CHAPTER XVII

TWO OPERAS BY WOLF-FERRARI

The composer's operas first sung in their original tongue in America, First performances of "Le Donne Curiose," "Il Segreto di Susanna," "I Giojelli della Madonna," "L'Amore Medico," Story and music of "Le Donne Curiose," Methods and apparatus of Mozart's day, Wolf-Ferrari's Teutonism, Goldoni paraphrased, Nicolai and Verdi, The German version of "Donne Curiose," Musical motivi in the opera, Rameau's "La Poule," Cast of the first performance in New York, (footnote)--Naples and opera, "I Giojelli della Madonna," et seq.--Erlanger's "Aphrodite," Neapolitan folksongs, Wolf-Ferrari's individuality, His "Vita Nuova," First performance in America of "I Giojelli,"

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