Part 14

His political career was sufficiently brilliant, though his real fame as a speaker rests on his great oration at Hastings' trial. In 1806 he satisfied another point of his ambition, long desired, and was elected for the city of Westminster, which he had ardently coveted when Fox represented it. But a dissolution threw him again on the mercy of the popular party; and again he offered himself for Westminster: but, in spite of all the efforts made for him, without success. He was returned, instead, for Ilchester.

Meanwhile his difficulties increased; extravagance, debt, want of energy to meet both, brought him speedily into that position when a man accepts without hesitation the slightest offer of aid. The man who had had an income of £15,000 a year, and settled £20,000 on his wife, allowed a poor friend to pay a bill for £5 for him, and clutched eagerly at a £50 note when displayed to him by another. Extravagance is the father of meanness, and Sheridan was often mean in the readiness with which he accepted offers, and the anxiety with which he implored assistance. It is amusing in the present day to hear a man talk of 'a debt of honour,' as if all debts did not demand honour to pay them--as if all debts incurred without hope of repayment were not dishonourable. A story is told relative to the old-fashioned idea of a 'debt of honour.' A tradesman, to whom he had given a bill for £200, called on him for the amount. A heap of gold was lying on the table. 'Don't look that way,' cried Sheridan, after protesting that he had not a penny in the world, 'that is to pay a debt of honour.' The applicant, with some wit, tore up the bill he held. 'Now, Mr. Sheridan,' quoth he, 'mine is a debt of honour too.' It is to be hoped that Sheridan handed him the money.

The story of Gunter's bill is not so much to his credit, Hanson, an ironmonger, called upon him and pressed for payment. A bill sent in by the famous confectioner was lying on the table. A thought struck the debtor, who had no means of getting rid of his importunate applicant. 'You know Gunter?' he asked. 'One of the safest men in London,' replied the ironmonger. 'Then will you be satisfied if I give you his _bill_ for the amount?'--'Certainly.' Thereupon Sheridan handed him the neatly folded account and rushed from the room, leaving the creditor to discover the point of Mr. Sheridan's little fun.

Still Sheridan might have weathered through the storm. Drury Lane was a mine of wealth to him, and with a little care might have been really profitable. The lawsuits, the debts, the engagements upon it, all rose from his negligence and extravagance. But Old Drury was doomed. On the 24th February, 1809, soon after the conclusion of the performances, it was announced to be in flames. Rather it announced itself. In a few moments it was blazing--a royal bonfire. Sheridan was in the House of Commons at the time. The reddened clouds above London threw the glare back even to the windows of the House. The members rushed from their seats to see the unwonted light, and in consideration for Sheridan, an adjournment was moved. But he rose calmly, though sadly, and begged that no misfortune of his should interrupt the public business. His independence, he said--witty in the midst of his troubles--had often been questioned, but was now confirmed, for he had nothing more to depend upon. He then left the House, and repaired to the scene of conflagration.

Not long after, Kelly found him sitting quite composed in 'The Bedford,' sipping his wine, as if nothing had happened. The musician expressed his astonishment at Mr. Sheridan's _sang froid_. 'Surely,' replied the wit, 'you'll admit that a man has a right to take his wine by his own fireside.' But Sheridan was only drowning care, not disregarding it. The event was really too much for him, though perhaps he did not realize the extent of its effect at the time. In a word, all he had in the world went with the theatre. Nothing was left either for him or the principal shareholders. Yet he bore it all with fortitude, till he heard that the harpsichord, on which his first wife was wont to play, was gone too. Then he burst into tears.

This fire was the opening of the shaft down which the great man sank rapidly. While his fortunes kept up, his spirits were not completely exhausted. He drank much, but as an indulgence rather than as a relief. Now it was by wine alone that he could even raise himself to the common requirements of conversation. He is described, _before_ dinner, as depressed, nervous, and dull; _after_ dinner only did the old fire break out, the old wit blaze up, and Dick Sheridan was Dick Sheridan once more. He was, in fact, fearfully oppressed by the long-accumulated and never-to-be-wiped-off debts, for which he was now daily pressed. In quitting Parliament he resigned his sanctuary, and left himself an easy prey to the Jews and Gentiles, whom he had so long dodged and deluded with his ready ingenuity. Drury Lane, as we all know, was rebuilt, and the birth of the new house heralded with a prologue by Byron, about as good as the one in 'Rejected Addresses,' the cleverest parodies ever written, and suggested by this very occasion. The building-committee having advertised for a prize prologue Samuel Whitbread sent in his own attempt, in which, as probably in a hundred others, the new theatre was compared to a Phoenix rising out of the ashes of the old one. Sheridan said Whitbread's description of a Phoenix was excellent, for it was quite a _poulterer's description_.

This same Sam Whitbread was now to figure conspicuously in the life of Mr. Richard B. Sheridan. The ex-proprietor was found to have an interest in the theatre to the amount of £150,000--not a trifle to be despised; but he was now past sixty, and it need excite no astonishment that, even with all his liabilities, he was unwilling to begin again the cares of management, or mismanagement which he had endured so many years. He sold his interest, in which his son Tom was joined, for £60,000. This sum would have cleared off his debts and left him a balance sufficient to secure comfort for his old age. But it was out of the question that any money matters should go right with Dick Sheridan. Of the rights and wrongs of the quarrel between him and Whitbread, who was the chairman of the committee for building the new theatre, I do not pretend to form an opinion. Sheridan was not naturally mean, though he descended to meanness when hard pressed--what man of his stamp does not? Whitbread was truly friendly to him for a time. Sheridan was always complaining that he was sued for debts he did not owe, and kept out of many that were due to him. Whitbread knew his man well, and if he withheld what was owing to him, may be excused on the ground of real friendship. All I know is, that Sheridan and Whitbread quarrelled; that the former did not, or affirmed that he did not, receive the full amount of his claim on the property, and that, when what he had received was paid over to his principal creditors, there was little or nothing left for my lord to spend in banquets to parliamentary friends and jorums of brandy in small coffee-houses.

Because a man is a genius, he is not of necessity an upright, honest, ill-used, oppressed, and cruelly-entreated man. Genius plays the fool wittingly, and often enough quite knowingly, with its own interests. It is its privilege to do so, and no one has a right to complain. But then Genius ought to hold its tongue, and not make itself out a martyr, when it has had the dubious glory of defying common-sense. If Genius despises gold, well and good, but when he has spurned it, he should not whine out that he is wrongfully kept from it. Poor Sheridan may or may not have been right in the Whitbread quarrel; he has had his defenders, and I am not ambitious of being numbered among them; but whatever were now his troubles were brought on by his own disregard of all that was right and beautiful in conduct. If he went down to the grave a pauper and a debtor, he had made his own bed, and in it he was to lie.

Lie he did, wretchedly, on the most unhappy bed that old age ever lay in. There is little more of importance to chronicle of his latter days. The retribution came on slowly but terribly. The career of a ruined man is not a pleasant topic to dwell upon, and I leave Sheridan's misery for Mr. J. B. Gough to whine and roar over when he wants a shocking example. Sheridan might have earned many a crown in that capacity, if temperance-oratory had been the passion of the day. Debt, disease, depravity--these words describe enough the downward career of his old age. To eat, still more to drink, was now the troublesome enigma of the quondam genius. I say quondam, for all the marks of that genius were now gone. One after another his choicest properties made their way to 'my uncle's.' The books went first, as if they could be most easily dispensed with; the remnants of his plate followed; then his pictures were sold; and at last even the portrait of his first wife, by Reynolds, was left in pledge for a 'further remittance.'

The last humiliation arrived in time, and the associate of a prince, the eloquent organ of a party, the man who had enjoyed £15,000, a year, was carried off to a low sponging-house. His pride forsook him in that dismal and disgusting imprisonment, and he wrote to Whitbread a letter which his defenders ought not to have published. He had his friends--stanch ones too--and they aided him. Peter Moore, ironmonger, and even Canning, lent him money and released him from time to time. For six years after the burning of the old theatre, he continued to go down and down. Disease now attacked him fiercely. In the spring of 1816 he was fast waning towards extinction. His day was past; he had outlived his fame as a wit and social light; he was forgotten by many, if not by most, of his old associates. He wrote to Rogers, 'I am absolutely undone and broken-hearted.' Poor Sheridan! in spite of all thy faults, who is he whose morality is so stern that he cannot shed one tear over thy latter days! God forgive us, we are all sinners; and if we weep not for this man's deficiency, how shall we ask tears when our day comes? Even as I write, I feel my hand tremble and my eyes moisten over the sad end of one whom I love, though he died before I was born. 'They are going to put the carpets out of window,' he wrote to Rogers, 'and break into Mrs. S.'s room and _take me_. For God's sake let me see you!' See him!--see one friend who could and would help him in his misery! Oh! happy may that man count himself who has never wanted that one friend, and felt the utter helplessness of that want! Poor Sheridan! had he ever asked, or hoped, or looked for that Friend out of _this_ world it had been better; for 'the Lord thy God is a jealous God,' and we go on seeking human friendship and neglecting the divine till it is too late. He found one hearty friend in his physician, Dr. Bain, when all others had forsaken him. The spirit of White's and Brookes', the companion of a prince and a score of noblemen, the enlivener of every 'fashionable' table, was forgotten by all but this one doctor. Let us read Moore's description: 'A sheriff's officer at length arrested the dying man _in his bed_, and was about to carry him off, in his blankets, to a sponging-house, when Dr. Bain interfered.' Who would live the life of revelry that Sheridan lived to have such an end? A few days after, on the 7th of July, 1816, in his sixty-fifth year, he died. Of his last hours the late Professor Smythe wrote an admirable and most touching account, a copy of which was circulated in manuscript. The Professor, hearing of Sheridan's condition, asked to see him, with a view, not only of alleviating present distress, but of calling the dying man to repentance. From his hands the unhappy Sheridan received the Holy Communion; his face, during that solemn rite,--doubly solemn when it is performed in the chamber of death, 'expressed,' Smythe relates, '_the deepest awe_' That phrase conveys to the mind impressions not easy to be defined, not soon to be forgotten.

Peace! there was not peace even in death, and the creditor pursued him even into the 'waste wide,'--even to the coffin. He was lying in state, when a gentleman in the deepest mourning called, it is said, at the house, and introducing himself as an old and much-attached friend of the deceased, begged to be allowed to look upon his face. The tears which rose in his eyes, the tremulousness of his quiet voice, the pallor of his mournful face, deceived the unsuspecting servant, who accompanied him to the chamber of death, removed the lid of the coffin, turned down the shrowd, and revealed features which had once been handsome, but long since rendered almost hideous by drinking. The stranger gazed with profound emotion, while he quietly drew from his pocket a bailiff's wand, and touching the corpse's face with it, suddenly altered his manner to one of considerable glee, and informed the servant that he had arrested the corpse in the king's name for a debt of £500. It was the morning of the funeral, which was to be attended by half the grandees of England, and in a few minutes the mourners began to arrive. But the corpse was the bailiff's property, till his claim was paid, and nought but the money would soften the iron capturer. Canning and Lord Sidmouth agreed to settle the matter, and over the coffin the debt was paid.

Poor corpse! was it worth £500--diseased, rotting as it was, and about to be given for nothing to mother earth? Was it worth the pomp of the splendid funeral and the grand hypocrisy of grief with which it was borne to Westminster Abbey? Was not rather the wretched old man, while he yet struggled on in life, worth this outlay, worth this show of sympathy? Folly; not folly only--but a lie! What recked the dead of the four noble pall-bearers--the Duke of Bedford, the Earl of Lauderdale, Earl Mulgrave, and the Bishop of London? What good was it to him to be followed by two royal highnesses--the Dukes of York and Sussex--by two marquises, seven earls, three viscounts, five lords, a Canning, a lord mayor, and a whole regiment of honourables and right honourables, who now wore the livery of grief, when they had let him die in debt, in want, and in misery? Far more, if the dead could feel, must he have been grateful for the honester tears of those two untitled men, who had really befriended him to the last hour and never abandoned him, Mr. Rogers and Dr. Bain. But peace; let him pass with nodding plumes and well-dyed horses to the great Walhalla, and amid the dust of many a poet let the poet's dust find rest and honour, secure at last from the hand of the bailiff. There was but one nook unoccupied in Poet's Corner, and there they laid him. A simple marble was afforded by another friend without a title--Peter Moore.

To a life like Sheridan's it is almost impossible to do justice in so narrow a space as I have here. He is one of those men who, not to be made out a whit better or worse than they are, demand a careful investigation of all their actions, or reported actions--a careful sifting of all the evidence for or against them, and a careful weeding of all the anecdotes told of them. This requires a separate biography. To give a general idea of the man, we must be content to give that which he inspired in a general acquaintance. Many of his 'mots,' and more of the stories about him, may have been invented for him, but they would scarcely have been fixed on Sheridan, if they had not fitted more or less his character: I have therefore given them. I might have given a hundred more, but I have let alone those anecdotes which did not seem to illustrate the character of the man. Many another good story is told of him, and we must content ourselves with one or two. Take one that is characteristic of his love of fun.

Sheridan is accosted by an elderly gentleman, who has forgotten the name of a street to which he wants to go, and who informs him precisely that it is an out-of-the-way name.

'Perhaps, sir, you mean John Street?' says Sherry, all innocence.

'No, an unusual name.'

'It can't be Charles Street?'

Impatience on the part of the old gentleman.

'King Street?' suggests the cruel wit.

'I tell you, sir, it is a street with a very odd name!'

'Bless me, is it Queen Street?'

Irritation on the part of the old gentleman.

'It must be Oxford Street?' cries Sheridan as if inspired.

'Sir, I repeat,' very testily, 'that it is a very odd name. Every one knows Oxford Street!'

Sheridan appears to be thinking.

'An odd name! Oh! ah! just so; Piccadilly, of course?'

Old gentleman bounces away in disgust.

'Well, sir,' Sheridan calls after him, 'I envy you your admirable memory!'

His wit was said to have been prepared, like his speeches, and he is even reported to have carried his book of _mots_ in his pocket, as a young lady of the middle class _might_, but seldom does, carry her book of etiquette into a party. But some of his wit was no doubt extempore.

When arrested for non-attendance to a call in the House, soon after the change of ministry, he exclaimed, 'How hard to be no sooner out of office than into custody!'

He was not an inveterate talker, like Macaulay, Sydney Smith, or Jeffrey: he seems rather to have aimed at a striking effect in all that he said. When found tripping he had a clever knack of getting out of the difficulty. In the Hastings speech he complimented Gibbon as a 'luminous' writer; questioned on this, he replied archly, 'I said _vo_-luminous.'

I cannot afford to be voluminous on Sheridan, and so I quit him.

BEAU BRUMMELL

Two popular Sciences.--'Buck Brummell' at Eton.--Investing his Capital.-- Young Cornet Brummell.--The Beau's Studio.--The Toilet.--'Creasing Down.'--Devotion to Dress.--A Great Gentleman.--Anecdotes of Brummell.-- 'Don't forget, Brum: Goose at Four!'--Offers of Intimacy resented.--Never in love.--Brummell out Hunting.--Anecdote of Sheridan and Brummell.--The Beau's Poetical Efforts.--The Value of a Crooked Sixpence.--The Breach with the Prince of Wales.--'Who's your Fat Friend?'--The Climax is reached.--The Black-mail of Calais.--George the Greater and George the Less.--An Extraordinary Step.--Down the Hill of Life.--A Miserable Old Age.--In the Hospice Du Bon Sauveur.--O Young Men of this Age, be warned!

It is astonishing to what a number of insignificant things high art has been applied, and with what success. It is the vice of high civilization to look for it and reverence it, where a ruder age would only laugh at its employment. Crime and cookery, especially, have been raised into sciences of late, and the professors of both received the amount of honour due to their acquirements. Who would be so naïve as to sneer at the author of 'The Art of Dining?' or who so ungentlemanly as not to pity the sorrows of a pious baronet, whose devotion to the noble art of appropriation was shamefully rewarded with accommodation gratis on board one of Her Majesty's transport-ships? The disciples of Ude have left us the literary results of their studies, and one at least, the graceful Alexis Soyer, is numbered among our public benefactors. We have little doubt that as the art, vulgarly called 'embezzlement,' becomes more and more fashionable, as it does every day, we shall have a work on the 'Art of Appropriation.' It is a pity that Brummell looked down upon literature: poor literature! it had a hard struggle to recover the slight, for we are convinced there is not a work more wanted than the 'Art of Dressing,' and 'George the Less' was almost the last professor of that elaborate science.

If the maxim, that 'whatever is worth doing at all is worth doing well,' hold good, Beau Brummell must be regarded in the light of a great man. That dressing is worth doing at all, everybody but a Fiji Islander seems to admit, for everybody does it. If, then, a man succeeds in dressing better than anybody else, it follows that he is entitled to the most universal admiration.

But there was another object to which this great man condescended to apply the principles of high art--I mean affectation. How admirably he succeeded in this his life will show. But can we doubt that he is entitled to our greatest esteem and heartiest gratitude for the studies he pursued with unremitting patience in these two useful branches, when we find that a prince of the blood delighted to honour, and the richest, noblest, and most distinguished men of half a century ago were proud to know him? We are writing, then, of no common man, no mere beau, but of the greatest professor of two of the most popular sciences--Dress and Affectation. Let us speak with reverence of this wonderful genius.

George Brummell was 'a self-made man.' That is, all that nature, the tailors, stags, and padding had not made of him, he made for himself--his name, his fame, his fortune, and his friends--and all these were great. The author of 'Self-help' has most unaccountably omitted all mention of him, and most erroneously, for if there ever was a man who helped himself, and no one else, it was, 'very sincerely yours, George Brummell.'

The founder of the noble house of Brummell, the grandfather of our hero, was either a treasury porter, or a confectioner, or something else.[10] At any rate he let lodgings in Bury Street, and whether from the fact that his wife did not purloin her lodgers' tea and sugar, or from some other cause, he managed to ingratiate himself with one of them--who afterwards became Lord Liverpool--so thoroughly, that through his influence he obtained for his son the post of Private Secretary to Lord North. Nothing could have been more fortunate, except, perhaps, the son's next move, which was to take in marriage the daughter of Richardson, the owner of a well-known lottery-office. Between the lottery of office and the lottery of love, Brummell _père_ managed to make a very good fortune. At his death he left as much as £65,000 to be divided among his three children--Raikes says as much as £30,000 a-piece--so that the Beau, if not a fool, ought never to have been a pauper.

[10: Mr. Jesse says that the Beau's grandfather was a servant of Mr. Charles Monson, brother to the first Lord Monson.]