Part 5
'Goodness me! Why, didn't the jewels come, after all?'
'Yes--they came, only they were all horrid artificial ones--and it is a shame, it _is_!' cried poor Priscilla from her bursting heart.
'Artificial, were they? that really is very odd! Can you account for that at all, now?'
'Of course I can't! You told me that they would drop out whenever I said anything to improve people--and I was _always_ saying _something_ improving! Aunt had a bandbox in her room quite full of them.'
'Ah, you've been very industrious, evidently; it's unfortunate your jewels should all have been artificial--most unfortunate. I don't know how to explain it, unless'--(and here the old lady looked up queerly from under her white eyelashes), 'unless your goodness was artificial too?'
'How do you mean?' asked Priscilla, feeling strangely uncomfortable. 'I'm sure I've never done anything the least bit naughty--how can my goodness possibly be artificial?'
'Ah, that I can't explain; but I know this--that people who are really good are generally the last persons to suspect it, and the moment they become aware of it and begin to think how good they are, and how bad everybody else is, why, somehow or other, their goodness crumbles away and leaves only a sort of outside shell behind it. And--I'm very old, and of course I may be mistaken--but I think (I only say I _think_, mind) that a little girl so young as you must have some faults hidden about her somewhere, and that perhaps on the whole she would be better employed in trying to find them out and cure them before she attempted to correct those of other people. And I'm sure it can't be good for any child to be always seeing herself in a little picture, just as she likes to fancy other people see her. Very many pretty books are written about good little girls, and it is quite true that children may exercise a great influence for good--more than they can ever tell, perhaps--but only just so long as they remain natural and unconscious, and not unwholesome little pragmatical prigesses; for then they make themselves and other people worse than they might have been. But of course, my dear, you never made such a mistake as that!'
Priscilla turned very red, and began to scrape one of her feet against the other; she was thinking, and her thoughts were not at all pleasant ones.
'Oh, fairy,' she said at last, 'I'm afraid that's just what I _did_ do. I was always thinking how good I was and putting everybody--papa, mamma, Alick, Betty, Aunt Margarine, Cathie, Belle, and even poor cousin Dick--right! I have been a horrid little hateful prig, and that's why all the jewels were rubbish. But, oh, shall I have to go on talking sham diamonds and things all the rest of my life?'
'That,' said the fairy, 'depends entirely on yourself. You have the remedy in your own hands--or lips.'
'Ah, you mean I needn't talk at all? But I must--sometimes. I couldn't bear to be dumb as long as I lived--and it would look so odd, too!'
'I never said you were not to open your lips at all. But can't you try to talk simply and naturally--not like little girls or boys in any story-books whatever--not to "show off" or improve people; only as a girl would talk who remembers that, after all, her elders are quite as likely as she is to know what they ought or ought not to do and say?'
'I shall forget sometimes, I know I shall!' said Priscilla disconsolately.
'If you do, there will be something to remind you, you know. And by and by, perhaps, as you grow up you may, quite by accident, say something sincere and noble and true--and then a jewel will fall which will really be of value!'
'No!' cried Priscilla, 'no, _please_! Oh, fairy, let me off that! If I _must_ drop them, let them be false ones to punish me--not real. I don't want to be rewarded any more for being good--if I ever am really good!'
'Come,' said the fairy, with a much pleasanter smile, 'you are not a hopeless case, at all events. It shall be as you wish, then, and perhaps it will be the wisest arrangement for all parties. Now run away home, and see how little use you can make of your fairy gift.'
Priscilla found her family still at breakfast.
'Why,' observed her father, raising his eyebrows as she entered the room, 'here's our little monitor--(or is it _monitress_, eh, Priscilla?)--back again. Children, we shall all have to mind our p's and q's--and, indeed, our entire alphabet, now!'
'I'm sure,' said her mother, kissing her fondly, 'Priscilla knows we're all delighted to have her home!'
'_I'm_ not,' said Alick, with all a boy's engaging candour.
'Nor am I,' added Betty, 'it's been ever so much nicer at home while she's been away!'
Priscilla burst into tears as she hid her face upon her mother's protecting shoulder. 'It's true!' she sobbed, 'I don't deserve that you should be glad to see me--I've been hateful and horrid, I know--but, oh, if you'll only forgive me and love me and put up with me a little, I'll try not to preach and be a prig any more--I will truly!'
And at this her father called her to his side and embraced her with a fervour he had not shown for a very long time.
* * * * *
I should not like to go so far as to assert that no imitation diamond, ruby, pearl, or emerald ever proceeded from Priscilla's lips again. Habits are not cured in a day, and fairies--however old they may be--are still fairies; so it _did_ occasionally happen that a mock jewel made an unwelcome appearance after one of Priscilla's more unguarded utterances. But she was always frightfully ashamed and abashed by such an accident, and buried the imitation stones immediately in a corner of the garden. And as time went on the jewels grew smaller and smaller, and frequently dissolved upon her tongue, leaving a faintly bitter taste, until at last they ceased altogether and Priscilla became as pleasant and unaffected a girl as she who may now be finishing this history.
Aunt Margarine never sent back the contents of that bandbox; she kept the biggest stones and had a brooch made of them, while, as she never mentioned that they were false, no one out of the family ever so much as suspected it.
But, for all that, she always declared that her niece Priscilla had bitterly disappointed her expectations--which was perhaps the truest thing that Aunt Margarine ever said.
_A MATTER OF TASTE_
PART I
It is a little singular that, upon an engagement becoming known and being discussed by the friends and acquaintances of the persons principally concerned, by far the most usual tone of comment should be a sorrowing wonder. That particular alliance is generally the very last that anybody ever expected. 'What made him choose _her_, of all people,' and 'What on earth she could see in _him_,' are declared insoluble problems. It is confidently predicted that the engagement will never come to anything, or that, if such a marriage ever does take place, it is most unlikely to prove a success.
Sometimes, in the case of female friends, this tone is even perceptible under their warmest felicitations, and through the smiling mask of compliment shine eyes moist with the most irritating quality of compassion. 'So glad! so delighted! But why, _why_ didn't you consult _me_?'--this complicated expression might be rendered: 'I could have saved you from this--I _was_ so pleased to hear of it!'
And yet, in the majority of cases, these unions are not found to turn out so very badly after all, and the misguided couple seem really to have gauged their own hearts and their possibilities of happiness together more accurately than the most clear-sighted of their acquaintances.
The announcement that Ella Hylton had accepted George Chapman provoked the customary sensation and surprise in their respective sets, and perhaps with rather more justification than usual.
Miss Hylton had undeniable beauty of a spiritual and rather _exalte_ type, and was generally understood to be highly cultivated. She had spent a year at Somerville, though she had gone down without trying for a place in either 'Mods.' or 'Greats,' thereby preserving, if not increasing, her reputation for superiority. She had lived all her life among cultured people; she was devoted to music and regularly attended the Richter Concerts, though she could seldom be induced to play in public; she had a feeling for art, though she neither painted nor drew; a love of literature strong enough to deter her from all amateur efforts in that direction. In art, music and literature she was impatient of mediocrity; and, while she was as fond as most girls of the pleasures which upper middle-class society can offer, she reverenced intellect, and preferred the conversation of the plainest celebrity to the platitudes of the mere dancing-man, no matter how handsome of feature and perfect of step he might be.
George Chapman was certainly not a mere dancing-man, his waltzing being rather conscientious than dreamlike, and he was only tolerably good-looking. On the other hand, he was not celebrated in any way, and even his mother and sisters had never considered him brilliant. He had been educated at Rugby and Trinity, Cambridge, where he rowed a fairly good oar, on principle, and took a middle second in the Moral Science Tripos. Now he was in a solicitor's office, where he was receiving a good salary, and was valued as a steady, sensible young fellow, who could be thoroughly depended upon. He was fond of his profession, and had acquired a considerable knowledge of its details; apart from it he had no very decided tastes; he lived a quiet, regular life, and dined out and went to dances in moderation; his manner, though he was nearly twenty-six, was still rather boyishly blunt.
What there was in him that had found favour in Ella Hylton's fastidious eyes the narrator is not rash enough to attempt to particularise. But it may be suggested that the most unlikely people may possess their fairy rose and ring which render them irresistible to at least one heart, if they only have faith to believe in and luck to perceive their power.
So, early in the year, George had plucked up courage to propose to Miss Hylton, after meeting and secretly adoring her for some months past, and she, to the general astonishment, had accepted him.
He had a private income--not a large one--of his own, and had saved out of it. She was entitled under her grandmother's will to a sum which made her an heiress in a modest way, and thus there was no reason why the engagement should be a long one, and, though no date had been definitely fixed for the marriage, it was understood that it should take place at some time before the end of the summer.
Soon after the engagement, however, an invalid aunt with whom Ella had always been a great favourite was ordered to the south of France, and implored her to go with her; which Ella, who had a real affection for her relative, as well as a strong sense of duty, had consented to do.
This was a misfortune in one of two ways: it either curtailed that most necessary and most delightful period during which _fiances_ discover one another's idiosyncrasies and weaknesses, or it made it necessary to postpone the marriage.
George naturally preferred the former, as the more endurable evil; but Ella's letters from abroad began to hint more and more plainly at delay. Her aunt might remain on the Continent all the summer, and she could not possibly leave her; there was so much to be done after her return that could not be done in a hurry; they had not even begun to furnish the pretty little house on Campden Hill that was to be their new home--it would be better to wait till November, or even later.
The mere idea was alarming to George, and he remonstrated as far as he dared; but Ella remained firm, and he grew desperate.
He might have spared himself the trouble. About the middle of June Ella's aunt--who, of course, had had to leave the Riviera--grew tired of travelling, and Ella, to George's intense satisfaction, returned to her mother's house in Linden Gardens, Notting Hill.
And now, when our story opens, George, who had managed to get away from office-work two hours before his usual time, was hurrying towards Linden Gardens as fast as a hansom could take him, to see his betrothed for the first time after their long separation.
He was eager, naturally, and a little nervous. Would Ella still persist in her wish for delay? or would he be able to convince her that there were no obstacles in the way? He felt he had strong arguments on his side, if only--and here was the real seat of his anxiety--if only her objections were not raised from some other motive! She might have been trying to prepare him for a final rupture, and then--'Well,' he concluded, with his customary good sense, 'no use meeting trouble halfway--in five minutes I shall know for certain!'
* * * * *
At the same moment Mrs. Hylton and her daughter Flossie, a vivacious girl in the transitionary sixteen-year-old stage, were in the drawing-room at Linden Gardens. It was the ordinary double drawing-room of a London house, but everything in it was beautiful and harmonious. The eye was vaguely rested by the delicate and subdued colour of walls and hangings; cabinets, antique Persian pottery, rare bits of china, all occupied the precise place in which their decorative value was most felt; a room, in short, of exceptional individuality and distinction.
Flossie was standing at the window, from which a glimpse could just be caught of fresh green foliage and the lodge-gates, with the bustle of the traffic in the High Street beyond; Mrs. Hylton was writing at a Flemish bureau in the corner.
'I suppose,' said Flossie meditatively, as she fingered a piece of old stained glass that was hanging in the window, 'we shall have George here this afternoon.'
Mrs. Hylton raised her head. She had a striking face, tinted a clear olive, with a high wave of silver hair crowning the forehead; her eyebrows were dark, and so were the brilliant eyes; the nose was aquiline, and the thin, well-cut mouth a little hard. She was a woman who had been much admired in her time, and who still retained a certain attraction, though some were apt to find her somewhat cold and unsympathetic. Her daughter Ella, for example, was always secretly a little in awe of her mother, who, however, had no terrors for audacious, outspoken Flossie.
'If he comes, Flossie, he will be very welcome,' she said, 'but I hardly expect him yet. George is not likely to neglect his duties, even for Ella.'
Flossie pursed her mouth rather scornfully: 'Oh, George is immaculate!' she murmured.
'If he was, it would hardly be a reproach,' said her mother, catching the word; 'but, at all events, George has thoroughly good principles, and is sure to succeed in the world. I have every reason to be pleased.'
'Every reason?--ah! but _are_ you pleased? Mother, dear, you know he's as dull as dull!'
'Ella does not find him so--and, Flossie, I don't like to hear you say such things, even in Ella's absence.'
'Oh, I never abuse him to Ella; it wouldn't be any use: she's firmly convinced that he's perfection--at least she was before she went away.'
'Why? do you mean that she has altered?--have you seen any sign of it, Flossie?'
Mrs. Hylton made this inquiry sharply, but not as if such a circumstance would be altogether displeasing to her.
'Oh, no; only she hasn't seen him for so long, you know. Perhaps, when she comes to look at him with fresh eyes, she'll notice things more. Ah, here _is_ George, just getting out of a hansom--so he has played truant for once! There's one thing I _do_ think Ella might do--persuade him to shave off some of those straggly whiskers. I wonder why he never seems to get a hat or anything else like other people's!'
Presently George was announced. He was slightly above middle height, broad-shouldered and fresh-coloured; the obnoxious whiskers did indeed cover more of his cheeks than modern fashion prescribes for men of his age, and had evidently never known a razor; he wore a turn-down collar and a necktie of a rather crude red; his clothes were neat and well brushed, but not remarkable for their cut.
'Well, my dear George,' said Mrs. Hylton, 'we have seen very little of you while Ella has been away.'
'I know,' he said awkwardly; 'I've had a lot of things to look after in one way and another.'
'What? after your work at the office was over!' cried Flossie incredulously.
'Yes--after that; it's taken up my time a good deal.'
'And so you couldn't spare any to call here--I see!' said Flossie. 'George,' she added, with a sudden diversion, 'I wonder you aren't afraid of catching cold! How _can_ you go about in such absurdly thin boots as those?'
'These?' he said, inspecting them doubtfully--they were strong, sensible boots with notched and projecting soles of ponderous thickness--'why, what's the matter with them, Flossie, eh? Don't you think they're strong enough for walking in?'
'No, George; they're the very things for an afternoon dance, and quite a lot of couples could dance in them, you see. But for walking--ah, I'm afraid you sacrifice too much to appearances.'
'I don't, really!' George protested in all good faith; 'now _do_ I, Mrs. Hylton?'
'Flossie is making fun of you, George; you mustn't mind her impertinence.'
'Oh, is that all? Do you know, I really thought for the moment that she meant they were too small for me! You like getting a rise out of me, Flossie, don't you?'
And he laughed with such genuine and good-natured amusement that the young lady felt somehow a little small, and almost ashamed, although it took the form of suppressed irritation. 'He really ought not to come here in such things,' she said to herself; 'and I don't believe that, even now, he sees what I meant.'
Just at this point Ella came in, with the least touch of shyness, perhaps, at meeting him before witnesses after so long an absence; but she only looked the more charming in consequence, and, demure as her greeting was, her pretty eyes had a sparkle of pleasure that scattered all George Chapman's fears to the winds. Even Flossie felt instinctively that straggly-whiskered, red-necktied, thick-booted George had lost none of his divinity for Ella.
They did not seem to have much to say to one another, notwithstanding; possibly because Ella was called upon to dispense the tea which had just been brought in. George sat nursing the hat which Flossie found so objectionable, while he balanced a teacup with the anxious eye of a juggler out of practice, and the conversation flagged. At last, under pretence of renewing his tea, most of which he had squandered upon a Persian rug, he crossed to Ella: 'I say,' he suggested, 'don't you think you could come out for a little while? I've such lots to tell you and--and I want you to go somewhere with me.'
Mrs. Hylton made no objection, beyond stipulating that Ella must not be allowed to tire herself after her journey, and so, a few minutes later, Miss Hylton came down in her pretty summer hat and light cape, and she and George were allowed to set out.
Once outside the house, he drew a long breath of mingled relief and pleasure: 'By Jove, Ella, I am glad to get you back again! I say, how jolly you do look in that hat! Now, do you know where I'm going to take you?'
'It will be quietest in the Gardens,' said Ella.
'Ah, but that's not where you're going now,' he said with a delicious assumption of authority; 'you're coming with me to see a certain house on Campden Hill you may have heard of.'
'That will be delightful. I do want to see our dear little house again very much. And, George, we will go carefully over all the rooms, and settle what can be done with each of them. Then we can begin directly; we haven't too much time.'
'Perhaps,' he said with a conscious laugh, 'it won't take so much time as you think.'
'Oh, but it _must_--to do properly. And while I've been away I've had some splendid ideas for some of the rooms--I've planned them out so beautifully. You know that delightful little room at the back?--the one I said should be your own den, with the window all festooned with creepers and looking out on the garden--well----?'
'Take my advice,' he said, 'and don't make any plans till you see it. And as for plans, these furnishing fellows do all that--they don't care to be bothered with plans.'
'They will have to carry out ours, though. I shall love settling how it is all to be--it will be such fun.'
'You wouldn't call it fun if you knew what it was like, I can tell you.'
'But I _do_ know. Mother and I rearranged most of the rooms at home only last year--so you see I have some experience. And what experience can _you_ have had, if you please?'
Ella had a mental vision as she spoke of the house in Dawson Place when George lived with his mother and sisters--a house in which furniture and everything else were commonplace and _bourgeois_ to the last degree, and where nothing could have been altered since his boyhood; indeed she had often secretly pitied him for having to live in such surroundings, and admired the filial patience that had made him endure them so long.
'I've had my share, Ella, and I should be very sorry for you to have all the worry and bother I've been through over it!'
'But when, George? How? I don't understand.'
'Ah, that's my secret!' he said provokingly; 'and you know, Ella, if we began furnishing now, it would take no end of a time, with all these wonderful plans of yours, and--and I couldn't stand having to wait till next November for you--I couldn't do it!'
'Mother thinks the marriage need not be put off now,' said Ella simply, 'and we shall have six weeks till then; the house can be quite ready for us by the time we want it.'
'Six weeks!' he said impatiently, 'what's six weeks? You've no idea what these chaps are, Ella! And then there are all your own things to get, and they would take up most of your time. No, we should have had to put it off, whatever you may say. And that would mean another separation--for, of course, you would go away in August, and I should have to stay in town: the office wouldn't give me my fortnight twice over--honeymoon or no honeymoon!'
Ella looked completely puzzled. 'But what are you trying to prove _now_, George?'
'I was only showing you that, even though you have come back earlier, we couldn't possibly have got things ready in time, if I hadn't----' but here he stopped. 'No, I want that to be a surprise for you, Ella; you'll see presently,' he added.
Ella's delicate eyebrows contracted. 'I like to be prepared for my surprises, please, George. Tell me now.'