Part 10
But Emily gave the most desperate yell of all, though several seconds after the other two: for the wicked steel stood quivering in the deck, having gouged a track through her calf on the way. Her wrought-up nerves and sickening giddiness joined with the shock and pain to give a heart-rending poignancy to her crying. Jonsen was by her in a second, caught her up, and carried her, sobbing miserably, down into the cabin. There sat Margaret, bending over some mending, her slim shoulders hunched up, humming softly and feeling deadly ill.
‘Get out!’ said Jonsen, in a low, brutal voice. Without a word or sign Margaret gathered up her sewing and climbed on deck.
Jonsen smeared some Stockholm tar on a rag, and bound up Emily’s leg with more than a little skill, though the tar of course was agonising to her. She had cried herself right out by the time he laid her in his bunk. When she opened her streaming eyes and saw him bending over her, nothing in his clumsy face but concern and an almost overpowering pity, she was so full of joy at being at last forgiven that she reached up her arms and kissed him. He sat down on the locker, rocking himself backwards and forwards gently. Emily dozed for a few minutes: when she woke up he was still there.
‘Tell me about when you were little,’ she said.
Jonsen sat on, silent, trying to project his unwieldy mind back into the past.
‘When I was a boy,’ he said at last, ‘it wasn’t thought lucky to grease your own sea-boots. My Auntie used to grease mine before we went out with the lugger.’
He paused for some time.
‘We divided the fish up into six shares--one for the boat, and one for each of us.’
That was all. But it was of the greatest interest to Emily, and she shortly fell asleep again, supremely happy.
So for several days the captain and mate had to share the latter’s bunk, Box-and-Cox; Heaven knows what hole Margaret was banished to. The gash in Emily’s leg was one which would take some time to heal. To make things worse, the weather became very unsteady: when she was awake she was all right, but if she fell asleep she began to roll about the bunk, and then, of course, the pain waked her again; which soon reduced her to a feverish and nervous condition, although the leg itself was going on as well as could be expected. The other children, of course, used to come and see her: but they did not enjoy it much, as there was nothing to do down in the cabin, once the novelty of admittance to the Holy Place had worn off. So their visits were perfunctory and short. They must have had a high old time at night, however, by themselves in the fore-hold, now that the cat was away. They looked like it, too, in the mornings.
Otto used sometimes to come and teach her to make fancy knots, and at the same time pour out his grievances against the captain: though these latter were always received with an uncomfortable silence. Otto was a Viennese by birth, but had stowed away in a Danube barge when he was ten years old, had taken to the sea, and thereafter generally served in English ships. The only place since his childhood where he had ever spent any considerable time on shore was Wales. For some years he had sailed coastwise from the once-promising harbour of Portdinlleyn, which is now practically dead: and so, as well as German, Spanish, and English, he could talk Welsh fluently. It was not a long residence, but at an impressionable age; and when he talked to Emily of his past it was mostly of his life as a ‘boy’ on the slate-boats. Captain Jonsen came of a Danish family settled on the Baltic coast, at Lübeck. He too had spent most of his time on English ships. How or when he and Otto had first met, or how they had drifted into the Cuban piracy business, Emily never discovered. They had plainly been inseparable for many years. She preferred letting them ramble on, to asking questions or trying to fit things together: she had that sort of mind.
When the knots palled, José sent her a beautiful crochet-hook he had carved out of a beef bone: and by pulling threads out of a piece of sail-cloth she was able to set to work to crochet doilies for the cabin table. But I am afraid that she also drew a lot, till the whole of the inside of the bunk was soon as thoroughly scribbled over as a palæolithic cave. What the captain would say when he found out was a consideration best postponed. The fun was to find knots, and unevennesses in the paint, that looked like something; and then with a pencil to make them look more like it--putting an eye in the walrus, or supplying the rabbit with his missing ear. That is what artists call having a proper feeling for one’s material.
Instead of getting better the weather got worse: and the universe soon became a very unstable place indeed: it became almost impossible to crochet. She had to cling on to the side of the bunk all the time, to prevent her leg getting banged.
It was in this inconvenient weather, however, that the pirates chose at last to make another capture. It turned out not a rich one: a small Dutch steamer, taking a consignment of performing animals to one of Mr. Barnum’s predecessors. The captain of the steamer, who was conceited in a way that only certain Dutchmen _can_ be conceited, gave them a lot of trouble, in spite of the fact that he had practically nothing worth taking. He was a first-class sailor: but he was very fair, and had no neck. In the end they had to tie him up, bring him on board the schooner, and lay him on the cabin floor where Emily could keep an eye on him. He reeked of some particularly nauseous brand of cigars that made her head swim.
The other children had played quite an important part in the capture. They did far better as a badge of innocuousness than even the ‘ladies.’ The steamer (little more than dressed-up sailing-vessels they were then), thoroughly disgruntled at the weather, was wallowing about like a porpoise, her decks awash and her funnel over one ear, so to speak: so when a boat put out from the schooner, its departure cheered lustily by Edward, Harry, Rachel, and Laura, though his pride might resent it, the Dutchman never thought of suspecting this presumable offer of assistance, and let them come on board.
It was then he began to give trouble, and they had to remove him onto the schooner. Their tempers were none too good on finding their booty was a lion, a tiger, two bears, and a lot of monkeys: so it is quite likely they were none too gentle with him in transit.
The next thing was to discover whether the _Thelma_, like the _Clorinda_, carried another, a secret cargo of greater value. They had imprisoned all the crew, now, aft: so one by one they were brought up on deck and questioned. But either there was no money on board, or the crew did not know of it, or would not tell. Most of them, indeed, appeared frightened enough to have sold their grandmothers: but some of them simply laughed at the pirates’ bogey-bogey business, guessing they drew the line at murder in cold blood, sober.
What was done in each case was the same. When each man was finished with he was sent forward and shut in the fo’c’sle: and before bringing another up from aft one of the pirates would unmercifully belabour a roll of sail-cloth with a cat-o’-nine-tails while another yelled like the damned. Then a shot was fired in the air, and something thrown overboard to make a splash. All this, of course, was to impress those still down in the cabin awaiting their turns: and the pretence was quite as effective as the reality could have been. But it did no good, since probably there was no treasure to disclose.
There was, however, a plentiful supply of Dutch spirits and liqueurs on board: and these the pirates found a welcome change after so much West Indian rum.
After they had been drinking them for an hour or two Otto had a brilliant idea. Why not give the children a circus? They had begged and begged to be taken onto the steamer to see the animals. Well, why not stage something really magnificent for them--a fight between the lion and the tiger, for instance?
No sooner said than done. The children, and every man who could be spared, came onto the steamer, and took up positions at safe heights in the rigging. The cargo-gaff was rigged, the hatch opened, and the two iron cages, with their stale cat-like reek, were hauled up on deck. Then the little Malay keepers, who kept twittering to each other in their windy tones, were made to open them, that the two monarchs of the jungle might come out and do battle.
How they were to be got in again was a question that never occurred to any one’s consideration. Yet it is generally supposed to be easier to let tigers out of cages than to put them back.
In this case, however, even when the cages were open, neither of the beasts seemed very anxious to get out. They lay on the floor growling (or groaning) slightly, but making no move except to roll their eyes.
It was very unfortunate for poor Emily that she was missing all this, laid by the leg in Jonsen’s stuffy cabin with the Dutch captain to guard.
When at first they had been left alone together he had tried to speak to her: but unlike so many Dutchmen he did not know a word of English. He could just move his head, and he kept turning his eyes first on a very sharp knife which some idiot had dropped in a corner of the cabin floor, then on Emily. He was asking her to get it for him, of course.
But Emily was terrified of him. There is something much more frightening about a man who is tied up than a man who is not tied up--I suppose it is the fear he may get loose.
The feeling of not being able to get out of the bunk and escape added the true nightmare panic.
Remember that he had no neck, and the cigar-reek.
At last he must have caught the look of fear and disgust in her face, where he had expected compassion. He began to act for himself. First gently rocking his bound body from side to side, he set himself to roll.
Emily screamed for help, beating with her fist on the bunk: but none came. Even the sailors who were left on board were out of ear-shot: they were straining all their attention to see what was happening on the steamer that wallowed and heaved seventy yards away. There, one of the pirates, greatly daring, had descended to the rail and begun throwing belaying-pins at the cages, to rouse their occupants. If the beasts so much as lashed their tails in response, however, he would scuttle up any rope like a frightened mouse. Only the Malay keepers remained permanently on deck, taking no notice: sitting on their heels in a ring and crooning discordantly through their noses. Probably they felt inside much as the lion and tiger did.
After some minutes, however, the pirates grew bolder. Otto came right up to one cage, and started poking the tiger’s ribs with a hand-spike. But the poor beast was far too sea-sick to be roused even by that. Gradually the whole crowd of the spectators descended onto the deck and stood round, still not unprepared to bolt, while the drunk mate, and even Captain Jonsen (who was perfectly sober), goaded and jeered.
It was not surprising no one heard poor Emily, left alone in the cabin with the terrible Dutchman.
She screamed and screamed: but there was no awakening from _this_ nightmare.
By now he had managed to roll himself, in spite of the motion of the vessel, almost within reach of the coveted knife. The veins on his forehead stood out with his exertion and the stricture of his bonds. His fingers were groping, behind his back, for the edge.
Emily, beside herself with terror, suddenly became possessed by the strength of despair. In spite of the agony it caused her leg she flung herself out of the bunk, and just managed to seize the knife before he could manœuvre his bound hands within reach of it.
In the course of the next five seconds she had slashed and jabbed at him in a dozen places: then, flinging the knife towards the door, somehow managed to struggle back into the bunk.
The Dutchman, bleeding rapidly, blinded with his own blood, lay still and groaned. Emily, her own wound reopened, and overcome with pain and terror, fainted. The knife, flung wildly, missed its aim and clattered down the steps again onto the cabin floor: and the first witness of the scene was Margaret, who presently peered down from the deck above, her dulled eyes standing out from her small, skull-like face.
* * * * *
As for Jonsen and Otto, unable by other means to rouse the dormant animals, they collected their men and with big levers managed to tilt the cages, spilling the beasts out onto the deck.
But not even so would they fight--or even show signs of resentment. As they had lain and groaned in their cages, so they now lay and groaned on the deck.
They were small specimens of their kind, and emaciated by travel. Otto with a sudden oath seized the tiger round its middle and hauled it upright on its hind legs: Jonsen did the same by the more top-heavy lion: and so the two principals to the duel faced each other, their heads lolling over the arms of their seconds.
But in the eyes of the tiger a slight ember of consciousness seemed to smoulder. Suddenly it tautened its muscles: a slight effort, yet it burst from the merely human grip of Otto like Samson from the new ropes--nearly dislocated his arms before he had time to let go. Quicker than eye could see, it had cuffed him, rending half his face. Tigers are no plaything. Jonsen dropped the huge bulk of the lion on top of it, and escaped with Otto through an open door: while the pirates, tumbling over each other like people in a burning theatre, struggled to get back in the rigging.
The lion rolled clear. The tiger, lurching unsteadily, crept back into its cage. The keening Malays took no notice of the whole scene.
And yet, what a scene it had been!
But now the heroic circus was over. Chastened, bruised by each other in their panic, the drunken pirates helped the mate into the first of the two boats, and pulling helter-skelter in the choppy sea, returned to the schooner. One by one they climbed the rail and vaulted on deck.
Sailors have keen noses. They smelt blood at once, and crowded round the companion-way: where Margaret still sat, as if numb, on the top step.
Emily lay in the bunk below, her eyes shut--conscious again, but her eyes shut.
The Dutch captain they could see on the floor, stretched in a pool of blood. ‘_But, Gentlemen, I have a wife and children!_’ he suddenly said in Dutch, in a surprised and gentle tone: then died, not so much of any mortal wound as of the number of superficial gashes he had received.
* * * * *
It was plainly Margaret who had done it--killed a bound, defenceless man, for no reason at all; and now sat watching him die, with her dull, meaningless stare.
_Chapter 8_
The contempt they already felt for Margaret, their complete lack of pity in her obvious illness and misery, had been in direct proportion to the childhood she had belied.
This crime would have seemed to them grave on the part of a grown man, in its unrelieved wantonness: but done by one of her years, and nurture, it was unspeakable. She was lifted by the arms from the stair where she still sat, and without a moment’s hesitation (other than that resulting from too many helping hands) was dropped into the sea.
But yet the expression of her face, as--like the big white pig in the squall--she vanished to windward, left a picture in Otto’s mind he never forgot. She was, after all, his affair.
The Dutchman’s body was fetched up on deck. Captain Jonsen went below: and once bent over poor little Emily. She only screwed up her eyes tighter, when she felt his hot breath on her face. She did not open them till everybody had quite gone--and shut them again when presently José came to swab the cabin floor.
* * * * *
The second boat, bringing back the rest of the crew and the four children, almost ran into Margaret before they saw her. She was swimming desperately, but in complete silence: her hair now plastered across her eyes and mouth, now floating out on the water as her head went under. They lifted her into the boat and set her in the stern-sheets with the other children. So it was they found themselves together again.
In her sopping condition, the others naturally gave her elbow-room: but still, she was among them. They sat and stared at her, their eyes very wide and serious, but without speaking. Margaret, her teeth chattering with exhaustion, tried ineffectually to wring out the hem of her frock. She did not speak either: but nevertheless it was not long before both she and the other children felt a sort of thaw setting in between them.
As to the oarsmen, they never troubled their heads as to how she came in the water. They supposed she had accidentally slipped over the side: but were not particularly interested, especially as they had their work cut out manœuvring round to the schooner’s lee and clambering on board. There was a tremendous pow-wow going on aft, so that no one noticed them arrive.
Once on board, Margaret went straight forward as of old, climbed down the ladder into the fore-hold and undressed, the other children watching her every movement with an unfeigned interest. Then she rolled herself in a blanket, and lay down.
They none of them noticed quite how it happened: but in less than half an hour they were all five absorbed in a game of Consequences. Presently one of the crew came, peered down the hatch and then shouted ‘Yes!’ to the rest, and then went away again. But they neither saw nor heard him.
From now on, however, the atmosphere of the schooner suffered a change. A murder is inclined to have this effect on a small community. As a matter of fact, the Dutch captain’s was the first blood to be shed on board, in the course of business at any rate (I will not answer for private quarrels). The way it had been shed left the pirates profoundly shocked, their eyes opened to a depravity of human nature they had not dreamt of: but also it gave them an uncomfortable feeling round the neck. So long as there was only the circus-prank to avenge, no American man-of-war was likely to be despatched in their pursuit: high Naval Authorities shrink naturally from any contact with the ridiculous: but suppose the steamer put into port, and announced the forcible abduction of her captain? Or worse, suppose her mate, with an accursed spy-glass, had seen that captain’s bloody body take its last dive? Pursuit would be only too likely.
The plea ‘It was none of us men did this wicked deed, but one of our young female prisoners,’ was hardly one which could be submitted to a jury.
Captain Jonsen had discovered from the steamer’s log where he was: so he put the schooner about, and set a course for his refuge at Santa Lucia. It was unlikely, he thought, now, that any British man-of-war would still be cruising about the scene of the _Clorinda_ episode--they had too much to do: and he had reasons (fairly expensive ones) for not anticipating any molestation from the Spanish authorities. He did not like going home with an empty ship, of course: but that appeared inevitable.
The outward sign of this change in the atmosphere of the schooner was a spontaneous increase in the strictness of discipline. Not a drop of rum was drunk. Watch was kept with the regularity of a line-of-battle ship. The schooner became tidier, more seamanlike in every way.
Thunder was slain and eaten the next day, without any regard for the feelings of his lovers: indeed, all tenderness towards the children vanished. Even José ceased playing with them. They were treated with a detached severity not wholly divorced from fear--as if these unfortunate men at last realised what diabolic yeast had been introduced into their lump.
So sensible were the children themselves of the change that they even forgot to mourn for Thunder--excepting Laura, whose face burned an angry red for half a day.
But the ship’s monkey, on the other hand, with no pig now to tease, nearly died of ennui.
ii
The reopening of the wound in her leg made it several days more before Emily was fit to be moved from the cabin. During this time she was much alone. Jonsen and Otto seldom came below, and when they did were too preoccupied to heed her blandishing. She sang, and conversed to herself, almost incessantly; only interrupting herself to beseech these two, with a superfluity of endearments, to pick up her crochet-hook, to look at the animal she had built out of her blanket, to tell her a story, to tell her what naughty things they did when they were little--how unlike Emily it was, all this gross bidding for attention! But as a rule they went away again, or went to sleep, without taking the least notice of her.
As well, she told herself, _to_ herself, endless stories: as many as there are in _The Arabian Nights_, and quite as involved. But the strings of words she used to utter aloud had nothing to do with this: I mean, that when she made a sort of narrative noise (which was often), she did it for the noise’s sake: the silent, private formation of sentences and scenes, in one’s head, is far preferable for real story-telling. If you had been watching her then, unseen, you could only have told she was doing it by the dramatic expressions of her face, and her restless flexing and tossing--and if she had had the slightest inkling you were there, the audible rigmarole would have started again. (No one who has private thoughts going on loudly in his own head is quite sure of their not being overheard unless he is providing something else to occupy foreign ears.)
When she sang, however, it was always wordless: an endless succession of notes, like a bird’s, fixed to the first vocable handy, and practically without tune. Not being musical, there was never any reason for her to stop: so one song would often go on for half an hour.
Although José had scrubbed the cabin floor as well as he could, a large stain still remained.