Part 3

When the dawn grew white at the window of No. 43, and a damp wind began rustling the tattered fronds of the banana tree; as the blue sky of morning lifted and unfolded over Capri, and Monte Solaro, pure and distinct, grew golden, catching the sun which was rising beyond the far-off blue mountains of Italy; just as the labourers who were mending the paths of the islands for the tourists came out for work, a long box was carried into room No. 43. Soon this box weighed heavily, and it painfully pressed the knees of the porter who was carrying it in a one-horse cab down the winding white high-road, between stone walls and vineyards, down, down the face of Capri to the sea. The driver, a weakly little fellow with reddened eyes, in a little old jacket with sleeves too short and bursting boots, kept flogging his wiry small horse that was decorated in Sicilian fashion, its harness tinkling with busy little bells and fringed with fringes of scarlet wool, the high saddle-peak gleaming with copper and tufted with colour, and a yard-long plume nodding from the pony's cropped head, from between the ears. The cabby had spent the whole night playing dice in the inn, and was still under the effects of drink. Silent, he was depressed by his own debauchery and vice: by the fact that he gambled away to the last farthing all those copper coins with which his pockets had yesterday been full, in all four lire, forty centesimi. But the morning was fresh. In such air, with the sea all round, under the morning sky headaches evaporate, and man soon regains his cheerfulness. Moreover, the cabby was cheered by this unexpected fare which he was making out of some Gentleman from San Francisco, who was nodding with his dead head in a box at the back. The little steamer, which lay like a water-beetle on the tender bright blueness which brims the bay of Naples, was already giving the final hoots, and this tooting resounded again cheerily all over the island. Each contour, each ridge, each rock was so clearly visible in every direction, it was as if there were no atmosphere at all. Near the beach the porter in the cab was overtaken by the head porter dashing down in an automobile with the lady and her daughter, both pale, their eyes swollen with the tears of a sleepless night.... And in ten minutes the little steamer again churned up the water and made her way back to Sorrento, to Castellamare, bearing away from Capri for ever the family from San Francisco.... And peace and tranquillity reigned once more on the island.

On that island two thousand years ago lived a man entangled in his own infamous and strange acts, one whose rule for some reason extended over millions of people, and who, having lost his head through the absurdity of such power, committed deeds which have established him for ever in the memory of mankind; mankind which in the mass now rules the world just as hideously and incomprehensibly as he ruled it then. And men come here from all quarters of the globe to look at the ruins of the stone house where that one man lived, on the brink of one of the steepest cliffs in the island. On this exquisite morning all who had come to Capri for that purpose were still asleep in the hotels, although through the streets already trotted little mouse-coloured donkeys with red saddles, towards the hotel entrances where they would wait patiently until, after a good sleep and a square meal, young and old American men and women, German men and women would emerge and be hoisted up into the saddles, to be followed up the stony paths, yea to the very summit of Monte Tiberio, by old persistent beggar-women of Capri, with sticks in their sinewy hands. Quieted by the fact that the dead old Gentleman from San Francisco, who had intended to be one of the pleasure party but who had only succeeded in frightening the rest with the reminder of death, was now being shipped to Naples, the happy tourists still slept soundly, the island was still quiet, the shops in the little town not yet open. Only fish and greens were being sold in the tiny piazza, only simple folk were present, and amongst them, as usual without occupation, the tall old boatman Lorenzo, thorough debauchee and handsome figure, famous all over Italy, model for many a picture. He had already sold for a trifle two lobsters which he had caught in the night, and which were rustling in the apron of the cook of that very same hotel where the family from San Francisco had spent the night. And now Lorenzo could stand calmly till evening, with a majestic air showing off his rags and gazing round, holding his clay pipe with its long reed mouth-piece in his hand, and letting his scarlet bonnet slip over one ear. For as a matter of fact he received a salary from the little town, from the commune which found it profitable to pay him to stand about and make a picturesque figure--as everybody knows.... Down the precipices of Monte Solaro, down the stony little stairs cut in the rock of the old Phœnician road came two Abruzzi mountaineers, descending from Anacapri. One carried a bagpipe under his leather cloak, a large goat skin with two little pipes; the other had a sort of wooden flute. They descended, and the whole land, joyous, was sunny beneath them. They saw the rocky, heaving shoulder of the island, which lay almost entirely at their feet, swimming in the fairy blueness of the water. Shining morning vapours rose over the sea to the east, under a dazzling sun which already burned hot as it rose higher and higher; and there, far off, the dimly cerulean masses of Italy, of her near and far mountains, still wavered blue as if in the world's morning, in a beauty no words can express.... Halfway down the descent the pipers slackened their pace. Above the road, in a grotto of the rocky face of Monte Solaro stood the Mother of God, the sun full upon her, giving her a splendour of snow-white and blue raiment, and royal crown rusty from all weathers. Meek and merciful, she raised her eyes to heaven, to the eternal and blessed mansions of her thrice-holy Son. The pipers bared their heads, put their pipes to their lips: and there streamed forth naive and meekly joyous praises to the sun, to the morning, to Her, Immaculate, who would intercede for all who suffer in this malicious and lovely world, and to Him, born of Her womb among the caves of Bethlehem, in a lowly shepherd's hut, in the far Judean land....

And the body of the dead old man from San Francisco was returning home, to its grave, to the shores of the New World. Having been subjected to many humiliations, much human neglect, after a week's wandering from one warehouse to another, it was carried at last on to the same renowned vessel which so short a time ago, and with such honour, had borne him living to the Old World. But now he was to be hidden far from the knowledge of the voyagers. Closed in a tar-coated coffin, he was lowered deep into the vessel's dark hold. And again, again the ship set out on the long voyage. She passed at night near Capri, and to those who were looking out from the island, sad seemed the lights of the ship slowly hiding themselves in the sea's darkness. But there aboard the liner, in the bright halls shining with lights and marble, gay dancing filled the evening, as usual....

The second evening, and the third evening, still they danced, amid a storm that swept over the ocean, booming like a funeral service, rolling up mountains of mourning darkness silvered with foam. Through the snow the numerous fiery eyes of the ship were hardly visible to the Devil who watched from the rocks of Gibraltar, from the stony gateway of two worlds, peering after the vessel as she disappeared into the night and storm. The Devil was huge as a cliff. But huger still was the liner, many storeyed, many funnelled, created by the presumption of the New Man with the old heart. The blizzard smote the rigging and the funnels, and whitened the ship with snow, but she was enduring, firm, majestic--and horrible. On the topmost deck rose lonely amongst the snowy whirlwind the cosy and dim quarters where lay the heavy master of the ship, he who was like a pagan idol, sunk now in a light, uneasy slumber. Through his sleep he heard the sombre howl and furious screechings of the siren, muffled by the blizzard. But again he reassured himself by the nearness of that which stood behind his wall, and was in the last resort incomprehensible to him: by the large, apparently armoured cabin which was now and then filled with a mysterious rumbling, throbbing, and crackling of blue fires that flared up explosive around the pale face of the telegraphist who, with a metal hoop fixed on his head, was eagerly straining to catch the dim voices of vessels which spoke to him from hundreds of miles away. In the depths, in the under-water womb of the _Atlantis_, steel glimmered and steam wheezed, and huge masses of machinery and thousand-ton boilers dripped with water and oil, as the motion of the ship was steadily cooked in this vast kitchen heated by hellish furnaces from beneath. Here bubbled in their awful concentration the powers which were being transmitted to the keel, down an infinitely long round tunnel lit up and brilliant like a gigantic gun-barrel, along which slowly, with a regularity crushing to the human soul, revolved a gigantic shaft, precisely like a living monster coiling and uncoiling its endless length down the tunnel, sliding on its bed of oil. The middle of the _Atlantis_, the warm, luxurious cabins, dining-rooms, halls, shed light and joy, buzzed with the chatter of an elegant crowd, was fragrant with fresh flowers, and quivered with the sounds of a string orchestra. And again amidst that crowd, amidst the brilliance of lights, silks, diamonds, and bare feminine shoulders, a slim and supple pair of hired lovers painfully writhed and at moments convulsively clashed. A sinfully discreet, pretty girl with lowered lashes and hair innocently dressed, and a tallish young man with black hair looking as if it were glued on, pale with powder, and wearing the most elegant patent-leather shoes and a narrow, long-tailed dress coat, a beau resembling an enormous leech. And no one knew that this couple had long since grown weary of shamly tormenting themselves with their beatific love-tortures, to the sound of bawdy-sad music; nor did any one know of that thing which lay deep, deep below at the very bottom of the dark hold, near the gloomy and sultry bowels of the ship that was so gravely overcoming the darkness, the ocean, the blizzard....

GENTLE BREATHING

In the cemetery above a fresh mound of earth stands a new cross of oak--strong, heavy, smooth, a pleasant thing to look at. It is April, but the days are grey. From a long way off one can see through the bare trees the tomb-stones in the cemetery--a spacious, real country or cathedral town cemetery; the cold wind goes whistling, whistling through the china wreath at the foot of the cross. In the cross itself is set a rather large bronze medallion, and in the medallion is a portrait of a smart and charming school-girl, with happy, astonishingly vivacious eyes.

It is Olga Meschersky.

As a little girl there was nothing to distinguish her in the noisy crowd of brown dresses which made its discordant and youthful hum in the corridors and class-rooms; all that one could say of her was that she was just one of a number of pretty, rich, happy little girls, that she was clever, but playful, and very careless of the precepts of her class-teacher. Then she began to develop and to blossom, not by days, but by hours. At fourteen, with a slim waist and graceful legs, there was already well developed the outline of her breasts and all those contours of which the charm has never yet been expressed in human words; at fifteen she was said to be a beauty. How carefully some of her school friends did their hair, how clean they were, how careful and restrained in their movements! But she was afraid of nothing--neither of ink-stains on her fingers, nor of a flushed face, nor of dishevelled hair, nor of a bare knee after a rush and a tumble. Without a thought or an effort on her part, imperceptibly there came to her everything which so distinguished her from the rest of the school during her last two years--daintiness, smartness, quickness, the bright and intelligent gleam in her eyes. No one danced like Olga Meschersky, no one could run or skate like her, no one at dances had as many admirers as she had, and for some reason no one was so popular with the junior classes. Imperceptibly she grew up into a girl and imperceptibly her fame in the school became established, and already there were rumours that she is flighty, that she cannot live without admirers, that the schoolboy, Shensin, is madly in love with her, that she, too, perhaps loves him, but is so changeable in her treatment of him that he tried to commit suicide....

During her last winter, Olga Meschersky went quite crazy with happiness, so they said at school. It was a snowy, sunny, frosty winter; the sun would go down early behind the grove of tall fir-trees in the snowy school garden; but it was always fine and radiant weather, with a promise of frost and sun again to-morrow, a walk in Cathedral Street, skating in the town park, a pink sunset, music, and that perpetually moving crowd in which Olga Meschersky seemed to be the smartest, the most careless, and the happiest. And then, one day, when she was rushing like a whirlwind through the recreation room with the little girls chasing her and screaming for joy, she was unexpectedly called up to the headmistress. She stopped short, took one deep breath, with a quick movement, already a habit, arranged her hair, gave a pull to the corners of her apron to bring it up on her shoulders, and with shining eyes ran upstairs. The headmistress, small, youngish, but grey-haired, sat quietly with her knitting in her hands at the writing-table, under the portrait of the Tsar.

"Good morning, Miss Meschersky," she said in French, without lifting her eyes from her knitting. "I am sorry that this is not the first time that I have had to call you here to speak to you about your behaviour."

"I am attending, madam," answered Olga, coming up to the table, looking at her brightly and happily, but with an expressionless face, and curtsying so lightly and gracefully, as only she could.

"You will attend badly--unfortunately I have become convinced of that," said the headmistress, giving a pull at the thread so that the ball rolled away over the polished floor, and Olga watched it with curiosity. The headmistress raised her eyes: "I shall not repeat myself, I shall not say much," she said.

Olga very much liked the unusually clean and large study; on frosty days the air in it was so pleasant with the warmth from the shining Dutch fire-place, and the fresh lilies-of-the-valley on the writing-table. She glanced at the young Tsar, painted full-length in a splendid hall, at the smooth parting in the white, neatly waved hair of the headmistress; she waited in silence.

"You are no longer a little girl," said the headmistress meaningly, beginning to feel secretly irritated.

"Yes, madam," answered Olga simply, almost merrily.

"But neither are you a woman yet," said the headmistress, still more meaningly, and her pale face flushed a little. "To begin with, why do you do your hair like that? You do it like a woman."

"It is not my fault, madam, that I have nice hair," Olga replied, and gave a little touch with both hands to her beautifully dressed hair.

"Ah, is that it? You are not to blame!" said the headmistress. "You are not to blame for the way you do your hair; you are not to blame for those expensive combs; you are not to blame for ruining your parents with your twenty-rouble shoes. But, I repeat, you completely forget that you are still only a schoolgirl...."

And here Olga, without losing her simplicity and calm, suddenly interrupted her politely:

"Excuse me, madam, you are mistaken--I am a woman. And, do you know who is to blame for that? My father's friend and neighbour, your brother, Alexey Mikhailovitch Malyntin. It happened last summer in the country...."

* * * * *

And a month after this conversation, a Cossack officer, ungainly and of plebeian appearance, who had absolutely nothing in common with Olga Meschersky's circle, shot her on the platform of the railway station, in a large crowd of people who had just arrived by train. And the incredible confession of Olga Meschersky, which had stunned the headmistress, was completely confirmed; the officer told the coroner that Meschersky had led him on, had had a _liaison_ with him, had promised to marry him, and at the railway station on the day of the murder, while seeing him off to Novocherkask had suddenly told him that she had never thought of marrying him, that all the talk about marriage was only to make a fool of him, and she gave him her diary to read with the pages in it which told about Malyntin.

"I glanced through those pages," said the officer, "went out on to the platform where she was walking up and down, and waiting for me to finish reading it, and I shot her. The diary is in the pocket of my overcoat; look at the entry for July 10 of last year."

And this is what the coroner read:

"It is now nearly two o'clock in the morning. I fell sound asleep, but woke up again immediately.... I have become a woman to-day! Papa, mamma, and Tolya had all gone to town, and I was left alone. I cannot say how happy I was to be alone. In the morning I walked in the orchard, in the field, and I went into the woods, and it seemed to me that I was all by myself in the whole world, and I never had such pleasant thoughts before. I had lunch by myself; then I played for an hour, and the music made me feel that I should live for ever, and be happier than any one else had ever been. Then I fell asleep in papa's study, and at four o'clock Kate woke me, and said that Alexey Mikhailovitch had come. I was very glad to see him; it was so pleasant to receive him and entertain him. He came with his pair of Viatka horses, very beautiful, and they stood all the time at the front door, but he stayed because it was raining, and hoped that the roads would dry towards evening. He was very sorry not to find papa at home, was very animated and treated me very politely, and made many jokes about his having been long in love with me. Before tea we walked in the garden, and the weather was charming, the sun shining through the whole wet garden; but it grew quite cold, and he walked with me, arm in arm, and said that he was Faust with Margarete. He is fifty-six, but still very handsome, and always very well dressed--the only thing I didn't like was his coming in a sort of cape--he smells of English eau-de-Cologne, and his eyes are quite young, black; his beard is long and elegantly parted down the middle, it is quite silvery. We had tea in the glass verandah, and suddenly I did not feel very well, and lay down on the sofa while he smoked; then he sat down near me, and began to say nice things, and then to take my hand and kiss it. I covered my face with a silk handkerchief, and several times he kissed me on the lips through the handkerchief.... I can't understand how it happened; I went mad; I never thought I was like that. Now I have only one way out.... I feel such a loathing for him that I cannot endure it...."

* * * * *

The town in these April days has become clean and dry, its stones have become white, and it is easy and pleasant to walk on them. Every Sunday, after mass, along Cathedral Street which leads out of the town, there walks a little woman in mourning, in black kid gloves, and with an ebony sunshade. She crosses the yard of the fire-station, crosses the dirty market-place by the road where there are many black smithies, and where the wind blows fresher from the fields; in the distance, between the monastery and the gaol, is the white slope of the sky and the grey of the spring fields; and then, when you have passed the muddy pools behind the monastery wall and turn to the left, you will see what looks like a large low garden, surrounded by a white wall, on the gates of which is written "The Assumption of Our Lady." The little woman makes rapid little signs of the cross, and always walks on the main path. When she gets to the bench opposite the oak cross she sits down, in the wind and the chilly spring, for an hour, two hours, until her feet in the light boots, and her hand in the narrow kid glove, grow quite cold. Listening to the birds of spring, singing sweetly even in the cold, listening to the whistling of the wind through the porcelain wreath, she sometimes thinks that she would give half her life if only that dead wreath might not be before her eyes. The thought that it is Olga Meschersky who has been buried in that clay plunges her into astonishment bordering upon stupidity: how can one associate the sixteen-year-old school-girl, who but two or three months ago was so full of life, charm, happiness, with that mound of earth and that oak cross. Is it possible that beneath it is the same girl whose eyes shine out immortally from this bronze medallion, and how can one connect this bright look with the horrible event which is associated now with Olga Meschersky? But in the depths of her soul the little woman is happy, as are all those who are in love or are generally devoted to some passionate dream.