the hotel servants, and in half an hour we were seated in the vehicle, with the luggage strapped on behind, and the old landlord and the waiters and porters bowing at the door, as we started, amid a volley of whip smacks, sounding like the firing of a bunch of Chinese crackers.
These post drivers are marvellously skilful at whip-snapping. They can almost crack out a tune with their whips, and they make a noise consistent with their ideas of the importance of their freight, or perhaps as a signal to the landlords that especial attention is required, as distinguished foreigners are coming; for, as they approached hotels, or drove into their court-yards, it was always with eight or a dozen pistol-like cracks in succession that brought out a bowing landlord and string of servants, who formed a double line from the carriage to the door, welcoming the tourist in with great deference and politeness. On the road the whip-cracks admonish all peasants, donkey-carts, and market-wagons to sheer off, and allow monsieur's carriage to pass; and, as he enters a little village, the fusillade from his lash brings half the population to the doors and windows.
Our first day's journey, after leaving Sion, was through the Rhone Valley--rather a hot ride, and tame and uninteresting after the grand views we had been enjoying. We passed Sierre on a hill-side, rattled over a bridge across the Rhone, having a view of pleasantly-wooded hills near at hand, and the great mountains in the background; then passed two or three other villages, and finally halted at a place called Tourtemagne for dinner. After this we pushed on, went past Visp, and in the afternoon trotted into Brieg, where, with a view to a good night's rest before the morrow's journey, we stopped for the night. After tea we had a magnificent view of sunset upon the lofty snow-clads above us, which fairly glowed in a halo of rose-pink--a beautiful and indescribable effect. Far away up on one of the mountain sides we were pointed to the road over which we were to journey on the morrow. After an early breakfast we started off with the usual fusillade of whip-cracks, and were soon upon the famous Simplon Road.
This magnificent road is one of the wonders of the old world. Its cost must have been enormous, and the cost of keeping it in such splendid condition very large, owing to the injury it must inevitably sustain from storms and avalanches during the winter season. The cost of the road is said to have averaged over three thousand pounds sterling per mile. The splendid engineering excites admiration from even the inexperienced in those matters. You go sometimes right up the very face of a steep mountain, that would seem to have originally been almost inaccessible, by means of a series of zigzags. Then again the road winds round a huge mountain wall, thousands of feet high on one side, with a yawning ravine thousands of feet deep on the other. Long tunnels pierce through the very heart of mountains. Bridges span dizzy heights and mad torrents. Great galleries, or shelters, protect some parts of the road, which are suspended midway up the mountain, from the avalanches which ever and anon thunder down from above. At one place, where a great a roaring cataract comes down, the road is conducted safely under the sheet, which scatters but a few drops of spray upon it, except the covered portion, as it leaps clear over the passage, and plunges into the deep abyss below, a mass of thundering foam.
This part of the road, we were told, although it was a section not six hundred feet long, was one of the most difficult to construct, and required the labor of a hundred men for over a year and a half before it could be completed, it being necessary in some places to suspend the workmen by ropes from above, until a platform and a footing could be built. And, indeed, standing there with the torrent roaring above, and leaping clear over our heads away down into that rocky gorge, the clean, broad road the only foothold about there, we could only wonder at human skill, perseverance, and ingenuity in overcoming natural obstacles. From the great glaciers far above the Kaltwasser come several other rushing cascades, one of which, as you approach, seems as if it would drop directly upon the road itself, but hits just short of it, and plunges directly under, so that you can stand on the arched bridge, and look right at it, as it comes leaping fiercely to wards you.
Murray gives the bridges, great and small, on this wonderful road between Brieg and Sesto as "six hundred and eleven, in addition to the far more vast and costly constructions, such as terraces of massive masonry, miles in length, ten galleries, either cut out of the living rock or built of solid stone, twenty houses of refuge to shelter travellers, and lodge the laborers constantly employed in taking care of the road. Its breadth is throughout at least twenty-five feet, in some places thirty feet, and the average slope nowhere exceeds six inches in six feet and a half."
After emerging from the Kaltwasser Glacier Gallery, we had a superb view of the Rhone Valley, with Brieg, which we had left in the morning, directly beneath us, while away across the valley, distinctly visible in the clear atmosphere, rose the Bernese Alps, with the Breithorn, and Aletshorn, and the great Aletsch Glacier distinctly visible. At the highest point of the pass is the Hospice, over six thousand two hundred feet above the level of the sea; and here we halted for a lunch, and then trudged on in advance, leaving the carriage and ladies to overtake us--enjoying the wild scenery of distant snow-capped mountains, great glaciers, with cascades pouring from their ruffled edges to the green valleys that were far below.
Soon after passing the little village of Simplon, we came to the never-to-be-forgotten ravine of Gondo, one of the wildest, grandest, and most magnificent gorges in the whole Alps. The ravine, as you proceed, grows narrower and narrower, with its huge, lofty walls of rock rising on either side. The furious River Diveria rushes through it like a regiment of white-plumed cavalry at full gallop, and its thundering roar is not unlike the tremendous rush of their thousand hoof-beats, as it goes up between these massy barriers. The gorge narrows till there is nought but road and river, with the black crags jutting out over the pathway, and we come to a huge black mass that seems a barrier directly across it; but through this the determined engineers have bored a great gallery, and we ride through a tunnel of six hundred and eighty-three feet in length, to emerge upon a new surprise, and a scene which called forth a shout of admiration from every one of us.
As we emerged from this dark, rocky grotto, we beheld the towering masses of rock on either side, like great walls of granite upholding, the blue masonry of heaven, that seemed bent like a vaulted arch above; and from one side, right at our very path, coming from far above with a roar like thunder, leaped a mass of foam, like a huge cascade of snowy ostrich plumes--the Fressinone Waterfall, which tossed its fine, scintillating spray upon the slender bridge that spanned the gorge, while the roaring cataract itself passed beneath, striking sixty or eighty feet below upon the black rocks. It is a magnificent cascade, and prepared us for the grandeur of the great gorge of Gondo, with its huge walls of rock rising two thousand feet high, which seemed, when we were hemmed in to their prison walls of black granite, as though there was no possible way out, except upwards to the strip of sky that roofed the narrow ravine.
Other cascades and waterfalls we saw, but none like the magnificent Fressinone, with the graceful and apparently slender-arched bridge, that almost trembled beneath its rush as we stood upon it--the huge rocky walls towering to heaven, the black entrance to the tunnel just beyond, looking, in the midst of this wild scene of terrific grandeur, like the cavern of some powerful enchanter--the wild, deep gorge, with the foaming waters swiftly gliding away in masses of tumbling foam far below, and all the surroundings so grand and picturesque as to make it no wonder that it is a favorite study for artists, as one of the most spirited of Alpine pictures.
We passed the granite pillar that marked the boundary line, and were in Italy; and soon after at the mountain custom-house and inn, where we were to dine. The officials are very polite, make scarce any examination whatever of the luggage of tourists; and our trunks remained undisturbed on the travelling carriage while we dined.
Now we begin to ride towards the valley, and soon begin to have Italian views of sunny landscape and trellised vines. We reach the town of Domo d' Ossola, and our driver proclaims his coming by a _feu de joie_ with the whip. The town looks like a collection of worn-out scenery thrown together promiscuously from an old theatre. Old shattered arches cross the street; half-ruined houses of solid masonry have the graceful pillars of their lower stories broken and cracked, and ornamented with strings of onions and bunches of garlic, sold in the shops within; old churches, with a Gothic arch here and there, are turned into a warehouse or a stable; tough old mahogany-colored women are seen squatting before baskets of peaches, grapes, and figs in the streets; dark-skinned, black-eyed girls, with the flat Italian head-dresses seen in pictures; men, dirty and lazy-looking, with huge black whiskers, dark, greasy complexions, in red and blue flannel shirts, and their coats thrown over their shoulders without putting their arms in the sleeves, the coats looking as though they had done many years duty in cleaning oiled machinery; curious houses with overhanging upper stories; striped awnings project outside of upper windows; a garlicky, greasy, Italian smell pervades the narrower streets, from which we were glad to emerge into the more open square, upon which our hotel--quite a spacious affair--was located.
Our carriage rattled beneath the arched entrance, and into the paved court-yard, where were three or four other similar equipages, and two great lumbering diligences, while the rattling peal of whip-crack detonations must have made the landlord think that a grand duke and suite, at least, were arriving; for he tumbled out, with half a dozen waiters, porters, and helpers, in a twinkling, and we were soon bestowed in cool and lofty rooms, with many bows and flourishes. This old hotel was a curiosity, many of its rooms opening upon the wooden gallery that ran all around and above the large paved court-yard, into which diligences arrived, stopped for the night, or took up their loads and departed, and post carriages came with their freights to and from the Simplon. It always had a group or two of drivers harnessing up, or wrangling over something or other, or travellers, stowing themselves away in the diligence; horses stamping, and jingling their bells and harnesses; tourists, hunting up luggage; or couriers, arranging matters for the travelling parties they were cheating.
The fatigue of a day's mountain ride, and continued sight-seeing, however, made us sleep soundly, despite any of these noises. Of all fatigues, the tourist ere long discovers the fatigue of a constant succession of sight-seeing to be the most exhausting; so that he soon comes to regard a tolerably good bed and clean room as among the most agreeable experiences of his journey. In the morning we were escorted to the carriage with many bows by the young Italian landlord, and his wife, who, with one of those splendid oval faces, beautiful hair descending in graceful curve to and away from her rich, pure brunette complexion, her wonderful great lustrous eyes, a head such as one seldom sees, except in a painting or upon a cameo, made every Englishman or American, when he first saw her, start with surprise, utter something to his neighbor, and always look at her a second time, evidently to the landlord's gratification, for he did not seem to have a particle of the traditional Italian jealousy about him--perhaps he had been married too long.
The landlord and his wife said something very pretty by way of a farewell, no doubt, for there were "_grazias_," "_buonos_," "_addios_," and some other words, which I remember having heard sung by singers at the opera, in his speech, to which our driver responded with a royal salute of whip-cracks, and we dashed out of the court-yard once more on our journey.
Our road now lay through the Italian valley, and we pass Vogogna, Ornavasso, and other towns, and things begin to wear a decidedly Italian aspect--the grape trellises, with their clustering fruit; half-ruined dwellings, with stucco work peeling off them; the general greasy, lazy, half-brigandish look of the men; and the partiality for high colors in dress on the part of the peasant women. Fresh from the invigorating air of the Alpine passes, we felt the full force of the Italian sun. Although late in August, the weather is not hotter, apparently, than in Boston; but when the sun gets fairly at you in Italy, it seems to shine clear through, and come out on the other side. Fifteen minutes in its blaze, without the protection of one of the yellow, green-lined umbrellas, will almost wilt the vigor out of anybody but a native. It goes through the frame like a Boston east wind.
With this sun shining from a blue, cloudless, Italian sky, it may well be imagined how grateful was a beautiful portion of the country, where there were shady olive groves, chestnut and fig trees, and how luscious were our first grapes and fruit purchased of the peasant women at the roadside. We passed, as we approached Lake Maggiore, a fine granite quarry, which seemed to have been laid under contribution to furnish posts for the telegraphic line. Think of that luxury, granite telegraph posts, fifteen feet high, of clear, handsome stone. We rode past them for miles and miles, and soon came in sight of the far-famed Maggiore. It was beautiful as a picture; and as our carriage drove along its shore, the cool afternoon breeze came fresh and grateful to us, after our heated experiences. Across one corner of the lake in a ferry-boat, a short drive farther by the lake shore, and we whirled up to the splendid Hotel des Iles Borromées directly fronting the lake, with its beautiful flower-garden, with walks and fountains. We found the interior of this hotel delightfully cool and clean, the staircases and floors of stone, and the bedsteads of iron--advantages of construction in Italy the utility of which the traveller soon learns to appreciate.
The lake is as charming as poets have sung and travellers told, with its beautiful island and lovely blue waters. The Isola Bella, directly opposite my windows, with its splendid terraces, one above the other, rising a hundred feet above the lake, and rich with its graceful cypresses, lemon trees, magnolias, orange trees, with golden fruit, and sparkling fountains, statues, and pillars, peeping through the luxurious foliage, is charming to look upon. But when--my _siesta_ over, and as the sun was low in the west, with a cool air coming from the water, and the little pleasure-boats, with their striped awnings, were gliding hither and thither--I saw come down the road for his evening walk a brown-robed, barefooted, rope-girdled, shaven friar, and, from the opposite direction, a little dark-skinned Italian lad, with pointed hat, decorated with gay ribbons, rough leggings bound to his knee, and a mandolin in his hand, it seemed, in the soft, dreamy, hazy atmosphere, that I was looking upon an old oil painting. The effect was heightened when the boy struck his instrument, and began to sing--and beautifully he did sing, too. I have heard worse singing by some whose names were in large letters on the opera bills. The friar halted, and leaned on a gray rock at the road-side to listen, while he toyed absently with his rosary. Two or three peasant girls, in their bright costumes, and one with an earthen jar on her head, paused in a group, and a barelegged boatman, in a red cap, rested two tall oars upon the ground, the whole forming so picturesque a group as to look as if posed for a picture.
How pleasant is an evening sail on this lovely lake! how romantic are Isola Bella and its sister islands! how like a soft, dreamy picture is the whole scene! and how all the surroundings seemed exactly fitted to harmonize with it!--a purely Italian scene, the picturesque beauty of which will long linger in the memory.
We had a delightful sail from Stressa, along the shores of Maggiore to Sesto Calende, heard the sweet sound of convent bells come musically across its glassy tide, passed Arona, behind which we could see the colossal bronze statue of San Carlo Borromeo, sixty-six feet high, placed upon a pedestal forty feet in height, looking like an immense giant, with its hand stretched out towards the lake from the hill on which it stands. From Sesto Calende the railway train conveyed us to Milan, where we were landed in a magnificent railway station, the waiting rooms large and lofty, the ceilings elegantly frescoed, and the walls painted with beautifully executed allegorical pictures and Italian landscapes, giving one the idea that he had arrived in a country where artistic painting was a drug in the market, so lavishly was it used in this manner in the railway stations.
Our rooms at the Hotel Cavour look out on a handsome square and the public gardens. In the square stands a statue of Cavour, upon a pedestal placed at the top of a set of granite steps. Upon these steps, seated in the most natural position, is a bronze figure of the genius of fame or history (a female figure) represented in the act of inscribing Cavour's name with her pen upon the bronze pedestal. And so natural is this representation, that strangers who see the group in the evening for the first time, often fancy that some unauthorized person has got into the enclosure, and is defacing the statue.
The first sight to be seen in Milan is the cathedral; and before this magnificent architectural wonder, all cathedrals I have yet looked upon seem to sink into insignificance.
A forest of white marble pinnacles, a wilderness of elegant statues, an interminable maze, and never-ending mass of bewildering tracery, greets the beholder, who finds himself gaping at it in astonishment, and wondering where he will begin to look it over, or if it will be possible for him to see it all. The innumerable graceful pinnacles, surmounted by statues, the immense amount of luxurious carving prodigally displayed on every part of the exterior, strike the visitor with amazement. Its architecture is Gothic, and the form that of a Latin cross; and to give an idea of its size, I copy the following authentic figures of its dimensions: "The extreme length is four hundred and eighty-six feet, and the breadth two hundred and fifty-two feet; the length of the transept two hundred and eighty-eight feet, and the height inside, from pavement to roof, one hundred and fifty-three feet; height from pavement to top of the spire, three hundred and fifty-five feet."
After taking a walk around the exterior of this wonderful structure, and gazing upon the architectural beauties of the great white marble mountain, we prepared to ascend to the roof before visiting the interior.
This ascent is made by a broad white marble staircase of one hundred and fifty-eight steps, the end of which being reached, the visitor finds himself amid an endless variety of beautiful pinnacles, flying buttresses, statues, carvings, and tracery. Here are regular walks laid out, terminating in or passing handsome squares, in the centre of which are life-size statues by Canova, Michael Angelo, and other great sculptors. You come to points commanding extensive views of the elegant flying buttresses, which are beautifully wrought, and present a vista of hundreds of feet of white marble tracery as elegant, elaborate, and bewildering as the tree frost-work of a New England winter.
Here is a place called the "Garden," where you are surrounded by pinnacles, richly ornamented Gothic arches, flying buttresses, with representations of leaves, flowers, pomegranate heads, tracery, statuary, and ornaments in such prodigality as to fairly excite exclamation at the profuseness displayed. In every angle of the building the eye meets new and surprising beauties, magnificent galleries, graceful arcs, and carved parapets, pointed, needle-like pinnacles, Gothic arches, and clustered pillars.
We come to where the carvers and stone-cutters are at work. They have a regular stone-cutters' yard up here on the roof, with sheds for the workmen and stone-carvers, and their progress is marked on the building by the fresher hue of the work. These old cathedrals are never finished; their original plans are lost, and there always seems to be some great portion of the work that is yet to be carried out. We should have got lost in the maze of streets, squares, and passages upon the roof, without a guide.
A total ascent of five hundred and twelve steps carries the visitor to the platform of the great cupola, from which a fine view of the city is obtained, the plains surrounding it bounded by the girdle of distant, snow-capped mountains. Directly beneath can be seen the cruciform shape of the great cathedral; and looking down, we find that one hundred and thirty-six spires and pinnacles rise from the roof, and that clustered on and about them is a population of over _thirty-five hundred_ statues. Nearly a hundred are said to be added each year by the workmen. Amid this bewildering scene of architectural wonders, it is not surprising that two hours passed ere we thought of descending; and even then we left no small portion of this aerial garden, this marble forest of enchantment, with but the briefest glance.
But if the roof was so beautiful, what must be the appearance of the interior of this great temple?
It was grand beyond description; the great nave over four hundred feet in length, the four aisles with their vistas of nearly the same length of clustered pillars--four complete ranges of them, fifty-two in all--supporting the magnificent vaulted arch one hundred and fifty feet above our heads. The vastness of the space as you stand in it beside one of the great Gothic pillars, the base of which, even, towers up nearly as high as your head--the very vastness of the interior causes you to feel like a fly under the dome of St. Paul's. An idea of the size of this cathedral may be had from the fact, that while workmen with ladder, hammer, and tools were putting up a painting upon the walls at one end of the church, the priests were conducting a service with sixty or seventy worshippers at the other, undisturbed by the noise of hammer or metal tool, the blows of which, even if listened for, could scarce be heard beyond a faint click.
A good opera-glass is a necessity in these great cathedrals, a good guide-book is another; and I find the glass swung by its strap beneath one arm, and the tourist's satchel beneath the other, positive conveniences abroad, however snobbish they may appear at home.
There are five great doorways to the church, and the visitor's attention is always called by the guide to the two gigantic pillars near the largest door. These are single columns of polished red granite, thirty-five feet high and four feet in diameter at the base; they support a sort of balcony, upon which stand the colossal figures of two saints. All along the sides of the cathedral are chapels, elegant marble altars and altar tombs, interspersed with statues and pictures. The capitals of many of the great columns have finely carved statues grouped about them; some have eight, and others more. The ceiling of the vaulted roof, which, from the pavement, appears to be sculptured stone-work, is only a clever imitation in painting; but the floor of the cathedral is laid out in mosaic of different colored marbles.
With what delight we wandered about this glorious interior! There was the great window, with its colored glass, representing the Virgin Mary's assumption, executed by Bertini. Here were the monument raised by Pius IV. to his brothers, cut from fine Carrara marble, except the statues, after Michael Angelo's designs; the pulpits, that are partly of bronze work, and elegantly ornamented with bass-reliefs which encircle two of the great pillars, and are themselves held up by huge caryatides; numerous monuments, among them the bright-red marble tomb of Ottone Visconti, who left his property to the Knights of St. John, who erected this monument; the beautiful carved stalls of the choir, the high altar and magnificent Gothic windows behind it.
In the south transept is the celebrated statue of St. Bartholomew, who was flayed alive, and who is represented as having undergone that operation and taking a walk, with his own skin thrown carelessly over one arm, after the manner of an overcoat which the weather has rendered oppressive to the wearer. But this statue can hardly fail to chain the spectator some moments to the spot, on account of the hideous accuracy with which every artery, muscle, and tendon appear to be represented. I had never thought before how a man might look when stripped of that excellent fitting garment, the _cutis vera_; but this statue gave me as correct an idea of it as I ever wish to obtain. It is said to have been executed by the great sculptor Phidias, and to be wonderfully correct in anatomical detail. The latter fact can hardly be doubted by any who look upon the marvellous skill which appears to have been exhausted upon every part of it. Shocking as it appeared, I found myself drawn, again and again, to look upon it; such is its effect as a wondrous work of art.
Now the guide leads to a crypt below the pavement. We are to visit the chapel where rests the good St. Charles Borromeo, who died nearly three centuries ago. We go down nine or ten steps, pass through a passage lined with the richest marbles, a portal adorned with splendid columns, with their capitals and bases richly gilt, and stand in the sepulchral chapel of the saint. It is a small octagonal apartment, lighted by an opening from above, which is surrounded by a rail, so that the faithful may look down upon the sarcophagus below. The walls of this apartment are formed of eight massive silver bass-reliefs, representing remarkable events in the saint's life. Then in the angles are eight caryatides of massive silver, representing his virtues. The sarcophagus, which rests upon the altar, is a large bronze box mounted with silver. A douceur of five francs to the attendant priest, and he reverently crosses himself, and, bending at a crank, causes the bronze covers of the shrine to fold away, revealing to our view the dead body of the saint, in a splendid transparent coffin of pure rock crystal, bound with silver, and ornamented also with small silver statues, bearing the cipher of the royal donor, Philip IV. of Spain.
There lay the good bishop, who had preached humility all his life, arrayed in his episcopal garb, which was one blaze of precious stones. Diamonds of the purest water flashed back their colored light to the glare of the altar candles; rubies, like drops of blood, glowed in fiery splendor, and emeralds shone green as sea-waves in the sunlight. The saint held in his left hand a golden pastoral staff, fairly crusted with precious stones. A splendid cross of emeralds and diamonds is suspended above him within the shrine; it is the gift of Maria Theresa, and about the head is a magnificent golden crown, rich with the workmanship of that wonderful artificer, Benvenuto Cellini, the gift of the Elector of Bavaria. But there, amid all these flashing jewels, that which the rich habiliments failed to conceal, was the grinning skull, covered with the shrivelled skin black with age, the sunken eye-sockets, and all bearing the dread signet-stamp of Death; making it seem a hideous mockery to trick out these crumbling remains with senseless trappings, now so useless to the once mortal habitation of an immortal soul. We leave the saint to sleep in his costly mausoleum, his narrow, eight-sided chamber, and its riches, representing one hundred and sixty thousand pounds sterling, and follow our guide to view more of the wealth of the church.
Here we are in the sacristy, and the custodian shows us two huge statues of St. Charles and St. Ambrose of solid silver, and their sacerdotal robes thickly studded with jewels; magnificent silver busts, life-size, of other bishops; elegant gold candelabra; goblets and altar furniture of rare and exquisite workmanship; silver lamps, censers, chalices, &c., of those rare, delicate, and beautiful old patterns that were a charm to look upon; missals studded with precious stones; rich embroideries, rare altar-pieces, and one solid ornamental piece of silver-work, weighing over one hundred pounds. All these riches locked up, useless here, save as a sight to the wonder-seeking tourist; while poor, ragged worshippers of the church of Rome are prostrating themselves without, before the great altar, from which they rise and waylay him as he passes out, to beseech him--the heretic--for a few coppers, for the love of God, to keep them from starvation. I can well imagine what rich plunder old Cromwell's bluff Round-heads must have found in the Roman Catholic cathedrals of England, although I have more than once mentally anathematized their vandalism, which was shown in defacing and destroying some of the most beautiful specimens of art of the middle ages.
The old Church of St. Ambrosio is an interesting edifice to visit, with its curious relics, tombs, altars, and inscriptions. The principal altar here is remarkable for its richness; its sides are completely enclosed in a strong iron-bound and padlocked sheathing, which, however, the silver key unlocked, and we found the front to be sheathed in solid gold, elegantly enamelled and ornamented, the back and sides being of solid silver; all about the border, corners, and edges were set every species of precious stones, cameos, and rich jewels. The rubies, amethysts, topazes, &c., were in the rough, uncut; but the goldsmith's work, carving and chasing, was elaborate, and the dirty friar who exhibited the sight, with small candles, about the size of pen-holders, stuck between his fingers, took much pride in pointing out the beauties of the work, and holding his little candles so that their light might be the more effectual to display them. The back was all covered with representations of the principal events in the life of St. Ambrose, separated from each other by enamelled borders.
We next went to the refectory of the Church of Santa Maria delle Grazie, and saw Leonardo da Vinci's celebrated painting of the Last Supper, the picture that we are all familiar with from childhood, from having seen it in Bibles, story-books, and engravings. In fact, it is _the_ picture of the Last Supper always referred to when the representation is spoken of. I could not go into raptures over this half-defaced fresco, which has had a door cut through one portion of it, has sustained the damage incidental to the refectory, being used as a cavalry stable, and has twice been nearly all painted over by bad artists since the great painter left it; and he, in his preparation of the wall for the painting, used a process which proved a failure, causing it to fade and flake off. Although this is the great original, from which so many copies are taken,--and it is something to have seen the original,--we think we have seen more than one copy far more striking, and more beautiful in its finish.
A ramble through Victor Emmanuel's palace gave us an opportunity of seeing some fine pictures, the great state ball-room, elegantly-frescoed ceilings, and the rich furniture and tapestry, that one ere long begins to find are in some degree, when no historical association is connected with them, so much alike in all palaces. The celebrated La Scala Theatre was closed for the season during our visit to Milan; but the custodians have an eye to business. They keep the lower row of gas-lights burning, turned low, and for a consideration turn on the gas, and light up the vast interior sufficiently for visitors to get something of an idea of it.
Notwithstanding its vast size, the excellence of its internal arrangements for seeing and hearing is remarkable. Standing upon the stage, we delivered a Shakespearian extract to an extremely select but discriminating audience, whose applause was liberally, and, need we add, deservedly bestowed. I know not how it may be when the house is filled with an audience, but it appeared to us that its acoustic properties were remarkable, for a "stage whisper" could be distinctly heard at the extreme rear of the centre of the first row of boxes, while the echo of the voice seemed to return to the speaker on the stage, as from a sounding-board above his head, with marvellous distinctness. This house will hold an audience of thirty-six hundred persons. The distance from the centre box to the curtain is ninety-six feet; width of the stage, fifty-four feet; and depth of the stage behind the curtain, one hundred and fifty feet--room enough for the most ambitious scenic display. The form of the house is the usual semicircle, there being forty-one boxes in each row. Many of those in the first row have small withdrawing-rooms. One--the Duke Somebody's--has a supper room, in which his highness and friends partake of a _petit souper_ between the acts, there being cooking conveniences for the preparation of the same below.
The brevity of our visit to Milan causes the day that was devoted to the wonderful library, the Biblioteca Ambrosiana, with its grand halls, its one hundred and fifty thousand volumes, and eight thousand manuscripts, rare autographic and literary treasures, and the great halls of paintings, where the works of Guido, Paul Veronese, Raphael, Da Vinci, and Rubens adorn the walls, to seem like a wondrous dream; and our general rule being to see thoroughly what we saw, we regretted that we had even attempted these two interesting galleries--places which, to any one having any taste whatever for art or literature, it is little less than an aggravation to be hurried through.
By rail from Milan we came to a place about a mile from Como, where omnibuses conveyed us through that hot, vilesmelling, filthy Italian town to the pier on the lake, where the steamer was waiting our arrival, and which we were right glad to have paddle out into the lake from the vile odors that surrounded us. But once out upon the blue waters, and free from the offence to our nostrils, how charming was the scene! The dirty city that we had left was picturesque on the undulating shore, with its old tower, spires, and quaint houses. As we sailed along, beautiful villas were seen on the shore, their fronts with marble pillars, their gardens with terraces rich in beautiful flowers, and adorned with statues, vases, and fountains; marble steps, with huge carved balusters, ran down to the very water's edge, where awning-covered pleasure-boats were in waiting--just such scenes as you see on the act-drop at the theatre, and believe to be mere flights of artistic fancy, but which now are found to exist in reality.
At a point where Lake Como divides into two arms, one extending to Como and the other to Lecco, we passed Bellaggio, one of the most beautiful spots ever seen. It is on a high promontory at this point, commanding extensive views of the lake and surrounding country. The promontory is covered with the elegant villas of wealthy people.
There is something luxurious and charming in a sail upon this lovely lake, with the beautiful villas upon its shores, the vine-clad hills, with the broad-hatted peasant women seen among the grape-vines, white turreted churches, brown, distant convents, from which the faint music of the bell came softened over the water, the long reaches of beautiful landscape view between the hills, the soft, blue sky, and the delicious, dreamy atmosphere. A charming lake is Como, but with many objects, "'tis distance lends enchantment to the view."
A boat put off from a romantic little cove for the steamer, which paused for its arrival. Its occupants were a stalwart rower, in blue shirt, red cap, and black slashed breeches, a sort of Massaniello-looking fellow, who bent to the oars with a will, and a friar, with shaven crown and brown cowl, with cross and rosary at his waist. Soon after we saw the holy man on board; and certainly he did not believe cleanliness was next to godliness, for all that was visible of his person was filthy, and evidently not on frequent visiting acquaintance with soap and water, while the vile odor of garlic formed a halo of nearly three feet in circumference about his person--an odor of sanctity requiring the possession of a stomach not easily disturbed to enable one to endure it. I once saw one of these friars at a railway station, whose curious blending of the mediæval and modern together in his costume and occupation struck me as so irresistibly comical that I could not resist a laugh, much to his amazement. But fancy seeing a friar, or monk, in the sandals, brown robe, and corded waist, just such as you have seen in engravings, and whom you naturally associate with Gothic cathedrals, cloistered convents, as bearing a crosier, or engaged in some ecclesiastical occupation--fancy seeing a monk in this well-known costume, near a railway station, his head surmounted with a modern straw hat, a sort of market-basket in his hand, and smoking a cigarette with great nonchalance as he watched the train!
We landed at Colico, at the end of the lake--a filthy place, where dirt was trumps, and garlic and grease were triumphant. We attempted a meal at the hotel while the diligence was getting ready; but on coming to the board, notwithstanding it was with sharpened appetites, the dirt and odor were too much for us, and we retreated in good order, at the expense of five francs for the landlord's trouble and unsuccessful attempt. A diligence ride of eighteen miles brought us to Chiavenna at eight o'clock P.M. Here the hotel was tolerable, the landlord and head waiter spoke English, and, late as it was, we ordered dinner, for we were famished; and a very delectable one we had, and comfortable rooms for the night. Chiavenna is a dull old place, with the ruins of the former residences and strongholds of the old dukes of Milan scattered about it. One old shattered castle was directly opposite our hotel.
We now prepared for a journey from here over another Alpine pass, the Splügen. This pass was constructed by the Austrians, in 1821, in order to preserve for themselves a good passage over to Lombardy. We engaged our post carriage as usual, with a fair _written_ contract with the driver,--necessary when agreeing with an Italian, to prevent _mistakes_,--and preliminaries being settled, started off with the usual rattle of whip-cracks, rode through pleasant scenery of vineyards, mountain slopes, and chestnut trees, and soon began to wind on our way upwards. Passing the custom-house in the little village of Campo Dolcino, thirty-three hundred feet above the level of the sea, we are again upon the beautifully engineered road of an Alpine pass, and at one point the zigzags were so sharp and frequent that the granite posts protecting the edge of the road presented the appearance of a straight row directly in front of us, rising at an angle of forty-five degrees, although the real ascent by the numerous windings is comparatively easy and apparently slight.
As we went winding up, back and forth, we came in sight of the beautiful Madesimo Waterfall, seen from various angles of the road pouring down from far above us to the valley below. Each turn gave us a different view. It was a succession of pictures of valley and cascade, until we finally passed through a covered gallery, and our road led us past the cliff over which the level stream took its leap for its downward career.
Leaving the carriage, we walked to a small projecting table rock directly overhanging the ravine,--a portion of the rock over which the stream falls,--where, leaning over the iron railing,--grasped, we confess, with a firm clutch,--we looked down to the frothy foam of the waterfall, seven hundred feet below. It was a fine point of view--an exciting position to feel one's self so near a terribly dangerous place, and yet be safe, to defy danger, enjoy the beauty of the cascade, and measure with the eye the great distance of its leap.
After leaving here, we begin to enter a wild, and in winter a dangerous, portion of the pass. This is the Cardinell Gorge. Not only are the zigzags sharp and frequent, but we come to great covered galleries, made of solid masonry, with sloping roofs, to cause avalanches, that are constantly precipitated from above, to slide off, and thus protect travellers and the road itself. The galleries are wonderful pieces of workmanship. One of them is six hundred and fifty, another seven hundred, and a third fifteen hundred and thirty feet in length. They are lighted by openings at the sides. We have fine views of the lofty mountains all around, and the deep gorges torn by countless avalanches; and now we reach one of the houses of refuge. We stand fifty-eight hundred and sixty feet above the level of the sea. The air is cold, and overcoats are comfortable. On we go, and at length shiver in the glacier's breath at the boundary line between Switzerland and Italy--the summit of the pass six thousand eight hundred and eighty feet above the sea.
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