part I

am constrained to admire the militant pastor, as Lessing himself admired him. From an artistic point of view he is not an uninteresting figure to contemplate. And although his attempts to awaken persecution were reprehensible, yet his ardour in defending what he believed to be vital truth is none the less to be respected. He had the acuteness to see that Lessing's refutation of deism did not make him a Christian, while the new views proposed as a substitute for those of Reimarus were such as Goetze and his age could in no wise comprehend.

Lessing's own views of dogmatic religion are to be found in his work entitled, "The Education of the Human Race." These views have since so far become the veriest commonplaces of criticism, that one can hardly realize that, only ninety years ago, they should have been regarded as dangerous paradoxes. They may be summed up in the statement that all great religions are good in their time and place; that, "as there is a soul of goodness in things evil, so also there is a soul of truth in things erroneous." According to Lessing, the successive phases of religious belief constitute epochs in the mental evolution of the human race. So that the crudest forms of theology, even fetishism, now to all appearance so utterly revolting, and polytheism, so completely inadequate, have once been the best, the natural and inevitable results of man's reasoning powers and appliances for attaining truth. The mere fact that a system of religious thought has received the willing allegiance of large masses of men shows that it must have supplied some consciously felt want, some moral or intellectual craving. And the mere fact that knowledge and morality are progressive implies that each successive system may in due course of time be essentially modified or finally supplanted. The absence of any reference to a future state of retribution, in the Pentateuch and generally in the sacred writings of the Jews, and the continual appeal to hopes and fears of a worldly character, have been pronounced by deists an irremediable defect in the Jewish religion. It is precisely this, however, says Lessing, which constitutes one of its signal excellences. "That thy days may be long in the land which Jehovah thy God giveth thee," was an appeal which the uncivilized Jew could understand, and which could arouse him to action; while the need of a future world, to rectify the injustices of this, not yet being felt, the doctrine would have been of but little service. But in later Hebrew literature, many magnificent passages revealed the despair felt by prophet and thinker over the insoluble problem presented by the evil fate of the good and the triumphant success of the wicked; and a solution was sought in the doctrine of a Messianic kingdom, until Christianity with its proclamation of a future life set the question entirely aside. By its appeal to what has been aptly termed "other-worldliness," Christianity immeasurably intensified human responsibility, besides rendering clearer its nature and limits. But according to Lessing, yet another step remains to be taken; and here we come upon the gulf which separates him from men of the stamp of Theodore Parker. For, says Lessing, the appeal to unearthly rewards and punishments is after all an appeal to our lower feelings; other-worldliness is but a refined selfishness; and we are to cherish virtue for its own sake not because it will lead us to heaven. Here is the grand principle of Stoicism. Lessing believed, with Mr. Mill, that the less we think about getting rewarded either on earth or in heaven the better. He was cast in the same heroic mould as Muhamad Efendi, who when led to the stake exclaimed: "Though I have no hope of recompense hereafter, yet the love of truth constraineth me to die in its defence!"

With the truth or completeness of these views of Lessing we are not here concerned; our business being not to expound our own opinions, but to indicate as clearly as possible Lessing's position. Those who are familiar with the general philosophical spirit of the present age, as represented by writers otherwise so different as Littre and Sainte-Beuve, will best appreciate the power and originality of these speculations. Coming in the last century, amid the crudities of deism, they made a well-defined epoch. They inaugurated the historical method of criticism, and they robbed the spirit of intolerance of its only philosophical excuse for existing. Hitherto the orthodox had been intolerant toward the philosophers because they considered them heretics; and the philosophers had been intolerant toward the orthodox because they considered them fools. To Voltaire it naturally seemed that a man who could believe in the reality of miracles must be what in French is expressively termed a sot. But henceforth, to the disciple of Lessing, men of all shade of opinion were but the representatives and exponents of different phases in the general evolution of human intelligence, not necessarily to be disliked or despised if they did not happen to represent the maturest phase.

Religion, therefore, from this point of view, becomes clearly demarcated from theology. It consists no longer in the mental assent to certain prescribed formulas, but in the moral obedience to the great rule of life; the great commandment laid down and illustrated by the Founder of the Christian religion, and concerning which the profoundest modern philosophy informs us that the extent to which a society has learned to conform to it is the test and gauge of the progress in civilization which that society has achieved. The command "to love one another," to check the barbarous impulses inherited from the pre-social state, while giving free play to the beneficent impulses needful for the ultimate attainment of social equilibrium,--or as Tennyson phrases it, to "move upward, working out the beast, and letting the ape and tiger die,"--was, in Lessing's view, the task set before us by religion. The true religious feeling was thus, in his opinion, what the author of "Ecce Homo" has finely termed "the enthusiasm of humanity." And we shall find no better language than that of the writer just mentioned, in which to describe Lessing's conception of faith:--

"He who, when goodness is impressively put before him, exhibits an instinctive loyalty to it, starts forward to take its side, trusts himself to it, such a man has faith, and the root of the matter is in such a man. He may have habits of vice, but the loyal and faithful instinct in him will place him above many that practice virtue. He may be rude in thought and character, but he will unconsciously gravitate toward what is right. Other virtues can scarcely thrive without a fine natural organization and a happy training. But the most neglected and ungifted of men may make a beginning with faith. Other virtues want civilization, a certain amount of knowledge, a few books; but in half-brutal countenances faith will light up a glimmer of nobleness. The savage, who can do little else, can wonder and worship and enthusiastically obey. He who cannot know what is right can know that some one else knows; he who has no law may still have a master; he who is incapable of justice may be capable of fidelity; he who understands little may have his sins forgiven because he loves much."

Such was Lessing's religion, so far as it can be ascertained from the fragmentary writings which he has left on the subject. Undoubtedly it lacked completeness. The opinions which we have here set down, though constituting something more than a mere theory of morality, certainly do not constitute a complete theory of religion. Our valiant knight has examined but one side of the shield,--the bright side, turned toward us, whose marvellous inscriptions the human reason can by dint of unwearied effort decipher. But the dark side, looking out upon infinity, and covered with hieroglyphics the meaning of which we can never know, he has quite forgotten to consider. Yet it is this side which genuine religious feeling ever seeks to contemplate. It is the consciousness that there is about us an omnipresent Power, in which we live and move and have our being, eternally manifesting itself throughout the whole range of natural phenomena, which has ever disposed men to be religious, and lured them on in the vain effort to construct adequate theological systems. We may, getting rid of the last traces of fetishism, eliminate arbitrary volition as much as we will or can. But there still remains the consciousness of a divine Life in the universe, of a Power which is beyond and above our comprehension, whose goings out and comings in no man can follow. The more we know, the more we reach out for that which we cannot know. And who can realize this so vividly as the scientific philosopher? For our knowledge being, according to the familiar comparison, like a brilliant sphere, the more we increase it the greater becomes the number of peripheral points at which we are confronted by the impenetrable darkness beyond. I believe that this restless yearning,--vague enough in the description, yet recognizable by all who, communing with themselves or with nature, have felt it,--this constant seeking for what cannot be found, this persistent knocking at gates which, when opened, but reveal others yet to be passed, constitutes an element which no adequate theory of religion can overlook. But of this we find nothing in Lessing. With him all is sunny, serene, and pagan. Not the dim aisle of a vast cathedral, but the symmetrical portico of an antique temple, is the worshipping-place into which he would lead us.

But if Lessing's theology must be considered imperfect, it is none the less admirable as far as it goes. With its peculiar doctrines of love and faith, it teaches a morality far higher than any that Puritanism ever dreamed of. And with its theory of development it cuts away every possible logical basis for intolerance. It is this theology to which Lessing has given concrete expression in his immortal poem of "Nathan."

The central idea of "Nathan" was suggested to Lessing by Boccaccio's story of "The Three Rings," which is supposed to have had a Jewish origin. Saladin, pretending to be inspired by a sudden, imperious whim, such as is "not unbecoming in a Sultan," demands that Nathan shall answer him on the spur of the moment which of the three great religions then known--Judaism, Mohammedanism, Christianity--is adjudged by reason to be the true one. For a moment the philosopher is in a quandary. If he does not pronounce in favour of his own religion, Judaism, he stultifies himself; but if he does not award the precedence to Mohammedanism, he will apparently insult his sovereign. With true Oriental tact he escapes from the dilemma by means of a parable. There was once a man, says Nathan, who possessed a ring of inestimable value. Not only was the stone which it contained incomparably fine, but it possessed the marvellous property of rendering its owner agreeable both to God and to men. The old man bequeathed this ring to that one of his sons whom he loved the most; and the son, in turn, made a similar disposition of it. So that, passing from hand to hand, the ring finally came into the possession of a father who loved his three sons equally well. Unto which one should he leave it? To get rid of the perplexity, he had two other rings made by a jeweller, exactly like the original, and to each of his three sons he bequeathed one. Each then thinking that he had obtained the true talisman, they began violently to quarrel, and after long contention agreed to carry their dispute before the judge. But the judge said: "Quarrelsome fellows! You are all three of you cheated cheats. Your three rings are alike counterfeit. For the genuine ring is lost, and to conceal the loss, your father had made these three substitutes." At this unexpected denouement the Sultan breaks out in exclamations of delight; and it is interesting to learn that when the play was brought upon the stage at Constantinople a few years ago, the Turkish audience was similarly affected. There is in the story that quiet, stealthy humour which is characteristic of many mediaeval apologues, and in which Lessing himself loved to deal. It is humour of the kind which hits the mark, and reveals the truth. In a note upon this passage, Lessing himself said: "The opinion of Nathan upon all positive religions has for a long time been my own." Let him who has the genuine ring show it by making himself loved of God and man. This is the central idea of the poem. It is wholly unlike the iconoclasm of the deists, and, coming in the eighteenth century, it was like a veritable evangel.

"Nathan" was not brought out until three years after Lessing's death, and it kept possession of the stage for but a short time. In a dramatic point of view, it has hardly any merits. Whatever plot there is in it is weak and improbable. The decisive incidents seem to be brought in like the deus ex machina of the later Greek drama. There is no movement, no action, no development. The characters are poetically but not dramatically conceived. Considered as a tragedy, "Nathan" would be weak; considered as a comedy, it would be heavy. With full knowledge of these circumstances, Lessing called it not a drama, but a dramatic poem; and he might have called it still more accurately a didactic poem, for the only feature which it has in common with the drama is that the personages use the oratio directa.

"Nathan" is a didactic poem: it is not a mere philosophic treatise written in verse, like the fragments of Xenophanes. Its lessons are conveyed concretely and not abstractly; and its characters are not mere lay figures, but living poetical conceptions. Considered as a poem among classic German poems, it must rank next to, though immeasurably below, Goethe's "Faust."

There are two contrasted kinds of genius, the poetical and the philosophical; or, to speak yet more generally, the artistic and the critical. The former is distinguished by a concrete, the latter by an abstract, imagination. The former sees things synthetically, in all their natural complexity; the latter pulls things to pieces analytically, and scrutinizes their relations. The former sees a tree in all its glory, where the latter sees an exogen with a pair of cotyledons. The former sees wholes, where the latter sees aggregates.

Corresponding with these two kinds of genius there are two classes of artistic productions. When the critical genius writes a poem or a novel, he constructs his plot and his characters in conformity to some prearranged theory, or with a view to illustrate some favourite doctrine. When he paints a picture, he first thinks how certain persons would look under certain given circumstances, and paints them accordingly. When he writes a piece of music, he first decides that this phrase expresses joy, and that phrase disappointment, and the other phrase disgust, and he composes accordingly. We therefore say ordinarily that he does not create, but only constructs and combines. It is far different with the artistic genius, who, without stopping to think, sees the picture and hears the symphony with the eyes and ears of imagination, and paints and plays merely what he has seen and heard. When Dante, in imagination, arrived at the lowest circle of hell, where traitors like Judas and Brutus are punished, he came upon a terrible frozen lake, which, he says,--

"Ever makes me shudder at the sight of frozen pools."

I have always considered this line a marvellous instance of the intensity of Dante's imagination. It shows, too, how Dante composed his poem. He did not take counsel of himself and say: "Go to, let us describe the traitors frozen up to their necks in a dismal lake, for that will be most terrible." But the picture of the lake, in all its iciness, with the haggard faces staring out from its glassy crust, came unbidden before his mind with such intense reality that, for the rest of his life, he could not look at a frozen pool without a shudder of horror. He described it exactly as he saw it; and his description makes us shudder who read it after all the centuries that have intervened. So Michael Angelo, a kindred genius, did not keep cutting and chipping away, thinking how Moses ought to look, and what sort of a nose he ought to have, and in what position his head might best rest upon his shoulders. But, he looked at the rectangular block of Carrara marble, and beholding Moses grand and lifelike within it, knocked away the environing stone, that others also might see the mighty figure. And so Beethoven, an artist of the same colossal order, wrote out for us those mysterious harmonies which his ear had for the first time heard; and which, in his mournful old age, it heard none the less plainly because of its complete physical deafness. And in this way Shakespeare wrote his "Othello"; spinning out no abstract thoughts about jealousy and its fearful effects upon a proud and ardent nature, but revealing to us the living concrete man, as his imperial imagination had spontaneously fashioned him.

Modern psychology has demonstrated that this is the way in which the creative artistic imagination proceeds. It has proved that a vast portion of all our thinking goes on unconsciously; and that the results may arise into consciousness piecemeal and gradually, checking each other as they come; or that they may come all at once, with all the completeness and definiteness of perceptions presented from without. The former is the case with the critical, and the latter with the artistic intellect. And this we recognize imperfectly when we talk of a genius being "inspired." All of us probably have these two kinds of imagination to a certain extent. It is only given to a few supremely endowed persons like Goethe to possess them both to an eminent degree. Perhaps of no other man can it be said that he was a poet of the first order, and as great a critic as poet.

It is therefore apt to be a barren criticism which studies the works of creative geniuses in order to ascertain what theory lies beneath them. How many systems of philosophy, how many subtle speculations, have we not seen fathered upon Dante, Cervantes, Shakespeare, and Goethe! Yet their works are, in a certain sense, greater than any systems. They partake of the infinite complexity and variety of nature, and no more than nature itself can they be narrowed down to the limits of a precise formula.

Lessing was wont to disclaim the title of poet; but, as Goethe said, his immortal works refute him. He had not only poetical, but dramatic genius; and his "Emilia Galotti" has kept the stage until to-day. Nevertheless, he knew well what he meant when he said that he was more of a critic than a poet. His genius was mainly of the critical order; and his great work, "Nathan the Wise," was certainly constructed rather than created. It was intended to convey a doctrine, and was carefully shaped for the purpose. And when we have pronounced it the greatest of all poems that have been written for a set purpose, and admit of being expressed in a definite formula, we have classified it with sufficient accuracy.

For an analysis of the characters in the poem, nothing can be better than the essay by Kuno Fischer, appended to the present volume. The work of translation has been admirably done; and thanks are due to Miss Frothingham for her reproduction of this beautiful poem.

June, 1868.

VIII. HISTORICAL DIFFICULTIES. [29]

[29] Historical Difficulties and Contested Events. By Octave Delepierre, LL. D., F. S. A., Secretary of Legation to the King of the Belgians. 8vo. London: Murray. 1868.

History, says Sainte-Beuve, is in great part a set of fables which people agree to believe in. And, on reading books like the present, one certainly needs a good deal of that discipline acquired by long familiarity with vexed historical questions, in order to check the disposition to accept the great critic's ironical remark in sober earnest. Much of what is currently accredited as authentic history is in fact a mixture of flattery and calumny, myth and fable. Yet in this set of fables, whatever may have been the case in past times, people will no longer agree to believe. During the present century the criticism of recorded events has gone far toward assuming the developed and systematized aspect of a science, and canons of belief have been established, which it is not safe to disregard. Great occurrences, such as the Trojan War and the Siege of Thebes, not long ago faithfully described by all historians of Greece, have been found to be part of the common mythical heritage of the Aryan nations. Achilleus and Helena, Oidipous and Iokasta, Oinone and Paris, have been discovered in India and again in Scandinavia, and so on, until their nonentity has become the legitimate inference from their very ubiquity. Legislators like Romulus and Numa, inventors like Kadmos, have evaporated into etymologies. Whole legions of heroes, dynasties of kings, and adulteresses as many as Dante saw borne on the whirlwind, have vanished from the face of history, and terrible has been the havoc in the opening pages of our chronological tables. Nor is it primitive history alone which has been thus metamorphosed. Characters unduly exalted or defamed by party spirit are daily being set before us in their true, or at least in a truer, light. What Mr. Froude has done for Henry VIII. we know; and he might have done more if he had not tried to do so much. Humpbacked Richard turns out to have been one of the handsomest kings that ever sat on the throne of England. Edward I., in his dealings with Scotland, is seen to have been scrupulously just; while the dignity of the patriot hero Wallace has been somewhat impaired. Elizabeth is proved to have befriended the false Mary Stuart much longer than was consistent with her personal safety. Eloquent Cicero has been held up as an object of contempt; and even weighty Tacitus has been said to owe much of his reputation to his ability to give false testimony with a grave face. It has lately been suspected that gloomy Tiberius, apart from his gloominess, may have been rather a good fellow; not so licentious as puritanical, not cruel so much as exceptionally merciful,--a rare general, a sagacious statesman, and popular to boot with all his subjects save the malignant oligarchy which he consistently snubbed, and which took revenge on him by writing his life. And, to crown all, even Catiline, abuser of our patience, seducer of vestal nuns, and drinker of children's blood,--whose very name suggests murder, incest, and robbery,--even Catiline has found an able defender in Professor Beesly. It is claimed that Catiline was a man of great abilities and average good character, a well-calumniated leader of the Marian party which Caesar afterwards led to victory, and that his famous plot for burning Rome never existed save in the unscrupulous Ciceronian fancy. And those who think it easy to refute these conclusions of Professor Beesly had better set to work and try it. Such are a few of the surprising questions opened by recent historical research; and in the face of them the public is quite excusable if it declares itself at a loss what to believe.

These, however, are cases in which criticism has at least made some show of ascertaining the truth and detecting the causes of the prevalent misconception. That men like Catiline and Tiberius should have had their characters blackened is quite easily explicable. President Johnson would have little better chance of obtaining justice at the hands of posterity, if the most widely read history of his administration should happen to be written by a radical member of the Rump Congress. But the cases which Mr. Delepierre invites us to contemplate are of a different character. They come neither under the head of myths nor under that of misrepresentations. Some of them are truly vexed questions which it may perhaps always be impossible satisfactorily to solve. Others may be dealt with more easily, but afford no clew to the origin of the popularly received error. Let us briefly examine a few of Mr. Delepierre's "difficulties." And first, because simplest, we will take the case of the Alexandrian Library.

Every one has heard how Amrou, after his conquest of Egypt, sent to Caliph Omar to know what should be done with the Alexandrian Library. "If the books agree with the Koran," said the Caliph, "they are superfluous; if they contradict it, they are damnable; in either case, destroy them." So the books were taken and used to light the fires which heated water for the baths; and so vast was the number that, used in this way, they lasted six months! All this happened because John the Grammarian was over-anxious enough to request that the books might be preserved, and thus drew Amrou's attention to them. Great has been the obloquy poured upon Omar for this piece of vandalism, and loud has been the mourning over the treasures of ancient science and literature supposed to have been irrecoverably lost in this ignominious conflagration Theologians, Catholic and Protestant, have been fond of quoting it as an instance of the hostility of Mahometanism to knowledge, and we have even heard an edifying sermon preached about it. On seeing the story put to such uses, one feels sometimes like using the ad hominem argument, and quoting the wholesale destruction of pagan libraries under Valens, the burning of books by the Latin stormers of Constantinople, the alleged annihilation of 100,000 volumes by Genoese crusaders at Tripoli, the book-burning exploits of Torquemada, the bonfire of 80,000 valuable Arabic manuscripts, lighted up in the square of Granada by order of Cardinal Ximenes, and the irreparable cremation of Aztec writings by the first Christian bishops of Mexico. These examples, with perhaps others which do not now occur to us, might be applied in just though ungentle retort by Mahometan doctors. Yet the most direct rejoinder would probably not occur to them: the Alexandrian Library was NOT destroyed by the orders of Omar, and the whole story is a figment!

The very pithiness of it, so characteristic of the excellent but bigoted Omar, is enough to cast suspicion upon it. De Quincey tells us that "if a saying has a proverbial fame, the probability is that it was never said." How many amusing stories stand a chance of going down to posterity as the inventions of President Lincoln, of which, nevertheless, he is doubtless wholly innocent! How characteristic was Caesar's reply to the frightened pilot! Yet in all probability Caesar never made it.

Now for the evidence. Alexandria was captured by Armrou in 640. The story of the burning of the library occurs for the first time in the works of Abulpharagius, who flourished in 1264. Six hundred years had elapsed. It is as if a story about the crusades of Louis IX. were to be found for the first time in the writings of Mr. Bancroft. The Byzantine historians were furiously angry with the Saracens; why did they, one and all, neglect to mention such an outrageous piece of vandalism? Their silence must be considered quite conclusive. Moreover we know "that the caliphs had forbidden under severe penalties the destruction" of Jewish and Christian books, a circumstance wholly inconsistent with this famous story. And finally, what a mediaeval recklessness of dates is shown in lugging into the story John the Grammarian, who was dead and in his grave when Alexandria was taken by Amrou!

But the chief item of proof remains to be mentioned. The Saracens did not burn the library, because there was no library there for them to burn! It had been destroyed just two hundred and fifty years before by a rabble of monks, incited by the patriarch Theophilus, who saw in such a vast collection of pagan literature a perpetual insult and menace to religion. In the year 390 this turbulent bigot sacked the temple of Serapis, where the books were kept, and drove out the philosophers who lodged there. Of this violent deed we have contemporary evidence, for Orosius tells us that less than fifteen years afterwards, while passing through Alexandria, he saw the empty shelves. This fact disposes of the story.

Passing from Egypt to France, and from the seventh century to the fifteenth, we meet with a much more difficult problem. That Jeanne d'Arc was burnt at the stake, at Rouen, on the 30th of May, 1431, and her bones and ashes thrown into the Seine, is generally supposed to be as indisputable as any event in modern history. Such is, however, hardly the case. Plausible evidence has been brought to prove that Jeanne d'Arc was never burnt at the stake, but lived to a ripe age, and was even happily married to a nobleman of high rank and reputation. We shall abridge Mr. Delepierre's statement of this curious case.

In the archives of Metz, Father Vignier discovered the following remarkable entry: "In the year 1436, Messire Phlin Marcou was Sheriff of Metz, and on the 20th day of May of the aforesaid year came the maid Jeanne, who had been in France, to La Grange of Ormes, near St. Prive, and was taken there to confer with any one of the sieurs of Metz, and she called herself Claude; and on the same day there came to see her there her two brothers, one of whom was a knight, and was called Messire Pierre, and the other 'petit Jehan,' a squire, and they thought that she had been burnt, but as soon as they saw her they recognized her and she them. And on Monday, the 21st day of the said month, they took their sister with them to Boquelon, and the sieur Nicole, being a knight, gave her a stout stallion of the value of thirty francs, and a pair of saddle-cloths; the sieur Aubert Boulle, a riding-hood, the sieur Nicole Groguet, a sword; and the said maiden mounted the said horse nimbly, and said several things to the sieur Nicole by which he well understood that it was she who had been in France; and she was recognized by many tokens to be the maid Jeanne of France who escorted King Charles to Rheims, and several declared that she had been burnt in Normandy, and she spoke mostly in parables. She afterwards returned to the town of Marnelle for the feast of Pentecost, and remained there about three weeks, and then set off to go to Notre Dame d'Alliance. And when she wished to leave, several of Metz went to see her at the said Marnelle and gave her several jewels, and they knew well that she was the maid Jeanne of France; and she then went to Erlon, in the Duchy of Luxembourg, where she was thronged,.... and there was solemnized the marriage of Monsieur de Hermoise, knight, and the said maid Jeanne, and afterwards the said sieur Hermoise, with his wife, the Maid, came to live at Metz, in the house the said sieur had, opposite St. Seglenne, and remained there until it pleased them to depart."

This is surprising enough; but more remains behind. Dining shortly afterwards with M. des Armoises, member of one of the oldest families in Lorraine, Father Vignier was invited to look over the family archives, that he might satisfy his curiosity regarding certain ancestors of his host. And on looking over the family register, what was his astonishment at finding a contract of marriage between Robert des Armoises, Knight, and Jeanne d'Arcy, the so-called Maid of Orleans!

In 1740, some time after these occurrences, there was found, in the town hall of Orleans, a bill of one Jacques l'Argentier, of the year 1436, in which mention is made of a small sum paid for refreshments furnished to a messenger who had brought letters from the Maid of Orleans, and of twelve livres given to Jean du Lis, brother of Jeanne d'Arc, to help him pay the expenses of his journey back to his sister. Then come two charges which we shall translate literally. "To the sieur de Lis, 18th October, 1436, for a journey which he made through the said city while on his way to the Maid, who was then at Erlon in Luxembourg, and for carrying letters from Jeanne the Maid to the King at Loicher, where he was then staying, six livres." And again: "To Renard Brune, 25th July, 1435, at evening, for paying the hire of a messenger who was carrying letters from Jeanne the Maid, and was on his way to William Beliers, bailiff of Troyes, two livres."

As no doubt has been thrown upon the genuineness of these documents, it must be considered established that in 1436, five years after the public execution at Rouen, a young woman, believed to be the real Jeanne d'Arc, was alive in Lorraine and was married to a M. Hermoises or Armoises. She may, of course, have been an impostor; but in this case it is difficult to believe that her brothers, Jean and Pierre, and the people of Lorraine, where she was well known, would not have detected the imposture at once. And that Jean du Lis, during a familiar intercourse of at least several months, as indicated in the above extracts, should have continued to mistake a stranger for his own sister, with whom he had lived from childhood, seems a very absurd supposition. Nor is it likely that an impostor would have exposed herself to such a formidable test. If it had been a bold charlatan who, taking advantage of the quite general belief, to which we have ample testimony, that there was something more in the execution at Rouen than was allowed to come to the surface, had resolved to usurp for herself the honours due to the woman who had saved France, she would hardly have gone at the outset to a part of the country where the real Maid had spent nearly all her life. Her instant detection and exposure, perhaps a disgraceful punishment, would have been inevitable. But if this person were the real Jeanne, escaped from prison or returning from an exile dictated by prudence, what should she have done but go straightway to the haunts of her childhood, where she might meet once more her own friends and family?

But the account does not end here. M. Wallon, in his elaborate history of Jeanne d'Arc, states that in 1436 the supposed Maid visited France, and appears to have met some of the men-at-arms with whom she had fought. In 1439 she came to Orleans, for in the accounts of the town we read, "July 28, for ten pints of wine presented to Jeanne des Armoises, 14 sous." And on the day of her departure, the citizens of Orleans, by a special decree of the town-council, presented her with 210 livres, "for the services which she had rendered to the said city during the siege." At the same time the annual ceremonies for the repose of her soul were, quite naturally, suppressed. Now we may ask if it is at all probable that the people of Orleans, who, ten years before, during the siege, must have seen the Maid day after day, and to whom her whole appearance must have been perfectly familiar, would have been likely to show such attentions as these to an impostor? "In 1440," says Mr. Delepierre, "the people so firmly believed that Jeanne d'Arc was still alive, and that another had been sacrificed in her place, that an adventuress who endeavoured to pass herself off as the Maid of Orleans was ordered by the government to be exposed before the public on the marble stone of the palace hall, in order to prove that she was an impostor. Why were not such measures taken against the real Maid of Orleans, who is mentioned in so many public documents, and who took no pains to hide herself?"

There is yet another document bearing on this case, drawn from the accounts of the auditor of the Orleans estate, in the year 1444, which we will here translate. "An island on the River Loire is restored to Pierre du Lis, knight, 'on account of the supplication of the said Pierre, alleging that for the acquittal of his debt of loyalty toward our Lord the King and M. the Duke of Orleans, he left his country to come to the service of the King and M. the Duke, accompanied by his sister, Jeanne the Maid, with whom, down to the time of her departure, and since, unto the present time, he has exposed his body and goods in the said service, and in the King's wars, both in resisting the former enemies of the kingdom who were besieging the town of Orleans, and since then in divers enterprises,' &c., &c." Upon this Mr. Delepierre justly remarks that the brother might have presented his claims in a much stronger light, "if in 1444, instead of saying 'up to the time of her departure,' he had brought forward the martyrdom of his sister, as having been the means of saving France from the yoke of England." The expression here cited and italicized in the above translation, may indeed be held to refer delicately to her death, but the particular French phrase employed, "jusques a son absentement," apparently excludes such an interpretation. The expression, on the other hand, might well refer to Jeanne's departure for Lorraine, and her marriage, after which there is no evidence that she returned to France, except for brief visits. Thus a notable amount of evidence goes to show that Jeanne was not put to death in 1431, as usually supposed, but was alive, married, and flourishing in 1444. Upon this supposition, certain alleged difficulties in the traditional account are easily disposed of. Mr. Delepierre urges upon the testimony of Perceval de Cagny, that at the execution in Rouen "the victim's face was covered when walking to the stake, while at the same time a spot had been chosen for the execution that permitted the populace to have a good view. Why this contradiction? A place is chosen to enable the people to see everything, but the victim is carefully hidden from their sight." Whether otherwise explicable or not, this fact is certainly consistent with the hypothesis that some other victim was secretly substituted for Jeanne by the English authorities.

We have thus far contented ourselves with presenting and re-enforcing Mr. Delepierre's statement of the case. It is now time to interpose a little criticism. We must examine our data somewhat more closely, for vagueness of conception allows a latitude to belief which accuracy of conception considerably restricts.

On the hypothesis of her survival, where was Jeanne, and what was she doing all the time from her capture before Compiegne, May 24, 1430, until her appearance at Metz, May 20, 1436? Mr. Delepierre reminds us that the Duke of Bedford, regent of France for the English king, died in 1435, and "that most probably Jeanne d'Arc was released from prison after this event." Now this supposition lands us in a fatally absurd conclusion. We are, in fact, asked to believe that the English, while holding Jeanne fast in their clutches, gratuitously went through the horrid farce of burning some one else in her stead; and that, after having thus inexplicably behaved, they further stultified themselves by letting her go scot-free, that their foolishness might be duly exposed and confuted. Such a theory is childish. If Jeanne d'Arc ever survived the 30th May, 1431, it was because she escaped from prison and succeeded in hiding herself until safer times. When could she have done this? In a sortie from Compiegne, May 24, 1430, she was thrown from her horse by a Picard archer and taken prisoner by the Bastard of Vendome, who sold her to John of Luxembourg. John kept her in close custody at Beaulieu until August. While there, she made two attempts to escape; first, apparently, by running out through a door, when she was at once caught by the guards; secondly, by jumping from a high window, when the shock of the fall was so great that she lay insensible on the ground until discovered. She was then removed to Beaurevoir, where she remained until the beginning of November. By this time, Philip "the Good," Duke of Burgundy, had made up his mind to sell her to the English for 10,000 francs; and Jeanne was accordingly taken to Arras, and thence to Cotoy, where she was delivered to the English by Philip's officers. So far, all is clear; but here it may be asked, WAS she really delivered to the English, or did Philip, pocketing his 10,000 francs, cheat and defraud his allies with a counterfeit Jeanne? Such crooked dealing would have been in perfect keeping with his character. Though a far more agreeable and gentlemanly person, he was almost as consummate and artistic a rascal as his great-great-great-grandson and namesake, Philip II. of Spain. His duplicity was so unfathomable and his policy so obscure, that it would be hardly safe to affirm a priori that he might not, for reasons best known to himself, have played a double game with his friend the Duke of Bedford. On this hypothesis, he would of course keep Jeanne in close custody so long as there was any reason for keeping his treachery secret. But in 1436, after the death of Bedford and the final expulsion of the English from France, no harm could come from setting her at liberty.

But as soon as we cease to reason a priori, this is seen to be, after all, a lame hypothesis. No one can read the trial of Jeanne at Rouen, the questions that were put to her and the answers which she made, without being convinced that we are here dealing with the genuine Maid and not with a substitute. The first step of a counterfeit Jeanne would have naturally been to save herself from the flames by revealing her true character. Moreover, among the multitudes who saw her during her cruel trial, it is not likely that none were acquainted with the true Jeanne's voice and features. We must therefore conclude that Jeanne d'Arc was really consigned to the tender mercies of the English. About the 21st of November she was taken on horseback, strongly guarded, from Cotoy to Rouen, where the trial began January 9, 1431. On the 21st of February she appeared before the court; on the 13th of March she was examined in the prison by an inquisitor; and on May 24, the Thursday after Pentecost, upon a scaffold conspicuously placed in the Cemetery of St. Ouen, she publicly recanted, abjuring her "heresies" and asking the Church's pardon for her "witchcraft." We may be sure that the Church dignitaries would not knowingly have made such public display of a counterfeit Jeanne; nor could they well have been deceived themselves under such circumstances. It may indeed be said, to exhaust all possible suppositions, that a young girl wonderfully similar in feature and voice to Jeanne d'Arc was palmed off upon the English by Duke Philip, and afterwards, on her trial, comported herself like the Maid, trusting in this recantation to effect her release. But we consider such an hypothesis extremely far-fetched, nor does it accord with the events which immediately followed. It seems hardly questionable that it was the real Jeanne who publicly recanted on the 24th of May. This was only six days before the execution. Four days after, on Monday the 28th, it was reported that Jeanne had relapsed, that she had, in defiance of the Church's prohibition, clothed herself in male attire, which had been left in a convenient place by the authorities, expressly to test her sincerity. On the next day but one, the woman purporting to be the Maid of Orleans was led out, with her face carefully covered, and burnt at the stake.

Here is the first combination of circumstances which bears a suspicious look. It disposes of our Burgundy hypothesis, for a false Jeanne, after recanting to secure her safety, would never have stultified herself by such a barefaced relapse. But the true Jeanne, after recanting, might certainly have escaped. Some compassionate guard, who before would have scrupled to assist her while under the ban of the Church, might have deemed himself excusable for lending her his aid after she had been absolved. Postulating, then, that Jeanne escaped from Rouen between the 24th and the 28th, how shall we explain what happened immediately afterward?

The English feared Jeanne d'Arc as much as they hated her. She had, by her mere presence at the head of the French army, turned their apparent triumph into ignominious defeat. In those days the true psychological explanation of such an event was by no means obvious. While the French attributed the result to celestial interposition in their behalf, the English, equally ready to admit its supernatural character, considered the powers of hell rather than those of heaven to have been the prime instigators. In their eyes Jeanne was a witch, and it was at least their cue to exhibit her as such. They might have put her to death when she first reached Rouen. Some persons, indeed, went so far as to advise that she should be sewed up in a sack and thrown at once into the Seine; but this was not what the authorities wanted. The whole elaborate trial, and the extorted recantation, were devised for the purpose of demonstrating her to be a witch, and thus destroying her credit with the common people. That they intended afterwards to burn her cannot for an instant be doubted; that was the only fit consummation for their evil work.

Now when, at the end of the week after Pentecost, the bishops and inquisitors at Rouen learned, to their dismay, that their victim had escaped, what were they to do? Confess that they had been foiled, and create a panic in the army by the news that their dreaded enemy was at liberty? Or boldly carry out their purposes by a fictitious execution, trusting in the authority which official statements always carry, and shrewdly foreseeing that, after her recantation, the disgraced Maid would no more venture to claim for herself the leadership of the French forces? Clearly, the latter would have been the wiser course. We may assume, then, that, by the afternoon of the 28th, the story of the relapse was promulgated, as a suitable preparation for what was to come; and that on the 30th the poor creature who had been hastily chosen to figure as the condemned Maid was led out, with face closely veiled, to perish by a slow fire in the old market-place. Meanwhile the true Jeanne would have made her way, doubtless, in what to her was the effectual disguise of a woman's apparel, to some obscure place of safety, outside of doubtful France and treacherous Burgundy, perhaps in Alsace or the Vosges. Here she would remain, until the final expulsion of the English and the conclusion of a treaty of peace in 1436 made it safe for her to show herself; when she would naturally return to Lorraine to seek her family.

The comparative obscurity in which she must have remained for the rest of her life, otherwise quite inexplicable on any hypothesis of her survival, is in harmony with the above-given explanation. The ingratitude of King Charles towards the heroine who had won him his crown is the subject of common historical remark. M. Wallon insists upon the circumstance that, after her capture at Compiegne, no attempts were made by the French Court to ransom her or to liberate her by a bold coup de main. And when, at Rouen, she appealed in the name of the Church to the Pope to grant her a fair trial, not a single letter was written by the Archbishop of Rheims, High Chancellor of France, to his suffragan, the Bishop of Beauvais, demanding cognizance of the proceedings. Nor did the King make any appeal to the Pope, to prevent the consummation of the judicial murder. The Maid was deliberately left to her fate. It is upon her enemies at court, La Tremouille and Regnault de Chartres, that we must lay part of the blame for this wicked negligence. But it is also probable that the King, and especially his clerical advisers, were at times almost disposed to acquiesce in the theory of Jeanne's witchcraft. Admire her as they might, they could not help feeling that in her whole behaviour there was something uncanny; and, after having reaped the benefits of her assistance, they were content to let her shift for herself. This affords the clew to the King's inconsistencies. It may be thought sufficient to explain the fact that Jeanne is said to have received public testimonials at Orleans, while we have no reason to suppose that she visited Paris. It may help to dispose of the objection that she virtually disappears from history after the date of the tragedy at Rouen.

Nevertheless, this last objection is a weighty one, and cannot easily be got rid of. It appears to me utterly incredible that, if Jeanne d'Arc had really survived, we should find no further mention of her than such as haply occurs in one or two town-records and dilapidated account-books. If she was alive in 1436, and corresponding with the King, some of her friends at court must have got an inkling of the true state of things. Why did they not parade their knowledge, to the manifest discomfiture of La Tremouille and his company? Or why did not Pierre du Lis cause it to be proclaimed that the English were liars, his sister being safely housed in Metz?

In the mere interests of historical criticism, we have said all that we could in behalf of Mr. Delepierre's hypothesis. But as to the facts upon which it rests, we may remark, in the first place, that the surname Arc or "Bow" was not uncommon in those days, while the Christian name Jeanne was and now is the very commonest of French names. There might have been a hundred Jeanne d'Arcs, all definable as pucelle or maid, just as we say "spinster": we even read of one in the time of the Revolution. We have, therefore, no doubt that Robert des Hermoises married a Jeanne d'Arc, who may also have been a maid of Orleans; but this does not prove her to have been the historic Jeanne. Secondly, as to the covering of the face, we may mention the fact, hitherto withheld, that it was by no means an uncommon circumstance: the victims of the Spanish Inquisition were usually led to the stake with veiled faces. Thirdly, the phrase "jusques a son absentement" is hopelessly ambiguous, and may as well refer to Pierre du Lis himself as to his sister.

These brief considerations seem to knock away all the main props of Mr. Delepierre's hypothesis, save that furnished by the apparent testimony of Jeanne's brothers, given at second hand in the Metz archives. And those who are familiar with the phenomena of mediaeval delusions will be unwilling to draw too hasty an inference from this alone. From the Emperor Nero to Don Sebastian of Portugal, there have been many instances of the supposed reappearance of persons generally believed to be dead. For my own part, therefore, I am by no means inclined to adopt the hypothesis of Jeanne's survival, although I have endeavoured to give it tangible shape and plausible consistency. But the fact that so much can be said in behalf of a theory running counter not only to universal tradition, but also to such a vast body of contemporaneous testimony, should teach us to be circumspect in holding our opinions, and charitable in our treatment of those who dissent from them. For those who can discover in the historian Renan and the critic Strauss nothing but the malevolence of incredulity, the case of Jeanne d'Arc, duly contemplated, may serve as a wholesome lesson.

We have devoted so much space to this problem, by far the most considerable of those treated in Mr. Delepierre's book, that we have hardly room for any of the others. But a false legend concerning Solomon de Caus, the supposed original inventor of the steam-engine, is so instructive that we must give a brief account of it.

In 1834 "there appeared in the Musee des Familles a letter from the celebrated Marion Delorme, supposed to have been written on the 3d February, 1641, to her lover Cinq-Mars." In this letter it is stated that De Caus came four years ago [1637] from Normandy, to inform the King concerning a marvellous invention which he had made, being nothing less than the application of steam to the propulsion of carriages. "The Cardinal [Richelieu] dismissed this fool without giving him a hearing." But De Caus, nowise discouraged, followed close upon the autocrat's heels wherever he went, and so teased him, that the Cardinal, out of patience, sent him off to a madhouse, where he passed the remainder of his days behind a grated window, proclaiming his invention to the passengers in the street, and calling upon them to release him. Marion gives a graphic account of her visit, accompanied by the famous Lord Worcester, to the asylum at Bicetre, where they saw De Caus at his window; and Worcester, in whose mind the conception of the steam-engine was already taking shape, informed her that the raving prisoner was not a madman, but a genius. A great stir was made by this letter. The anecdote was copied into standard works, and represented in engravings. Yet it was a complete hoax. De Caus was not only never confined in a madhouse, but he was architect to Louis XIII. up to the time of his death, in 1630, just eleven years BEFORE Marion Delorme was said to have seen him at his grated window!

"On tracing this hoax to its source," says Mr. Delepierre, "we find that M. Henri Berthoud, a literary man of some repute, and a constant contributor to the Musee des Familles, confesses that the letter attributed to Marion was in fact written by himself. The editor of this journal had requested Gavarni to furnish him with a drawing for a tale in which a madman was introduced looking through the bars of his cell. The drawing was executed and engraved, but arrived too late; and the tale, which could not wait, appeared without the illustration. However, as the wood-engraving was effective, and, moreover, was paid for, the editor was unwilling that it should be useless. Berthoud was, therefore, commissioned to look for a subject and to invent a story to which the engraving might be applied. Strangely enough, the world refused to believe in M. Berthoud's confession, so great a hold had the anecdote taken on the public mind; and a Paris newspaper went so far even as to declare that the original autograph of this letter was to be seen in a library in Normandy! M. Berthoud wrote again, denying its existence, and offered a million francs to any one who would produce the said letter."

From this we may learn two lessons, the first being that utterly baseless but plausible stories may arise in queer ways. In the above case, the most far-fetched hypothesis to account for the origin of the legend could hardly have been as apparently improbable as the reality. Secondly, we may learn that if a myth once gets into the popular mind, it is next to impossible to get it out again. In the Castle of Heidelberg there is a portrait of De Caus, and a folio volume of his works, accompanied by a note, in which this letter of Marion Delorme is unsuspectingly cited as genuine. And only three years ago, at a public banquet at Limoges, a well-known French Senator and man of letters made a speech, in which he retailed the story of the madhouse for the edification of his hearers. Truly a popular error has as many lives as a cat; it comes walking in long after you have imagined it effectually strangled.

In conclusion, we may remark that Mr. Delepierre does very scant justice to many of the interesting questions which he discusses. It is to be regretted that he has not thought it worth while to argue his points more thoroughly, and that he has not been more careful in making statements of fact. He sometimes makes strange blunders, the worst of which, perhaps, is contained in his article on Petrarch and Laura. He thinks Laura was merely a poetical allegory, and such was the case, he goes on to say, "with Dante himself, whose Beatrice was a child who died at nine years of age." Dante's Beatrice died on the 9th of June, 1290, at the age of twenty-four, having been the wife of Simone dei Bardi rather more than three years.

October, 1868.

IX. THE FAMINE OF 1770 IN BENGAL. [30]

[30] The Annals of Rural Bengal. By W. W. Hunter. Vol. I. The Ethnical Frontier of Lower Bengal, with the Ancient Principalities of Beerbhoom and Bishenpore. Second Edition. New York: Leypoldt and Holt. 1868. 8vo., pp. xvi., 475.

No intelligent reader can advance fifty pages in this volume without becoming aware that he has got hold of a very remarkable book. Mr. Hunter's style, to begin with, is such as is written only by men of large calibre and high culture. No words are wasted. The narrative flows calmly and powerfully along, like a geometrical demonstration, omitting nothing which is significant, admitting nothing which is irrelevant, glowing with all the warmth of rich imagination and sympathetic genius, yet never allowing any overt manifestation of feeling, ever concealing the author's personality beneath the unswerving exposition of the subject-matter. That highest art, which conceals art, Mr. Hunter appears to have learned well. With him, the curtain is the picture.

Such a style as this would suffice to make any book interesting, in spite of the remoteness of the subject. But the "Annals of Rural Bengal" do not concern us so remotely as one might at first imagine. The phenomena of the moral and industrial growth or stagnation of a highly-endowed people must ever possess the interest of fascination for those who take heed of the maxim that "history is philosophy teaching by example." National prosperity depends upon circumstances sufficiently general to make the experience of one country of great value to another, though ignorant Bourbon dynasties and Rump Congresses refuse to learn the lesson. It is of the intimate every-day life of rural Bengal that Mr. Hunter treats. He does not, like old historians, try our patience with a bead-roll of names that have earned no just title to remembrance, or dazzle us with a bountiful display of "barbaric pearls and gold," or lead us in the gondolas of Buddhist kings down sacred rivers, amid "a summer fanned with spice"; but he describes the labours and the sufferings, the mishaps and the good fortune, of thirty millions of people, who, however dusky may be their hue, tanned by the tropical suns of fifty centuries, are nevertheless members of the imperial Aryan race, descended from the cool highlands eastward of the Caspian, where, long before the beginning of recorded history, their ancestors and those of the Anglo-American were indistinguishably united in the same primitive community.

The narrative portion of the present volume is concerned mainly with the social and economical disorganization wrought by the great famine of 1770, and with the attempts of the English government to remedy the same. The remainder of the book is occupied with inquiries into the ethnic character of the population of Bengal, and particularly with an exposition of the peculiarities of the language, religion, customs, and institutions of the Santals, or hill-tribes of Beerbhoom. A few remarks on the first of these topics may not be uninteresting.

Throughout the entire course of recorded European history, from the remote times of which the Homeric poems preserve the dim tradition down to the present moment, there has occurred no calamity at once so sudden and of such appalling magnitude as the famine which in the spring and summer of 1770 nearly exterminated the ancient civilization of Bengal. It presents that aspect of preternatural vastness which characterizes the continent of Asia and all that concerns it. The Black Death of the fourteenth century was, perhaps, the most fearful visitation which has ever afflicted the Western world. But in the concentrated misery which it occasioned the Bengal famine surpassed it, even as the Himalayas dwarf by comparison the highest peaks of Switzerland. It is, moreover, the key to the history of Bengal during the next forty years; and as such, merits, from an economical point of view, closer attention than it has hitherto received.

Lower Bengal gathers in three harvests each year; in the spring, in the early autumn, and in December, the last being the great rice-crop, the harvest on which the sustenance of the people depends. Through the year 1769 there was great scarcity, owing to the partial failure of the crops of 1768, but the spring rains appeared to promise relief, and in spite of the warning appeals of provincial officers, the government was slow to take alarm, and continued rigorously to enforce the land-tax. But in September the rains suddenly ceased. Throughout the autumn there ruled a parching drought; and the rice-fields, according to the description of a native superintendent of Bishenpore, "became like fields of dried straw." Nevertheless, the government at Calcutta made--with one lamentable exception, hereafter to be noticed--no legislative attempt to meet the consequences of this dangerous condition of things. The administration of local affairs was still, at that date, intrusted to native officials. The whole internal regulation was in the hands of the famous Muhamad Reza Ehan. Hindu or Mussulman assessors pried into every barn and shrewdly estimated the probable dimensions of the crops on every field; and the courts, as well as the police, were still in native hands. "These men," says our author, "knew the country, its capabilities, its average yield, and its average requirements, with an accuracy that the most painstaking English official can seldom hope to attain to. They had a strong interest in representing things to be worse than they were; for the more intense the scarcity, the greater the merit in collecting the land-tax. Every consultation is filled with their apprehensions and highly-coloured accounts of the public distress; but it does not appear that the conviction entered the minds of the Council during the previous winter months, that the question was not so much one of revenue as of depopulation." In fact, the local officers had cried "Wolf!" too often. Government was slow to believe them, and announced that nothing better could be expected than the adoption of a generous policy toward those landholders whom the loss of harvest had rendered unable to pay their land-tax. But very few indulgences were granted, and the tax was not diminished, but on the contrary was, in the month of April, 1770, increased by ten per cent for the following year. The character of the Bengali people must also be taken into the account in explaining this strange action on the part of the government.

"From the first appearance of Lower Bengal in history, its inhabitants have been reticent, self-contained, distrustful of foreign observation, in a degree without parallel among other equally civilized nations. The cause of this taciturnity will afterwards be clearly explained; but no one who is acquainted either with the past experiences or the present condition of the people can be ignorant of its results. Local officials may write alarming reports, but their apprehensions seem to be contradicted by the apparent quiet that prevails. Outward, palpable proofs of suffering are often wholly wanting; and even when, as in 1770, such proofs abound, there is generally no lack of evidence on the other side. The Bengali bears existence with a composure that neither accident nor chance can ruffle. He becomes silently rich or uncomplainingly poor. The emotional part of his nature is in strict subjection, his resentment enduring but unspoken, his gratitude of the sort that silently descends from generation to generation. The passion for privacy reaches its climax in the domestic relations. An outer apartment, in even the humblest households, is set apart for strangers and the transaction of business, but everything behind it is a mystery. The most intimate friend does not venture to make those commonplace kindly inquiries about a neighbour's wife or daughter which European courtesy demands from mere acquaintances. This family privacy is maintained at any price. During the famine of 1866 it was found impossible to render public charity available to the female members of the respectable classes, and many a rural household starved slowly to death without uttering a complaint or making a sign.

"All through the stifling summer of 1770 the people went on dying. The husbandmen sold their cattle; they sold their implements of agriculture; they devoured their seed-grain; they sold their sons and daughters, till at length no buyer of children could be found; they ate the leaves of trees and the grass of the field; and in June, 1770, the Resident at the Durbar affirmed that the living were feeding on the dead. Day and night a torrent of famished and disease-stricken wretches poured into the great cities. At an early period of the year pestilence had broken out. In March we find small-pox at Moorshedabad, where it glided through the vice-regal mutes, and cut off the Prince Syfut in his palace. The streets were blocked up with promiscuous heaps of the dying and dead. Interment could not do its work quick enough; even the dogs and jackals, the public scavengers of the East, became unable to accomplish their revolting work, and the multitude of mangled and festering corpses at length threatened the existence of the citizens..... In 1770, the rainy season brought relief, and before the end of September the province reaped an abundant harvest. But the relief came too late to avert depopulation. Starving and shelterless crowds crawled despairingly from one deserted village to another in a vain search for food, or a resting-place in which to hide themselves from the rain. The epidemics incident to the season were thus spread over the whole country; and, until the close of the year, disease continued so prevalent as to form a subject of communication from the government in Bengal to the Court of Directors. Millions of famished wretches died in the struggle to live through the few intervening weeks that separated them from the harvest, their last gaze being probably fixed on the densely-covered fields that would ripen only a little too late for them..... Three months later, another bountiful harvest, the great rice-crop of the year, was gathered in. Abundance returned to Bengal as suddenly as famine had swooped down upon it, and in reading some of the manuscript records of December it is difficult to realize that the scenes of the preceding ten months have not been hideous phantasmagoria or a long, troubled dream. On Christmas eve, the Council in Calcutta wrote home to the Court of Directors that the scarcity had entirely ceased, and, incredible as it may seem, that unusual plenty had returned..... So generous had been the harvest that the government proposed at once to lay in its military stores for the ensuing year, and expected to obtain them at a very cheap rate."

Such sudden transitions from the depths of misery to the most exuberant plenty are by no means rare in the history of Asia, where the various centres of civilization are, in an economical sense, so isolated from each other that the welfare of the population is nearly always absolutely dependent on the irregular: and apparently capricious bounty of nature. For the three years following the dreadful misery above described, harvests of unprecedented abundance were gathered in. Yet how inadequate they were to repair the fearful damage wrought by six months of starvation, the history of the next quarter of a century too plainly reveals. "Plenty had indeed returned," says our annalist, "but it had returned to a silent and deserted province." The extent of the depopulation is to our Western imaginations almost incredible. During those six months of horror, more than TEN MILLIONS of people had perished! It was as if the entire population of our three or four largest States--man, woman, and child--were to be utterly swept away between now and next August, leaving the region between the Hudson and Lake Michigan as quiet and deathlike as the buried streets of Pompeii. Yet the estimate is based upon most accurate and trustworthy official returns; and Mr. Hunter may well say that "it represents an aggregate of individual suffering which no European nation has been called upon to contemplate within historic times."

This unparalleled calamity struck down impartially the rich and the poor. The old, aristocratic families of Lower Bengal were irretrievably ruined. The Rajah of Burdwan, whose possessions were so vast that, travel as far as he would, he always slept under a roof of his own and within his own jurisdiction, died in such indigence that his son had to melt down the family plate and beg a loan from the government in order to discharge his father's funeral expenses. And our author gives other similar instances. The wealthy natives who were appointed to assess and collect the internal revenue, being unable to raise the sums required by the government, were in many cases imprisoned, or their estates were confiscated and re-let in order to discharge the debt.

For fifteen years the depopulation went on increasing. The children in a community, requiring most nourishment to sustain their activity, are those who soonest succumb to famine. "Until 1785," says our author, "the old died off without there being any rising generation to step into their places." From lack of cultivators, one third of the surface of Bengal fell out of tillage and became waste land. The landed proprietors began each "to entice away the tenants of his neighbour, by offering protection against judicial proceedings, and farms at very low rents." The disputes and deadly feuds which arose from this practice were, perhaps, the least fatal of the evil results which flowed from it. For the competition went on until, the tenants obtaining their holdings at half-rates, the resident cultivators--who had once been the wealthiest farmers in the country--were no longer able to complete on such terms. They began to sell, lease, or desert their property, migrating to less afflicted regions, or flying to the hills on the frontier to adopt a savage life. But, in a climate like that of Northeastern India, it takes but little time to transform a tract of untilled land into formidable wilderness. When the functions of society are impeded, nature is swift to assert its claims. And accordingly, in 1789, "Lord Cornwallis after three years' vigilant inquiry, pronounced one third of the company's territories in Bengal to be a jungle, inhabited only by wild beasts."

On the Western frontier of Beerbhoom the state of affairs was, perhaps, most calamitous. In 1776, four acres out of every seven remained untilled. Though in earlier times this district had been a favourite highway for armies, by the year 1780 it had become an almost impassable jungle. A small company of Sepoys, which in that year by heroic exertions forced its way through, was obliged to traverse 120 miles of trackless forest, swarming with tigers and black shaggy bears. In 1789 this jungle "continued so dense as to shut off all communication between the two most important towns, and to cause the mails to be carried by a circuit of fifty miles through another district."

Such a state of things it is difficult for us to realize; but the monotonous tale of disaster and suffering is not yet complete. Beerbhoom was, to all intents and purposes, given over to tigers. "A belt of jungle, filled with wild beasts, formed round each village." At nightfall the hungry animals made their dreaded incursions carrying away cattle, and even women and children, and devouring them. "The official records frequently speak of the mail-bag being carried off by wild beasts." So great was the damage done by these depredations, that "the company offered a reward for each tiger's head, sufficient to maintain a peasant's family in comfort for three months; an item of expenditure it deemed so necessary, that, when under extraordinary pressure it had to suspend all payments, the tiger-money and diet allowance for prisoners were the sole exceptions to the rule." Still more formidable foes were found in the herds of wild elephants, which came trooping along in the rear of the devastation caused by the famine. In the course of a few years fifty-six villages were reported as destroyed by elephants, and as having lapsed into jungle in consequence; "and an official return states that forty market-towns throughout the district had been deserted from the same cause. In many parts of the country the peasantry did not dare to sleep in their houses, lest they should be buried beneath them during the night." These terrible beasts continued to infest the province as late as 1810.

But society during these dark days had even worse enemies than tigers and elephants. The barbarous highlanders, of a lower type of mankind, nourishing for forty centuries a hatred of their Hindu supplanters, like that which the Apache bears against the white frontiersman, seized the occasion to renew their inroads upon the lowland country. Year by year they descended from their mountain fastnesses, plundering and burning. Many noble Hindu families, ousted by the tax-collectors from their estates, began to seek subsistence from robbery. Others, consulting their selfish interests amid the general distress, "found it more profitable to shelter banditti on their estates, levying blackmail from the surrounding villages as the price of immunity from depredation, and sharing in the plunder of such as would not come to terms. Their country houses were robber strongholds, and the early English administrators of Bengal have left it on record that a gang-robbery never occurred without a landed proprietor being at the bottom of it." The peasants were not slow to follow suit, and those who were robbed of their winter's store had no alternative left but to become robbers themselves. The thieveries of the Fakeers, or religious mendicants, and the bold, though stealthy attacks of Thugs and Dacoits--members of Masonic brotherhoods, which at all times have lived by robbery and assassination--added to the general turmoil. In the cold weather of 1772 the province was ravaged far and wide by bands of armed freebooters, fifty thousand strong; and to such a pass did things arrive that the regular forces sent by Warren Hastings to preserve order were twice disastrously routed; while, in Mr. Hunter's graphic language, "villages high up the Ganges lived by housebreaking in Calcutta." In English mansions "it was the invariable practice for the porter to shut the outer door at the commencement of each meal, and not to open it till the butler brought him word that the plate was safely locked up." And for a long time nearly all traffic ceased upon the imperial roads.

This state of things, which amounted to chronic civil war, induced Lord Cornwallis in 1788 to place the province under the direct military control of an English officer. The administration of Mr. Keating--the first hardy gentleman to whom this arduous office was assigned--is minutely described by our author. For our present purpose it is enough to note that two years of severe campaigning, attended and followed by relentless punishment of all transgressors, was required to put an end to the disorders.

Such was the appalling misery, throughout a community of thirty million persons, occasioned by the failure of the winter rice-crop in 1769. In abridging Mr. Hunter's account we have adhered as closely to our original as possible, but he who would obtain adequate knowledge of this tale of woe must seek it in the ever memorable description of the historian himself. The first question which naturally occurs to the reader--though, as Mr. Hunter observes, it would have been one of the last to occur to the Oriental mind--is, Who was to blame? To what culpable negligence was it due that such a dire calamity was not foreseen, and at least partially warded off? We shall find reason to believe that it could not have been adequately foreseen, and that no legislative measures could in that state of society have entirely prevented it. Yet it will appear that the government, with the best of intentions, did all in its power to make matters worse; and that to its blundering ignorance the distress which followed is largely due.

The first duty incumbent upon the government in a case like that of the failure of the winter rice-crop of 1769, was to do away with all hindrance to the importation of food into the province. One chief cause of the far-reaching distress wrought by great Asiatic famines has been the almost complete commercial isolation of Asiatic communities. In the Middle Ages the European communities were also, though to a far less extent, isolated from each other, and in those days periods of famine were comparatively frequent and severe. And one of the chief causes which now render the occurrence of a famine on a great scale almost impossible in any part of the civilized world is the increased commercial solidarity of civilized nations. Increased facility of distribution has operated no less effectively than improved methods of production.

Now, in 1770 the province of Lower Bengal was in a state of almost complete commercial isolation from other communities. Importation of food on an adequate scale was hardly possible. "A single fact speaks volumes as to the isolation of each district. An abundant harvest, we are repeatedly told, was as disastrous to the revenues as a bad one; for, when a large quantity of grain had to be carried to market, the cost of carriage swallowed up the price obtained. Indeed, even if the means of intercommunication and transport had rendered importation practicable, the province had at that time no money to give in exchange for food. Not only had its various divisions a separate currency which would pass nowhere else except at a ruinous exchange, but in that unfortunate year Bengal seems to have been utterly drained of its specie..... The absence of the means of importation was the more to be deplored, as the neighbouring districts could easily have supplied grain. In the southeast a fair harvest had been reaped, except, in circumscribed spots; and we are assured that, during the famine, this part of Bengal was enabled to export without having to complain of any deficiency in consequence..... INDEED, NO MATTER HOW LOCAL A FAMINE MIGHT BE IN THE LAST CENTURY, THE EFFECTS WERE EQUALLY DISASTROUS. Sylhet, a district in the northeast of Bengal, had reaped unusually plentiful harvests in 1780 and 1781, but the next crop was destroyed by a local inundation, and, notwithstanding the facilities for importation afforded by water-carriage, one third of the people died."

Here we have a vivid representation of the economic condition of a society which, however highly civilized in many important respects, still retained, at the epoch treated of, its aboriginal type of organization. Here we see each community brought face to face with the impossible task of supplying, unaided, the deficiencies of nature. We see one petty district a prey to the most frightful destitution, even while profuse plenty reigns in the districts round about it. We find an almost complete absence of the commercial machinery which, by enabling the starving region to be fed out of the surplus of more favoured localities, has in the most advanced countries rendered a great famine practically impossible.

Now this state of things the government of 1770 was indeed powerless to remedy. Legislative power and wisdom could not anticipate the invention of railroads; nor could it introduce throughout the length and breadth of Bengal a system of coaches, canals, and caravans; nor could it all at once do away with the time-honoured brigandage, which increased the cost of transport by decreasing the security of it; nor could it in a trice remove the curse of a heterogeneous coinage. None, save those uninstructed agitators who believe that governments can make water run up-hill, would be disposed to find fault with the authorities in Bengal for failing to cope with these difficulties. But what we are to blame them for--though it was an error of the judgment and not of the intentions--is their mischievous interference with the natural course of trade, by which, instead of helping matters, they but added another to the many powerful causes which were conspiring to bring about the economic ruin of Bengal. We refer to the act which in 1770 prohibited under penalties all speculation in rice.

This disastrous piece of legislation was due to the universal prevalence of a prejudice from which so-called enlightened communities are not yet wholly free. It is even now customary to heap abuse upon those persons who in a season of scarcity, when prices are rapidly rising, buy up the "necessaries of life," thereby still increasing for a time the cost of living. Such persons are commonly assailed with specious generalities to the effect that they are enemies of society. People whose only ideas are "moral ideas" regard them as heartless sharpers who fatten upon the misery of their fellow-creatures. And it is sometimes hinted that such "practices" ought to be stopped by legislation.

Now, so far is this prejudice, which is a very old one, from being justified by facts, that, instead of being an evil, speculation in breadstuffs and other necessaries is one of the chief agencies by which in modern times and civilized countries a real famine is rendered almost impossible. This natural monopoly operates in two ways. In the first place, by raising prices, it checks consumption, putting every one on shorter allowance until the season of scarcity is over, and thus prevents the scarcity from growing into famine. In the second place, by raising prices, it stimulates importation from those localities where abundance reigns and prices are low. It thus in the long run does much to equalize the pressure of a time of dearth and diminish those extreme oscillations of prices which interfere with the even, healthy course of trade. A government which, in a season of high prices, does anything to check such speculation, acts about as sagely as the skipper of a wrecked vessel who should refuse to put his crew upon half rations.

The turning-point of the great Dutch Revolution, so far as it concerned the provinces which now constitute Belgium, was the famous siege and capture of Antwerp by Alexander Farnese, Duke of Parma. The siege was a long one, and the resistance obstinate, and the city would probably not have been captured if famine had not come to the assistance of the besiegers. It is interesting, therefore, to inquire what steps the civic authorities had taken to prevent such a calamity. They knew that the struggle before them was likely to be the life-and-death struggle of the Southern Netherlands; they knew that there was risk of their being surrounded so that relief from without would be impossible; they knew that their assailant was one of the most astute and unconquerable of men, by far the greatest general of the sixteenth century. Therefore they proceeded to do just what our Republican Congress, under such circumstances, would probably have done, and just what the New York Tribune, if it had existed in those days, would have advised them to do. Finding that sundry speculators were accumulating and hoarding up provisions in anticipation of a season of high prices, they hastily decided, first of all to put a stop to such "selfish iniquity." In their eyes the great thing to be done was to make things cheap. They therefore affixed a very low maximum price to everything which could be eaten, and prescribed severe penalties for all who should attempt to take more than the sum by law decreed. If a baker refused to sell his bread for a price which would have been adequate only in a time of great plenty, his shop was to be broken open, and his loaves distributed among the populace. The consequences of this idiotic policy were twofold.

In the first place, the enforced lowness of prices prevented any breadstuffs or other provisions from being brought into the city. It was a long time before Farnese succeeded in so blockading the Scheldt as to prevent ships laden with eatables from coming in below. Corn and preserved meats might have been hurried by thousands of tons into the beleaguered city. Friendly Dutch vessels, freighted with abundance, were waiting at the mouth of the river. But all to no purpose. No merchant would expose his valuable ship, with its cargo, to the risk of being sunk by Farnese's batteries, merely for the sake of finding a market no better than a hundred others which could be entered without incurring danger. No doubt if the merchants of Holland had followed out the maxim Vivre pour autrui, they would have braved ruin and destruction rather than behold their neighbours of Antwerp enslaved. No doubt if they could have risen to a broad philosophic view of the future interests of the Netherlands, they would have seen that Antwerp must be saved, no matter if some of them were to lose money by it. But men do not yet sacrifice themselves for their fellows, nor do they as a rule look far beyond the present moment and its emergencies. And the business of government is to legislate for men as they are, not as it is supposed they ought to be. If provisions had brought a high price in Antwerp, they would have been carried thither. As it was, the city, by its own stupidity, blockaded itself far more effectually than Farnese could have done it.

In the second place, the enforced lowness of prices prevented any general retrenchment on the part of the citizens. Nobody felt it necessary to economize. Every one bought as much bread, and ate it as freely, as if the government by insuring its cheapness had insured its abundance. So the city lived in high spirits and in gleeful defiance of its besiegers, until all at once provisions gave out, and the government had to step in again to palliate the distress which it had wrought. It constituted itself quartermaster-general to the community, and doled out stinted rations alike to rich and poor, with that stern democratic impartiality peculiar to times of mortal peril. But this served only, like most artificial palliatives, to lengthen out the misery. At the time of the surrender, not a loaf of bread could be obtained for love or money.

In this way a bungling act of legislation helped to decide for the worse a campaign which involved the territorial integrity and future welfare of what might have become a great nation performing a valuable function in the system of European communities.

The striking character of this instructive example must be our excuse for presenting it at such length. At the beginning of the famine in Bengal the authorities legislated in very much the same spirit as the burghers who had to defend Antwerp against Parma.

"By interdicting what it was pleased to term the monopoly of grain, it prevented prices from rising at once to their natural rates. The Province had a certain amount of food in it, and this food had to last about nine months. Private enterprise if left to itself would have stored up the general supply at the harvest, with a view to realizing a larger profit at a later period in the scarcity. Prices would in consequence have immediately risen, compelling the population to reduce their consumption from the very beginning of the dearth. The general stock would thus have been husbanded, and the pressure equally spread over the whole nine months, instead of being concentrated upon the last six. The price of grain, in place of promptly rising to three half-pence a pound as in 1865-66, continued at three farthings during the earlier months of the famine. During the latter ones it advanced to twopence, and in certain localities reached fourpence."

The course taken by the great famine of 1866 well illustrates the above views. This famine, also, was caused by the total failure of the December rice-crop, and it was brought to a close by an abundant harvest in the succeeding year.

"Even as regards the maximum price reached, the analogy holds good, in each case rice having risen in general to nearly twopence, and in

## particular places to fourpence, a pound; and in each the quoted rates

being for a brief period in several isolated localities merely nominal, no food existing in the market, and money altogether losing its interchangeable value. In both the people endured silently to the end, with a fortitude that casual observers of a different temperament and widely dissimilar race may easily mistake for apathy, but which those who lived among the sufferers are unable to distinguish from qualities that generally pass under a more honourable name. During 1866, when the famine was severest, I superintended public instruction throughout the southwestern division of Lower Bengal, including Orissa. The subordinate native officers, about eight hundred in number, behaved with a steadiness, and when called upon, with a self-abnegation, beyond praise. Many of them ruined their health. The touching scenes of self-sacrifice and humble heroism which I witnessed among the poor villagers on my tours of inspection will remain in my memory till my latest day."

But to meet the famine of 1866 Bengal was equipped with railroads and canals, and better than all, with an intelligent government. Far from trying to check speculation, as in 1770, the government did all in its power to stimulate it. In the earlier famine one could hardly engage in the grain trade without becoming amenable to the law. "In 1866 respectable men in vast numbers went into the trade; for government, by publishing weekly returns of the rates in every district, rendered the traffic both easy and safe. Every one knew where to buy grain cheapest, and where to sell it dearest, and food was accordingly brought from the districts that could best spare it, and carried to those which most urgently needed it. Not only were prices equalized so far as possible throughout the stricken parts, but the publicity given to the high rates in Lower Bengal induced large shipments from the upper provinces, and the chief seat of the trade became unable to afford accommodation for landing the vast stores of grain brought down the river. Rice poured into the affected districts from all parts,--railways, canals, and roads vigorously doing their duty."

The result of this wise policy was that scarcity was heightened into famine only in one remote corner of Bengal. Orissa was commercially isolated in 1866, as the whole country had been in 1770. "As far back as the records extend, Orissa has produced more grain than it can use. It is an exporting, not an importing province, sending away its surplus grain by sea, and neither requiring nor seeking any communication with Lower Bengal by land." Long after the rest of the province had begun to prepare for a year of famine, Orissa kept on exporting. In March, when the alarm was first raised, the southwest monsoon had set in, rendering the harbours inaccessible. Thus the district was isolated. It was no longer possible to apply the wholesome policy which was operating throughout the rest of the country. The doomed population of Orissa, like passengers in a ship without provisions, were called upon to suffer the extremities of famine; and in the course of the spring and summer of 1866, some seven hundred thousand people perished.

January, 1869.

X. SPAIN AND THE NETHERLANDS. [31]

[31] History of the United Netherlands: from the Death of William the Silent to the Twelve Years' Truce, 1609. By John Lothrop Motley, D. C. L. In four volumes. Vols. III. and IV. New York. 1868.

Tandem fit surculus arbor: the twig which Mr. Motley in his earlier volumes has described as slowly putting forth its leaves and rootless, while painfully struggling for existence in a hostile soil, has at last grown into a mighty tree of liberty, drawing sustenance from all lands, and protecting all civilized peoples with its pleasant shade. We congratulate Mr. Motley upon the successful completion of the second portion of his great work; and we think that the Netherlanders of our time have reason to be grateful to the writer who has so faithfully and eloquently told the story of their country's fearful struggle against civil and ecclesiastical tyranny, and its manifold contributions to the advancement of European civilization.

Mr. Motley has been fortunate in his selection of a subject upon which to write. Probably no century of modern times lends itself to the purposes of the descriptive historian so well as the sixteenth. While on the one hand the problems which it presents are sufficiently near for us to understand them without too great an effort of the imagination, on the other hand they are sufficiently remote for us to study them without passionate and warping prejudice. The contest between Catholicism and the reformed religion--between ecclesiastical autocracy and the right of private investigation--has become a thing of the past, and constitutes a closed chapter in human history. The epoch which begins where Mr. Motley's history is designed to close--at the peace of Westphalia--is far more complicated. Since the middle of the seventeenth century a double movement has been going on in religion and philosophy, society and politics,--a movement of destruction typified by Voltaire and Rousseau, and a constructive movement represented by Diderot and Lessing. We are still living in the midst of this great epoch: the questions which it presents are liable to disturb our prejudices as well as to stimulate our reason; the results to which it must sooner or later attain can now be only partially foreseen; and even its present tendencies are generally misunderstood, and in many quarters wholly ignored. With the sixteenth century, as we have said, the case is far different. The historical problem is far less complex. The issues at stake are comparatively simple, and the historian has before him a straightforward story.

From the dramatic, or rather from the epic, point of view, the sixteenth century is pre-eminent. The essentially transitional character of modern history since the breaking up of the papal and feudal systems is at no period more distinctly marked. In traversing the sixteenth century we realize that we have fairly got out of one state of things and into another. At the outset, events like the challenge of Barletta may make us doubt whether we have yet quite left behind the Middle Ages. The belief in the central position of the earth is still universal, and the belief in its rotundity not yet, until the voyage of Magellan, generally accepted. We find England--owing partly to the introduction of gunpowder and the consequent disuse of archery, partly to the results of the recent integration of France under Louis XI.--fallen back from the high relative position which it had occupied under the rule of the Plantagenets; and its policy still directed in accordance with reminiscences of Agincourt, and garnet, and Burgundian alliances. We find France just beginning her ill-fated career of intervention in the affairs of Italy; and Spain, with her Moors finally vanquished and a new world beyond the ocean just added to her domain, rapidly developing into the greatest empire which had been seen since the days of the first Caesars. But at the close of the century we find feudal life in castles changed into modern life in towns; chivalric defiances exchanged for over-subtle diplomacy; Maurices instead of Bayards; a Henry IV. instead of a Gaston de Foix. We find the old theory of man's central position in the universe--the foundation of the doctrine of final causes and of the whole theological method of interpreting nature--finally overthrown by Copernicus. Instead of the circumnavigability of the earth, the discovery of a Northwest passage--as instanced by the heroic voyage of Barendz, so nobly described by Mr. Motley--is now the chief geographical problem. East India Companies, in place of petty guilds of weavers and bakers, bear witness to the vast commercial progress. We find England, fresh from her stupendous victory over the whole power of Spain, again in the front rank of nations; France, under the most astute of modern sovereigns, taking her place for a time as the political leader of the civilized world; Spain, with her evil schemes baffled in every quarter, sinking into that terrible death-like lethargy, from which she has hardly yet awakened, and which must needs call forth our pity, though it is but the deserved retribution for her past behaviour. While the little realm of the Netherlands, filched and cozened from the unfortunate Jacqueline by the "good" Duke of Burgundy, carried over to Austria as the marriage-portion of Lady Mary, sent down to Spain as the personal inheritance of the "prudent" Philip, and by him intolerably tormented with an Inquisition, a Blood-Council, and a Duke of Alva, has after a forty years' war of independence taken its position for a time as the greatest of commercial nations, with the most formidable navy and one of the best disciplined armies yet seen upon the earth.

But the central phenomenon of the sixteenth century is the culmination of the Protestant movement in its decisive proclamation by Luther. For nearly three hundred years already the power of the Church had been declining, and its function as a civilizing agency had been growing more and more obsolete. The first great blow at its supremacy had been directed with partial success in the thirteenth century by the Emperor Frederick II. Coincident with this attack from without, we find a reformation begun within, as exemplified in the Dominican and Franciscan movements. The second great blow was aimed by Philip IV. of France, and this time it struck with terrible force. The removal of the Papacy to Avignon, in 1305, was the virtual though unrecognized abdication of its beneficent supremacy. Bereft of its dignity and independence, from that time forth it ceased to be the defender of national unity against baronial anarchy, of popular rights against monarchical usurpation, and became a formidable instrument of despotism and oppression. Through the vicissitudes of the great schism in the fourteenth century, and the refractory councils in the fifteenth, its position became rapidly more and more retrograde and demoralized. And when, in 1530, it joined its forces with those of Charles V., in crushing the liberties of the worthiest of mediaeval republics, it became evident that the cause of freedom and progress must henceforth be intrusted to some more faithful champion. The revolt of Northern Europe, led by Luther and Henry VIII. was but the articulate announcement of this altered state of affairs. So long as the Roman Church had been felt to be the enemy of tyrannical monarchs and the steadfast friend of the people, its encroachments, as represented by men like Dunstan and Becket, were regarded with popular favour. The strength of the Church lay ever in its democratic instincts; and when these were found to have abandoned it, the indignant protest of Luther sufficed to tear away half of Europe from its allegiance.

By the end of the sixteenth century, we find the territorial struggle between the Church and the reformed religion substantially decided. Protestantism and Catholicism occupied then the same respective areas which they now occupy. Since 1600 there has been no instance of a nation passing from one form of worship to the other; and in all probability there never will be. Since the wholesale dissolution of religious beliefs wrought in the last century, the whole issue between Romanism and Protestantism, regarded as dogmatic systems, is practically dead. M. Renan is giving expression to an almost self-evident truth, when he says that religious development is no longer to proceed by way of sectarian proselytism, but by way of harmonious internal development. The contest is no longer between one theology and another, but it is between the theological and the scientific methods of interpreting natural phenomena. The sixteenth century has to us therefore the interest belonging to a rounded and completed tale. It contains within itself substantially the entire history of the final stage of the theological reformation.

This great period falls naturally into two divisions, the first corresponding very nearly with the reigns of Charles V. and Henry VIII., and the second with the age of Philip II. and Elizabeth. The first of these periods was filled with the skirmishes which were to open the great battle of the Reformation. At first the strength and extent of the new revolution were not altogether apparent. While the Inquisition was vigorously crushing out the first symptoms of disaffection in Spain, it at one time seemed as if the Reformers were about to gain the whole of the Empire, besides acquiring an excellent foothold in France. Again, while England was wavering between the old and the new faith, the last hopes of the Reform in Germany seemed likely to be destroyed by the military genius of Charles. But in Maurice, the red-bearded hero of Saxony, Charles found more than his match. The picture of the rapid and desperate march of Maurice upon Innspruck, and of the great Emperor flying for his life at the very hour of his imagined triumph, has still for us an intenser interest than almost any other scene of that age; for it was the event which proved that Protestantism was not a mere local insurrection which a monarch like Charles could easily put down, but a gigantic revolution against which all the powers in the world might well strive in vain.

With the abdication of Charles in 1556 the new period may be said to begin, and it is here that Mr. Motley's history commences. Events crowded thick and fast. In 1556 Philip II., a prince bred and educated for the distinct purpose of suppressing heresy, succeeded to the rule of the most powerful empire which had been seen since the days of the Antonines. In the previous year a new era had begun at the court of Rome. The old race of pagan pontiffs, the Borgias, the Farneses, and the Medicis, had come to an end, and the papal throne was occupied by the puritanical Caraffa, as violent a fanatic as Robespierre, and a foe of freedom as uncompromising as Philip II. himself. Under his auspices took place the great reform in the Church signalized by the rise of the Jesuits, as the reform in the thirteenth century had been attended by the rise of the Cordeliers and Dominicans. His name should not be forgotten, for it is mainly owing to the policy inaugurated by him that Catholicism was enabled to hold its ground as well as it did. In 1557 the next year, the strength of France was broken at St. Quentin, and Spain was left with her hands free to deal with the Protestant powers. In 1558, by the accession of Elizabeth, England became committed to the cause of Reform. In 1559 the stormy administration of Margaret began in the Netherlands. In 1560 the Scotch nobles achieved the destruction of Catholicism in North Britain. By this time every nation except France, had taken sides in the conflict which was to last, with hardly any cessation, during two generations.

Mr. Motley, therefore, in describing the rise and progress of the united republic of the Netherlands, is writing not Dutch but European history. On his pages France, Spain, and England make almost as large a figure as Holland itself. He is writing the history of the Reformation during its concluding epoch, and he chooses the Netherlands as his main subject, because during that period the Netherlands were the centre of the movement. They constituted the great bulwark of freedom, and upon the success or failure of their cause the future prospect of Europe and of mankind depended. Spain and the Netherlands, Philip II. and William the Silent, were the two leading antagonists and were felt to be such by the other nations and rulers that came to mingle in the strife. It is therefore a stupid criticism which we have seen made upon Mr. Motley, that, having brought his narrative down to the truce of 1609, he ought, instead of describing the Thirty Years' War, to keep on with Dutch history, and pourtray the wars against Cromwell and Charles II., and the struggle of the second William of Orange against Louis XIV. By so doing he would only violate the unity of his narrative. The wars of the Dutch against England and France belong to an entirely different epoch in European history,--a modern epoch, in which political and commercial interests were of prime importance, and theological interests distinctly subsidiary. The natural terminus of Mr. Motley's work is the Peace of Westphalia. After bringing down his history to the time when the independence of the Netherlands was virtually acknowledged, after describing the principal stages of the struggle against Catholicism and universal monarchy, as carried on in the first generation by Elizabeth and William, and in the second by Maurice and Henry, he will naturally go on to treat of the epilogue as conducted by Richelieu and Gustavus, ending in the final cessation of religious wars throughout Europe.

The conflict in the Netherlands was indeed far more than a mere religious struggle. In its course was distinctly brought into prominence the fact which we have above signalized, that since the Roman Church had abandoned the liberties of the people they had found a new defender in the reformed religion. The Dutch rebellion is peculiarly interesting, because it was a revolt not merely against the Inquisition, but also against the temporal sovereignty of Philip. Besides changing their religion, the sturdy Netherlanders saw fit to throw off the sway of their legitimate ruler, and to proclaim the thrice heretical doctrine of the sovereignty of the people. In this one respect their views were decidedly more modern than those of Elizabeth and Henry IV. These great monarchs apparently neither understood nor relished the republican theories of the Hollanders; though it is hardly necessary for Mr. Motley to sneer at them quite so often because they were not to an impossible degree in advance of their age. The proclamation of a republic in the Netherlands marked of itself the beginning of a new era,--an era when flourishing communities of men were no longer to be bought and sold, transferred and bequeathed like real estate and chattels, but were to have and maintain the right of choosing with whom and under whom they should transact their affairs. The interminable negotiations for a truce, which fill nearly one third of Mr. Motley's concluding volume, exhibit with striking distinctness the difference between the old and new points of view. Here again we think Mr. Motley errs slightly, in calling too much attention to the prevaricating diplomacy of the Spanish court, and too little to its manifest inability to comprehend the demands of the Netherlanders. How should statesmen brought up under Philip II. and kept under the eye of the Inquisition be expected to understand a claim for liberty originating in the rights of the common people and not in the gracious benevolence or intelligent policy of the King? The very idea must have been practically inconceivable by them. Accordingly, they strove by every available device of chicanery to wheedle the Netherlanders into accepting their independence as a gift from the King of Spain. But to such a piece of self-stultification the clear-sighted Dutchmen could by no persuasion be brought to consent. Their independence, they argued, was not the King's to give. They had won it from him and his father, in a war of forty years, during which they had suffered atrocious miseries, and all that the King of Spain could do was to acknowledge it as their right, and cease to molest them in future. Over this point, so simple to us but knotty enough in those days, the commissioners wrangled for nearly two years. And when the Spanish government, unable to carry on the war any longer without risk of utter bankruptcy, and daily crippled in its resources by the attacks of the Dutch navy, grudgingly a reed to a truce upon the Netherlanders' terms, it virtually acknowledged its own defeat and the downfall of the principles for which it had so obstinately fought. By the truce of 1609 the republican principle was admitted by the most despotic of governments.

Here was the first great triumph of republicanism over monarchy; and it was not long in bearing fruits. For the Dutch revolution, the settlement of America by English Puritans, the great rebellion of the Commons, the Revolution of 1688, the revolt of the American Colonies, and the general overthrow of feudalism in 1789, are but successive acts in the same drama William the Silent was the worthy forerunner of Cromwell and Washington; and but for the victory which he won, during his life and after his untimely death, the subsequent triumphs of civil liberty might have been long, postponed.

Over the sublime figure of William--saevis tranquillus in undis--we should be glad to dwell, but we are not reviewing the "Rise of the Dutch Republic," and in Mr. Motley's present volumes the hero of toleration appears no longer. His antagonist, however,--the Philip whom God for some inscrutable purpose permitted to afflict Europe during a reign of forty-two years,--accompanies us nearly to the end of the present work, dying just in time for the historian to sum up the case against him, and pronounce final judgment. For the memory of Philip II. Mr. Motley cherishes no weak pity. He rarely alludes to him without commenting upon his total depravity, and he dismisses him with the remark that "if there are vices--as possibly there are--from which he was exempt, it is because it is not permitted to human nature to attain perfection in evil." The verdict is none the less just because of its conciseness. If there ever was a strife between Hercules and Cacus, between Ormuzd and Ahriman, between the Power of Light and the Power of Darkness, it was certainly the strife between the Prince of Orange and the Spanish Monarch. They are contrasted like the light and shade in one of Dore's pictures. And yet it is perhaps unnecessary for Mr. Motley to say that if Philip had been alive when Spinola won for him the great victory of Ostend, "he would have felt it his duty to make immediate arrangements for poisoning him." Doubtless the imputation is sufficiently justified by what we know of Philip; but it is uncalled for. We do not care to hear about what the despot might have done. We know what he did do, and the record is sufficiently damning. There is no harm in our giving the Devil his due, or as Llorente wittily says, "Il ne faut pas calomnier meme l'Inquisition."

Philip inherited all his father's bad qualities, without any of his good ones; and so it is much easier to judge him than his father. Charles, indeed, is one of those characters whom one hardly knows whether to love or hate, to admire or despise. He had much bad blood in him. Charles the Bold and Ferdinand of Aragon were not grandparents to be proud of. Yet with all this he inherited from his grandmother Isabella much that one can like, and his face, as preserved by Titian, in spite of its frowning brow and thick Burgundian lip, is rather prepossessing, while the face of Philip is simply odious. In intellect he must probably be called great, though his policy often betrayed the pettiness of selfishness. If, in comparison with the mediaeval emperor whose fame he envied, he may justly be called Charles the Little, he may still, when compared to a more modern emulator of Charlemagne,--the first of the Bonapartes,--be considered great and enlightened. If he could lie and cheat more consummately than any contemporary monarch, not excepting his rival, Francis, he could still be grandly magnanimous, while the generosity of Francis flowed only from the shallow surface of a maudlin good-nature. He spoke many languages and had the tastes of a scholar, while his son had only the inclinations of an unfeeling pedagogue. He had an inkling of urbanity, and could in a measure become all things to all men, while Philip could never show himself except as a gloomy, impracticable bigot. It is for some such reasons as these, I suppose, that Mr. Buckle--no friend to despots--speaks well of Charles, and that Mr. Froude is moved to tell the following anecdote: While standing by the grave of Luther, and musing over the strange career of the giant monk whose teachings had gone so far to wreck his most cherished schemes and render his life a failure, some fanatical bystander advised the Emperor to have the body taken up and burned in the market-place. "There was nothing," says Mr. Froude, "unusual in the proposal; it was the common practice of the Catholic Church with the remains of heretics, who were held unworthy to be left in repose in hallowed ground. There was scarcely, perhaps another Catholic prince who would have hesitated to comply. But Charles was one of nature's gentlemen. He answered, 'I war not with the dead.'" Mr. Motley takes a less charitable view of the great Emperor. His generous indignation against all persecutors makes him severe; and in one of his earlier volumes, while speaking of the famous edicts for the suppression of heresy in the Netherlands, he somewhere uses the word "murder." Without attempting to palliate the crime of persecution, I doubt if it is quite fair to Charles to call him a murderer. We must not forget that persecution, now rightly deemed an atrocious crime, was once really considered by some people a sacred duty; that it was none other than the compassionate Isabella who established the Spanish Inquisition; and that the "bloody" Mary Tudor was a woman who would not wilfully have done wrong. With the progress of civilization the time will doubtless come when warfare, having ceased to be necessary, will be thought highly criminal; yet it will not then be fair to hold Marlborough or Wellington accountable for the lives lost in their great battles. We still live in an age when war is, to the imagination of some persons, surrounded with false glories; and the greatest of modern generals [32] has still many undiscriminating admirers. Yet the day is no less certainly at hand when the edicts of Charles V. will be deemed a more pardonable offence against humanity than the wanton march to Moscow.

[32] This was written before the deeds of Moltke had eclipsed those of Napoleon.

Philip II. was different from his father in capacity as a drudging clerk, like Boutwell, is different from a brilliant financier like Gladstone. In organization he differed from him as a boor differs from a gentleman. He seemed made of a coarser clay. The difference between them is well indicated by their tastes at the table. Both were terrible gluttons, a fact which puritanic criticism might set down as equally to the discredit of each of them. But even in intemperance there are degrees of refinement, and the impartial critic of life and manners will no doubt say that if one must get drunk, let it be on Chateau Margaux rather than on commissary whiskey. Pickled partridges, plump capons, syrups of fruits, delicate pastry, and rare fish went to make up the diet of Charles in his last days at Yuste. But the beastly Philip would make himself sick with a surfeit of underdone pork.

Whatever may be said of the father, we can hardly go far wrong in ascribing the instincts of a murderer to the son. He not only burned heretics, but he burned them with an air of enjoyment and self-complacency. His nuptials with Elizabeth of France were celebrated by a vast auto-da-fe. He studied murder as a fine art, and was as skilful in private assassinations as Cellini was in engraving on gems. The secret execution of Montigny, never brought to light until the present century, was a veritable chef d'oeuvre of this sort. The cases of Escobedo and Antonio Perez may also be cited in point. Dark suspicions hung around the premature death of Don John of Austria, his too brilliant and popular half-brother. He planned the murder of William the Silent, and rewarded the assassin with an annuity furnished by the revenues of the victim's confiscated estates. He kept a staff of ruffians constantly in service for the purpose of taking off Elizabeth, Henry IV., Prince Maurice, Olden-Barneveldt, and St. Aldegonde. He instructed Alva to execute sentence of death upon the whole population of the Netherlands. He is partly responsible for the martyrdoms of Ridley and Latimer, and the judicial murder of Cranmer. He first conceived the idea of the wholesale massacre of St. Bartholomew, many years before Catharine de' Medici carried it into operation. His ingratitude was as dangerous as his revengeful fanaticism. Those who had best served his interests were the least likely to escape the consequences of his jealousy. He destroyed Egmont, who had won for him the splendid victories of St. Quentin and Gravelines; and "with minute and artistic treachery" he plotted "the disgrace and ruin" of Farnese, "the man who was his near blood-relation, and who had served him most faithfully from earliest youth." Contemporary opinion even held him accountable for the obscure deaths of his wife Elizabeth and his son Carlos; but M. Gachard has shown that this suspicion is unfounded. Philip appears perhaps to better advantage in his domestic than in his political relations. Yet he was addicted to vulgar and miscellaneous incontinence; toward the close of his life he seriously contemplated marrying his own daughter Isabella; and he ended by taking for his fourth wife his niece, Anne of Austria, who became the mother of his half-idiotic son and successor. We know of no royal family, unless it may be the Claudians of Rome, in which the transmission of moral and intellectual qualities is more thoroughly illustrated than in this Burgundian race which for two centuries held the sceptre of Spain. The son Philip and the grandmother Isabella are both needful in order to comprehend the strange mixture of good and evil in Charles. But the descendants of Philip--two generations of idiocy, and a third of utter impotence--are a sufficient commentary upon the organization and character of their progenitor.

Such was the man who for two generations had been considered the bulwark of the Catholic Church; who, having been at the bottom of nearly all the villany that had been wrought in Europe for half a century, was yet able to declare upon his death-bed that "in all his life he had never consciously done wrong to any one." At a ripe old age he died of a fearful disease. Under the influence of a typhus fever, supervening upon gout, he had begun to decompose while yet alive. "His sufferings," says Mr. Motley, "were horrible, but no saint could have manifested in them more gentle resignation or angelic patience. He moralized on the condition to which the greatest princes might thus be brought at last by the hand of God, and bade the Prince observe well his father's present condition, in order that when he too should be laid thus low, he might likewise be sustained by a conscience void of offence." What more is needed to complete the disgusting picture? Philip was fanatical up to the point where fanaticism borders upon hypocrisy. He was possessed with a "great moral idea," the idea of making Catholicism the ruler of the world, that he might be the ruler of Catholicism. Why, it may be said, shall the charge of fanaticism be allowed to absolve Isabella and extenuate the guilt of Charles, while it only strengthens the case against Philip? Because Isabella persecuted heretics in order to save their souls from a worse fate, while Philip burnt them in order to get them out of his way. Isabella would perhaps have gone to the stake herself, if thereby she might have put an end to heresy. Philip would have seen every soul in Europe consigned to eternal perdition before he would have yielded up an iota of his claims to universal dominion. He could send Alva to browbeat the Pope, as well as to oppress the Netherlanders. He could compass the destruction of the orthodox Egmont and Farnese, as well as of the heretical William. His unctuous piety only adds to the abhorrence with which we regard him; and his humility in face of death is neither better nor worse than the assumed humility which had become second nature to Uriah Heep. In short, take him for all in all, he was probably the most loathsome character in all European history. He has frequently been called, by Protestant historians, an incarnate devil; but we do not think that Mephistopheles would acknowledge him. He should rather be classed among those creatures described by Dante as "a Dio spiacenti ed ai nemici sui."

The abdication of Charles V. left Philip ruler over wider dominions than had ever before been brought together under the sway of one man. In his own right Philip was master not only of Spain, but of the Netherlands, Franche Comte, Lombardy, Naples, and Sicily, with the whole of North and South America; besides which he was married to the Queen of England. In the course of his reign he became possessed of Portugal, with all its vast domains in the East Indies. His revenues were greater than those of any other contemporary monarch; his navy was considered invincible, and his army was the best disciplined in Europe. All these great advantages he was destined to throw to the winds. In the strife for universal monarchy, in the mad endeavour to subject England, Scotland, and France to his own dominion and the tyranny of the Inquisition, besides re-conquering the Netherlands, all his vast resources were wasted. The Dutch war alone, like a bottomless pit, absorbed all that he could pour into it. Long before the war was over, or showed signs of drawing to an end, his revenues were wasted, and his troops in Flanders were mutinous for want of pay. He had to rely upon energetic viceroys like Farnese and the Spinolas to furnish funds out of their own pockets. Finally, he was obliged to repudiate all his debts; and when he died the Spanish empire was in such a beggarly condition that it quaked at every approach of a hostile Dutch fleet. Such a result is not evidence of a statesmanlike ability; but Philip's fanatical selfishness was incompatible with statesmanship. He never could be made to believe that his projects had suffered defeat. No sooner had the Invincible Armada been sent to the bottom by the guns of the English fleet and the gales of the German Ocean, than he sent orders to Farnese to invade England at once with the land force under his command! He thought to obtain Scotland, when, after the death of Mary, it had passed under the undisputed control of the Protestant noblemen. He dreamed of securing for his family the crown of France, even after Henry, with free consent of the Pope, had made his triumphal entry into Paris. He asserted complete and entire sovereignty over the Netherlands, even after Prince Maurice had won back from him the last square foot of Dutch territory. Such obstinacy as this can only be called fatuity. If Philip had lived in Pagan times, he would doubtless, like Caligula, have demanded recognition of his own divinity.

The miserable condition of the Spanish people under this terrible reign, and the causes of their subsequent degeneracy, have been well treated by Mr. Motley. The causes of the failure of Spanish civilization are partly social and partly economical; and they had been operating for eight hundred years when Philip succeeded to the throne. The Moorish conquest in 711 had practically isolated Spain from the rest of Europe. In the Crusades she took no part, and reaped none of the signal advantages resulting from that great movement. Her whole energies were directed toward throwing off the yoke of her civilized but "unbelieving" oppressors. For a longer time than has now elapsed since the Norman Conquest of England, the entire Gothic population of Spain was engaged in unceasing religious and patriotic warfare. The unlimited power thus acquired by an unscrupulous clergy, and the spirit of uncompromising bigotry thus imparted to the whole nation, are in this way readily accounted for. But in spite of this, the affairs of Spain at the accession of Charles V. were not in an unpromising condition. The Spanish Visigoths had been the least barbarous of the Teutonic settlers within the limits of the Empire; their civil institutions were excellent; their cities had obtained municipal liberties at an earlier date than those of England; and their Parliaments indulged in a liberty of speech which would have seemed extravagant even to De Montfort. So late as the time of Ferdinand, the Spaniards were still justly proud of their freedom; and the chivalrous ambition which inspired the marvellous expedition of Cortes to Mexico, and covered the soil of Italy with Spanish armies, was probably in the main a healthy one. But the forces of Spanish freedom were united at too late an epoch; in 1492, the power of despotism was already in the ascendant. In England the case was different. The barons were enabled to combine and wrest permanent privileges from the crown, at a time when feudalism was strong. But the Spanish communes waited for combined action until feudalism had become weak, and modern despotism, with its standing armies and its control of the spiritual power, was arrayed in the ranks against them. The War of the Communes, early in the reign of Charles V., irrevocably decided the case in favour of despotism, and from that date the internal decline of Spain may be said to have begun.

But the triumphant consolidation of the spiritual and temporal powers of despotism, and the abnormal development of loyalty and bigotry, were not the only evil results of the chronic struggle in which Spain had been engaged. For many centuries, while Christian Spain had been but a fringe of debatable border-land on the skirts of the Moorish kingdom, perpetual guerilla warfare had rendered consecutive labour difficult or impracticable; and the physical configuration of the country contributed in bringing about this result. To plunder the Moors across the border was easier than to till the ground at home. Then as the Spaniards, exemplifying the military superiority of the feudal over the sultanic form of social organization, proceeded steadily to recover dominion over the land, the industrious Moors, instead of migrating backward before the advance of their conquerors, remained at home and submitted to them. Thus Spanish society became compounded of two distinct castes,--the Moorish Spaniards, who were skilled labourers, and the Gothic Spaniards, by whom all labour, crude or skilful, was deemed the stigma of a conquered race, and unworthy the attention of respectable people. As Mr. Motley concisely says:--

"The highest industrial and scientific civilization that had been exhibited upon Spanish territory was that of Moors and Jews. When in the course of time those races had been subjugated, massacred, or driven into exile, not only was Spain deprived of its highest intellectual culture and its most productive labour, but intelligence, science, and industry were accounted degrading, because the mark of inferior and detested peoples."

This is the key to the whole subsequent history of Spain. Bigotry, loyalty, and consecrated idleness are the three factors which have made that great country what it is to-day,--the most backward region in Europe. In view of the circumstances just narrated, it is not surprising to learn that in Philip II.'s time a vast portion of the real estate of the country was held by the Church in mortmain; that forty-nine noble families owned all the rest; that all great estates were held in tail; and that the property of the aristocracy and the clergy was completely exempt from taxation. Thus the accumulation and the diffusion of capital were alike prevented; and the few possessors of property wasted it in unproductive expenditure. Hence the fundamental error of Spanish political economy, that wealth is represented solely by the precious metals; an error which well enough explains the total failure, in spite of her magnificent opportunities, of Spain's attempts to colonize the New World. Such was the frightful condition of Spanish society under Philip II.; and as if this state of things were not bad enough, the next king, Philip III., at the instigation of the clergy, decided to drive into banishment the only class of productive labourers yet remaining in the country. In 1610, this stupendous crime and blunder--unparalleled even in Spanish history--was perpetrated. The entire Moorish population were expelled from their homes and driven into the deserts of Africa. For the awful consequences of this mad action no remedy was possible. No system of native industry could be created on demand, to take the place of that which had been thus wantonly crushed forever. From this epoch dates the social ruin of Spain. In less than a century her people were riotous with famine; and every sequestered glen and mountain pathway throughout the country had become a lurking-place for robbers. Whoever would duly realize to what a lamentable condition this beautiful peninsula had in the seventeenth century been reduced, let him study the immortal pages of Lesage. He will learn afresh the lesson, not yet sufficiently regarded in the discussion of social problems, that the laws of nature cannot be violated without entailing a penalty fearful in proportion to the extent of the violation. But let him carefully remember also that the Spaniards are not and never have been a despicable people. If Spain has produced one of the lowest characters in history, she has also produced one of the highest. That man was every inch a Spaniard who, maimed, diseased, and poor, broken down by long captivity, and harassed by malignant persecution, lived nevertheless a life of grandeur and beauty fit to be a pattern for coming generations,--the author of a book which has had a wider fame than any other in the whole range of secular literature, and which for delicate humour, exquisite pathos, and deep ethical sentiment, remains to-day without a peer or a rival. If Philip II. was a Spaniard, so, too, was Cervantes.

Spain could not be free, for she violated every condition by which freedom is secured to a people. "Acuteness of intellect, wealth of imagination, heroic qualities of heart and hand and brain, rarely surpassed in any race and manifested on a thousand battle-fields, and in the triumphs of a magnificent and most original literature, had not been able to save a whole nation from the disasters and the degradation which the mere words Philip II. and the Holy Inquisition suggest to every educated mind." Nor could Spain possibly become rich, for, as Mr. Motley continues, "nearly every law, according to which the prosperity of a country becomes progressive, was habitually violated." On turning to the Netherlands we find the most complete contrast, both in historical conditions and in social results; and the success of the Netherlands in their long struggle becomes easily intelligible. The Dutch and Flemish provinces had formed a part of the renovated Roman Empire of Charles the Great and the Othos. Taking advantage of the perennial contest for supremacy between the popes and the Roman emperors, the constituent baronies and municipalities of the Empire succeeded in acquiring and maintaining a practical though unrecognized independence; and this is the original reason why Italy and Germany, unlike the three western European communities, have remained fragmentary until our own time. By reason of the practical freedom of action thus secured, the Italian civic republics, the Hanse towns, and the cities of Holland and Flanders, were enabled gradually to develop a vast commerce. The outlying position of the Netherlands, remote from the imperial authorities, and on the direct line of commerce between Italy and England, was another and a peculiar advantage. Throughout the Middle Ages the Flemish and Dutch cities were of considerable political importance, and in the fifteenth century the Netherland provinces were the most highly civilized portion of Europe north of the Alps. For several generations they had enjoyed, and had known how to maintain, civic liberties, and when Charles and Philip attempted to fasten upon them their "peculiar institution," the Spanish Inquisition, they were ripe for political as well as theological revolt. Natural laws were found to operate on the Rhine as well as on the Tagus, and at the end of the great war of independence, Holland was not only better equipped than Spain for a European conflict, but was rapidly ousting her from the East Indian countries which she had in vain attempted to colonize.

But if we were to take up all the interesting and instructive themes suggested by Mr. Motley's work, we should never come to an end. We must pass over the exciting events narrated in these last volumes; the victory of Nieuport, the siege of Ostend, the marvellous career of Maurice, the surprising exploits of Spinola. We have attempted not so much to describe Mr. Motley's book as to indulge in sundry reflections suggested by the perusal of it. But we cannot close without some remarks upon a great man, whose character Mr. Motley seems to have somewhat misconceived.

If Mr. Motley exhibits any serious fault, it is perhaps the natural tendency to TAKE SIDES in the events which he is describing, which sometimes operates as a drawback to complete and thoroughgoing criticism. With every intention to do justice to the Catholics, Mr. Motley still writes as a Protestant, viewing all questions from the Protestant side. He praises and condemns like a very fair-minded Huguenot, but still like a Huguenot. It is for this reason that he fails to interpret correctly the very complex character of Henry IV., regarding him as a sort of selfish renegade whom he cannot quite forgive for accepting the crown of France at the hands of the Pope. Now this very action of Henry, in the eye of an impartial criticism, must seem to be one of his chief claims to the admiration and gratitude of posterity. Henry was more than a mere Huguenot: he was a far-seeing statesman. He saw clearly what no ruler before him, save William the Silent, had even dimly discerned, that not Catholicism and not Protestantism, but absolute spiritual freedom was the true end to be aimed at by a righteous leader of opinion. It was as a Catholic sovereign that he could be most useful even to his Huguenot subjects; and he shaped his course accordingly. It was as an orthodox sovereign, holding his position by the general consent of Europe, that he could best subserve the interests of universal toleration. This principle he embodied in his admirable edict of Nantes. What a Huguenot prince might have done, may be seen from the shameful way in which the French Calvinists abused the favour which Henry--and Richelieu afterwards--accorded to them. Remembering how Calvin himself "dragooned" Geneva, let us be thankful for the fortune which, in one of the most critical periods of history, raised to the highest position in Christendom a man who was something more than a sectarian.

With this brief criticism, we must regretfully take leave of Mr. Motley's work. Much more remains to be said about a historical treatise which is, on the whole, the most valuable and important one yet produced by an American; but we have already exceeded our limits. We trust that our author will be as successful in the future as he has been in the past; and that we shall soon have an opportunity of welcoming the first instalment of his "History of the Thirty Years' War."

March, 1868.

XI. LONGFELLOW'S DANTE. [33]

[33] The Divine Comedy of Dante Alighieri. Translated by Henry Wadsworth Longfellow. 3 vols. Boston: Ticknor & Fields, 1867.

THE task of a translator is a thankless one at best. Be he never so skilful and accurate, be he never so amply endowed with the divine qualifications of the poet, it is still questionable if he can ever succeed in saying satisfactorily with new words that which has once been inimitably said--said for all time--with the old words. "Psychologically, there is perhaps nothing more complex than an elaborate poem. The sources of its effect upon our minds may be likened to a system of forces which is in the highest degree unstable; and the slightest displacement of phrases, by disturbing the delicate rhythmical equilibrium of the whole, must inevitably awaken a jarring sensation." Matthew Arnold has given us an excellent series of lectures upon translating Homer, in which he doubtless succeeds in showing that some methods of translation are preferable to others, but in which he proves nothing so forcibly as that the simplicity and grace, the rapidity, dignity, and fire, of Homer are quite incommunicable, save by the very words in which they first found expression. And what is thus said of Homer will apply to Dante with perhaps even greater force. With nearly all of Homer's grandeur and rapidity, though not with nearly all his simplicity, the poem of Dante manifests a peculiar intensity of subjective feeling which was foreign to the age of Homer, as indeed to all pre-Christian antiquity. But concerning this we need not dilate, as it has often been duly remarked upon, and notably by Carlyle, in his "Lectures on Hero-Worship." Who that has once heard the wail of unutterable despair sounding in the line

"Ahi, dura terra, perche non t' apristi?"

can rest satisfied with the interpretation

"Ah, obdurate earth, wherefore didst thou not open?"

yet this rendering is literally exact.

A second obstacle, hardly less formidable, hardly less fatal to a satisfactory translation, is presented by the highly complicated system of triple rhyme upon which Dante's poem is constructed. This, which must ever be a stumbling-block to the translator, seems rarely to interfere with the free and graceful movement of the original work. The mighty thought of the master felt no impediment from the elaborate artistic panoply which must needs obstruct and harass the interpretation of the disciple. Dante's terza rima is a bow of Odysseus which weaker mortals cannot bend with any amount of tugging, and which Mr. Longfellow has judiciously refrained from trying to bend. Yet no one can fail to remark the prodigious loss entailed by this necessary sacrifice of one of the most striking characteristics of the original poem. Let any one who has duly reflected upon the strange and subtle effect produced on him by the peculiar rhyme of Tennyson's "In Memoriam," endeavour to realize the very different effect which would be produced if the verses were to be alternated or coupled in successive pairs, or if rhyme were to be abandoned for blank verse. The exquisite melody of the poem would be silenced. The rhyme-system of the "Divine Comedy" refuses equally to be tampered with or ignored. Its effect upon the ear and the mind is quite as remarkable as that of the rhyme-system of "In Memoriam"; and the impossibility of reproducing it is one good reason why Dante must always suffer even more from translation than most poets.

Something, too, must be said of the difficulties inevitably arising from the diverse structure and genius of the Italian and English languages. None will deny that many of them are insurmountable. Take the third line of the first canto,--

"Che la diritta via era smarrita,"

which Mr. Longfellow translates

"For the straightforward pathway had been lost."

Perhaps there is no better word than "lost" by which to translate smarrita in this place; yet the two words are far from equivalent in force. About the word smarrita there is thrown a wide penumbra of meaning which does not belong to the word lost. [35] By its diffuse connotations the word smarrita calls up in our minds an adequate picture of the bewilderment and perplexity of one who is lost in a trackless forest. The high-road with out, beaten hard by incessant overpassing of men and beasts and wheeled vehicles, gradually becomes metamorphosed into the shady lane, where grass sprouts up rankly between the ruts, where bushes encroach upon the roadside, where fallen trunks now and then intercept the traveller; and this in turn is lost in crooked by-ways, amid brambles and underbrush and tangled vines, growing fantastically athwart the path, shooting up on all sides of the bewildered wanderer, and rendering advance and retreat alike hopeless. No one who in childhood has wandered alone in the woods can help feeling all this suggested by the word smarrita in this passage. How bald in comparison is the word lost, which might equally be applied to a pathway, a reputation, and a pocket-book! [36] The English is no doubt the most copious and variously expressive of all living languages, yet I doubt if it can furnish any word capable by itself of calling up the complex images here suggested by smarrita. [37] And this is but one example, out of many that might be cited, in which the lack of exact parallelism between the two languages employed causes every translation to suffer.

[35] See Diez, Romance Dictionary, s. v. "Marrir."

[36] On literally retranslating lost into Italian, we should get the quite different word perduta.

[37] The more flexible method of Dr. Parsons leads to a more satisfactory but still inadequate result:--

"Half-way on our life's Journey, in a wood, From the right path I found myself astray."

All these, however, are difficulties which lie in the nature of things,--difficulties for which the translator is not responsible; of which he must try to make the best that can be made, but which he can never expect wholly to surmount. We have now to inquire whether there are not other difficulties, avoidable by one method of translation, though not by another; and in criticizing Mr. Longfellow, we have chiefly to ask whether he has chosen the best method of translation,--that which most surely and readily awakens in the reader's mind the ideas and feelings awakened by the original.

The translator of a poem may proceed upon either of two distinct principles. In the first case, he may render the text of his original into English, line for line and word for word, preserving as far as possible its exact verbal sequences, and translating each individual word into an English word as nearly as possible equivalent in its etymological force. In the second case, disregarding mere syntactic and etymologic equivalence, his aim will be to reproduce the inner meaning and power of the original, so far as the constitutional difference of the two languages will permit him.

It is the first of these methods that Mr. Longfellow has followed in his translation of Dante. Fidelity to the text of the original has been his guiding principle; and every one must admit that, in carrying out that principle, he has achieved a degree of success alike delightful and surprising. The method of literal translation is not likely to receive any more splendid illustration. It is indeed put to the test in such a way that the shortcomings now to be noticed bear not upon Mr. Longfellow's own style of work so much as upon the method itself with which they are necessarily implicated. These defects are, first, the too frequent use of syntactic inversion, and secondly, the too manifest preference extended to words of Romanic over words of Saxon origin.

To illustrate the first point, let me give a few examples. In Canto I. we have:--

"So bitter is it, death is little more; But of the good to treat which there I found, Speak will I of the other things I saw there";

which is thus rendered by Mr. Cary,--

"Which to remember only, my dismay Renews, in bitterness not far from death. Yet to discourse of what there good befell, All else will I relate discovered there";

and by Dr. Parsons,--

"Its very thought is almost death to me; Yet, having found some good there, I will tell Of other things which there I chanced to see." [38]

[38] "Tanto e amara, che poco e piu morte: Ma per trattar del teen ch' i' vi trovai, Diro dell' altre Bose, ch' io v' ho scorte."

Inferno, I. 7-10.

Again in Canto X. we find:--

"Their cemetery have upon this side With Epicurus all his followers, Who with the body mortal make the soul";--

an inversion which is perhaps not more unidiomatic than Mr. Cary's,--

"The cemetery on this part obtain With Epicurus all his followers, Who with the body make the spirit die";

but which is advantageously avoided by Mr. Wright,--

"Here Epicurus hath his fiery tomb, And with him all his followers, who maintain That soul and body share one common doom";

and is still better rendered by Dr. Parsons,--

"Here in their cemetery on this side, With his whole sect, is Epicurus pent, Who thought the spirit with its body died." [39]

[39] "Suo cimitero da questa parte hanno Con Epieuro tutti i suoi seguaci, Che l'anima col corpo morta fanno." Inferno, X. 13-15.

And here my eyes, reverting to the end of Canto IX.,

fall upon a similar contrast between Mr. Longfellow's lines,--

"For flames between the sepulchres were scattered, By which they so intensely heated were, That iron more so asks not any art,"--

and those of Dr. Parsons,--

"For here mid sepulchres were sprinkled fires, Wherewith the enkindled tombs all-burning gleamed; Metal more fiercely hot no art requires." [40]

[40] "Che tra gli avelli flamme erano sparte, Per le quali eran si del tutto accesi, Che ferro piu non chiede verun' arte." Inferno, IX. 118-120.

Does it not seem that in all these cases Mr. Longfellow, and to a slightly less extent Mr. Cary, by their strict adherence to the letter, transgress the ordinary rules of English construction; and that Dr. Parsons, by his comparative freedom of movement, produces better poetry as well as better English? In the last example especially, Mr. Longfellow's inversions are so violent that to a reader ignorant of the original Italian, his sentence might be hardly intelligible. In Italian such inversions are permissible; in English they are not; and Mr. Longfellow, by transplanting them into English, sacrifices the spirit to the letter, and creates an obscurity in the translation where all is lucidity in the original. Does not this show that the theory of absolute literality, in the case of two languages so widely different as English and Italian, is not the true one?

Secondly, Mr. Longfellow's theory of translation leads him in most cases to choose words of Romanic origin in preference to those of Saxon descent, and in many cases to choose an unfamiliar instead of a familiar Romanic word, because the former happens to be etymologically identical with the word in the original. Let me cite as an example the opening of

## Canto III.:--

"Per me si va nella eitti dolente, Per me si va nell' eterno dolore, Per me si va tra la perduta gente."

Here are three lines which, in their matchless simplicity and grandeur, might well excite despair in the breast of any translator. Let us contrast Mr. Longfellow's version.--

"Through me the way is to the city dolent; Through me the way is to eternal dole; Through me the way among the people lost,"--

with that of Dr. Parsons,--,

"Through me you reach the city of despair; Through me eternal wretchedness ye find; Through me among perdition's race ye fare."

I do not think any one will deny that Dr. Parsons's version, while far more remote than Mr. Longfellow's from the diction of the original, is somewhat nearer its spirit. It remains to seek the explanation of this phenomenon. It remains to be seen why words the exact counterpart of Dante's are unfit to call up in our minds the feelings which Dante's own words call up in the mind of an Italian. And this inquiry leads to some general considerations respecting the relation of English to other European languages.

Every one is aware that French poetry, as compared with German poetry, seems to the English reader very tame and insipid; but the cause of this fact is by no means so apparent as the fact itself. That the poetry of Germany is actually and intrinsically superior to that of France, may readily be admitted; but this is not enough to account for all the circumstances of the case. It does not explain why some of the very passages in Corneille and Racine, which to us appear dull and prosaic, are to the Frenchman's apprehension instinct with poetic fervour. It does not explain the undoubted fact that we, who speak English, are prone to underrate French poetry, while we are equally disposed to render to German poetry even more than its due share of merit. The reason is to be sought in the verbal associations established in our minds by the peculiar composition of the English language. Our vocabulary is chiefly made up on the one hand of indigenous Saxon words, and on the other hand of words derived from Latin or French. It is mostly words of the first class that we learn in childhood, and that are associated with our homeliest and deepest emotions; while words of the second class--usually acquired somewhat later in life and employed in sedate abstract discourse--have an intellectual rather than an emotional function to fulfil. Their original significations, the physical metaphors involved in them, which are perhaps still somewhat apparent to the Frenchman, are to us wholly non-existent. Nothing but the derivative or metaphysical signification remains. No physical image of a man stepping over a boundary is presented to our minds by the word transgress, nor in using the word comprehension do we picture to ourselves any manual act of grasping. It is to this double structure of the English language that it owes its superiority over every other tongue, ancient or modern, for philosophical and scientific purposes. Albeit there are numerous exceptions, it may still be safely said, in a general way, that we possess and habitually use two kinds of language,--one that is physical, for our ordinary purposes, and one that is metaphysical, for purposes of abstract reasoning and discussion. We do not say like the Germans, that we "begripe" (begreifen) an idea, but we say that we "conceive" it. We use a word which once had the very same material meaning as begreifen, but which has in our language utterly lost it. We are accordingly able to carry on philosophical inquiries by means of words which are nearly or quite free from those shadows of original concrete meaning which, in German, too often obscure the acquired abstract signification. Whoever has dealt in English and German metaphysics will not fail to recognize the prodigious superiority of English in force and perspicuity, arising mainly from the causes here stated. But while this homogeneity of structure in German injures it for philosophical purposes, it is the very thing which makes it so excellent as an organ for poetical expression, in the opinion of those who speak English. German being nearly allied to Anglo-Saxon, not only do its simple words strike us with all the force of our own homely Saxon terms, but its compounds also, preserving their physical significations almost unimpaired, call up in our minds concrete images of the greatest definiteness and liveliness. It is thus that German seems to us pre-eminently a poetical language, and it is thus that we are naturally inclined to overrate rather than to depreciate the poetry that is written in it.

With regard to French, the case is just the reverse. The Frenchman has no Saxon words, but he has, on the other hand, an indigenous stock of Latin words, which he learns in early childhood, which give outlet to his most intimate feelings, and which retain to some extent their primitive concrete picturesqueness. They are to him just as good as our Saxon words are to us. Though cold and merely intellectual to us, they are to him warm with emotion; and this is one reason why we cannot do justice to his poetry, or appreciate it as he appreciates it. To make this perfectly clear, let us take two or three lines from Shakespeare:--

"Blow, blow, thou winter wind! Thou art not so unkind As man's ingratitude, Thy tooth is not so keen," etc., etc.;

which I have somewhere seen thus rendered into French:

"Souffle, souffle, vent d'hiver! Tu n'es pas si cruel Que l'ingratitude de l'homme. Ta dent n'est pas si penetrante," etc., etc.

Why are we inclined to laugh as we read this? Because it excites in us an undercurrent of consciousness which, if put into words, might run something like this:--

"Insufflate, insufflate, wind hibernal! Thou art not so cruel As human ingratitude. Thy dentition is not so penetrating," etc., etc.

No such effect would be produced upon a Frenchman. The translation would strike him as excellent, which it really is. The last line in particular would seem poetical to us, did we not happen to have in our language words closely akin to dent and penetrante, and familiarly employed in senses that are not poetical.

Applying these considerations to Mr. Longfellow's choice of words in his translation of Dante, we see at once the unsoundness of the principle that Italian words should be rendered by their Romanic equivalents in English. Words that are etymologically identical with those in the original are often, for that very reason, the worst words that could be used. They are harsh and foreign to the English ear, however homelike and musical they may be to the ear of an Italian. Their connotations are unlike in the two languages; and the translation which is made literally exact by using them is at the same time made actually inaccurate, or at least inadequate. Dole and dolent are doubtless the exact counterparts of dolore and dolente, so far as mere etymology can go. But when we consider the effect that is to be produced upon the mind of the reader, wretchedness and despairing are fat better equivalents. The former may compel our intellectual assent, but the latter awaken our emotional sympathy.

Doubtless by long familiarity with the Romanic languages, the scholar becomes to a great degree emancipated from the conditions imposed upon him by the peculiar composition of his native English. The concrete significance of the Romanic words becomes apparent to him, and they acquire energy and vitality. The expression dolent may thus satisfy the student familiar with Italian, because it calls up in his mind, through the medium of its equivalent dolente, the same associations which the latter calls up in the mind of the Italian himself. [41] But this power of appreciating thoroughly the beauties of a foreign tongue is in the last degree an acquired taste,--as much so as the taste for olives and kirschenwasser to the carnal palate. It is only by long and profound study that we can thus temporarily vest ourselves, so to speak, with a French or Italian consciousness in exchange for our English one. The literary epicure may keenly relish such epithets as dolent; but the common English reader, who loves plain fare, can hardly fail to be startled by it. To him it savours of the grotesque; and if there is any one thing especially to be avoided in the interpretation of Dante, it is grotesqueness.

[41] A consummate Italian scholar, the delicacy of whose taste is questioned by no one, and whose knowledge of Dante's diction is probably not inferior to Mr. Longfellow's, has told me that he regards the expression as a noble and effective one, full of dignity and solemnity.

Those who have read over Dante without reading into him, and those who have derived their impressions of his poem from M. Dore's memorable illustrations, will here probably demur. What! Dante not grotesque! That tunnel-shaped structure of the infernal pit; Minos passing sentence on the damned by coiling his tail; Charon beating the lagging shades with his oar; Antaios picking up the poets with his fingers and lowering them in the hollow of his hand into the Ninth Circle; Satan crunching in his monstrous jaws the arch-traitors, Judas, Brutus and Cassius; Ugolino appeasing his famine upon the tough nape of Ruggieri; Bertrand de Born looking (if I may be allowed the expression) at his own dissevered head; the robbers exchanging form with serpents; the whole demoniac troop of Malebolge,--are not all these things grotesque beyond everything else in poetry? To us, nurtured in this scientific nineteenth century, they doubtless seem so; and by Leigh Hunt, who had the eighteenth-century way of appreciating other ages than his own, they were uniformly treated as such. To us they are at first sight grotesque, because they are no longer real to us. We have ceased to believe in such things, and they no longer awaken any feeling akin to terror. But in the thirteenth century, in the minds of Dante and his readers, they were living, terrible realities. That Dante believed literally in all this unearthly world, and described it with such wonderful minuteness because he believed in it, admits of little doubt. As he walked the streets of Verona the people whispered, "See, there is the man who has been in hell!" Truly, he had been in hell, and described it as he had seen it, with the keen eyes of imagination and faith. With all its weird unearthliness, there is hardly another book in the whole range of human literature which is marked with such unswerving veracity as the "Divine Comedy." Nothing is there set down arbitrarily, out of wanton caprice or for the sake of poetic effect, but because to Dante's imagination it had so imposingly shown itself that he could not but describe it as he saw it. In reading his cantos we forget the poet, and have before us only the veracious traveller in strange realms, from whom the shrewdest cross-examination can elicit but one consistent account. To his mind, and to the mediaeval mind generally, this outer kingdom, with its wards of Despair, Expiation, and Beatitude, was as real as the Holy Roman Empire itself. Its extraordinary phenomena were not to be looked on with critical eyes and called grotesque, but were to be seen with eyes of faith, and to be worshipped, loved, or shuddered at. Rightly viewed, therefore, the poem of Dante is not grotesque, but unspeakably awful and solemn; and the statement is justified that all grotesqueness and bizarrerie in its interpretation is to be sedulously avoided.

Therefore, while acknowledging the accuracy with which Mr. Longfellow has kept pace with his original through line after line, following the "footing of its feet," according to the motto quoted on his title-page, I cannot but think that his accuracy would have been of a somewhat higher kind if he had now and then allowed himself a little more liberty of choice between English and Romanic words and idioms.

A few examples will perhaps serve to strengthen as well as to elucidate still further this position.

"Inferno," Canto III., line 22, according to Longfellow:--

"There sighs, complaints, and ululations loud Resounded through the air without a star, Whence I at the beginning wept thereat."

According to Cary:--

"Here sighs, with lamentations and loud moans Resounded through the air pierced by no star, That e'en I wept at entering."

According to Parsons:--

"Mid sighs, laments, and hollow howls of woe, Which, loud resounding through the starless air, Forced tears of pity from mine eyes at first." [42]

[42] "Quivi sospiri, pianti ed alti guai Risonavan per l' ner senza stelle, Perch' io al cominciar ne lagrimai."

## Canto V., line 84:--

LONGFELLOW.--"Fly through the air by their volition borne." CARY.--"Cleave the air, wafted by their will along." PARSONS.--"Sped ever onward by their wish alone." [43]

[43] "Volan per l' aer dal voler portate."

## Canto XVII., line 42:--

LONGFELLOW.--"That he concede to us his stalwart shoulders." CARY--"That to us he may vouchsafe The aid of his strong shoulders." PARSONS.--"And ask for us his shoulders' strong support." [44]

[44] "Che ne conceda i suoi omeri forti."

## Canto XVII., line 25:--

LONGFELLOW.-- "His tail was wholly quivering in the void, Contorting upwards the envenomed fork That in the guise of scorpion armed its point." CARY.-- "In the void Glancing, his tail upturned its venomous fork, With sting like scorpions armed."

PARSONS.--"In the void chasm his trembling tail he showed, As up the envenomed, forked point he swung, Which, as in scorpions, armed its tapering end." [45]

[45] "Nel vano tutta sue coda guizzava, Torcendo in su la venenosa forca, Che, a guisa di scorpion, la punta armava."

## Canto V., line 51:--

LONGFELLOW.--"People whom the black air so castigates. CARY.--"By the black air so scourged." [46]

[46] "Genti che l' aura nera si gastiga."

Line 136:--

LONGFELLOW.--"Kissed me upon the mouth all palpitating." CARY.--"My lips all trembling kissed." [47]

[47] "La bocca mi bacio tutto tremante."

"Purgatorio," Canto XV., line 139:--

LONGFELLOW.-- "We passed along, athwart the twilight peering Forward as far as ever eye could stretch Against the sunbeams serotine and lucent." [48]

[48] "Noi andavam per lo vespero attenti Oltre, quanto potean gli occhi allungarsi, Contra i raggi serotini e lucenti."

Mr. Cary's "bright vespertine ray" is only a trifle better; but Mr. Wright's "splendour of the evening ray" is, in its simplicity, far preferable.

## Canto XXXI., line 131:--

LONGFELLOW.--"Did the other three advance Singing to their angelic saraband."

CARY.--"To their own carol on they came Dancing, in festive ring angelical "

WRIGHT.--"And songs accompanied their angel dance."

Here Mr. Longfellow has apparently followed the authority of the Crusca, reading

"Cantando al loro angelico carribo,"

and translating carribo by saraband, a kind of Moorish dance. The best manuscripts, however, sanction M. Witte's reading:--

"Danzando al loro angelico carribo."

If this be correct, carribo cannot signify "a dance," but rather "the song which accompanies the dance"; and the true sense of the passage will have been best rendered by Mr. Cary. [49]

[49] See Blanc, Vocabolario Dantesco, s. v. "caribo."

Whenever Mr. Longfellow's translation is kept free from oddities of diction and construction, it is very animated and vigorous. Nothing can be finer than his rendering of "Purgatorio," Canto VI., lines 97-117:--

"O German Albert! who abandonest Her that has grown recalcitrant and savage, And oughtest to bestride her saddle-bow,

May a just judgment from the stars down fall Upon thy blood, and be it new and open, That thy successor may have fear thereof:

Because thy father and thyself have suffered, By greed of those transalpine lands distrained, The garden of the empire to be waste.

Come and behold Montecchi and Cappelletti, Monaldi and Filippeschi, careless man! Those sad already, and these doubt-depressed!

Come, cruel one! come and behold the oppression Of thy nobility, and cure their wounds, And thou shalt see how safe [?] is Santafiore.

Come and behold thy Rome that is lamenting, Widowed, alone, and day and night exclaims 'My Caesar, why hast thou forsaken me?'

Come and behold how loving are the people; And if for us no pity moveth thee, Come and be made ashamed of thy renown." [50]

[50] "O Alberto Tedesco, che abbandoni Costei ch' e fatta indomita e selvaggia, E dovresti inforcar li suoi arcioni,

Giusto gindizio dalle stelle caggia Sopra il tuo sangue, e sia nuovo ed aperto, Tal che il tuo successor temenza n' aggia: Cheavete tu e il tuo padre sofferto, Per cupidigia di costa distretti, Che il giardin dell' imperio sia diserto.

Vieni a veder Montecchi e Cappelletti, Monaldi e Filippeschi, uom senza cura: Color gia tristi, e questi con sospetti. Vien, crudel, vieni, e vedi la pressura De' tuoi gentili, e cure lor magagne, E vedrai Santafior com' e oscura [secura?]. Vieni a veder la tua Roma che piagne, Vedova e sola, e di e notte chiama: Cesare mio, perche non m' accompagne? Vieni a veder la gente quanto s' ama; E se nulla di noi pieta ti move, A vergognar ti vien della tua fama."

So, too, Canto III., lines 79-84:--

"As sheep come issuing forth from out the fold By ones, and twos, and threes, and the others stand Timidly holding down their eyes and nostrils,

And what the foremost does the others do Huddling themselves against her if she stop, Simple and quiet, and the wherefore know not." [51]

[51] "Come le pecorelle escon del chiuso Ad una, a due, a tre, e l' altre stanno Timidette atterrando l' occhio e il muso;

E cio che fa la prima, e l' altre sanno, Addossandosi a lei s' ella s' arresta, Semplici e quete, e lo 'mperche non sanno."

Francesca's exclamation to Dante is thus rendered by Mr. Longfellow:--

"And she to me: There is no greater sorrow Than to be mindful of the happy time In misery." [52]

[52] "Ed ella a me: Nessun maggior dolore Che ricordarsi del tempo felice Nella miseria." Inferno, V. 121-123.

This is admirable,--full of the true poetic glow, which would have been utterly quenched if some Romanic equivalent of dolore had been used instead of our good Saxon sorrow. [53] So, too, the "Paradiso," Canto I., line 100:--

"Whereupon she, after a pitying sigh, Her eyes directed toward me with that look A mother casts on a delirious child." [54]

[53] Yet admirable as it is, I am not quite sure that Dr. Parsons, by taking further liberty with the original, has not surpassed it:--

"And she to me: The mightiest of all woes Is in the midst of misery to be cursed With bliss remembered."

[54] "Ond' ella, appresso d'un pio sospiro, Gli occhi drizzo ver me con quel sembiante, Che madre fa sopra figlinol deliro."

And, finally, the beginning of the eighth canto of the "Purgatorio":--

"'T was now the hour that turneth back desire In those who sail the sea, and melts the heart, The day they've said to their sweet friends farewell; And the new pilgrim penetrates with love, If he doth hear from far away a bell That seemeth to deplore the dying day." [55]

[55] "Era gia l' ora che volge il disio Ai naviganti, e intenerisce il core Lo di ch' hen detto ai dolci amici addio; E che lo nuovo peregrin d' amore Punge, se ode squilla di lontano, Che paia il giorno pianger che si more."

This passage affords an excellent example of what the method of literal translation can do at its best. Except in the second line, where "those who sail the sea" is wisely preferred to any Romanic equivalent of naviganti the version is utterly literal; as literal as the one the school-boy makes, when he opens his Virgil at the Fourth Eclogue, and lumberingly reads, "Sicilian Muses, let us sing things a little greater." But there is nothing clumsy, nothing which smacks of the recitation-room, in these lines of Mr. Longfellow. For easy grace and exquisite beauty it would be difficult to surpass them. They may well bear comparison with the beautiful lines into which Lord Byron has rendered the same thought:--

"Soft hour which wakes the wish, and melts the heart, Of those who sail the seas, on the first day When they from their sweet friends are torn apart; Or fills with love the pilgrim on his way, As the far bell of vesper makes him start, Seeming to weep the dying day's decay. Is this a fancy which our reason scorns? Ah, surely nothing dies but something mourns!" [56]

[56] Don Juan, III. 108.

Setting aside the concluding sentimental generalization,--which is much more Byronic than Dantesque,--one hardly knows which version to call more truly poetical; but for a faithful rendering of the original conception one can hardly hesitate to give the palm to Mr. Longfellow.

Thus we see what may be achieved by the most highly gifted of translators who contents himself with passively reproducing the diction of his original, who constitutes himself, as it were, a conduit through which the meaning of the original may flow. Where the differences inherent in the languages employed do not intervene to alloy the result, the stream of the original may, as in the verses just cited, come out pure and unweakened. Too often, however, such is the subtle chemistry of thought, it will come out diminished in its integrity, or will appear, bereft of its primitive properties as a mere element in some new combination. Our channel is a trifle too alkaline perhaps; and that the transferred material may preserve its pleasant sharpness, we may need to throw in a little extra acid. Too often the mere differences between English and Italian prevent Dante's expressions from coming out in Mr. Longfellow's version so pure and unimpaired as in the instance just cited. But these differences cannot be ignored. They lie deep in the very structure of human speech, and are narrowly implicated with equally profound nuances in the composition of human thought. The causes which make dolente a solemn word to the Italian ear, and dolent a queer word to the English ear, are causes which have been slowly operating ever since the Italian and the Teuton parted company on their way from Central Asia. They have brought about a state of things which no cunning of the translator can essentially alter, but to the emergencies of which he must graciously conform his proceedings. Here, then, is the sole point on which we disagree with Mr. Longfellow, the sole reason we have for thinking that he has not attained the fullest possible measure of success. Not that he has made a "realistic" translation,--so far we conceive him to be entirely right; but that, by dint of pushing sheer literalism beyond its proper limits, he has too often failed to be truly realistic. Let us here explain what is meant by realistic translation.

Every thoroughly conceived and adequately executed translation of an ancient author must be founded upon some conscious theory or some unconscious instinct of literary criticism. As is the critical spirit of an age, so among other things will be its translations. Now the critical spirit of every age previous to our own has been characterized by its inability to appreciate sympathetically the spirit of past and bygone times. In the seventeenth century criticism made idols of its ancient models; it acknowledged no serious imperfections in them; it set them up as exemplars for the present and all future times to copy. Let the genial Epicurean henceforth write like Horace, let the epic narrator imitate the supreme elegance of Virgil,--that was the conspicuous idea, the conspicuous error, of seventeenth-century criticism. It overlooked the differences between one age and another. Conversely, when it brought Roman patricians and Greek oligarchs on to the stage, it made them behave like French courtiers or Castilian grandees or English peers. When it had to deal with ancient heroes, it clothed them in the garb and imputed to them the sentiments of knights-errant. Then came the revolutionary criticism of the eighteenth century, which assumed that everything old was wrong, while everything new was right. It recognized crudely the differences between one age and another, but it had a way of looking down upon all ages except the present. This intolerance shown toward the past was indeed a measure of the crudeness with which it was comprehended. Because Mohammed, if he had done what he did, in France and in the eighteenth century, would have been called an impostor, Voltaire, the great mouthpiece and representative of this style of criticism, portrays him as an impostor. Recognition of the fact that different ages are different, together with inability to perceive that they ought to be different, that their differences lie in the nature of progress,--this was the prominent characteristic of eighteenth-century criticism. Of all the great men of that century, Lessing was perhaps the only one who outgrew this narrow critical habit.

Now nineteenth-century criticism not only knows that in no preceding age have men thought and behaved as they now think and behave, but it also understands that old-fashioned thinking and behaviour was in its way just as natural and sensible as that which is now new-fashioned. It does not flippantly sneer at an ancient custom because we no longer cherish it; but with an enlightened regard for everything human, it inquires into its origin, traces its effects, and endeavours to explain its decay. It is slow to characterize Mohammed as an impostor, because it has come to feel that Arabia in the seventh century is one thing and Europe in the nineteenth another. It is scrupulous about branding Caesar as an usurper, because it has discovered that what Mr. Mill calls republican liberty and what Cicero called republican liberty are widely different notions. It does not tell us to bow down before Lucretius and Virgil as unapproachable models, while lamenting our own hopeless inferiority; nor does it tell us to set them down as half-skilled apprentices, while congratulating ourselves on our own comfortable superiority; but it tells us to study them as the exponents of an age forever gone, from which we have still many lessons to learn, though we no longer think as it thought or feel as it felt. The eighteenth century, as represented by the characteristic passage from Voltaire, cited by Mr. Longfellow, failed utterly to understand Dante. To the minds of Voltaire and his contemporaries the great mediaeval poet was little else than a Titanic monstrosity,--a maniac, whose ravings found rhythmical expression; his poem a grotesque medley, wherein a few beautiful verses were buried under the weight of whole cantos of nonsensical scholastic quibbling. This view, somewhat softened, we find also in Leigh Hunt, whose whole account of Dante is an excellent specimen of this sort of criticism. Mr. Hunt's fine moral nature was shocked and horrified by the terrible punishments described in the "Inferno." He did not duly consider that in Dante's time these fearful things were an indispensable part of every man's theory of the world; and, blinded by his kindly prejudices, he does not seem to have perceived that Dante, in accepting eternal torments as part and parcel of the system of nature, was nevertheless, in describing them, inspired with that ineffable tenderness of pity which, in the episodes of Francesca and of Brunetto Latini, has melted the hearts of men in past times, and will continue to do so in times to come. "Infinite pity, yet infinite rigour of law! It is so Nature is made: it is so Dante discerned that she was made." [57] This remark of the great seer of our time is what the eighteenth century could in no wise comprehend. The men of that day failed to appreciate Dante, just as they were oppressed or disgusted at the sight of Gothic architecture; just as they pronounced the scholastic philosophy an unmeaning jargon; just as they considered mediaeval Christianity a gigantic system of charlatanry, and were wont unreservedly to characterize the Papacy as a blighting despotism. In our time cultivated men think differently. We have learned that the interminable hair-splitting of Aquinas and Abelard has added precision to modern thinking. [58] We do not curse Gregory VII. and Innocent III. as enemies of the human race, but revere them as benefactors. We can spare a morsel of hearty admiration for Becket, however strongly we may sympathize with the stalwart king who did penance for his foul murder; and we can appreciate Dante's poor opinion of Philip the Fair no less than his denunciation of Boniface VIII. The contemplation of Gothic architecture, as we stand entranced in the sublime cathedrals of York or Rouen, awakens in our breasts a genuine response to the mighty aspirations which thus became incarnate in enduring stone. And the poem of Dante--which has been well likened to a great cathedral--we reverently accept, with all its quaint carvings and hieroglyphic symbols, as the authentic utterance of feelings which still exist, though they no longer choose the same form of expression.

[57] Carlyle, Heroes and Hero-Worship, p. 84.

[58] See my Outlines of Cosmic Philosophy, Vol. I. p. 123.

A century ago, therefore, a translation of Dante such as Mr. Longfellow's would have been impossible. The criticism of that time was in no mood for realistic reproductions of the antique. It either superciliously neglected the antique, or else dressed it up to suit its own notions of propriety. It was not like a seven-league boot which could fit everybody, but it was like a Procrustes-bed which everybody must be made to fit. Its great exponent was not a Sainte-Beuve, but a Boileau. Its typical sample of a reproduction of the antique was Pope's translation of the Iliad. That book, we presume, everybody has read; and many of those who have read it know that, though an excellent and spirited poem, it is no more Homer than the age of Queen Anne was the age of Peisistratos. Of the translations of Dante made during this period, the chief was unquestionably Mr. Cary's. [59] For a man born and brought up in the most unpoetical of centuries, Mr. Cary certainly made a very good poem, though not so good as Pope's. But it fell far short of being a reproduction of Dante. The eighteenth-century note rings out loudly on every page of it. Like much other poetry of the time, it is laboured and artificial. Its sentences are often involved and occasionally obscure. Take, for instance, Canto IV. 25-36 of the "Paradiso":

[59] This work comes at the end of the eighteenth-century period, as Pope's translation of Homer comes at the beginning.

"These are the questions which they will Urge equally; and therefore I the first Of that will treat which hath the more of gall. Of seraphim he who is most enskied, Moses, and Samuel, and either John, Choose which thou wilt, nor even Mary's self, Have not in any other heaven their seats, Than have those spirits which so late thou saw'st; Nor more or fewer years exist; but all Make the first circle beauteous, diversely Partaking of sweet life, as more or less Afflation of eternal bliss pervades them."

Here Mr. Cary not only fails to catch Dante's grand style; he does not even write a style at all. It is too constrained and awkward to be dignified, and dignity is an indispensable element of style. Without dignity we may write clearly, or nervously, or racily, but we have not attained to a style. This is the second shortcoming of Mr. Cary's translation. Like Pope's, it fails to catch the grand style of its original. Unlike Pope's, it frequently fails to exhibit any style.

It is hardly necessary to spend much time in proving that Mr. Longfellow's version is far superior to Mr. Cary's. It is usually easy and flowing, and save in the occasional use of violent inversions, always dignified. Sometimes, as in the episode of Ugolino, it even rises to something like the grandeur of the original:

"When he had said this, with his eyes distorted, The wretched skull resumed he with his teeth, Which, as a dog's, upon the bone were strong." [60]

[60] "Quand' ebbe detto cio, eon gli occhi torti Riprese il teschio misero coi denti, Che furo all' osso, come d'un can, forti." Inferno, XXXIII. 76.

That is in the grand style, and so is the following, which describes those sinners locked in the frozen lake below Malebolge:--

"Weeping itself there does not let them weep, And grief that finds a barrier in the eyes Turns itself inward to increase the anguish. [61]

[61] "Lo pianto stesso li pianger non lascia, E il duol, che trova in sugli occhi rintoppo, Si volve in entro a far crescer l' ambascia." Inferno, XXXIII. 94.

And the exclamation of one of these poor "wretches of the frozen crust" is an exclamation that Shakespeare might have written:--

"Lift from mine eyes the rigid veils, that I May vent the sorrow which impregns my heart." [62]

[62] "Levatemi dal viso i duri veli, Si ch' io sfoghi il dolor che il cor m' impregna." Ib. 112.

There is nothing in Mr. Cary's translation which can stand a comparison with that. The eighteenth century could not translate like that. For here at last we have a real reproduction of the antique. In the Shakespearian ring of these lines we recognize the authentic rendering of the tones of the only man since the Christian era who could speak like Shakespeare.

In this way Mr. Longfellow's translation is, to an eminent degree, realistic. It is a work conceived and executed in entire accordance with the spirit of our time. Mr. Longfellow has set about making a reconstructive translation, and he has succeeded in the attempt. In view of what he has done, no one can ever wish to see the old methods of Pope and Cary again resorted to. It is only where he fails to be truly realistic that he comes short of success. And, as already hinted, it is oftenest through sheer excess of LITERALISM that he ceases to be realistic, and departs from the spirit of his author instead of coming nearer to it. In the "Paradiso," Canto X. 1-6, his method leads him into awkwardness:--

"Looking into His Son with all the love Which each of them eternally breathes forth, The primal and unutterable Power Whate'er before the mind or eye revolves With so much order made, there can be none Who this beholds without enjoying Him."

This seems clumsy and halting, yet it is an extremely literal paraphrase of a graceful and flowing original:--

"Guardando nel suo figlio con l' amore Che l' uno e l' altro eternalmente spire, Lo primo ed ineffabile Valore, Quanto per mente o per loco si gira Con tanto ordine fe', ch' esser non puote Senza gustar di lui ehi cio rimira "

Now to turn a graceful and flowing sentence into one that is clumsy and halting is certainly not to reproduce it, no matter how exactly the separate words are rendered, or how closely the syntactic constructions match each other. And this consideration seems conclusive as against the adequacy of the literalist method. That method is inadequate, not because it is too REALISTIC, but because it runs continual risk of being too VERBALISTIC. It has recently been applied to the translation of Dante by Mr. Rossetti, and it has sometimes led him to write curious verses. For instance, he makes Francesca say to Dante,--

"O gracious and benignant ANIMAL!"

for

"O animal grazioso e benigno!"

Mr. Longfellow's good taste has prevented his doing anything like this, yet Mr. Rossetti's extravagance is due to an unswerving adherence to the very rules by which Mr. Longfellow has been guided.

Good taste and poetic genius are, however, better than the best of rules, and so, after all said and done, we can only conclude that Mr. Longfellow has given us a great and noble work not likely soon to be equalled. Leopardi somewhere, in speaking of the early Italian translators of the classics and their well-earned popularity, says, who knows but Caro will live in men's remembrance as long as Virgil? "La belie destinee," adds Sainte-Beuve, "de ne pouvoir plus mourir, sinon avec un immortel!" Apart from Mr. Longfellow's other titles to undying fame, such a destiny is surely marked out for him, and throughout the English portions of the world his name will always be associated with that of the great Florentine.

June, 1867.

XII. PAINE'S "ST. PETER."

For music-lovers in America the great event of the season has been the performance of Mr. Paine's oratorio, "St. Peter," at Portland, June 3. This event is important, not only as the first appearance of an American oratorio, but also as the first direct proof we have had of the existence of creative musical genius in this country. For Mr. Paine's Mass in D--a work which was brought out with great success several years ago in Berlin--has, for some reason or other, never been performed here. And, with the exception of Mr. Paine, we know of no American hitherto who has shown either the genius or the culture requisite for writing music in the grand style, although there is some of the Kapellmeister music, written by our leading organists and choristers, which deserves honourable mention. Concerning the rank likely to be assigned by posterity to "St. Peter," it would be foolish now to speculate; and it would be equally unwise to bring it into direct comparison with masterpieces like the "Messiah," "Elijah," and "St. Paul," the greatness of which has been so long acknowledged. Longer familiarity with the work is needed before such comparisons, always of somewhat doubtful value, can be profitably undertaken. But it must at least be said, as the net result of our impressions derived both from previous study of the score and from hearing, the performance at Portland, that Mr. Paine's oratorio has fairly earned for itself the right to be judged by the same high standard which we apply to these noble works of Mendelssohn and Handel.

In our limited space we can give only the briefest description of the general structure of the work. The founding of Christianity, as illustrated in four principal scenes of the life of St. Peter, supplies the material for the dramatic development of the subject. The overture, beginning with an adagio movement in B-flat minor, gives expression to the vague yearnings of that time of doubt and hesitancy when the "oracles were dumb," and the dawning of a new era of stronger and diviner faith was matter of presentiment rather than of definite hope or expectation. Though the tonality is at first firmly established, yet as the movement becomes more agitated, the final tendency of the modulations also becomes uncertain, and for a few bars it would seem as if the key of F-sharp minor might be the point of destination. But after a short melody by the wind instruments, accompanied by a rapid upward movement of strings, the dominant chord of C major asserts itself, being repeated, with sundry inversions, through a dozen bars, and leading directly into the triumphant and majestic chorus, "The time is fulfilled, and the kingdom of heaven is at hand." The second subject, introduced by the word "repent" descending through the interval of a diminished seventh and contrasted with the florid counterpoint of the phrase, "and believe the glad tidings of God," is a masterpiece of contrapuntal writing, and, if performed by a choir of three or four hundred voices, would produce an overpowering effect. The divine call of Simon Peter and his brethren is next described in a tenor recitative; and the acceptance of the glad tidings is expressed in an aria, "The spirit of the Lord is upon me," which, by an original but appropriate conception, is given to the soprano voice. In the next number, the disciples are dramatically represented by twelve basses and tenors, singing in four-part harmony, and alternating or combining with the full chorus in description of the aims of the new religion. The poem ends with the choral, "How lovely shines the Morning Star!" Then follows the sublime scene from Matthew xvi. 14-18, where Peter declares his master to be "the Christ, the Son of the living God,"--one of the most impressive scenes, we have always thought, in the gospel history, and here not inadequately treated. The feeling of mysterious and awful grandeur awakened by Peter's bold exclamation, "Thou art the Christ," is powerfully rendered by the entrance of the trombones upon the inverted subdominant triad of C-sharp minor, and their pause upon the dominant of the same key. Throughout this scene the characteristic contrast between the ardent vigour of Peter and the sweet serenity of Jesus is well delineated in the music. After Peter's stirring aria, "My heart is glad," the dramatic climax is reached in the C-major chorus, "The Church is built upon the foundation of the apostles and prophets."

The second scene is carried out to somewhat greater length, corresponding nearly to the last half of the first part of "Elijah," from the point where the challenge is given to the prophets of Baal. In the opening passages of mingled recitative and arioso, Peter is forewarned that he shall deny his Master, and his half-indignant remonstrance is sustained, with added emphasis, by the voices of the twelve disciples, pitched a fourth higher. Then Judas comes, with a great multitude, and Jesus is carried before the high-priest. The beautiful F-minor chorus, "We hid our faces from him," furnishes the musical comment upon the statement that "the disciples all forsook him and fled." We hardly dare to give full expression to our feelings about this chorus (which during the past month has been continually singing itself over and over again in our recollection), lest it should be supposed that our enthusiasm has got the better of our sober judgment. The second theme, "He was brought as a lamb to the slaughter, yet he opened not his mouth," is quite Handel-like in the simplicity and massiveness of its magnificent harmonic progressions. With the scene of the denial, for which we are thus prepared, the dramatic movement becomes exceedingly rapid, and the rendering of the events in the high-priest's hall--Peter's bass recitative alternating its craven protestations with the clamorous agitato chorus of the servants--is stirring in the extreme. The contralto aria describing the Lord's turning and looking upon Peter is followed by the orchestra with a lament in B-flat minor, introducing the bass aria of the repentant and remorse-stricken disciple, "O God, my God, forsake me not." As the last strains of the lamentation die away, a choir of angels is heard, of sopranos and contraltos divided, singing, "Remember from whence thou art fallen," to an accompaniment of harps. The second theme, "He that overcometh shall receive a crown of life," is introduced in full chorus, in a cheering allegro movement, preparing the way for a climax higher than any yet reached in the course of the work. This climax--delayed for a few moments by an andante aria for a contralto voice, "The Lord is faithful and righteous"--at last bursts upon us with a superb crescendo of strings, and the words, "Awake, thou that sleepest, arise from the dead, and Christ shall give thee light." This chorus, which for reasons presently to be given was heard at considerable disadvantage at Portland, contains some of the best fugue-writing in the work, and is especially rich and powerful in its instrumentation.

The second part of the oratorio begins with the crucifixion and ascension of Jesus. Here we must note especially the deeply pathetic opening chorus, "The Son of Man was delivered into the hands of sinful men," the joyous allegro, "And on the third day he rose again," the choral, "Jesus, my Redeemer, lives," and the quartet, "Feed the flock of God," commenting upon the command of Jesus, "Feed my lambs." This quartet has all the heavenly sweetness of Handel's "He shall feed his flock," which it suggests by similarity of subject, though not by similarity of treatment; but in a certain quality of inwardness, or religious meditativeness, it reminds one more of Mr. Paine's favourite master, Bach. The choral, like the one in the first part and the one which follows the scene of Pentecost, is taken from the Lutheran Choral Book, and arranged with original harmony and instrumentation, in accordance with the custom of Bach, Mendelssohn, and other composers, "of introducing into their sacred compositions the old popular choral melodies which are the peculiar offspring of a religious age." Thus the noblest choral ever written, the "Sleepers, wake," in "St. Paul," was composed in 1604 by Praetorius, the harmonization and accompaniment only being the work of Mendelssohn.

In "St. Peter," as in "Elijah," the second part, while forming the true musical climax of the oratorio, admits of a briefer description than the first part. The wave of emotion answering to the sensuously dramatic element having partly spent itself, the wave of lyric emotion gathers fresh strength, and one feels that one has reached the height of spiritual exaltation, while, nevertheless, there is not so much which one can describe to others who may not happen to have gone through with the same experience. Something of the same feeling one gets in studying Dante's "Paradiso," after finishing the preceding divisions of his poem: there is less which can be pictured to the eye of sense, or left to be supplied by the concrete imagination. Nevertheless, in the scene of Pentecost, which follows that of the Ascension, there is no lack of dramatic vividness. Indeed, there is nothing in the work more striking than the orchestration of the introductory tenor recitative, the mysterious chorus, "The voice of the Lord divideth the flames of fire," or the amazed query which follows, "Behold, are not all these who speak Galileans? and how is it that we every one hear them in our own tongue wherein we were born?" We have heard the opinion expressed that Mr. Paine's oratorio must be lacking in originality, since it suggests such strong reminiscences of "St. Paul." Now, this suggestion, it seems to us, is due partly to the similarity of the subjects, independently of any likeness in the modes of treatment, and partly, perhaps, to the fact that Mr. Paine, as well as Mendelssohn, has been a devoted student of Bach, whose characteristics are so strong that they may well have left their mark upon the works of both composers. But especially it would seem that there is some real, though very general resemblance between this colloquial chorus, "Behold," etc., and some choruses in "St. Paul," as, for example Nos. 29 and 36-38. In the same way the scene in the high-priest's hall might distantly suggest either of these passages, or others in "Elijah;" These resemblances, however, are very superficial, pertaining not to the musical but to the dramatic treatment of situations which are generically similar in so far, and only in so far, as they represent conversational passages between an apostle or prophet and an ignorant multitude, whether amazed or hostile, under the sway of violent excitement. As regards the musical elaboration of these terse and striking alternations of chorus and recitative, its originality can be questioned only after we have decided to refer all originality on such matters to Bach, or, indeed, even behind him, into the Middle Ages.

After the preaching of Peter, and the sweet contralto aria, "As for man, his days are as grass," the culmination of this scene comes in the D-major chorus, "This is the witness of God." What follows, beginning with the choral, "Praise to the Father," is to be regarded as an epilogue or peroration to the whole work. It is in accordance with a sound tradition that the grand sacred drama of an oratorio should conclude with a lyric outburst of thanksgiving, a psalm of praise to the Giver of every good and perfect gift. Thus, after Peter's labours are ended in the aria, "Now as ye were redeemed," in which the twelve disciples and the full chorus join, a duet for tenor and soprano, "Sing unto God," brings us to the grand final chorus in C major, "Great and marvellous are thy works, Lord God Almighty."

The cadence of this concluding chorus reminds us that one of the noteworthy points in the oratorio is the character of its cadences. The cadence prepared by the 6/4 chord, now become so hackneyed from its perpetual and wearisome repetition in popular church music, seems to be especially disliked by Mr. Paine, as it occurs but once or twice in the course of the work. In the great choruses the cadence is usually reached either by a pedal on the tonic, as in the chorus, "Awake, thou that sleepest," or by a pedal on the dominant culminating in a chord of the major ninth, as in the final chorus; or there is a plagal cadence, as in the first chorus of the second part; or, if the 6/4 chord is introduced, as it is in the chorus, "He that overcometh," its ordinary effect is covered and obscured by the movement of the divided sopranos. We do not remember noticing anywhere such a decided use of the 6/4 chord as is made, for example, by Mendelssohn, in "Thanks be to God," or in the final chorus of "St. Paul." Perhaps if we were to confess our lingering fondness for the cadence prepared by the 6/4 chord, when not too frequently introduced, it might only show that we retain a liking for New England "psalm-tunes"; but it does seem to us that a sense of final repose, of entire cessation of movement, is more effectually secured by this cadence than by any other. Yet while the 6/4 cadence most completely expresses finality and rest, it would seem that the plagal and other cadences above enumerated as preferred by Mr. Paine have a certain sort of superiority by reason of the very incompleteness with which they express finality. There is no sense of finality whatever about the Phrygian cadence; it leaves the mind occupied with the feeling of a boundless region beyond, into which one would fain penetrate; and for this reason it has, in sacred music, a great value. Something of the same feeling, too, attaches to those cadences in which an unexpected major third usurps the place of the minor which the ear was expecting, as in the "Incarnatus" of Mozart's "Twelfth Mass," or in Bach's sublime "Prelude,"