Part 16
"In the mid-day hours, a throng of business men, of all nations and conditions, goes surging up and down in it, with a confused uproar of voices which deafens the ear. But, no doubt, the time when--if you were in Dantzic--you would best like to go into it would be after the exchange hours are over, when the business men are gone to their mid-day meal, and only a few rare ones now and then cross the hall at intervals with preoccupied faces--there is a passage through it, leading from one street to another--for then a magic half-light comes stealing through the dim, ancient windows, and all the curious frescoes and carvings which ornament the walls seem to come to life, and begin to move. Stags with great antlers, and other strange animals, gaze down at you with gleaming eyes, so that you don't half care to look at them. And the more the light fades, the more awe-inspiring grows the marble statue of the king in the centre of the hall. The large picture of the Virtues and the Vices (whose names are written beside them) loses a good deal of its moral effect: for the Virtues soar more irrecognizably aloft, half hidden in grey clouds; and the Vices--beautiful women in shining raiment--come forward enticingly, and seem to be trying to lure you from the path of duty, whispering to you in accents sweet and low. Wherefore, you turn from them to the belt of colour which goes nearly round the walls, on which you see long trains of soldiers, in various costumes of the old Imperial-City times, going marching along. Worthy burgomasters, with shrewd, significant faces, ride at their head on spirited horses, richly caparisoned. The drummers and fifers, and the Hallebardiers march along so briskly and bravely that you begin to hear the stirring martial music, and expect them to go tramping out at the great window yonder on to the market-place--looking at all this, you would, if you were a draughtsman, set to work and make a pen-and-ink sketch of that fine stately Burgomaster there, with the strikingly handsome page in attendance on him. There is always plenty of pens, ink, and paper on the tables--provided at the public expense for the merchants' use--so that you would not be able to resist the temptation.
"There would be no objection to your so employing your time, kind reader; but that was by no means the case with Traugott, the young merchant, who was continually getting into the most terrible scrapes on this very account.
"'Write off at once and advise our correspondent in Hamburg of the day's transactions, Herr Traugott,' said Elias Roos, the head of a flourishing firm, of which Traugott had just been admitted a partner, being moreover engaged to Roos's only daughter Christina. Traugott with some difficulty found a vacant place at the crowded tables, took a sheet of paper, dipped his pen in the ink, and was just going to begin with a fine caligraphic flourish, when--as he was rapidly revolving in his mind what he was going to say--he lifted his eyes mechanically to the wall above him.
"Now, chance had so ordained matters that he was sitting just in front of a certain little group of two figures, the sight of which always caused him a strange, inexplicable sense of sorrow. It represented a grave-looking, almost sombre man, with a dark, curling beard, handsomely dressed, riding a black horse, with a page at his bridle whose masses of hair and richly-tinted costume gave him almost the appearance of a girl. The face and figure of the man caused Traugott a certain feeling akin to fear, but a world of sweet presage streamed forth upon him from the face of the page. Somehow he never could withdraw his eyes from this couple whenever he happened to look at them; consequently, instead of writing the Hamburg letter as he ought to have done, he kept gazing at these two figures, and drawing with his pen on the paper before him, without observing what he was about. When this had been going on for some little time, somebody tapped him on the shoulder from behind, and said, in rather a hollow voice:
"'Good! very good! I like that; it promises well!'
"Traugott, waking from his dream, turned sharply round, and felt like a man struck by a thunderbolt. Astonishment, alarm, rendered him speechless; for he found himself staring into the face of the very man who was represented in the fresco on the wall above him. It was he who had spoken the words, and beside him stood the beautiful page, smiling at Traugott as if with inexpressible affection.
"'It is they in the body,' was the thought which flashed through his mind. 'They'll throw off those ugly cloaks directly, and appear in their beautiful antique costume.'
"The seething masses of people were hurrying to and fro, and the two strange figures were speedily lost in the throng. But Traugott stood in the same spot, with his letter of advice in his hand, till the business hours were long over, and only one or two people passed at intervals through the hall. At last he saw Herr Elias Roos, coming up to him with two strange gentlemen.
"'Well, Traugott,' said Elias Roos, 'what are you cogitating about here so late in the afternoon? Have you sent off the Hamburg advices all right?'
"Without thinking what he was doing, Traugott handed him the sheet of paper which he had in his hand. On seeing it, Elias Roos struck his clenched fists together over his head, stamped with his right foot, slightly at first, then very violently, and shouted, till the hall resounded:
"'Oh! good Lord! Oh! good Lord! Stupid, childish nonsense! Here's a partner for you! Here's a precious son-in-law! Damnation, sir, are you out of your senses? The letter of advice, the letter of advice? Oh God--the _post_!'
"Herr Elias nearly went into a fit with anger. The two strangers smiled at this singular letter of advice, which certainly wasn't of much use as such, as it stood. Immediately after the words 'Referring to your esteemed order of the 20th instant,' Traugott had made a firm, bold outline sketch of the two striking figures of the old man and the page. The strange gentlemen strove to calm Herr Elias, addressing him in the most soothing tones; but he shoved his wig into various positions, banged his cane on the floor, and cried:
"'The devil's in the fellow! Had a letter of advice to write; instead of that, goes and draws pictures! Five hundred pounds gone!--pht!'--he blew through his fingers; and then repeated, in a weeping tone, 'Five--hundred--pounds!'
"'Don't distress yourself, Herr Roos,' said, at last, the elder of the two strangers; 'the post is gone, certainly, but I am sending a courier off to Hamburg in an hour's time. He can take your letter of advice, and it will reach your correspondent sooner that it would have done by the regular mail.'
"'Most incomparable of men!' cried Herr Elias, with full sunshine restored to his face.
"Traugott had recovered from his astonishment, and was hastening to the table to write the advice; but Herr Elias shoved him away, saying, through his teeth, with most diabolical looks:
"Don't trouble yourself, my lad!'
"While Herr Elias was writing busily, the elder of the strangers went up to Traugott, who was standing silent and abashed, and said:
"'You seem to be a little out of your element here, my dear sir! It would never have occurred to a real man of business to sketch figures when he ought to have been writing a letter of advice.'
"This Traugott could not gainsay. Much astonished, himself, at what had occurred, he said:
"'I can't quite make it out. I've written plenty of letters of advice. It's only now and then that I make one of these mistakes.'
"'My dear sir,' said the stranger, with a smile, 'I must say I don't think it seems to be a mistake at all. I should rather be inclined to suppose that very few of your letters of advice are worth as much as this admirable, accurate, and powerful outline sketch. There is true genius in it!'
"With which he took the paper from Traugott, folded it carefully up, and put it in his pocket. This convinced Traugott firmly that he had done something much better than writing a letter of advice. A new spirit awoke within him; and when Elias Roos, who had finished his letter, and was still very much out of temper, cried, 'That nonsense of yours very nearly cost me £500,' Traugott answered him, louder and more firmly than usual, 'Don't go on making such a fuss, or I shall have to bid you good-morning, and write no more of your damned letters of advice.'
"Herr Elias set his wig straight with both hands, stared at Traugott, and said:
"What nonsense you're talking, partner; you can't be serious, son-in-law?'
"The elder of the strangers intervened, and it required very few words to wholly re-establish the peace between them. Then they all went to dinner at Elias Roos's house.
"Christina received them in a beautifully-fitting dress, which set off her well-developed, pretty figure to advantage. She wielded the massive soup-ladle with great skill.
"I suppose I ought to describe the five people at this dinner-table; but Traugott's adventures are waiting to be told, and such pictures of said people as I could sketch would be very hasty. You are aware that Elias Roos wears a round wig, and I could add little more, as, from what he has said, you can see before you the little, stoutish man in his leather-coloured suit with gilt buttons. Of Traugott I have much to say, because this is his story which I am telling, and he is the principal character in it. If it is true that our thoughts, words, and works--coming, as they do, from the inner depths of our natures--do so shape and model the outward man that there results a certain marvellous harmony of the whole--not to be explained, only to be felt--which we term 'character,' Traugott's appearance will be plain to you from my story without any further description. If this is not the case, all further description would be useless, and you can take this tale as not read. The two strange gentlemen are uncle and nephew, well-to-do business men, and 'friends'--that is to say, business connections--of Roos's. They come from Koenigsberg, wear English clothes, carry about mahogany boot-jacks from London, are connoisseurs in the arts, and, taking them all round, persons of much cultivation. The uncle is making a collection of pictures, which is why he pocketed Traugott's sketch.
"As I perceive that Christina will speedily vanish from my story, I had better give a few indications of what she is like before she makes her exit. She is of medium height, with a finely-developed figure; about two or three and twenty, with a round face, a short nose, slightly turned up, and kindly light-blue eyes, which say, with a charming smile, to every man she meets, 'I'm going to get married very soon (don't much mind to whom). She has a beautiful, fair complexion; hair not over red; most kissable lips, and a mouth rather too large, which she has an odd way of drawing on one side, though two rows of pearls are thereby rendered visible. If the next house were on fire, and the flames were catching the room, she would just, quickly, feed her canary and put away the clothes from the wash, and then go and tell her father that the house was on fire. No almond-tart ever came to grief in her hands, and her butter-sauce is always of exactly the right thickness, because she always stirs it from left to right, never the other way. As Elias Roos has just poured out the last of the bottle into old Franz's glass, I further remark, hastily, that it is because he's going to marry her that she's so fond of Traugott; for what in the world would become of her if she weren't to get married? After dinner Roos proposed to the strangers a walk round the walls. How gladly would Traugott have made his escape and been by himself! Never had he known anything like the thoughts, feelings, and sensations which he had experienced to-day. Escape he could not, however, for just as he was slipping out at the door, without even kissing Christina's hand, Herr Elias seized him by the coat-tails, crying, 'Come, partner; you're not going to give us the slip, are you, son-in-law?' So he had to stay.
"A well known professor of natural philosophy was of opinion that Nature, in her capacity of a skilled experimentalist, has somewhere or other set up a tremendous electrical machine, from which mysterious conductors stretch all through our lives; and, though we avoid them and keep clear of them as well as we can, at some given moment or other we can't help treading on them, and then the flash and the shock dart through us, altering everything in us completely. No doubt Traugott had stepped on to one of these conductors at the moment when he began sketching the old man and the page, without having any idea that they were standing behind him in the flesh; for the strange apparition of them had gone darting through him like a flash of lightning, and he felt that he now clearly knew and understood things which had formerly been but presages and dreams. The shyness which used to tie his tongue when conversation turned upon things which lay hidden, like holy mysteries, in the depths of his being, had vanished; and so, when the uncle began finding fault with the wonderful figures, partly painted, partly carved, in the Artus-Hof, as being 'in bad taste,' and particularly the soldier-pictures as being 'wild and extravagant,' Traugott boldly maintained that, though it was possible that they might not strictly conform to the canons of art, still, it had been the case with him, as well as with many others, that a marvellous world of imagination had dawned upon him in the Artus Hof, and that some of the figures had told him, in looks full of life, as well as in distinct words, that he was a mighty master himself, and able to make and form like him from whose mysterious _atelier_ they had proceeded.
"Herr Elias really looked, if possible, even a greater ass than usual when the youngster spoke these lofty words; but the uncle, with a strange, slightly sneering smile, said:
"'I repeat what I said before, that I can't understand how you should be a man of business, and not devote yourself to art altogether.' The man was excessively antipathetic to Traugott, somehow; and he therefore, during the walk, kept to the nephew, who was very pleasant and friendly.
"'Ah, Heavens!' the nephew said, 'how I envy you that talent of yours! If I could only draw like you! I really have a great turn for it; I've drawn some capital eyes, and ears and noses, and two or three heads even; but oh!--the office, you know,--the office!'
"'I thought,' said Traugott, 'that when one was conscious of a real gift--a true calling--for art, one ought to devote one's self to it altogether.'
"'Be an artist, you mean? How can you say such a thing? Look here, my dear fellow; I've thought over this subject perhaps more than most people; indeed I have such a reverence for art that I've gone deeper into this, almost, than I can explain, so that I can only give you a hint or two of what I mean.'
"He looked so learned and so profoundly thoughtful as he said this, that Traugott really felt a sort of veneration for him.
"'You'll admit,' said the nephew, when he had taken a pinch of snuff, and sneezed a couple of times, 'that the function of art is to weave flowers into life. Amusement--recreation after the serious business of life--is the delightful end and object of all artistic effort; and this is attained exactly in proportion as the productions of art are satisfactory. This goal of art is distinctly perceptible in actual life, because it is only those who practise art on this principle who enjoy that comfort and prosperity which flies away for ever from those who (against the true principles of things) look upon art as the primary object and highest aim of life. Therefore, my dear sir, don't you pay any attention to what my uncle said, nor let that lead you astray from the serious business of life, to an occupation which can no more stand alone than a helpless infant learning to walk.'
"Here the nephew paused, as if expecting Traugott to reply; but he had no idea what to say. The nephew's harangue had struck him as being a farrago of incredible nonsense, and he contented himself with asking him what he considered 'the serious business of life.' The nephew looked at him rather puzzled.
"'Well,' he said at last, 'you'll admit that a man must live; and the embarrassed professional artist can scarcely be said to do that.' He then went on talking a quantity of nonsense, using fine words and elaborate expressions; the result of which was, that by 'living' he meant having plenty of money and no debts; eating and drinking of the best, and having a nice wife and children, with no grease-spots on their Sunday-clothes, etc. This seemed to stifle Traugott, and he was glad when he got quit of this sapient nephew, and was alone in his own quarters.
"'What a wretched, miserable life I am leading, to be sure!' he said to himself. 'In the beautiful morning--in the glorious, golden spring-time, when the soft west wind comes breathing even into the gloomy streets, and seems to tell, in its gentle murmurings, of all the wonders and marvels that are blossoming into beauty in the fields and woods--I slink into Elias Roos's smoky office, "creeping like snail unwillingly to school." There pale faces sit behind shapeless desks, and nothing breaks the gloomy silence, buried in which everybody labours, but the turning of the leaves of big account-books, the jingle of money on the desks, and an occasional unintelligible word or two. And what kind of labour is it? What is all this thinking and writing for? That the coins in the chest may increase in number; that the Fafner's ill-luck-bringing hoard may sparkle and gleam the brighter. The artist--the sculptor--can go out with uplifted head, and inhale the refreshing spring-rays, which kindle in him an inner world full of glorious pictures, so that it bursts into happiness of life and motion. Out of the dark thickets come wonderful forms, created by his own spirit; and they remain his; because the mysterious spells of light, of colour, and of form dwell within him, and he fixes down for ever that which his mental vision has seen, representing it to the senses. Why should I not break away from this hateful life? The wonderful old man has confirmed me in the idea that I am called to be an artist; still more has the beautiful page. It is true he didn't say anything, but I felt that his look told me clearly everything which has been in me so long, in the form of presentiment, but which a thousand doubts and misgivings have pressed down and prevented from shooting up into life. Can I not be a great artist, in spite of my abominable calling?'
"Traugott got out all the drawings he had ever done, and looked through them critically. Much of his work struck him quite differently from what it had formerly done, and generally seemed much better than he had thought. There was one drawing particularly--one of his childish attempts, done in his early boyhood--a leaf, on which the old burgomaster and the page were copied, in somewhat distorted, but clearly recognizable outlines; and he remembered well that, even in these early days, those figures had a strange influence upon him, and that he was once, in the gloaming, impelled, as by an irresistible spell, to leave his play and go to the Artus Hof, where he laboured diligently at copying them. He was moved by the deepest, most melancholy yearning as he looked at this drawing. He ought by rights to have gone to the office for a couple of hours as usual, but he felt that he could not; and, instead, he went out and up on to the Karlsberg. Thence he looked out over the sea: and in the dashing billows, in the grey evening haze rising, and lying in wonderful shapes of cloud-vapour over Hela, he strove to read, as in a magic mirror, the destiny of his future life.
"Do you not hold, dear reader, that that which comes down into our breasts from the higher realm of love has to reveal itself to us at first as hopeless sorrow? That is the doubt, the misgiving, which comes surging into the artist's heart. He sees the ideal, and feels his powerlessness to grasp it. But then there comes to him a godlike courage; he makes endeavour, and his despair melts away into a sweet longing which gives him strength, and incites him to approach nearer and nearer to that Unattainable which he never reaches, though always getting closer to it.
"Traugott was now powerfully attacked by this hopeless pain. When, early the next morning, he looked again at his drawings, they all seemed feeble and wretched, and he remembered what an experienced friend had often said: that great mischief, together with very mediocre results in art, proceed from the circumstance that people often mistake mere vivid, superficial excitement for a true, inward calling for art. He was much disposed to look upon the Artus Hof and the figures of the burgomaster and the page as outward, superficial excitements of this description. He condemned himself to go back and work in the office, regardless of the loathing, which often came so forcibly upon him that he was obliged to leave off work all of a sudden and rush into the open air. Herr Elias, with careful consideration, attributed this to the poor state of health which he felt certain the deadly pale face of the youngster indicated.
"A considerable time elapsed--the St. Dominic's Fair was at hand, after which Traugott was to marry Christina, and be formally announced to the commercial world as Roos's partner. This point of time was, to him, that of his sorrowful farewell to all his fair hopes and beautiful dreams; and it lay heavy on his heart when he saw Christina hard at work having everything scrubbed and polished on the second floor, folding curtains with her own hands, giving the final polish and glitter to all the brass, etc.
"One day, in the thick of the turmoil in the Artus Hof, at its most crowded hour, Traugott heard a voice behind him, whose well-remembered tones went straight to his heart:
"'Is this paper really at such a discount?'
"He turned quickly, and saw, as he had expected, the wonderful old man, who had gone up to a broker to sell some paper whose price was tremendously depreciated. The handsome lad was standing behind the old man, and cast a sad, kindly look at Traugott. He went quickly up, and said:
"'Excuse me, sir; but that paper is very low in the market just at present. Still, there can be no doubt that it will stand much better in a very few days. If you will take my advice, you will keep it, and not sell till the quotation is more favourable.'