Chapter 18 of 20 · 3696 words · ~18 min read

Part 18

"I thought so, too, for a minute, and it was the worst minute and the worst thought I ever had. But you're alive. And you're going to live. I tell you that on the doctor's authority. He and the nurse are having a confab in the next room. In fact, when we saw you coming to all right, after the anæsthetic (a bullet had to come out of your poor little shoulder!) I asked them to leave me alone with you. I wanted to be the first one your eyes saw. You're going to live for me, aren't you? Because I adore you, you know!"

"I know," the girl echoed, floating on a strange, bright wave of joy.

"You know I adore you?"

"Something told me it would come out like that," she said. "In those long days when I had to lie still in my room and listen to Kit and Churn, another voice--so different from theirs!--seemed to say it in my ear. Your message for me in the newspaper--I was sure it was for me--put it into my head. I couldn't answer. But the message was the greatest comfort! I didn't feel alone after that."

"Precious one! You're a star heroine, and a martyr and a saint, and I don't know what not. But most of all, you are my life--my very life. I've had a big disappointment since I parted from you--lost a thing I'd wanted for years--lost it to Roger Sands. His revenge for--I hardly know what! Yet finding you and holding you like this shows me that nothing else matters. What's a house, anyhow, except this darling house not made with hands--your little body, house of your soul? When you know me better, could you learn to love me, do you think, if I try hard to teach you?"

"Oh, but I do love you already," said Clo, as a matter of course. "Even that first night--there was something about you--I hated to cheat and rob you the way I did. And it was wonderful hearing your voice in the telephone, in Peterson's dreadful room. It wasn't only that I hoped you'd help, it was because it was you--because you were different for me from anybody else, different even from Angel."

"Good Lord, I should hope so!"

"And I've wanted you dreadfully ever since. That's why I thought it must be heaven when I woke up just now and saw you."

"You angel!"

"How funny you should call me that. Oh, I've almost forgotten my poor Angel! I must get to her, somehow." Clo looked around hastily, and realized that she was lying on a bed in a peculiarly unattractive room, and that O'Reilly was kneeling on the floor by the bedside. "How wicked of me to think more about you than her!"

"If you mean Mrs. Sands, you shall go to her when you're able. Mrs. Sands is all right. You sent her something rather important by Miss Blackburne, the pearl-stringer that you told me about that night in the taxi--and in Krantz's Keller. I talked to the woman--and cursed myself afterward for stopping to speak, when I found you and saw how every instant had counted. I oughtn't to have waited even for a second."

"Oh, you couldn't have saved me if you'd come up without speaking to Ellen. The shot was fired before I threw out the bag with the pearls," Clo broke in. "I remember now. Someone fired through the hole in the door. It was Chuff, I'm sure. It didn't hurt much. It was like a heavy blow, and I couldn't help dropping on my knees at the window. I felt weak and queer, but I called to Ellen. Then somebody picked me up--Kit, I think. I could hear them arguing what to do with me. Funny! I thought of you then--and that's the last I remember till now."

"I must have been in the house by that time," O'Reilly soothed her. "I had come for you! I was sure you'd be where Kit was, because of the pearls. Denham and I had been trying to track Churn and Kit and Chuff--all the lot you told me about--ever since you turned me down, in Krantz's Keller."

"I didn't turn you down!"

"No, I don't mean that! You were a brave little soldier going into battle on your own."

"A soldier? No, I was only a mouse."

"I know. 'The lion's mouse.' And to gnaw the net the lion was caught in, you had to stick your head into another lion's den. But some memoranda you'd picked up and left for us put Denham on the right trail. He doesn't need much of a pointer, that chap! He fairly jumped on to the track of a fellow named Isaacs--at least Isaacs is his 'alias'--a man who's been suspected for a long time as a receiver of stolen goods--a fence. When I got the tip that Kit and Churn were staying in the house where we were to spot Chuff, I was sure I had the clue to you. I wish to God we'd been five minutes earlier; but I thank Him we weren't five minutes too late! If the police eventually bring the crime home to Kit (that's improbable, Denham thinks) there's nothing to link up the story with the name of Mrs. Sands."

"Oh, I'm not sure!" breathed Clo. "Kit knows about her. She told Churn."

"She won't tell any one else, you may depend on that. If she's accused of the murder, she won't confess to stealing somebody's pearls as her motive. She'll say that Peterson insulted her, and she feared him; some sob-sister stuff of that sort."

"She did complain to Churn that Pete was horrible to her, and that if Churn had been there to hear what he said, he'd have killed him quick," Clo remembered.

"You see, she wanted to clear herself in the eyes of her best young man! How much more anxious she'd be to keep on the same line if it came to saving herself from the Chair! You can make your mind easy about your friend Mrs. Sands. I won't say a word against her. You love her. You may be right, I may be wrong. I'm growing humble. I don't set my judgment against yours, even though I know some things about the lady which it's probable you don't know. But she's been good to you. That makes all the difference to me. She's to be saved from the consequences of things which--you'll never hear from my lips. Saved she shall be if it depends at all on yours ever. But you've done so much that little more remains."

"Then you'll give her the papers?"

"The papers you returned to me that Sunday night?"

"It wasn't I who returned them. I don't know who did send them. It's the greatest mystery! But if you love me, you'll hand them back."

O'Reilly looked grave. "I love you," he said, "more than I ever thought it was in me to love, though I had an idea it might go hard with me when my time came. But I gave the papers to Heron, whose property they were--and are. I was only keeping them for him because he had reason to think they weren't safe in his possession."

"John Heron!" Clo echoed. A thought had suddenly started out from the background of her mind, pushing in front of her fears for Beverley. "Yes, of course, he's a friend of yours! But he's in worse danger than his papers ever were. From things they said, I believe Pete came East on purpose to kill him. Of course, there were the papers to get as well. But he wanted to kill John Heron. It was Chuff who ordered him to get the papers. Pete had some grudge of his own against Mr. Heron, so he made a good catspaw. When Pete was killed, Chuff had to find someone else to do the job. I don't know John Heron, and never saw him in my life, so I----"

"There you're mistaken," O'Reilly broke in. "Did you notice any one coming out of a room next to my suite when you were letting yourself in with my key which you had--er--found?"

"Yes!" cried Clo. "A beautiful woman in a black dress with gorgeous jewellery; and a tall man with reddish hair and beard and--Oh, eyes! Great dark eyes that looked at me in a strange way. I felt them in my spine."

"That was the first time you saw John Heron, the man his enemies still call the Oil Trust King--though thanks to Roger Sands they daren't call him that out aloud. The second time must have been in Heron's own room. But you shall judge for yourself. He'd been downstairs with his wife. He went up to his rooms again for something, and in the hall outside his own door--which he'd just unlocked--he fell down in a sort of fainting fit. Well, putting two and two together, after you told me your adventure creeping along the ledge from my window to his, it occurred to me that there'd been just cause for the seizure. I didn't think Heron was the man to keel over in a faint, even for a thing like that. All the same, seeing that ghostly vision would account for his attack."

"I understand," said Clo. "I saw he was flabbergasted. But that first time at the door, when he was with his wife, he didn't look at me as if I were a stranger. It was as if he knew me, and almost fell over himself to see me again. That was the feeling I had, but I was--a little excited."

"Most girls would have been corpses!"

"I felt like a live coal. But we mustn't let the gang make a corpse of Mr. Heron, must we? Let's warn him. Where are we, anyhow?"

"Same house you were in. Doctor said it wouldn't be safe to move you. We disinfected the best we could in a hurry, and he extracted the bullet from your poor little shoulder. Thank God, I was in time, or there might have been another bullet or two, that couldn't be extracted! You're all right now, or will be with a little rest, and we'll get you into a nursing home. As for Heron, he and his wife have gone to Narragansett. That's close to Newport, you know, where Mrs. Sands is."

"Angel in Newport already! Then the pearls--but I told Ellen Blackburne to take them there if she had to. Do you think she will?"

"Sure! She'll catch the first train."

"No. She won't do that. She thinks of her mother before everything. But the ball's not till to-morrow. Angel won't need the pearls till then. Oh, if I could be sure she'll get them! I can't rest till I'm sure. I must go to Newport. I must."

"When you're strong enough."

"I'm strong enough now. Is it late?"

"Getting on toward evening. You were a long time coming to yourself. Presently the doctor will say whether you can be moved to-night to that nursing home."

"If I can be moved to a nursing home I can be moved to Newport. Tell the doctor I shall burst if I can't go."

"You may tell him yourself."

"I _must_ go. I must know if all goes right with the pearls. I must know if it's better or worse for Angel that Stephen's dead."

"Stephen's dead!"

"Yes. Did you know him?"

"I know of him. He is----"

"Don't tell me. She mightn't want me to hear. I haven't heard anything except that Kit and Churn talked about his having died, and said Angel had been cheated."

"By Jove, I begin to see light."

"Now you see why I must go to her? And you've forgotten maybe what I told you about Mr. Heron. If he's near Newport, I----"

"Look here, darling, if the doctor says you can be taken there to-morrow--oh, in time to arrive before the famous ball--let's say in a comfortable motor car, travelling slowly, banked up on cushions, will you go as my wife?"

Clo stared as if O'Reilly had broken into some strange language which he expected her to understand. "Your wife?"

"Well--don't you expect to marry me? That's what happens when a girl and a man love each other."

"Oh--some day--if you're sure you really want an ignorant little girl like me, brought up in an orphan asylum, who's worked in a shop and hasn't a penny in the world--except a dollar or two left of Mrs. Sands' money. A long time from now, when you've thought about it----"

"I've thought of nothing else since we met and parted, and I realized that you were my life and soul. If you can make up your mind to 'some day,' it might just as well be to-morrow. Don't you want to console me for the loss of the only other thing, besides you, I've ever wanted with all my heart? You do if you love me. The dear old house that was my father's! You know, when you sent up your name at the Dietz as Miss O'Reilly, I believed you were my cranky cousin Theresa, come to tell me she'd changed her mind about selling the house. Why, you owe it to me, if you care, to make up for that. Your Angel's husband has bribed Theresa to sell to him. The place has passed away from me forever. But if you'll marry me to-night I shan't care. In the joy of being husband--and nurse--to the bravest and dearest mouse in the world I'll forget everything and be the happiest man on God's earth."

"People don't get married at a few hours' notice."

"Don't they? How long have you lived in the United States, my Irish colleen?"

"Months. Over a year. But I never discussed marriage."

"I'm jolly glad you didn't. But you'll hear of nothing else till the knot's tied. We do things quickly over here."

Then the door opened, and the doctor came in.

XXXVII

THE TELEGRAM

Roger Sands had hardly known himself for many days. His wife had read him aright. At times he was purposely cruel. At times he did wish to see how much she could bear and not break. Yet if she had broken, he felt that he could not have helped seizing her in his arms and forgiving her.

While he dressed that night he hoped that she would send for him, or come to him, and confess that the pearls were gone, that she had given them to O'Reilly, whom she had once loved, and whom she loved no more.

But she neither sent nor came. She was bluffing it out to the last. He might have known she would do that, although he had taken her to her room to give her one more chance to repent. At half-past seven he was ready, but he waited quietly ten minutes. Then he went to his door, meaning--as he said to himself roughly--to "get the thing over." But he paused with his hand on the knob. He thought that he heard a woman's voice saying: "May I come in?"

His muttered comment upon one of his and Beverley's guests, whom he supposed the intruder to be, was far from flattering. Perhaps, however, it would be well not to find his wife alone. He would give Beverley a few minutes more, to be sure that her dress was on, before he went to interrupt the chorus of mutual admiration; but no woman's presence should prevent him from asking the question he meant to ask--"Where are your pearls?"

At exactly eight minutes to eight Roger ceased his restless tramp up and down the room, and stopped again at the door. Before he could open it, however, there was a light tap--a tap like Beverley's in happier days. "Can she mean, after all, to tell me the truth?" he wondered; and he heard his voice saying mechanically, "Come in."

Beverley came in; Roger's room was full of light, and as his wife entered she faced it. She glittered from head to foot like an ice maiden under a blazing sun. She wore a wreath of diamond roses; round her waist was a girdle of diamonds with long tasselled ends; on her white satin shoes were diamond buckles; and over her bare, white neck, her young gauze-enfolded bosom, hung the rope of the queen's pearls.

"I thought you were coming in to see me dressed?" she said calmly. "Did you forget?"

For answer Roger stared. He stepped back into the room, and let Beverley shut the door. She stood before him smiling, though, if he had analyzed her smile, he would have said that it was sad. "How do you think I look?" she asked, when he did not speak. "I hope you're not disappointed?"

"You have had those pearls copied!" he flung at her.

Beverley blushed bright crimson. She understood instantly what he meant and thought, but she had not gone through tortures and been relieved at the last moment to be beaten down now.

"What do you mean?" she asked, her eyes steady, her head up.

"You thought I didn't know. But I have known from the first. I found out by accident. I always hoped you'd some day tell me the truth. This is a cowardly thing you've done."

Beverley was again ivory pale. "Are you a judge of pearls, Roger?" she coldly inquired.

"Yes," he said.

She lifted the rope over her head and thrust it, against his will, into his hands. "Make any test you wish, and decide whether these are the pearls you gave me or an imitation."

Hardly knowing what he did, he walked to a table, on which stood a tall lamp that gave a brilliant light. Beverley watched him. There was no emotion whatever on her face. After a moment he spoke: "These are genuine pearls," he admitted, after a heavy silence. "And I have reason to believe from certain marks that they are the pearls I bought for you, the queen's pearls. If you give me your word, that since I put them into your hands you did not part with them to Justin O'Reilly, as I have believed, I will beg your forgiveness on the knees of my soul. I will confess to you--as I once expected you to confess to me."

"Hush! There's someone at the door!" Beverley cut him short.

It was Léontine who knocked, and paused on the threshold. "Will Madame have the kindness to step into the hall," she asked. As her mistress moved toward her, she retired, and it was not until they both stood at some distance from the door that the Frenchwoman spoke.

"I beg Madame's pardon for disturbing her," she apologized, "but I dare not delay. The lady, Mees Blackburne, if that is her name, was about to start back to town, but remembered a commission she had been given at the apartment; to bring a telegram for me. I opened it, to find that for me there is no sense. I know no Stephen; but----"

"Stephen!" Beverley gasped the name, and snatched from the woman's hand an open telegram she held. She read it, and then without a word or cry, collapsed in a dead faint. With a shriek of fear Léontine tried to catch the swaying figure; but the best she could do was to break the fall. When Roger reached the door it was to find Beverley in a white heap on the floor with the Frenchwoman kneeling by her side. He caught his wife up, and, carrying her back into his room, laid her on the bed.

"Let everybody be told that dinner will be delayed half an hour," he said, and shut the door in Léontine's face. She snatched the dropped telegram and whisked off to obey the master's command.

XXXVIII

WHO IS STEPHEN?

As Roger stood looking down at Beverley she opened her eyes.

"Stephen is dead!" she muttered. "Stephen--is dead."

"Who is Stephen?" Roger asked shortly.

"Oh, Roger!" she appealed to him, breaking into sobs. "My poor Stephen! I shall never see him again. All my sacrifices--in vain!"

"Who is Stephen?" Roger repeated.

She held up her arms, without answering his questions. "Roger--comfort me!" she wept.

And for all his life, no matter how many years he may live, Roger Sands will be glad that he did not hold back from Beverley then. Without another word he clasped her tightly, while she cried against his cheek. Both had forgotten that there were guests, that this was the "big night" which all the newspapers were talking about; that already dinner was late, and people wondering; that the "ball" was to begin at ten-thirty, and that the Russian dancers who were to open it, as the great "surprise," would soon be in the house.

When Beverley had sobbed until exhaustion came, she spoke, in a tiny voice, like that of a tired little girl: "Because Stephen is--safe, I can tell you everything now. Will you listen, Roger, until the end, whether you can forgive me or no?"

"Yes," Roger answered. "But just this before you begin! I love you so much, Beverley, that if there's something to forgive it's forgiven already."

"Stephen was my brother," she said, "the one person who belonged to me after father died. Mother I don't remember. She came of a high Russian family who were sent to Siberia as political prisoners. She was only sixteen, and father saved her by making her his wife. I was named 'Olga' after her. But for that dreadful journey from Albuquerque I had to have some name that wouldn't give me away when my ticket was bought. Stephen and I were called Bevan, because father used that name for his business in Russia, but his own name was Beverley. For travelling that day I was 'Miss B. White.' Once I'd told you I was Beverley, I had always to be Beverley for you.