Part 18

§ 104.8. =The Veneration of Saints= (§ 88, 4).--The numerous =Canonizations=, from the 12th century exclusively in the hands of the popes, gave an impulse to saint worship. It was the duty of _Advocatus diaboli_ to try to disprove the reports of virtues and miracles attributed to candidates. The proofs of holiness adduced were generally derived from thoroughly fabulous sources. The introduction of the name of accepted candidates into the canon of the mass gave rise to the term canonization. =Beatification= was a lower degree of honour, often a preliminary to canonization at a later period. It carried with it the veneration not of the whole church, but of particular churches or districts. The Dominican Jacobus a Voragine, who died in A.D. 1298, in his _Legenda aurea_ afforded a pattern for numerous late legends of the saints. A Parisian theologian who styled it _Legenda ferrea_, was publicly expelled from his office. The =Veneration of Mary=, to whom were rendered _Hyperdoulia_ in contradistinction from the _Doulia_ of the saints, not only among the people, but with the most cultured theologians, publicly and privately, literally and figuratively, in prose and poetry, was almost equal to the worship rendered to God, and indeed often overshadowed it. The angel’s salutation (Luke i. 28) was in every prayer. Its frequent repetition led to the use of the _Rosary_, a rose wreath for the most blessed of women. The great rosary attributed to St. Dominic has fifteen decades, or 150 smaller pearls of Mary, each of which represents an _Ave Maria_, and after every ten there is a greater Paternoster pearl. The small or common rosary has only five decades of beads of Mary with a Paternoster bead for each decade. Thrice repeated it forms the so-called _Psalter of Mary_. The first appearance of the rosary in devotion was with the monk Macarius in the 4th century, who took 300 stones in his lap, and after every Paternoster threw one away. The rosary devotion is also practised by Moslems and Buddhists. In cloisters, Saturday was usually dedicated to the Mother of God, and was begun by a special _Officium S. Mariæ_. May was called the month of Mary.--In the 11th century no further trace is found of the Frankish opposition to =Image Worship= (§ 92, 1). But this in no way hindered the growth of =Relic Worship=. Returning crusaders showered on the West innumerable relics, which notwithstanding many sceptics were received generally with superstitious reverence. Castles and estates were often bartered for pretended relics of a distinguished saint, and such treasures were frequently stolen at the risk of life. No story of a trafficker in relics was too absurd to be believed.--=Pilgrimages=, especially to Rome and Palestine, were no less in esteem among the Western Christians of the 10th century during the Roman pornocracy (§ 96, 1) or the tyranny of the Seljuk dynasty in Palestine (§ 94). The expectation of the approaching end of the world, rather gave them an impulse during this century, which reached its fullest expression in the crusades.--Continuation, § 115, 9.

§ 104.9. The earliest trace of a commemoration of =St. Ursula and her 11,000 Virgins= is met with in the 10th century. Excavations in the _Ager Ursulanus_ near Cologne in A.D. 1155 led to the discovery of some thousand skeletons, several of them being those of males, with inscribed tablets, one of the fictitious inscriptions referring to an otherwise unknown pope Cyriæus. St. Elizabeth of Schönau (§ 107, 1) at the same time had visions in which the Virgin gave her authentic account of their lives. Ursula, the fair daughter of a British king of the 3rd century, was to have married a pagan prince; she craved three years’ reprieve and got from her father eleven ships, each with an equipment of a thousand virgins, with which she sailed up the Rhine to Basel, and thence with her companions travelled on foot a pilgrimage to Rome. On her return, in accordance with the Divine instruction, Pope Cyriæus accompanied her, whose name was on this account struck out of the list by the offended cardinals; for as Martinus Polonus says, _Credebant plerique eum non propter devotionem sed propter obtectamenta virginum papatum dimississe_. Near Cologne they met the army of the Huns, by whom they were all massacred, at last even Ursula herself on her persistent refusal to marry the barbaric chief.--In the absence of any historical foundations for this legend, an explanation has been attempted by identifying Ursula with a goddess of the German mythology. An older suggestion is that perhaps an ancient inscription may have given rise to the legend.[311]

§ 104.10. =Hymnology.=--The Augustan age of scholasticism was that also of the composition of Latin hymns and sequences (§ 88, 2). The most distinguished sacred poets were Odo of Clugny, king Robert of France (_Veni, sancte Spiritus, et emitte_), Damiani, Abælard, Hildebert of Tours, St. Bernard, Adam of St. Victor,[312] Bonaventura, Aquinas, the Franciscan Thomas of Celano, A.D. 126O (_Dies iræ_), and Jacopone da Todi, † A.D. 1306 (_Stabat mater dolorosa_). The latter, an eccentric enthusiast and miracle-working saint, called himself “_Stultus propter Christum_.” Originally a wealthy advocate, living a life of revel and riot, he was led by the sudden death of his young wife to forsake the world. He courted the world’s scorn in the most literal manner, appearing in the public market bridled like a beast of burden and creeping on all fours, and at another time appearing naked, tarred and feathered at the marriage of a niece. But he glowed with fervent love for the Crucified and a fanatical veneration for the blessed Virgin. He also fearlessly raised his voice against the corruption of the clergy and the papacy, and vigorously denounced the ambition of Boniface VIII. For this he was imprisoned and fed on bread and water. When tauntingly asked, “When wilt thou come out?” he answered in words that were soon fulfilled, “So soon as thou shall come down.” =Sacred Poetry= in the vernacular was used only in extra-ecclesiastical devotions. The oldest German Easter hymn belongs to the 12th century.[313] The Minnesingers of the 13th century composed popular songs of a religious character, especially in praise of Mary; there were also sacred songs for travellers, sailors, soldiers, etc. Heretics separated from the church and its services spread their views by means of hymns. St. Francis wrote Italian hymns, and among his disciples Fra Pacifico, Bonaventura, Thomas of Celano, and Jacopone followed worthily in his footsteps.

§ 104.11. =Church Music= (§ 88, 2).--The Gregorian _Cantus firmus_ soon fell into disfavour and disuetude. The rarity, costliness, and corruption of the antiphonaries, the difficulty of their notation and of their musical system, and the want of accurately trained singers, combined to bring this about. Singers too had often made arbitrary alterations. Hence alongside of the _Cantus firmus_ there gradually grew up a _Discantus_ or _Cantus figuratus_, and instead of singing in unison, singing in harmony was introduced. Rules of harmony, concord, and intervals were now elaborated by the monk Hucbald of Rheims about A.D. 900, while the German monk Reginus about A.D. 920 and the abbot Opo of Clugny did much for the theory and practice of music. In place of the intricate Gregorian notation the Tuscan Benedictine Guido of Arezzo, A.D. 1000-1050, introduced the notation that is still used, which made it possible to write the harmony along with the melody, counterpoint, _i.e._ _punctum contra punctum_. The discoverer of the measure of the notes was Franco of Cologne about A.D. 1200. The organ was commonly used in churches. The Germans were the greatest masters in its construction and in the playing of it.--Continuation, § 115, 8.

§ 104.12. =Ecclesiastical Architecture.=--Church building, which the barbarism of the 10th century, and the widespread expectation of the coming end of the world had restrained, flourished during the 11th century in an extraordinary manner. The endeavour to infuse the German spirit into the ancient style of architecture gave rise to the =Romance Style of Architecture=, which prevailed during the 12th century. It was based upon the structure of the old basilicas, the most important innovation being the introduction of the vaulted in place of the flat wooden roof, which made the interior lighter and heightened the perspective effect. The symbolical and fanciful ornamentation was also richly developed by figures from the plants and animals of Germany, from native legends. Towers were also added as fingers pointing upward, sometimes over the entrance to the middle aisle or at both sides of the entrance, sometimes over the point where the nave and transepts intersected one another, or on both sides of the choir. The finest specimens of this style were the cathedrals of Spires, Mainz, and Worms. But alongside of this appeared the beginnings of the so-called =Gothic Architecture=, which reached its height in the 13th and 14th centuries. Here the German ideas shook themselves free from the bondage of the old basilica style. Retaining the early ground plan, its pointed arch admitted of development in breadth and height to any extent. The pointed arch was first learnt from the Saracens, but its application to the Gothic architecture was quite original, because it was not as with the Saracens decorative, but constructive. The blank walls were changed into supporting pillars, and became a magnificent framework for the display of ingenious window architecture. A rich stone structure rose upon the cruciform ground plan, and the powerful arches towered up into airy heights. Tall tapering pillars symbolized the heavenward strivings of the soul. The rose window over the portal as the symbol of silence teaches that nothing worldly has a voice there. The gigantic peaked windows send through their beautifully painted glass a richly coloured light full on the vast area. Everything in the structure points upward, and this symbolism is finally expressed in the lofty towers, which lose themselves in giddy heights. The victory over the kingdom of darkness is depicted in the repulsive reptiles, demonic forms, and dragon shapes which are made to bear up the pillars and posts, and to serve as water carriers. The wit of artists has made even bishops and popes perform these menial offices, just as Dante condemned many popes to the infernal regions.[314]

§ 104.13. The most famous architects were Benedictines. The master builder along with the scholars trained by him formed independent corporations, free from any other jurisdiction. They therefore called themselves “=Free Masons=,” and erected “=Lodges=,” where they met for consultation and discussion. From the 13th century these lodges fell more and more into the hands of the laity, and became training schools of architecture. To them we are largely indebted for the development of the Gothic style. Their most celebrated works are the Cologne cathedral and the Strassburg minster. The foundation of the former was laid under Archbishop Conrad of Hochsteden in A.D. 1248; the choir was completed and consecrated in A.D. 1322 (§ 174, 9). Erwin of Steinbach began the building of the Strassburg minster in A.D. 1275.

§ 104.14. =Statuary and Painting.=--Under the Hohenstaufens =statuary=, which had been disallowed by the ancient church, rose into favour. Its first great master in Italy was Nicola Pisano, who died in A.D. 1274. Earlier indeed a statuary school had been formed in Saxony, of which no names but great works have come down to us. The goldsmith’s craft and metallurgy were brought into the service of the church by the German artists, and show not only wonderful technical skill, but also high attainment in ideal art. In =Painting= the Byzantines taught the Italians, and these again the Germans. At the beginning of the 13th century there was a school of painting at Pisa and Siena, claiming St. Luke as its patron, and seeking to impart more life and warmth to the stiff figures of the Byzantines. Their greatest masters were Guido of Siena and Giunta of Pisa, and the Florentine Cimabue, † A.D. 1300. Mosaic painting mostly on a golden ground was in favour in Italy. Painting on glass is first met with in the beginning of the 11th century in the monastery of Tegernsee in Bavaria, and soon spread over Germany and all over Europe.[315]--Continuation, § 115, 13.

§ 105. NATIONAL CUSTOMS AND THE NATIONAL LITERATURE.

It was an age full of the most wonderful contradictions and anomalies in the life of the people, but every phenomenon bore the character of unquestionable power, and the church applied the artificer’s chisel to the unhewn marble block. In club law the most brutal violence prevailed, but bowed itself willingly or unwillingly before the might of an idea. The basest sensuality existed alongside of the most simple self-denial and renunciation of the world, the most wonderful displays of self-forgetting love. The most sacred solemnities were parodied, and then men turned in awful earnest to manifest the profoundest anxiety for their soul’s salvation. Alongside of unmeasured superstition we meet with the boldest freethinking, and out of the midst of widespread ignorance and want of culture there radiated forth great thoughts, profound conceptions, and suggestive anticipations.

§ 105.1. =Knighthood and the Peace of God.=--Notwithstanding its rude violence there was a deep religious undertone in knighthood, which came out in Spain in the war with the Saracens, and throughout Europe in the crusades. What princes could not do to check savagery was to some extent accomplished by the church by means of the injunction of the Peace of God. In A.D. 1034 the severity of famine in France led to acts of cannibalism and murder, which the bishops and synods severely punished. In A.D. 1041 the bishops of Southern France enjoined the Peace of God, according to which under threat of anathema all feuds were to be suspended from Wednesday evening to Monday morning, as the days of the ascension, death, burial, and resurrection of Christ. At a later council at Narbonne in A.D. 1054, Advent to Epiphany, Lent to eight days after Easter, from the Sunday before Ascension to the end of the week of Pentecost, as well as the ember days and the festivals of Mary and the Apostles, were added. Even on other days, churches, cloisters, hospitals, and churchyards, as well as priests, monks, pilgrims, merchants, and agriculturists, in short, all unarmed men, and, by the Council of Clermont, A.D. 1095, even all crusaders, were included in the peace of God. Its healthful influence was felt even outside of France, and at the 3rd Lateran Council in A.D. 1179 Alexander III. raised it to the rank of a universally applicable law of the church.

§ 105.2. =Popular Customs.=--Superstition resting on old paganism introduced a Christian mythology. In almost all the popular legends the devil bore a leading part, and he was generally represented as a dupe who was cheated out of his bargain in the end. The most sacred things were made the subjects of blasphemous parodies. On =Fool’s Festival= on New Year’s day in France, mock popes, bishops, and abbots were introduced and all the holy actions mimicked in a blasphemous manner. Of a similar nature was the _Festum innocentum_ (§ 57, 1) enacted by schoolboys at Christmas. Also at Christmas time the so-called =Feast of Asses= was celebrated. At Rouen dramatic representation of the prophecies of Christ’s birth were given; at Beauvais, the flight into Egypt. This relic of pagan license was opposed by the bishops, but encouraged by the lower clergy. After bishops and councils succeeded in banishing these fooleries from consecrated places they soon ceased to be celebrated. Under the name of =Calends=, because their gatherings were on the Calends of each month, brotherhoods composed of clerical and lay members sprang up in the beginning of the 13th century throughout Germany and France, devoting themselves to prayer and saying masses for living and deceased members and relatives. This pious purpose was indeed soon forgotten, and the meetings degenerated into riotous carousings.

§ 105.3. =Two Royal Saints.=--=St. Elizabeth=, daughter of Andrew II. of Hungary, married in her 14th year to St. Louis IV., Landgrave of Thuringia, was made a widow in her 20th year by the death of her husband in the crusade of Frederick II. in A.D. 1227, and thereafter suffered many privations at the hand of her brother-in-law. Her father confessor inspired her with a fanatical spirit of self denial. She assumed in Marburg the garb of the Franciscan nuns, took the three vows, and retired into a house of mercy, where she submitted to be scourged by her confessor. There she died in her 24th year in A.D. 1231. Her remains are credited with the performance of many miracles. She was canonized by Gregory IX., in A.D. 1235, and in the 14th century the order of Elizabethan nuns was instituted for ministering to the poor and sick.[316]--=St. Hedwig=, aunt of Elizabeth, married Henry duke of Silesia, in her 12th year. After discharging her duties of wife, mother, and princess faithfully, she took along with her husband the vow of chastity, and out of the sale of her bridal ornaments built a nunnery at Trebnitz, where she died in A.D. 1243 in her 69th year. Canonized in A.D. 1268, her remains were deposited in the convent church, which became on that account a favourite resort of pilgrims.

§ 105.4. =Evidences of Sainthood.=

1. =Stigmatization.= Soon after St. Francis’ death in A.D. 1226, the legend spread that two years before, during a forty days’ fast in the Apennines, a six-winged seraph imprinted on his body the nail prints of the wounded Saviour. The saint’s humility, it was said, prevented him speaking of the miracle except to those in closest terms of intimacy. The papal bull canonizing the saint, however, issued in A.D. 1228, knows nothing of this wonderful occurrence. What was then told of the great saint was subsequently ascribed to about 100 other ascetics, male and female. Some sceptical critics attributed the phenomenon to an impressionable temperament, others again accounted for all such stories by assuming that they were purely fabulous, or that the marks had been deceitfully made with human hands. Undoubtedly St. Francis had made those wounds upon his own body. That pain should have been felt on certain occasions in the wounds may be accounted for, especially in the case of females, who constituted the great majority of stigmatized individuals, on pathological grounds.

2. =Bilocation.= The Catholic Church Lexicon, published in A.D. 1882 (II. 840), maintains that it is a fact universally believed that saints often appeared at the same time at places widely removed from one another. Examples are given from the lives of Anthony of Padua, Francis Xavier, Liguori, etc. This is explained by the supposition that either God gives this power to the saint or sends angels to assume his form in different places.

§ 105.5. =Religious Culture of the People.=--Unsuccessful attempts were made by the Hohenstaufens to institute a public school system and compulsory education. Waldensians and such like (§ 108) obtained favour by spreading instruction through vernacular preaching, reading, and singing. The Dominicans took a hint from this. The Council of Toulouse, A.D. 1229 (§ 109, 2), forbade laymen to read the Scriptures, even the Psalter and Breviary, in the vulgar tongue. Summaries of the Scripture history were allowed. Of this sort was the =Rhyming Bible= in Dutch by Jacob of Maërlant, † A.D. 1291, which gives in rhyme the O.T. history, the Life of Jesus, and the history of the Jews to the destruction of Jerusalem. In the 13th century =Rhyming Legends= gave in the vernacular the substance of the Latin Martyrologies. The oldest German example in 3 bks. by an unknown author contains 100,000 rhyming lines, on Christ and Mary, the Apostles and the saints in the order of the church year. Still more effectively was information spread among the people during the 11th and subsequent centuries by the performance of =Sacred Plays=. From simple responsive songs they were developed into regular dramas adapted to the different festivals. Besides historical plays which were called =Mysteries==_ministeria_ as representations of the _Ministri eccl._, there were allegorical and moral plays called =Moralities=, in which moral truths were personified under the names of the virtues and vices. The numerous pictures, mosaics, and reliefs upon the walls helped greatly to spread instruction among the people.[317]

§ 105.6. =The National Literature= (§ 89, 3).--_Walter v. d. Vogelweide_, † A.D. 1230, sang the praises of the Lord, the Virgin, and the church, and lashed the clerical vices and hierarchical pretensions of his age. The 12th century editor of the pagan _Nibelungenlied_ gave it a slightly Christian gloss. _Wolfram of Eschenbach_, however, a Christian poet in the highest sense, gave to the pagan legend of Parcival a thoroughly Christian character in the story of the Holy Grail and the Knights of the Round Table of King Arthur. His antipodes as a purely secular poet was _Godfrey of Strassburg_, whose Tristan and Isolt sets forth a thoroughly sensual picture of carnal love; yet as the sequel of this we have a strongly etherealized rhapsody on Divine love conceived quite in the spirit of St. Francis.--The sprightly songs of the _Troubadours_ of Southern France were often the vehicle of heretical sentiments and gave expression to bitter hatred of the Romish Babylon.[318]

§ 106. CHURCH DISCIPLINE, INDULGENCES, AND ASCETICISM.

The ban, directed against notorious individual sinners and foes of the church, and the interdict, directed against a whole country, were formidable weapons which rarely failed in accomplishing their purpose. Their foolishly frequent use for political ends by the popes of the 13th century was the first thing that weakened their influence. The penitential discipline of the church, too (§ 104, 4), began to lose its power, when outward works, such as alms, pilgrimages, and especially money fines in the form of indulgences were prescribed as substitutes for it. Various protests against prevailing laxity and formality were made by the Benedictines and by new orders instituted during the 11th century. Strict asceticism with self-laceration and mortification was imposed in many cloisters, and many hermits won high repute for holiness. The example and preaching of earnest monks and recluses did much to produce a revival of religion and awaken a penitential enthusiasm. Not satisfied with mortifying the body by prolonging fasts and watchings, they wounded themselves with severe scourgings and the wearing of sackcloth next the skin, and sometimes also brazen coats of mail, heavy iron chains, girdles with pricks, etc.

§ 106.1. =Ban and Interdict.=--From the 9th century a distinction was made between _Excommunicatio major_ and _minor_. The latter, inflicted upon less serious offences against the canon law, merely excluded from participation in the sacrament. The former, called =Anathema=, directed against hardened sinners with solemn denunciation and the church’s curse, involved exclusion from all ecclesiastical communion and even refusal of Christian burial. Zealots who slew such excommunicated persons were declared by Urban II. not to be murderers. Innocent III., at the 4th Lateran Council A.D. 1215, had all civil rights withdrawn from excommunicates and their goods confiscated. Rulers under the ban were deposed and their subjects released from their oath of allegiance. Bishops exercised the right of putting under ban within their dioceses, and the popes over the whole church.--The =Interdict= was first recognised as a church institution at the Synod of Limoges in A.D. 1031. While it was in force against any country all bells were silenced, liturgical services were held only with closed doors, penance and the eucharist administered only to the dying, none but priests, mendicant friars, strangers, and children under two years of age received Christian burial, and no one could be married. Rarely could the people endure this long. It was therefore a terrible weapon in the hands of the popes, who not infrequently exercised it effectually in their struggles with the princes of the 12th and 13th centuries.