CHAPTER 42
Then Job answered the Lord, and said, I know that thou canst do everything, And that no thought can be withholden from thee. Who is he that hideth counsel without knowledge? Therefore have I uttered that I understood not; Things too wonderful for me, which I knew not. Hear, I beseech thee, and I will speak: I will demand of thee, and declare thou unto me. I have heard of thee by the hearing of the ear: But now mine eye seeth thee. Wherefore I abhor myself, and repent In dust and ashes.
And it was so, that after the Lord had spoken these words unto Job, the Lord said to Eliphaz the Temanite, My wrath is kindled against thee, and against thy two friends: for ye have not spoken of me the thing that is right, as my servant Job hath. Therefore take unto you now seven bullocks and seven rams, and go to my servant Job, and offer up for yourselves a burnt offering; and my servant Job shall pray for you: for him will I accept: lest I deal with you after your folly, in that ye have not spoken of me the thing which is right, like my servant Job.
So Eliphaz the Temanite and Bildad the Shuhite and Zophar the Naamathite went, and did according as the Lord commanded them: the Lord also accepted Job. And the Lord turned the captivity of Job, when he prayed for his friends: also the Lord gave Job twice as much as he had before. Then came there unto him all his brethren, and all his sisters, and all they that had been of his acquaintance before, and did eat bread with him in his house: and they bemoaned him, and comforted him over all the evil that the Lord had brought upon him: every man also gave him a piece of money, and every one an ear-ring of gold. So the Lord blessed the latter end of Job more than his beginning: for he had fourteen thousand sheep, and six thousand camels, and a thousand yoke of oxen, and a thousand she asses. He had also seven sons and three daughters. And he called the name of the first, Jemima; and the name of the second, Kezia; and the name of the third, Keren-happuch. And in all the land were no women found so fair as the daughters of Job: and their father gave them inheritance among their brethren. After this lived Job an hundred and forty years, and saw his sons, and his sons’ sons, even four generations. So Job died, being old and full of days.
CECIL PALMER & HAYWARD
Contemporary Russian Composers
By M. MONTAGU-NATHAN
(Author of A History of Russian Music, Glinka, Moussorgsky, Rimsky-Korsakof, The Piano Music of Skryabin, etc.)
With many portraits of famous Russian Musicians
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In this volume M. Montagu-Nathan introduces to the public a number of Russian composers, who may be said collectively to constitute the contemporary Russian School of Musical Composition, and who are maintaining for Russia its supremacy among the musical nations.
Of such composers as SKRYABIN, GLAZOUNOF, STRAVINSKY, REBIKOF, MEDTNER and RAKHMANINOF, the author provides a biographical account, and a detailed consideration of their creative work; their aims and ideals are discussed, and their music subjected to a critical review.
There are some chapters devoted to those younger men whose music has already attracted considerable attention in Russia, and whose names are likely ere long to become familiar to the musical world.
An introductory section of the book is devoted to a survey of the earlier period of musical activity in Russia, in which the founders of the Nationalist movement are dealt with and their artistic labours outlined.
THE PATH OF THE MODERN RUSSIAN STAGE, and other Essays
By ALEXANDER BAKSHY With 12 Illustrations
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The modern revival in the art of the theatre has been particularly marked in Russia where it has revolutionized many established traditions, and has opened up new paths of development. The remarkable progress of the Russian dramatic theatre is of special interest to the student, since in no other country the new movement has been fruitful of so many original ideas, or has had them realized in such striking forms. In the present volume the guiding principles of the Russian stage, such as “faithfulness to life” of the Moscow Art Theatre, the various forms of “conventionalism” applied at the Theatre of Vera Kommissarzhevsky, and the theories of “theatricality” lately propounded by Meyerhold and Evreinov, are subjected to a close analysis. The book also includes separate essays on the forms of the theatre, as determined by the relationship between the audience and the stage, and on the art aspects of the kinematograph.
THE GIRL AND THE FAUN
By EDEN PHILLPOTTS
With four Illustrations in colour, and Title Page and Border designed by MR. FRANK BRANGWYN, A.R.A.
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EDEN PHILLPOTTS has been called “the painter’s novelist,” and in this work he combines his peculiar power of bringing colour and form to the sense of his readers, with a story cast in classic mould, full of explicit humour and implicit meaning. In his quest for beauty he has never been more successful, while the co-operation of England’s greatest painter, Frank Brangwyn, A.R.A., who contributes four full page drawings in colour and title page border in black and white, will place this work among the most notable productions of the War.
DELIGHT AND OTHER POEMS
By EDEN PHILLPOTTS
With twelve Illustrations in Black and White, by ALMA ELLIOTT
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As a laughter maker Eden Phillpotts has “done his bit” during these dark years, and all men are agreed that the relief of light literature and humorous verse are very considerable in these days. They rest and distract the mind, and remind us of Nietzsche’s aphorism that, “art is with us that we may not perish of too much truth.”
A feature of the work is twelve illustrations by Miss Alma Elliott, which will attract the attention of all lovers of art by their wonderful craftsmanship and imagination, and every effort has been made by the Publishers to make this volume one of the best gift books of the season.
AN INTRODUCTION TO RUSSIAN MUSIC
By M. MONTAGU-NATHAN
Author of A History of Russian Music, Glinka, Moussorgsky, Rimsky-Korsakof, Contemporary Russian Composers
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AN INTRODUCTION TO RUSSIAN MUSIC is a small volume designed to afford a concise account of the foundation and development of Russian musical art. It consists of a series of chapters devoted to the most famous Russian composers. Prefacing these is an Introduction to the subject; following them comes a sketch of what the author has styled The New Age in Russian Music; in this section will be found the names of such as Stravinsky, Skryabin and Rebikof.
THE SILVER CHAIN
A Satire on Convention
By SIR WILLIAM BLAKE RICHMOND, K.C.B., R.A., etc.
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SIR WILLIAM RICHMOND’S eminence in the world of Art and Letters will command for his long novel “The Silver Chain” a wide circle of readers. It is a work of great artistic achievement and of scholarship and culture. Philosophy, psychology, a delightful sense of humour, subtle analysis of the moods and motives of men and women, and a true and artistic presentation of nature are the rich elements that make every page of this book of absorbing interest.
A BOOK OF LAUGHTER
By EDWIN PUGH
Author of “Punch and Judy,” “Harry the Cockney,” etc.
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“When you want to laugh--mind you do.”--_Eden Phillpotts._
“Laughter is day and sobriety is night.”--_H. W. Beecher._
“Laugh when you can, it is a cheap medicine. Merriment is a philosophy, not well understood. It is the sunny side of existence.”--_Lord Byron._
“A Book of Laughter” is a book to read for oneself, a book to keep handy on one’s library shelves, and an ideal gift book from friend to friend. A sense of humour is the most precious quality of man, and laughter its most glorious attribute. The exposition of the philosophy of laughter needs a born humorist, and that Mr. Edwin Pugh most certainly is. “A Book of Laughter” is a subtle analysis of our various ideas of humour, and illustrated throughout with numerous stories and anecdotes, mostly original. There can be no question that Mr. Pugh’s new work will prove to be the most humorous book of the year.
A YEAR IN THE GARDEN
A book about Gardens in Prose and Verse
Edited by NORAH ELIZABETH MUSTARD
With Illustrations in Colour by ELLEN WARRINGTON
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“Oh, Happy Garden, whose seclusion deep Hath been so friendly to industrious hours.”
--_Wordsworth._
An anthology from the works of great authors giving expression to their appreciation and love for the gardens which in so many cases helped to inspire their work. The passages are so arranged in the form of a journal giving an extract in prose or verse for every day in the year. A feature of the work is delightful illustrations in colour by Miss Ellen Warrington, whose garden pictures have attained a wide and well-merited reputation. The book is a welcome addition to the library of the Garden, and will prove a most appropriate gift to Garden Lovers.
[Illustration]
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Transcriber’s note
Minor punctuation errors have been changed without notice. Hyphenation was standardized. Spelling has been retained as originally published.
Changes that have been made:
Page 32: “And thou sowest up mine” “And thou sewest up mine” Page 62: “out from the inhabitants” “out from the inhabitant” Page 104: “of Neitzsche’s aphorism” “of Nietzsche’s aphorism” Page 105: ““A book of Laughter" is” ““A Book of Laughter" is”