Part 11
Mr. Teadle saw no particular reason for Ralston's appointment? Jim supposed sarcastically that the only proper candidate _would_ have been an absinthe-drinking scribbler of anæmic little poems. For a short time it looked as if Jim were going to utilize Mr. Teadle as a mop, until Ellen came to the rescue by entering into a violent flirtation with the new secretary, who furtively wondered if she really cared for that Steadman fellow, after all. Miss Ferguson, on her side, like the boy immensely, but did not stop to analyze her reasons. His freshness and enthusiasm were enough to account for the attraction.
The Moonshine Theater had suggested a ludicrous parody of Brussels on the eve of Waterloo, and Scott had loudly regretted that his job did not carry a uniform with it. There were whole rows of them in the orchestra and the gallery. For a finale the chorus sang the "Star-Spangled Banner"--all up, of course, with the whole house cheering and waving hats and handkerchiefs. Tears were in Ellen's eyes as the party made their way out of the box, along the side of the house, to the entrance where the omnibus was waiting. They had piled in, and then, just as they had started--_Ralston!_
How strange that she should cross him in this fashion at such an hour! Could he have received her message? Perhaps, even now, a yellow slip was lying beneath her door marked: "Party not found." But if not on her mission, what was he doing at the stage entrance of the Moonshine?
All through the supper at Sherry's, with its martial airs, its patriotic ices and confections, its wine and laughter, she was tormented by uncertainty. If he had not received the message! Time was flying, Steadman was not being sought for, Ralston was--dallying.
Her maid removed her cloak and helped her undo her dress.
"Has anything come for me?"
"No, miss."
"Telephone to the Western Union office and ask if my telegram was delivered."
The maid disappeared, returning presently with the information that it had been receipted for at nine-thirty o'clock. With a warm wave of relief flooding her heart Ellen slipped on a light wrapper, and threw herself into an armchair before the sea-coal fire.
[Illustration: "She studied the faces alternately."]
"You need not wait, Elise. I shall sit up and read."
"Very well, miss. Good night."
"Good night," answered her mistress dreamily.
Outside the rain swept steadily against the glass with a soft, silting sound. From time to time drops fell down the chimney and hissed for a moment ere they vanished black splotches upon the vermilion coals. Behind her an electric lamp of bronze, with an opaque shade, threw a dim light over her shoulder and lit up the masses of her loosened hair.
Presently she arose slowly and went into an adjoining room, returning with a large photograph in either hand. They were framed alike. Placing them side by side upon the rug before her, she locked her hands across her knee, and studied the faces alternately. One was of a young man--almost a boy--with a narrow, high-bred face, dark eyes, sallow, with a mouth curved like a woman's. The other was Dick Ralston, taken about five years before, although the high cheekbones, the gaunt energy, the mature thoughtfulness suggested a man much older. That she cared for Steadman there was no doubt in her own mind. Had she refused to admit it definitely heretofore, the fact that he was now on the verge of social and moral annihilation made it no longer a matter of question. She felt that Steadman's honor was at this moment the most vital thing in her existence. He had thrown it at her feet after a long and romantic wooing. Had laid bare his entire past. She was convinced that he loved her. But at the crucial moment she had hesitated, had not responded in quite the way she had probably given him reason to expect. She had asked for time for reflection, and could give no adequate explanation in answer to his imperative "Why?" When later he had renewed his suit she had again forced a postponement, and he had departed, annoyed and perplexed.
It was at this juncture that the money had dropped into his hands and he had disappeared. Where was he? On a shooting trip? He frankly admitted caring nothing for sport or hunting. It was not the season for travel, and his name was not upon the sailing lists. Her instinct told her that somewhere in the great city Steadman, oblivious to the call of duty, was living the life from which her influence had called him for a time, reckless of consequences, disregardful of the beckoning finger of opportunity. She knew also that this was his last chance.
She realized that she could never marry Steadman disgraced, yet she felt now that she loved him, and that could she see him and watch him start for the front with his regiment, she would promise him what he had asked.
She took Ralston's picture in her hand and held it to the light. It trembled a little. She knew she could have cared for him--but he was so stern, so strong, so capable. He had never treated her save as a sort of younger sister. She had often wondered if he cared or could care for any woman. With her he was always the same--kindly, sympathetic, obliging, thoughtful. What must he think of her, sending him forth in the dead of night to search the city for a man whom he scarcely knew? Her cheeks burned at the thought of what she had done.
She had hardly known what she was asking when she had sent the message. It had been done hurriedly, as she was leaving for the Pattersons', on the impulse of a moment when she felt that, unless John Steadman could be found, life would cease for her to be worth living--sent in a sort of hysteria in which she instinctively turned to the one man in all the world upon whom she could call for any service she might ask. Dear old Dick! How tired he had looked in the rain! He might be up all night looking for Steadman, and then not find him! And he was to leave for Washington to-morrow.
She went to the window, against which the rain drove in a fine shower, blurring the myriad lights below her that marched in long, straight lines to north, south, and east. On the Tower the searchlight still burned steadily. She shivered and went back to the fire. Then she laid one of the pictures gently against her cheek.
V
The Moonshine Theater blazes its defiance into the night from a gleaming Broadway promontory, whose cape divides the restless human tide that rises to its neap every evening about eleven and falls to its ebb in the neighborhood of two or three in the morning. Through its arched portals one might drive a hansom cab, and tradition says that the feat has been accomplished.
Here Mrs. Vokes, under the alias of "Hélène DeLacy," first minced her way into popularity--but that was in the days of crinoline. The youths who loitered about its iron-bound stage entrance are gray-headed men to-day, those of them who are still alive. Only old Vincent remains, as rugged as a granite cliff, and as impervious to persuasion, bribery, or anger. "I'm sorry, gents, but it's against my orders," is said as conclusively to-night as it was twenty years ago. He got as far as:
"I'm sorry, sir, but it's against--" then changed it to a wondering: "Bless my soul, Mr. Ralston! Is it you?" as he encountered the set face of our friend.
"Why, Vincent," exclaimed the latter, "you still here? What luck! You don't look a day older!"
"I can't say the same for you, sir. I understand congratulations are in order. Oh, I read the papers. But--" he hesitated.
"But you think I'm rather old for 'Johnnying'?" interpolated Ralston. "You're quite right. I am. But don't be alarmed; this is business. I want to find a young woman named Ernestine Hudson. I must see her at once. Can you fix it for me?"
"I think so," answered the guardian of the wings. "I'd do it if I lost my job. I won't forget in a hurry what you did for my little Bill. Just step----"
At that instant the door was thrust violently open and a gray-coated messenger boy, carrying a large oblong box, projected himself violently against Vincent.
"For Hudson!" he ejaculated shortly.
"Put 'em on that desk," directed Vincent.
"Say, boss, let me take 'em in," pleaded the boy.
"Who do you think you are, anyway?" inquired the doorkeeper. "Get out of here."
The boy lingered, gazing wistfully down the gas-lighted passage, through which floated the hum of the orchestra, confused by the shuffle of feet and inarticulate orders.
Vincent took a threatening step in the direction of the boy, who made a grimace at him and backed slowly through the door. Ralston smiled and looked inquiringly at the box.
"It might serve as an introduction," he suggested with a smile.
"You don't need it," said Vincent. "I guess you remember the way. Just step down the passage, and you'll find the chorus ready to go on for the second act. Hudson's the wheel horse for the partridges. She has a bunch of tail sprouts like a feather duster. What fool things the public pay to see nowadays! Why, they ain't content to let a girl be a girl, but they have to turn her into a bird, or a dress form, or a wax figger, or an automobile, or a flower. Now take this show. It's supposed to be a kind of a 'flag-raiser.' 'Marchin' Through Georgy' and 'Campin' To-night' and all that, and the chorus is _birds_. Birds! Sparrers, canaries, and partridges!" he grunted scornfully. "Well, good luck. See you later."
Ralston walked down the passage and pushed open the skeleton canvas door that separated him from the wings. The curtain was down, and a small army of men were noisily pulling enormous flies into place by means of pulleys. One group in the center of the stage were erecting a "Port Arthur" bristling with guns, and several with wheelbarrows were bringing in a foreground of rocks, which others arranged with elaborate carelessness. Overhead hung a wilderness of ropes and drops, with sections of scenery suspended in mid-air. Two spiral staircases of iron sprang from either side and lost themselves in the tangle above. Ascending and descending were a perpetual stream of heterogeneous figures, who went up as birds and came down as village maidens, or who from grand dames of fashion were transformed into Quakeresses or drummer boys. There was loud chattering on all sides, interspersed with deep invectives from the coatless hustlers on the stage. Above all shrieked and rattled the pulleys.
The blinding light and the clouds of dust made the scene utterly confusing, and for a moment Ralston hesitated vaguely. To his left a flock of "partridges" clustered about one of the flies, while one little lady partridge sat apart on a nail keg, and eased her little partridge foot by loosening her slipper.
To the nearest Ralston turned and inquired for Miss Hudson. The girl whom he had addressed stared boldly at him, and without replying waved languidly toward the partridge on the barrel. It was evident that she took no interest in the friends of Miss Hudson. Ralston turned, and at the same moment heard a shrill cackle from the group behind him. In spite of himself he could feel the red coursing up to his ears. The girl on the barrel had entirely removed her slipper and was stretching her toes. She did not look up at his approach, having already minutely studied his make-up under the shelter of her heavily corked eyebrows, as he emerged from the passage.
"Are you Miss Hudson?"
"Yes," said the partridge, critically examining her instep.
"My name is Ralston," he began rapidly. "I'm looking for a friend of mine, who must be turned up at once. It's a matter of life and death, and he's got to be found. I have an idea you know him."
"Have you?" said the partridge innocently.
"The man I refer to is John Steadman. Do you know where he is?"
The girl slowly lifted her head and looked at him rather impudently. She seemed more like a large doll than a girl.
"I haven't the pleasure of your acquaintance, Mr. Ralston, if that is your name, and I don't know your friend Steadman."
There was something about her manner that convinced Ralston that she knew more than she admitted, but it was obvious that for purposes of her own she had made up her mind to treat him with the scant courtesy usually extended by show girls to people who are not worth while, and to people it is worth while to keep for a time at a distance.
"I'm very sorry," said Ralston. "I believed that you were the one person in New York who could tell me where he was. Of course, you might know him under some other name."
"Why are you so interested in finding this Mr.--Steadman?" asked the partridge, studiously inserting her foot in a shoe that seemed all toe.
"Simply for his own sake."
"Don't you ever come behind for yours?" she inquired abstractedly. Ralston suppressed a smile.
"See here, young lady--" he began, changing his tactics.
"All on for the second!" shouted a big man in a Derby hat. "Here you, Hudson, stop fooling and get into your place! Clear the wings."
From behind the wall of curtain came the distant crash of the contending chords of the overture. "Port Arthur" with its rocks was in place, the Japanese flag flying defiantly in a strong current of air, generated by a frenzied electric fan held by a "super" in the moat. The chorus trooped from the flies, and came tumbling down fire escapes and staircases.
The partridge knocked her heels together and jumped lightly to her feet.
"Peep-peep!" she said. "See you later, old man. Stage door about eleven-thirty."
She nodded at him and started hopping toward the stage. The other partridges were forming in long lines, with much jostling of tail feathers and fluttering of pinions.
"Hurry up there!" shouted the assistant "stage" in Miss Hudson's direction, and then turned hastily toward the opposite flies where some mix-up had attracted his attention.
Ralston saw his last clew hopping away from him. A bell rang loudly, and the orchestra struck up the first few bars of the opening chorus. Hardly conscious of what he was doing Ralston strode quickly after the partridge and, grasping her firmly by the wings, drew her back into the flies.
"Let me go!" she gasped, struggling to free herself. "Let me go! What are you trying to do? Do you want to get me fined?"
"Keep quiet," whispered Ralston, "I've got to speak to you. Do you understand? I can't let you go on. I'll stand for any fine, and square you into the bargain. It's too late, anyway! The curtain's up already."
"Let me go!" she cried, the tears starting into her eyes. "You're hurting me, you brute! I'll lose my job. The management don't stand for this kind of thing. You're a fine gentleman, _you_ are! Oh, what shall I do?"
Ralston's heart smote him. He knew well the hideous uncertainty which being out of a job means to the chorus girl, and its more hideous possibilities.
"I'm sorry," he said humbly. "I had to do it, and I promise you shall lose nothing by it. Now, quick, where can we talk? Not here? The manager would see you."
The partridge wiped her eyes.
"Do you promise to square the management?"
"I certainly do--on my honor as a gentleman."
"Then come!" Hudson darted quickly back among the scenery, and Ralston followed her down a flight of iron steps which led beneath the stage. Pipes ran in all directions, and great heaps of old flies and useless properties reached toward the low ceiling, between which narrow alleys led off into the darkness. A smell of mold and of paint filled the air. Even the scant gas jets seemed to burn with a peculiar dimness in the damp atmosphere.
"Come along!" whistled the partridge.
Beyond a pile of lumber in a sort of catacomb she stopped. A bead of gas showed blue against some whitewashed brickwork.
"Turn it up," said Hudson, and Ralston did so.
"Hungry?" she continued. "_I_ could eat anything that 'didn't bite me first!'"
Ralston laughed.
"Were you in that show?" he asked. "It was a good one. No, I'm not hungry. Suppose I were?"
"This is our rathskeller," she laughed. "Are you thirsty?"
Ralston admitted to a certain degree of dryness.
"Certainly," he said, "I should like nothing better than a large schooner of dark, imported beer. What will you have?" he continued, carrying on the jest.
Hudson, who had seated herself on a low seat by the wall, got up and struck sharply on the wooden partition with a stick.
"What's that?" asked Ralston.
"Perhaps some beer will come out!" remarked the partridge. "Moses was not the only one."
A rattling followed, and a square opening appeared in the wall, in which the shaggy tow-head of a young man was visible.
He grinned at sight of Miss Hudson.
"How vas de shootink?" he inquired. "Does de bartridges vant more vet? Ha! Ha! You _vas_ a bird!"
"Ya, Fritz. Two schooners and a hot dog. Hustle 'em up."
Fritz closed the slide which covered the opening and the partridge turned gayly toward Ralston.
"What do you think of that? Pretty good, eh?"
"I don't understand," he replied. "Where did he come from? What is in there?"
"I'll tell you. When 'Abe' Erlanger built this house there was a row of old tenements on the side street. Well, Jo Bimberger tore 'em down and built a rathskeller. While he was doing it one of the girls tipped off the boss carpenter to leave this place. Ain't it grand? Say, you get almost dead jumping around on the boards. It looks easy enough, but I tell you sometimes you're ready to scream."
"Just the thing," answered our friend. "Do the management object?"
"Not a bit. 'Abe' gets a rake-off from the saloon. It's good business."
The slide opened and two dripping glasses made their appearance. Ralston received them and handed one to Miss Hudson. Then Fritz passed in a frankfurter about the size of a policeman's night stick.
Ralston drew half a dollar from his pocket and exchanged it for the sausage.
"That's all right, keep the change," he remarked.
"My, you must have it to throw away!" said Hudson. "Twenty-three for you, Fritz. Shut the slide."
Ralston took a deep draught of the beer. He could not help smiling as he thought of the picture he would present could any one of his associates see him at the moment. What, for instance, would the President have said? And the Secretary of War! Underneath the stage of a theater, drinking beer with a chorus girl! He put down the glass and pulled himself together.
"Now to business!" he exclaimed. "This is jolly good fun, but I've a long night in front of me, and I've got work to do in it. Where is Steadman?"
The partridge looked at him inquiringly.
"You don't mean you really are trying to find anyone?"
"Certainly I do."
"Steadman?"
"Yes."
She shrugged her shoulders. It was clear, even to Ralston, that she was disappointed.
"I can't help you."
"You _know_ him?" Ralston's gaze penetrated her feathers.
"Yes. But I don't know where he is--and what is more, I don't care. He's a cad."
"Well, let it go at that. But I've got to find him. How long is it since you've seen him?"
"Three weeks."
"What was he up to?"
"Oh, the usual business. He's badly in. Let him go; he's not worth your while."
"I didn't say he was. But he must be turned up. Was he drinking?"
"Yes!"
"Ah!" Ralston scowled.
"He's a bad one," continued the partridge. "He began at the bottom and worked down."
"You must help me to find him. Who is he running with?"
"I don't know anything about him. I've heard he knows a girl named Florence Davenport. If you can find her she might help you."
"Where does she live?"
"On Forty-sixth Street," and she gave him a number.
Ralston arose and put his hand in his pocket.
"I am very much indebted to you," he said courteously. "You won't mind if I make good your fine?"
He drew out a bill and placed it in her hand. She raised her eyebrows at sight of its denomination.
"No," she said, "I haven't done anything for you. I don't want the money."
"But your fine?"
"That's all right," she replied, shrugging her shoulders. "I could have gone on--if I'd wanted to. I was merely bluffing. You couldn't have held me. You're a gentleman, and I don't want the money." She spoke quietly, and looked him full in the face. Ralston wavered.
"Please don't," said the girl, and held out the bill. Ralston took it and returned it to his pocket.
"Miss Hudson," said he, "you have placed me under a great obligation, one that money cannot repay. If I can ever help you in any way let me know."
The partridge got up and led the way toward the staircase. At the top she held out her hand and Ralston took it in his.
"He's not worth it," she repeated. "Let him go."
"_Noblesse oblige_," he smiled, looking down at her.
The chorus had filed off the stage and were standing on the other side.
"Here you, Hudson! Where have you been?" whispered the manager hoarsely, grasping her roughly by the shoulder. "Get over there."
"Leave me alone!" she cried sharply, shaking off his arm. Then, turning to Ralston:
"Good night, sir," she said.
VI
Outside the Moonshine Ralston found the usual congestion of cabs, landaus, and wagons. He had delayed to exchange a few reminiscences with old Vincent, and it was fully ten minutes before he could find his cabby in the tangle of vehicles. As he stepped into the street, to save the time requisite for the man to draw to the curb, an omnibus was vainly trying to force its way through the side street. It had paused for an instant in front of the stage entrance, and Ralston had caught a glimpse of Ellen's face inside.
A momentary impulse had seized him to stop the coach and tell her of the hopelessness of the task upon which she had sent him, but in the instant of his uncertainty the way had cleared and they had driven on. He had climbed into his own hansom, little the wiser for his experience at the Moonshine.
The sidewalks were jammed with the usual after-theater crowd hurrying either to get home as quickly as possible or to secure seats in restaurants which pandered less to the taste of the _gourmet_ than to those of the _roué_. For a solid mile on either side of Broadway stretched house after house of entertainment, any one of which could harbor a hundred Steadmans, and for a quarter of a mile on either hand lay twenty streets, lined with places of a character vastly more likely to do so. He followed the crowd slowly northward, wondering why so few of them walked in the opposite direction. Whenever he came to a well-known hostelry he went in and eagerly scanned the tables, but, although he recognized many he knew and who knew him, he found naught of Steadman.