Part 8

"And may the same powers," replied the youth, "grant me life and opportunity to manifest the immensity of my love."

Matters being thus happily matured, the lover begged that immediate recourse might be had to the church, and set out with Godfrey for Doctor Commons for a license, having first agreed that the ceremony should be performed in the lodgings of the bride.

Permission being obtained, they found a means to engage a clergyman, who undertook to attend them at their own time and place.

The ceremony was performed without delay, Hatchway standing as godfather to the bride.

Such another couple as Peregrine and Emilia were not to be found in the whole United Kingdom.

* * * * *

MADAME DE STAËL

Corinne

Madame de Staël, the most famous and brilliant of the many famous Frenchwomen of the Revolution and the Empire, was born, like Bonaparte himself, of alien parents. Her father was Necker, the eminent Swiss minister of finance under Louis XVI, whose triumph and exile were among the startling events of the opening stage of the Revolution; whilst her mother, also Swiss, had been the lover of the historian Gion and now presided over one of the most brilliant _salons_ in Paris. Anne Marie Louise Germaine Necker was born at Paris on April 22, 1766. In 1787 she was married--unhappily--to Baron de Staël-Holstein, Swedish Ambassador at Paris. She was in peril during the Terror, but escaped to Switzerland. A few years afterwards she showed keen political activity against Napoleon, who respected her hostility so profoundly that he would not suffer her to approach Paris. Madame de Staëls "Corinne, or Italy," is accounted one of her two masterpieces, the other one being "On Germany." (See Vol. XX.) It was published in 1807, and was written at Coppet, in Switzerland, her place of residence and exile during her many enforced sojourns from Paris by order of the Emperor. "Corinne" not only revealed for the first time to the Frenchmen of her day the grandeur and mystery and charm of Italy, but also showed the national characteristics of French and Englishmen for the first time in their respective, and in a European light. Moreover, as one European critic has pointed out, it is also one of the first, and still one of the subtlest, studies in the psychology of sex and emancipation of woman of the nineteenth century. Madame de Staël's relations with the clever and ambitious young statesman and writer, Benjamin Constant, formed the chief source of her inspiration in writing "Corinne," as it formed his in writing "Adolphe." Madame de Staël died in Paris, July 14, 1817.

_I.--The Roman Poetess_

When Oswald, Lord Nevil, awoke on his first morning in Rome, he heard church bells ringing and cannon firing, as if announcing some high solemnity. He inquired the cause and learned that the most celebrated woman in Italy would that morning be crowned at the capital--Corinne, the poetess and improvisatrice, one of the loveliest women of Rome.

As he walked the streets, he heard her named every instant. Her family name was unknown. She had won fame by her verses five years before, under the simple name of Coe; and no one could tell where she had lived nor what she had been, in her earlier days.

The, triumphal procession approached, heralded by a burst of melody. First came a number of Roman nobles, then an antique car drawn by four spotless steeds, escorted by white clad maidens. Not until he beheld the woman in the car did Oswald lay aside his English reserve and yield to the spirit of the scene. Corinne was tall, robust like a Greek statue, and transcendently beautiful. Her attitude was noble and modest; while it manifestly pleased her to be admired, yet a timid air blended with her joy, and she seemed to ask pardon for her triumph.

She ascended to the capitol; the assembled Roman poets recited her praises; Prince Castel Forte, the most honoured of Roman noblemen, uttered a eulogy of her; and, ere she received the destined bays, she took up her lyre and in accordance with custom gave a poetic improvisation. The subject of her passionate chant was the glory of Italy; and amid the impetuous applause that followed, Corinne, looking round, observed Oswald. She saw him to be English; she was struck by his melancholy, and by the mourning he wore. Taking up her lyre again, she spoke some touching stanzas on death and consolation that went straight to his heart.

The crown of bays and myrtle was placed on her head; she descended from the Capitol amid a burst of triumphant music. As she passed Oswald, the crown accidentally fell from her head. He quickly picked it up and restored it to her, with a few words of homage in Italian. What was his surprise when she thanked him in perfect English!

On the evening of the next day, Oswald was introduced to Corinne at her own house by the Count d'Erfeuil, a Frenchman who had been his companion in the journey into Italy. The Prince Castel Forte and all the other guests paid her the most assiduous attention; Oswald gazed on her for the most part in silence, wondering at the mingled sweetness and vivacity of her conversation, realising that she possessed a grace that he had never met before. Although she invited him to meet her again, he did not go on the next evening; he was restrained by a kind of terror at the feeling which excited him.

"Oh, my father," he sighed, "had you known Corinne, what would you have thought of her?"

For the mourning that Oswald wore was for his father. A terrible event in Oswald's life had drawn the two apart; his father had died ere he could return to ask forgiveness. But his father had blessed him on his deathbed, and it was Oswald's whole desire in the grief that preyed upon him, to live in all things as his dead parent would have wished him to live.

The attraction of Corinne's society soon drew him back to her presence, and during the next fortnight she, at her own proposal, guided him in his exploration of Rome. Together they wandered through the ruins, the churches, the art galleries. Their opinions were seldom in agreement; Corinne was characteristically and brightly Italian in her views, Oswald characteristically and sombrely English. But each was conscious, none the less, of keen intellectual sympathy with the other; and Oswald, without speaking of the love of which he began to be conscious, made her sensible of it every hour in the day. His proud retiring attachment shed a new interest over her life. Accustomed as she was to the lively and flattering tributes of the Italians, this outward coldness disguising intense tenderness of heart captivated her imagination.

But one morning she received from him a note saying that indisposition would confine him to his house for some days. Oswald had made up his mind to avoid Corinne; he felt too strongly the power of her charms. What would his father have said of this woman? Could she, the brilliant poetess, be expected to possess the English domestic virtues which his father valued above all things in a wife? Besides, there was a mystery about her; she had not revealed her name and family even to him; nor had he ever had an explanation of her perfect knowledge of English.

Corinne was terrified, on receiving the note, by the idea that he would fly without bidding her adieu. Unable to rest in the house where Oswald came not, she wandered in the gardens of Rome, hoping to meet him. As she was seated in grief beside the Fount of Trevi, Oswald, who had paused there at the same moment, saw her countenance reflected in the water. He started, as if he had seen her phantom; but a moment later Corinne had rushed forward and seized his arm--then, repenting of her impetuosity, she blushed, and covered her face to hide her tears.

"Dear Corinne!" he cried, "has my absence pained you?"

"Yes," she replied, "you must have known it would. Why then inflict such pangs on me? Have I deserved them?"

Her emotion greatly affected Oswald. "I will visit you again to-morrow, Corinne," he said. "Swear it!" she exclaimed, eagerly. "I do."

_II.--The Living and the Dead_

Oswald's natural irresolution had been augmented by misfortune, and he hesitated before entering upon an irrevocable engagement. Although he no longer sought to disguise his affection for Corinne, he did not propose marriage to her. She, on her part, was mortified by his silence. Often he was on the point of breaking it; but the thought of his father restrained him--and the thought of Lucy Edgarmond, the English girl whom his father had wished him to marry, when she was old enough, and whom he had not seen since she was a child of twelve. What, he asked himself, again and again, was his duty?

One day, as he was visiting her at her house at Tivoli, she took her harp and sang one of those simple Scotch ballads, the notes of which seemed fit to be borne on the wailing breeze. Oswald's heart was touched at the memories thus awakened of his own country; his eyes filled with tears.

"Ah, Corinne," he cried, "does then my country affect your heart? Could you go with me there, and be the partner of my life?"

"Surely I could," she answered, "for I love you."

"In love's name, then, tell me who you are, Corinne; have no more secrets from me."

"Your will shall be obeyed, Oswald. I only ask that you require not my story until the religious solemnities of Easter are over; is not the support of heaven more than ever necessary at the moment which must decide my fate?"

"Corinne," he said, "if thy fate depends on me, it shall no longer be a sad one."

When Easter was over, Corinne set out for Naples, where she had many friends and admirers; and Oswald accompanied her there. She still feared to tell the story of her life.

"Who can tell," she said to Oswald, "if, when I have opened my heart to you, you will remain the same? How can I help trembling beneath such doubt?"

To encourage her, and to exchange confidences honourably with her, he told her his own secret He had been skilfully drawn into an intrigue with a scheming Frenchwoman, utterly against his father's wishes; when he had escaped from the net that had been cast for him, and was hurrying homeward, he heard the news that the being whom he loved and revered most of all mankind was dead. He had knelt at his father's tomb and sworn in atonement that he would never marry without his consent. But how obtain the consent of one who was no more? Lucy Edgarmond--Corinne started at the name--had been destined by his father for his bride. Was the wish one that could be set aside? He had simply advised the match, for Lucy was still a child with character unformed.

"Ere I met you," said Oswald, "I meant to fulfil his wish as an act of expiation; but now," he went on passionately, "you have triumphed over my whole being. My doubts are over, love; I am yours for ever. Would my father have had it otherwise had he known you?"

"Hold," cried Corinne, "speak not thus to me yet!"

"Ah, tell me what you have to tell me!"

"Presently I shall; and I shall hear my sentence from your lips unmurmuringly, even if it be cruel."

Ere she revealed her story, Corinne gave a fête, as if to enjoy one more day of fame and happiness ere her lover pronounced her doom. It was held on the cape of Micena. The lovely bay and its islands lay before the party; Vesuvius frowned in the background. As the party embarked to return in the glowing calm of the evening hour, Corinne put back her tresses that she might better enjoy the sea air; Oswald had never seen her look so beautiful.

"Oh, my love, oh, my love," he whispered, "can I ever forget this day?"

"Alas!" returned Corinne, "I hope not for such another day."

"Corinne!" he cried, "here is the ring my father gave his wife, let me give it to you, and while you keep it, let me be no longer free."

"No, no! take it back," she answered in a stifled voice.

"I shall not," he replied; "I swear never to wed another till you send back that ring."

"Perhaps when you have read my history, the dreadful word adieu--"

"Never," cried Oswald, "until my deathbed--fear not that word till then."

"Alas!" said Corinne, "as I looked at the heavens a minute ago, the moon was covered by a cloud of fatal aspect. A childish superstition came back to my mind. To-night the sky condemns our love."

That evening Corinne's maid brought him the papers in which she had written her story.

_III.--Corinne's Story_

"Oswald, I begin with the avowal that must determine my fate. Lord Edgarmond was my father. I was born in Italy; his first wife was a Roman lady; and Lucy, whom they intended for your bride, is my sister by my father's second marriage.

"I lost my mother ere I was ten years old, and remained in the care of an aunt at Florence until I was fifteen, when my father brought me to his home in Northumberland. My stepmother was a cold, dignified, silent woman, whose eyes could turn affectionately on her child Lucy, then three years old; but she usually wore so positive an air that it seemed impossible to make her understand a new idea.

"My tastes and talents had already been formed, and they were but ill-suited to the dismal monotony of my life in Northumberland. I was bidden to forget Italy; I was not allowed to converse on poetry or art; I had no congenial friends. Even the sun, that might have reminded me of Italy, was often hidden by fog. My only occupation was the education of my half-sister; my only solace, the company of my father.

"'My dear child, he said to me once, it is not here as in Italy; our women have no occupation save their domestic uses. Your talents may beguile your solitude; but in a country town like this all that attracts attention excites envy. One must not combat the habits of a place in which one is established. It is better to bear a little ennui than to be beset by wondering faces that every instant demand reasons for what you do.'

"Lord Nevil was my father's intimate friend, and it was yourself of whom he thought for my husband. Had we then met and loved, our fate would have been cloudless. But when I was presented to Lord Nevil I desired, perhaps too ardently, to please him; I displayed all my talents, dancing, singing, and extemporising before him--I believe, though I am not certain--that I appeared to Lord Nevil somewhat too wild; for although he treated me very kindly, yet, when he left my father he said that he thought his son too young for the marriage in question. Oswald, what importance do you attach to this confession? I might suppress it, but I will not. Is it possible that it will prove my condemnation?

"When my father died, my despair was uncontrollable. I found myself without support. My only adult relation was my stepmother, who was as frigid as ever towards me. I was attacked by that homesick yearning which makes exile more terrible than death. All the country around me was dull and sullen. I longed for the sunshine, the vine, the music, the sweet language of Italy. At twenty-one I had a right to my mother's fortune, and whatever my father had left me. Then did I first dream of returning to Italy, and devoting my life to the arts.

"When I suggested the possibility of my doing so to Lady Edgarmond, she replied, with dry indifference, 'You are of age, and the mistress of your conduct; but if you take any step which would dishonour you in the eyes of the world, you owe it to your family to change your name and be reported dead.' This heartless scorn helped me to come to a decision. In less than a week I had embarked on a vessel for Leghorn. I set forth without warning my stepmother, but left a letter apprising her of my plans.

"For a time I lived in Florence, whither Lady Edgarmond wrote me word of her having spread the report that I had travelled southwards for my health and had died on the voyage. During the following five years, as you know, I won fame as Corinne the poetess.

"And now you know my history--I have concealed nothing. My happiness depends entirely upon you. When you have read this, I would see you; my impatience will bring me to your side, and I shall read my fate at a glance; for grief is a rapid poison--and the heart, though weak, never mistakes the signal of irrevocable destiny."

_IV.--Parting and Pursuit_

"Well," said Corinne, struggling to appear calm, when she went to Oswald to learn her fate, "you have had time enough--speak! tell me what you have resolved!"

"Corinne," answered Oswald, "my heart is unchanged. We will both live for love. I will return."

"Return!" interrupted Corinne; "ah, you leave me then! How all is changed since yesterday!"

"Dearest love," he replied, "be composed. It is necessary that I should ascertain my father's reasons for opposing our union seven years ago. I will hope for the best, Corinne; but if my father decides against you, I will never be the husband of another, though I cannot be yours."

One night in Venice a few weeks later, when Corinne was leaving a scene of festivity of which she had been the most brilliant ornament, Oswald led her aside. She marked his paleness and agitation.

"What has happened?" she cried.

"I must start for England to-night. My regiment is about to embark for the West Indies, and I am recalled to rejoin it."

"Ah!" moaned Corinne, "when I tell myself to-morrow 'I shall see him no more,' the thought may kill me; happy am I if it does."

"Why do you fear? Is my solemn promise nothing?"

"Oh, I believe it; but listen--when you are in London, you will discover that love promises bind not your honour. Will you find excuses in these sophisms for inflicting a mortal wound on me? Cannot you at least pity me for loving you thus?"

"Stay!" cried Oswald, seizing her in his arms, "this is too much. Dearest, I cannot leave you!"

"Nay, you must," replied Corinne, recalled to herself by his words.

"My love," answered Oswald, trying to calm himself, "I shall strive during my absence to restore to you your due rank in your father's country. If I fail, I will return to Italy, and live or die at your feet."

A light gleamed through the window, and the gondola that was to take Oswald away stopped at the door.

"They are here--adieu--all is ended!" sobbed Corinne.

"Oh God! O my father!" he exclaimed, "what do ye exact of me?"

He flung himself once more into her arms and then, trembling and pale, like one prepared for the torture, he passed from her sight.

On reaching England, he found that his regiment's departure had been postponed, and, while waiting, he visited Northumberland, told Lady Edgarmond of his affection for her stepdaughter, and demanded Corinne's restoration to her rank. Lady Edgarmond unbendingly refused.

"I owe to your father's memory," she added, "my exertion to prevent your union with her if I can. Your father's letter on the subject is in the hands of his old friend, Mr. Dickson."

Oswald speedily set out for his ancestral estate in Scotland, anxious to see Mr. Dickson and read the letter. In Northumberland he had seen Lucy--a beautiful and sweetly innocent girl, one whom he could plainly see to be a maiden after his father's own heart.

His father's letter confirmed his worst fears. He had wholly disapproved of Oswald's union with the girl who afterwards became Corinne. He had thought her wholly unfitted for domestic English life, and had feared that she would destroy his son's English character and transform him into an Italian. Oswald was to be acquainted with his wishes if necessary; he knew he would respect them.

The irresolution and unhappiness into which Oswald was plunged was increased by the fact that his letters to Corinne received no replies. Had her love ceased when his presence was removed? His friends told him of the fickleness of Italian women, and he began to believe that she had deserted him. The truth was that Corinne was not in Italy to receive his letters. She had come to England.

Desolated by his absence, and alarmed by the tone of the letters from him that had reached her, she had resolved to follow him. On arriving in London, she had been seized by an illness which prevented her from seeing him. On her recovery the people with whom she was staying took her to the theatre where Mrs. Siddons was playing. Oswald was at the theatre with Lady Edgarmond and Lucy. Corinne observed with a sinking heart the delicate attention which Oswald paid to her half-sister.

She saw him next at a review, where he appeared at the head of his regiment. After the march past, he escorted Lucy in a ride on horseback. Corinne noted his kind solicitude, his promptitude when Lucy was in danger, the tenderness with which he supported her. What more did Corinne need to convince her of his love for Lucy?

That evening she went to his door, and learnt that he had left for Scotland an hour earlier. She felt that she must see him again; so she, also, departed for Scotland.

Lady Edgarmond gave a ball on her Scottish estate, and among the guests was Oswald, whose home was near at hand. In the grounds lurked Corinne, seeking an opportunity of meeting her lover. In the midst of the festivities, a white-clad figure hurried out alone; Corinne knew it to be her half-sister. Lucy, believing that no eye was upon her, knelt down in the grove where stood her father's tomb. "Pray for me, O my father!" she said; "inspire him to choose me as the partner of his life! Oh God, render me worthy of the love of Oswald!"

"Grant her prayer," whispered Corinne, "and give her sister a peaceful grave."

She drew out the ring that Oswald had given her, and wrapped it in a piece of paper on which she wrote the words, "You are free." She thrust this into the hand of a man near the house with a request that he should hand it to a servant to be delivered to Lord Nevil. She saw the man give it to a servant. Then she fled.

_V.--The Clouded Moon_

To Oswald's assured knowledge of his father's wishes, and his fear that Corinne had been untrue to him, had been added a third consideration, Lady Edgarmond's health was rapidly declining, and when she died Lucy would be unprotected in the world. Was it not his duty to protect her? He resolved to undertake the duty, if he could only be free from his promise to Corinne.

When his freedom came, with the mysterious return of the ring, all his doubts were removed. Soon afterwards he married Lucy, and after a short interval--during which he felt intense anxiety as to whether he had not wronged Corinne--he went with his regiment to the West Indies.