Part 7
In this manner the two friends proceeded, to the infinite enlightenment of those about them, who, being greatly struck with their easy and facetious manners, stood admiringly by with looks of evident delight! The young men saw the impression they were making, and, desirous of keeping it up, went on to ask the priestess of the spring how often, and in what quantities, she found it necessary to doctor it with Glauber salts, brimstone, and assafœtida. The joke took immensely.
Such of the bystanders as could laugh--for the internal agitation produced by the cathartic properties of their morning draught, made that a somewhat difficult and dangerous experiment--did so; and various young men, of no very definite character, but who seemed to support the disguise of gentlemen with considerable pain to themselves, sidled up, and endeavoured to strike into conversation with our Nisus and Euryalus, thinking to share by contact the glory which they had won. All they got for their pains, however, was a stare of cool indifference. The friends were as great adepts in the art and mystery of _cutting_, as the most fashionable tailor could be; and, after volunteering a few ineffectual efforts at sprightliness, these awkward aspirants to fame were forced to fall back, abashed and crestfallen, into the natural insignificance of their character.
These proceedings did not pass unnoticed by Preston and his elderly friend, who made their own observations upon them, but were prevented from saying anything on the subject to each other by the entrance of a party, which diverted their attention in a different direction. These were no other than Mrs Cheesham and her two accomplished daughters, Miss Emily and Miss Fanny Cheesham. Mrs Cheesham's personal appearance may be passed over very briefly; as no one, so far as is known, ever cared about it but herself. She was vain, vulgar, and affected; fond of finery and display; and the one dominant passion of her life was to insinuate herself and her family into fashionable society, and secure a brilliant match for her daughters. They, again, were a pair of attractive, showy girls; Emily flippant, sparkling, lively; Fanny demure, reserved, and cold. Emily's eyes were dark and lustrous--you saw the best of them at once; and her look, alert and wicked. These corresponded well with a well-rounded figure, a rosy complexion, and full pouting lips, that were "ruddier than the cherry." Fanny was tall and "stately in her going;" pale, but without that look of sickliness which generally accompanies such a complexion; and her eyes, beautiful as they were when brought into play, were generally shrouded by the drooping of her eyelids, like those of one who is accustomed to be frequently self-inwrapt. With Emily you might sport in jest and raillery by the hour; but with Fanny you always felt, as it were, bound to be upon your best behaviour. They passed up the room, distributing nods of recognition, and occasionally stopping to allow Mrs Cheesham to give her invitations to a _soirée musicale_ which she intended to get up that evening.
"Your servant, ladies," said old Stukeley, raising his hat, while his friend followed his example. "You are late. I was afraid we were not to have the pleasure of seeing you this morning. Pray, Miss Emily, what new novel or poem was it that kept you awake so late last night that you have lost half this glorious morning? Tell me the author's name, that I may punish the delinquent, by cutting up his book, in the next number of our Review?"
"Cut it up, and you will do more than I could; for I found myself nodding over the second page, and I feel the drowsiness about me still."
"The opiate--the opiate, Miss Emily? Who was its compounder? He must be a charmer indeed."
"Himself and his printer knows. Only some unhappy bard, who dubs us women 'the angels of life,' and misuses us vilely through a dozen cantos of halting verse. The poor man has forgot the story
'Of man's first disobedience, and the fruit Of that forbidden tree, whose mortal taste Brought death into the world and all our woe,
or he would have christened us daughters of Eve by a very different name."
"O you little rogue! you are too hard upon this devotee to your dear deluding sex. It is only his excess of politeness that has made him forget his historical reading."
"His politeness! Fiddlestick! I would as soon have a troop of boys inflict the intolerable tediousness of their calf-love upon me as endure the rhapsodies of a booby, who strips us of our good flesh and blood, frailties and all, to etherealize us into an incomprehensible compound of tears, sighs, moonshine, music, love, flowers, and hysterics."
"Emily, how you run on!" broke in Mrs Cheesham. "My dear Mr Stukeley, really you must not encourage the girl in her nonsense. I declare I sometimes think her tongue runs away with her wits."
"Better that, I'm sure, madam, than have it run away without them," responded Stukeley, in a deprecating tone, which threw Mrs Cheesham, whose intellect was none of the acutest, completely out.
"Girls, there are Mr Blowze and Mr Lilylipz," said Mrs Cheesham, looking in the direction of the friends, Adolph and Eugene; "you had better arrange with them about coming this evening."
Emily advanced with her sister to the engaging pair, who received them with that peculiar contortion of the body, between a jerk and a shuffle, which young men are in the habit of mistaking for a bow, and was soon deep in the heart of a flirtation with Adolph, while Fanny stood listening to the vapid nothings of Eugene, a very model of passive endurance. Frank Preston was anything but an easy spectator of this movement; nor was Emily blind to this; but, like a wilful woman, she could not forbear playing the petty tyrant, and exercising freely the power to torment which she saw that she possessed.
"You will be of our party to-night, gentlemen," continued Mrs Cheesham. "We are to have a little music. You are fond of music, Mr Stukeley, I know; and no pressing can be necessary to an ama_toor_ like you, Mr Francis. I can assure you, you'll meet some very nice people. Mr and Mrs M'Skrattachan, highly respectable people--an old Highland family, and with very high connections. Mr M'Skrattachan's mother's sister's aunt--no, his aunt's mother's sister--yes, that was it--Mr M'Skrattachan's aunt's mother's sister; and yet I don't know--I dare say I was right before--at all events, it was one or other of them--married a second cousin--something of that kind--of the Duke of Argyle, by the mother's side They had a large estate in Skye a Ross-shire--I am not sure which, but it was somewhere thereabout."
Stukeley and Preston were glad to cover their retreat by acceptance of Mrs Cheesham's invitation; and, leaving her to empty the dregs of the details which she had begun into the willing ears of some of her more submissive friends, they made their escape from the pump-room.
Slopbole Cottage, where the Cheeshams were domiciliated during their sojourn at Potterwell, was situated upon the banks of the Wimpledown, at a distance of somewhat less than a quarter of a mile from the burgh. It had, at one time, been a farm-house; but, within a few years, it had been recast; and, by the addition of a bow window, a trellised door, and a few of the usual _et ceteras_, it had been converted into what is by courtesy termed a cottage ornée. It was an agreeable place for all that, shaded by the remnants of a fine old wood--the rustling of whose foliage made pleasant music, as it blended with the ever-sounding plash and rushing of the stream.
When Frank Preston arrived at Slopbole Cottage that evening, he found the drawing-room already well stocked with the usual components of a tea-party. The two exquisites of the morning he saw, to his dismay, were already there. Adolph was assiduously sacrificing to the charms and wit of Miss Emily, while his shadow, Eugene, was--but Preston did not care about that--as much engaged in Macadamising his great conceptions into small talk suitable for the intellectual capacity of Miss Fanny. Mrs Cheesham regarded these proceedings with entire satisfaction. The friends, to her mind, were men of birth, fashion, and fortune, and the very men for her daughters. Besides, there was a mystery about them that was charming. Nobody knew exactly who they were, although everybody was sure they were somebody. None but great people ever travel incog. They were evidently struck by her daughters. Things were in a fair train; and, if she could but make a match of it, Mrs Cheesham thought she might then fold her hands across, and make herself easy for life. Her daughters would be the wives of great men, and she was their mother, and every one knows what an important personage a wife's mother is.
"Two very fine young men, Mr Francis," said Mrs Cheesham. "Extremely intelligent people. And so good looking! Quite _distingue_, too. It is not every day one meets such people."
Frank Preston threw in the necessary quantity of "yes's," "certainly's," and so forth, while Mrs Cheesham continued--
"They seem rather taken with my girls, don't they? Mr Blowze is never away from Emily's side. His attentions are quite marked. Don't you think, now, they'd make a nice pair? They're both so lively--always saying such clever things. I never knew Emily so smart either; but that girl's all animation--all spirit. I always said Emily would never do but for a rattle of a husband--a man that could talk as much as herself. It does not do, you know, really it does not do, for the wife to have too much of the talk to herself. I make that a principle; and, as I often tell Cheesham, I let him have it all his own way, rather than argue a point with him."
This was, of course, an exceedingly agreeable strain of conversation to the lover, to whom it was no small relief, when Mrs Cheesham quitted his side to single out her musical friends for the performance of a quartette. At her summons, these parties were seen to emerge from the various recesses where they had been concealing themselves, in all the majesty of silence, as is the way with musical amateurs in general. Miss Fanny, who was really an accomplished performer, was called to preside at the pianoforte, and Mr Lilylipz rushed before to adjust the music-stool and turn over the leaves for her. Mr Blewitt got out his flute, and, after screwing it together, commenced a series of blasts upon it, which were considered necessary to the process of tuning. Mr Harrower, the violoncello player, turned up the wristbands of his coat, placed his handkerchief on his left knee, and, after a preliminary flourish or two of his hands, began to grind his violoncello into a proper sharpness of pitch. Not to be behind the rest, Mr Fogle screwed his violin strings first up, and then he screwed them down, and then he proceeded to screw them up again, with a waywardness of purpose that might have been extremely diverting, if its effects had not been so very distressing to the ears. Having thus begot a due degree of attention in their audience, the performers thought of trying how the results of their respective preparations tallied.
"Miss Fanny, will you be kind enough to sound your A?" lisped Mr Blewitt.
Miss Fanny did sound her A, and again a dissonance broke forth that would have thrown Orpheus into fits. It was then discovered that the damp had reduced the piano nearly a whole tone below pitch, and Mr Blewitt's flute could not be brought down to a level with it by any contrivance. The musicians, however, were not to be baulked in their purpose for this, and they agreed to proceed with the flute some half a tone higher than the other instruments. But there was a world of preliminary work yet to be gone through; tables had to be adjusted, and books had to be built upon music stands. But the tables would not stand conveniently, and the books would fall, and then all the work of adjustment and library architecture had to be gone over again. At last these matters were put to rights, and after a few more indefinite vagaries by Messrs Blewitt, Harrower and Fogle, the junto made a dash into the heart of one of Haydn's quartettes. The piano kept steadily moving through the piece. Miss Fanny knew her work, and she did it. The others did not know theirs, and they _did for_ it. After a few faint squeaks at the beginning, Mr Blewitt's flute dropped out of hearing altogether, and, just as everybody had set it down as defunct, it began to give token of its existence by a wail or two rising through the storm of sounds with which the performance closed, and then made up its leeway by continuing to vapour away for some time after the rest had finished.
"Bless my heart, are you done?" cried Mr Blewitt, breaking off in the middle of a solo, which he found himself performing to his own astonishment.
Mr Harrower and Mr Fogle threw up their eyes with an intensity of contempt that defies description. To be sure, neither of them had kept either time or tune all the way through. Mr Harrower's violoncello had growled and groaned, at intervals, in a manner truly pitiable; and Mr Fogle's bow had done nothing but dance and leap, in a perpetual staccato from the first bar to the last, to the entire confusion of both melody and concord. But they had both managed to be in at the death, and were therefore entitled to sneer at the unhappy flutist. Mr Eugene Lilylipz, who had annoyed Miss Fanny throughout the performance, by invariably turning over the leaf at the wrong place, now broke into a volley of raptures, of which the words "Devaine" and "Chawming," were among the principal symbols. A buzz of approbation ran round the room, warm in proportion to the relief which the cessation of the Dutch concert afforded. Mr Harrower and his coadjutors grew communicative, and vented an infinite quantity of the jargon of dilettanteism upon each other, and upon those about them. They soon got into a discussion upon the merits of different composers, whose names served them to bandy to and fro in the battledore and shuttlecock of conversation. Beethoven was cried up to the seventh heaven by Mr Harrower for his grandeur and sublimity, and all that sort of thing.
"There is a Miltonic greatness about the man!" he exclaimed, throwing his eyes to the ceiling, in the contemplation of a visionary demigod. "A vastness, a massiveness, an incomprehensible--eh, eh?--ah, I can't exactly tell what, that places him far above all other writers."
"Every man to his taste," insinuated Mr Blewitt; "but I certainly like what I can understand best. Now I don't understand Beethoven; but I _can_ understand Mozart, or Weber, or Haydn."
"It is very well if you do!" retorted the violoncellist, reflecting probably on the recent specimen Mr Blewitt had given of his powers. "It is more than everybody does, I can tell you."
"Od, gentlemen, but it's grand music onyhow, and exceeding justice you have done it, if I may speak my mind. But ye ken I'm no great shakes of a judge."
This was the opinion volunteered by Mr Cheesham, who saw the musicians were giving symptoms of that tendency to discord for which they are proverbial, and threw out a sop to their vanity, which at once restored them to order. As he said himself, Mr Cheesham was no great judge of music, nor, indeed, of any of the fine arts. He had read little, and thought less; and yet, since he had become independent of the world, he was fond of assuming an air of knowledge, that was exceedingly amusing. There was nothing, for instance, that he liked better to be talking about than history; and, nevertheless, that Hannibal was killed at the battle of Drumclog, and Julius Cæsar beheaded by Henry the Eight, were facts which he would probably have had no hesitation in admitting, upon any reasonable representation.
By this time, Mr Stukeley had joined the party, and was going his rounds, chatting, laughing, quizzing, and prosing, according to the different characters of the people whom he talked with. When he reached Mr Cheesham, he found him in earnest conversation with Mr Lilylipz regarding the ruins of Tinglebury, an abbey not far from Potterwell, of which the architecture was pronounced by Mr Lilylipz to be "_suttinly_ transcendent beyond anything. It is of that pure Græco-Gothic, which was brought over by William the Conqueror, and went out with the Saxons."
Stukeley encouraged the conversation, drawing out the presumptuous ignorance of Mr Lilylipz and the rusty nomeanings of the parent Cheesham into strong relief.
"Gentlemen, excuse me for breaking up your _tête-à-tête_. Have you got upon 'Shakspeare, taste, and the musical glasses?'" said Miss Emily, joining the trio. "Mr Lilylipz, your friend tells me you sing. Will you break the dulness, and favour us?"
"Oh, I never do sing; and besides, I am suffering from hoarseness."
"Come, come," replied Miss Emily, "none of these excuses, or we shall expect to find a very Braham, at least."
"Now, _re_ally," remonstrated Mr Lilylipz.
"Oh, never mind his nonsense, Miss Cheesham," exclaimed Mr Blowze, from the other side of the room. "Lilylipz sings an uncommonly good song when he likes. Give us 'the Rose of Cashmere,' or 'She wore a wreath of Roses.' Come away, now--no humbug!"
"Oh, that will be delightful!--pray, do sing!" were the exclamations of a dozen voices at least. "Mr Lilylipz' song!" shouted the elderly gentlemen of the party; and, forthwith, an awful stillness reigned throughout the apartment. Upon this, Mr Lilylipz blew his nose, coughed thrice, and, throwing himself back in his chair, riveted his eyes, with the utmost intensity, upon a corner of the ceiling. Every one held back his breath in expectation, and the interesting young man opened upon the assemblage with a ballad all about an Araby maid, to whom a Christian knight was submitting proposals of elopement, which the lady appeared to be by no means averse to, for each stanza ended with the refrain, "Away, away, away!" signifying that the parties meant to be off somewhere as fast as possible. Mr Lilylipz had just concluded verse the first, and the "Away, away, away!" had powerfully excited the imagination of the young ladies present, when the door opened, and the clinking of crystal ware announced the inopportune entrance of a maidservant, bearing a trayful of glasses filled with that vile imbroglio of hot water and sugar, coloured with wine, which passes in genteel circles by the name of negus. All eyes turned towards the door, and Mrs Cheesham exclaimed, "Sally, be quiet!" but Mr Eugene was too much enrapt by his own performance to feel the disturbance, and he tore away through verse the second with kindling enthusiasm. "Away, away, away!" sang the vocalist, when a crash and a scream arrested his progress. The servant maid had dropped the tray, and the glasses were rolling to and fro upon the floor in a confusion of fragments, while the delinquent, Sally, shrieking at the top of her voice, was making her way out at the door with all the speed she was mistress of.
"What can that be?" cried one. "The careless slut!" screamed another. "Such thoughtlessness!" suggested a third. "What the deuce could the woman mean?" asked a fourth. "It's the last night she sets foot in my house!" exclaimed Mrs Cheesham, thrown off her dignity by the sudden shock.
"Bless me, you look unwell!" said Mr Cheesham to Mr Lilylipz, who had turned deadly pale, and was altogether looking excessively unhappy.
"Oh, it is nothing. Only a constitutional nervousness. The start, the surprise, that sort of thing, you know; but it will go off in a moment. I shall just take a turn in the air for a little, and I'll be quite better."
The ladies were engaged in the contemplation of the wreck at the other end of the room, and Mr Lilylipz, accompanied by his friend, stepped out at one of the drawing-room windows, which opened out upon the lawn. Frank Preston looked after them, and saw them in the moonlight, passing down the banks of the river among the trees, apparently engaged in earnest conversation.
"What do you think of this business, eh?" said Stukeley, rousing him from a reverie by a tap upon the shoulder. "Queerish a little, isn't it?"
"Queerish not a little, I think; and blow me if I don't get to the bottom of it, or a devil's in it. That girl knows something of Mr Eugene, I'll be sworn. We must get out of her what it is."
"Oh, no doubt she does. It wasn't the song that threw her off, although it was certainly vile enough for anything; it was himself; that is as clear as day. Let us off, hunt out the wench, and get the secret from her."
They left the room by the open window, and passing round the house to the servants' entrance, walked into the kitchen, where they found Sally labouring under strong excitement, as she narrated the incident which had led to her precipitate retreat from the drawing-room.
"To think of seeing him here; the base deceitful wretch! Cocked up in the drawing-room, forsooth, as if that were a place for him or the likes of him. Set him up, indeed--a pretty story. But I know'd as how he'd never come to no good!"
"Who is he, my dear?" inquired Stukeley.
"Who is he, sir!--who should he be but Tom Newlands, the son of Dame Newlands of our village."
"Oh, you must certainly be mistaken."
"Never a bit mistaken am I, sir. I have too good reason for remembering him, the wretch! Oh, if I had him here, I wouldn't give it him, I wouldn't? I'd sarve him out, the deludin' scoundrel. But he never was good for nothing since he went into the haberdashery line."
"A haberdasher, is he? Capital!--capital! The man of fashion, eh, Frank?"
"The young man of _distingue_ appearance!"
"And who's his friend, Sally?"
"What! the other chap? Oh, I don't know anything about him, except that he's one of them man millinery fellows; and a precious bad lot they are, I know."
"Glorious!--glorious!" cried Stukeley, crying with delight, as he walked out of the place with his friend. "Here's a discovery for some folks, isn't it? The brilliant alliance, the high family, _et cetera, et cetera_, all dwindled into a measurer of tapes. Aren't you proud of having had such a rival?"
"Oh, come, don't be too hard upon me on that point. Mum, here we are at the drawing-room again. Not a word of what we have heard. If these scamps have made themselves scarce, as I think they have, good and well. But if they venture to show face here again, I shall certainly feel it to be my duty to pull their noses, and eject them from the premises by a summary process."
"Oh, never fear, they will not put you to the trouble. They are off for good and all, or I am no prophet."