Chapter II
“Although, as you may well suppose,” continued the man in the corner, after a pause, “the excitement was intense at Boreham Wood, it had not as yet reached the general newspaper-reading public. As the tragic event had occurred at one o’clock in the morning, the papers the following day only contained a brief announcement that an old lady had been found murdered at Boreham Wood under somewhat mysterious circumstances. Later on, the evening editions added that the police were extremely reticent, but that it was generally understood that they held an important clue.
“The following day had been fixed for the inquest, and I went down myself in the morning, for somehow I felt that this case was going to be an interesting one. A murder which at first seems absolutely purposeless always, in my experience, reveals, sooner or later, an interesting trait in human nature.
“As soon as I arrived at Boreham Wood, I found that the murder of Miss Pebmarsh and the forthcoming inquest seemed to be the sole subjects of gossip and conversation. After I had been in the place half an hour the news began to spread like wild-fire that the murderer had been arrested; five minutes later the name of the murderer was on everybody’s lips.
“It was that of the murdered woman’s niece, Miss Pamela Pebmarsh.
“‘Oh, oh!’ I said to myself, ‘my instincts have not deceived me: this case is indeed going to be interesting.’
“It was about two o’clock in the afternoon when I at last managed to find my way to the little police station, where the inquest was to be held. There was scarcely standing room, I can tell you, and I had some difficulty in getting a front place from which I could see the principal actors in this village drama.
“Pamela Pebmarsh was there in the custody of two constables—she, a young girl scarcely five-and-twenty, stood there accused of having murdered, in a peculiarly brutal way, an old lady of seventy, her relative who had befriended her and given her a home.”
The man in the corner paused for a moment, and from the capacious pocket of his magnificent ulster he drew two or three small photos, which he placed before me.
“This is Miss Pamela Pebmarsh,” he said, pointing to one of these; “tall and good-looking, in spite of the shabby bit of mourning with which she had contrived to deck herself. Of course, this photo does not give you an idea of what she looked like that day at the inquest. Her face then was almost ashen in colour; her large eyes were staring before her with a look of horror and of fear; and her hands were twitching incessantly, with spasmodic and painful nervousness.
“It was pretty clear that public feeling went dead against her from the very first. A murmur of disapproval greeted her appearance, to which she seemed to reply with a look of defiance. I could hear many uncharitable remarks spoken all round me; Boreham Wood found it evidently hard to forgive Miss Pamela her good looks and her unavowed past.
“The medical evidence was brief and simple. Miss Pebmarsh had been stabbed in the back with some sharp instrument, the blade of which had pierced the left lung. She had evidently been sitting in the chair in front of her writing-table when the murderer had caught her unawares. Death had ensued within the next few seconds.
“The medical officer was very closely questioned upon this point by the coroner; it was evident that the latter had something very serious in his mind, to which the doctor’s replies would give confirmation.
“‘In your opinion,’ he asked, ‘would it have been possible for Miss Pebmarsh to do anything after she was stabbed. Could she have moved, for instance?’
“‘Slightly, perhaps,’ replied the doctor; ‘but she did not attempt to rise from her chair.’
“‘No; but could she have tried to reach the hand-bell, for instance, which was on the table, or—the pen and ink—and written a word or two?’
“‘Well, yes,’ said the doctor thoughtfully; ‘she might have done that, if pen and ink, or the hand-bell, were _very_ close to her hand. I doubt, though, if she could have written anything very clearly, but still it is impossible to say quite definitely—anyhow, it could only have been a matter of a few seconds.’
“Delightfully vague, you see,” continued the man in the corner, “as these learned gentlemen’s evidence usually is.
“Sergeant Evans then repeated the story which Pamela Pebmarsh had originally told him, and from which she had never departed in any detail. She had gone to the theatre, leaving her aunt all alone in the house; she had arrived home at one o’clock by the late Wednesday night train, and had gone straight into the sitting-room, where she had found her aunt dead before her writing-table.
“That she travelled up to London in the afternoon was easily proved; the station-master and the porters had seen her go. Unfortunately for her _alibi_, however, those late ‘theatre’ trains on that line are always very crowded; the night had been dark and foggy, and no one at or near the station could swear positively to having seen her arrive home again by the train she named.
“There was one thing more; although the importance of it had been firmly impressed upon Pamela Pebmarsh, she absolutely refused to name the friends with whom she had been to the theatre that night, and who, presumably, might have helped her to prove at what hour she left London for home.
“Whilst all this was going on, I was watching Pamela’s face intently. That the girl was frightened—nay more, terrified—there could be no doubt; the twitching of her hands, her eyes dilated with terror, spoke of some awful secret which she dare not reveal, but which she felt was being gradually brought to light. Was that secret the secret of a crime—a crime so horrible, so gruesome, that surely so young a girl would be incapable of committing?
“So far, however, what struck every one mostly during this inquest was the seeming purposelessness of this cruel murder. The old lady, as far as could be ascertained, had no money to leave, so why should Pamela Pebmarsh have deliberately murdered the aunt who provided her, at any rate, with the comforts of a home? But the police, assisted by one of the most able detectives on the staff, had not effected so sensational an arrest without due cause; they had a formidable array of witnesses to prove their case up to the hilt. One of these was Jemima Gadd, the late Miss Pebmarsh’s servant.
“She came forward attired in deep black, and wearing a monumental crape bonnet crowned with a quantity of glistening black beads. With her face the colour of yellow wax, and her thin lips pinched tightly together, she stood as the very personification of puritanism and uncharitableness.
“She did not look once towards Pamela, who gazed at her like some wretched bird caught in a net, which sees the meshes tightening round it more and more.
“Replying to the coroner, Jemima Gadd explained that on the Wednesday morning she had had a letter from her sister at Luton, asking her to come over and see her some day.
“‘As there was plenty of cold meat in the ’ouse,’ she said, ‘I asked the mistress if she could spare me until the next day, and she said yes, she could. Miss Pamela and she could manage quite well.’
“‘She said nothing about her niece going out, too, on the same day?’ asked the coroner.
“‘No,’ replied Jemima acidly, ‘she did not. And later on, at breakfast, Miss Pebmarsh said to Miss Pamela before me: “Pamela,” she says, “Jemima is going to Luton, and won’t be back until to-morrow. You and I will be alone in the ’ouse until then.”’
“‘And what did the accused say?’
“‘She says, “All right, aunt.”’
“‘Nothing more?’
“‘No, nothing more.’
“‘There was no question, then, of the accused going out also, and leaving Miss Pebmarsh all alone in the house?’
“‘None at all,’ said Jemima emphatically. ‘If there ’ad been I’d ’ave ’eard of it. I needn’t ’ave gone that day. Any day would ’ave done for me.’
“She closed her thin lips with a snap, and darted a vicious look at Pamela. There was obviously some old animosity lurking beneath that gigantic crape monument on the top of Jemima’s wax-coloured head.
“‘You know nothing, then, about any disagreement between the deceased and the accused on the subject of her going to the theatre that day?’ asked the coroner, after a while.
“‘No, not about _that_,’ said Jemima curtly, ‘but there was plenty of disagreements between those two, I can tell you.’
“‘Ah! what about?’
“‘Money, mostly. Miss Pamela was over-fond of fine clothes, but Miss Pebmarsh, who was giving ’er a ’ome and daily bread, ’adn’t much money to spare for fallalery. Miss Pebmarsh ’ad a small pension from a lady of the haristocracy, but it wasn’t much—a pound a week it was. Miss Pebmarsh might ’ave ’ad a lot more if she’d wanted to.’
“‘Oh?’ queried the coroner, ‘how was that?’
“‘Well, you see, that fine lady ’ad not always been as good as she ought to be. She’d been Miss Pamela’s friend when they were both on the stage together, and pretty goings on, I can tell you, those two were up to, and——’
“‘That’ll do,’ interrupted the coroner sternly. ‘Confine yourself, please, to telling the jury about the pension Miss Pebmarsh had from a lady.’
“‘I was speaking about that,’ said Jemima, with another snap of her thin lips. ‘Miss Pebmarsh knew a thing or two about this fine lady, and she had some letters which she often told me that fine lady would not care for her ’usband or her fine friends to read. Miss Pamela got to know about these letters, and she worried her poor aunt to death, for she wanted to get those letters and sell them to the fine lady for ’undreds of pounds. I ’ave ’eard ’er ask for those letters times and again, but Miss Pebmarsh wouldn’t give them to ’er, and they were locked up in the writing-table drawer, and Miss Pamela wanted those letters, for she wanted to get ’undreds of pounds from the fine lady, and my poor mistress was murdered for those letters—and she was murdered by that wicked girl ’oo eat her bread and ’oo would ’ave starved but for ’er. And so I tell you, and I don’t care ’oo ’ears me say it.’
“No one had attempted to interrupt Jemima Gadd as she delivered herself of this extraordinary tale, which so suddenly threw an unexpected and lurid light upon the mystery of poor Miss Pebmarsh’s death.
“That the tale was a true one, no one doubted for a single instant. One look at the face of the accused was sufficient to prove it beyond question. Pamela Pebmarsh had become absolutely livid; she tottered almost as if she would fall, and the constable had to support her until a chair was brought forward for her.
“As for Jemima Gadd, she remained absolutely impassive. Having given her evidence, she stepped aside automatically like a yellow waxen image, which had been wound up and had now run down. There was silence for a while. Pamela Pebmarsh, more dead than alive, was sipping a glass of brandy and water, which alone prevented her from falling in a dead faint.
“Detective Inspector Robinson now stepped forward. All the spectators there could read on his face the consciousness that his evidence would be of the most supreme import.
“‘I was telegraphed for from the Yard,’ he said, in reply to the coroner, ‘and came down here by the first train on the Thursday morning. Beyond the short medical examination the body had not been touched; as the constables know, we don’t like things interfered with in cases of this kind. When I went up to look at deceased, the first thing I saw was a piece of paper just under her right hand. Sergeant Evans had seen it before, and pointed it out to me. Deceased had a pen in her hand, and the ink-bottle was close by. This is the paper I found, sir.’
“And amidst a deadly silence, during which nothing could be heard but the scarcely-perceptible rustle of the paper, the inspector handed a small note across to the coroner. The latter glanced at it for a moment, and his face became very grave and solemn as he turned towards the jury.
“‘Gentlemen of the jury,’ he said, ‘these are the contents of the paper which the inspector found under the hand of the deceased.’
“He paused once more before he began to read, whilst we all in that crowded court held our breath to listen:
“‘_I am dying. My murderess is my niece, Pam_——’
“‘That is all, gentlemen,’ added the coroner, as he folded up the note. ‘Death overtook the unfortunate woman in the very act of writing down the name of her murderess.’
“Then there was a wild and agonised shriek of horror. Pamela Pebmarsh, with hair dishevelled and eyes in which the light of madness had begun to gleam, threw up her hands, and without a groan, fell down senseless upon the floor.”