Part 2

A vast variety of crops was cultivated by the Romans, and the different kinds were adapted by them, with great care, to the different soils. Cato is very particular in his injunctions on this subject. A field that is of a rich and genial soil should be sown with corn; but, if wet or moist, with turnips and raddish. Figs are to be planted in chalky land; and willows in watery situations, in order to serve as twigs for tying the vines. This being the proper mode of laying out a farm, our author gives a detail of the establishment necessary to keep it up;—the number of workmen, the implements of husbandry, and the farm-offices, with the materials necessary for their construction.

He next treats of the management of vineyards and olives; the proper mode of planting, grafting, propping, and fencing: And he is here naturally led to furnish directions for making and preserving the different sorts of wine and oil; as also to specify how much of each is to be allowed to the servants of the family.

In discoursing of the cultivation of fields for corn, Cato enjoins the farmer to collect all sorts of weeds for manure. Pigeons’ dung he prefers to that of every animal. He gives orders for burning lime, and for making charcoal and ashes from the branches or twigs of trees. The Romans seem to have been at great pains in draining their fields; and Cato directs the formation both of open and covered drains. Oxen being employed in ploughing the fields, instructions are added for feeding and taking due care of them. The Roman plough has been a subject of much discussion: Two sorts are mentioned by Cato, which he calls _Romanicum_, and _Campanicum_—the first being proper for a stiff, and the other for a light soil. Dickson conjectures, that the _Romanicum_ had an iron Share, and the _Campanicum_ a piece of timber, like the Scotch plough, and a sock driven upon it. The plough, with other agricultural implements, as the _crates_, _rastrum_, _ligo_, and _sarculum_, most of which are mentioned by Cato, form a curious point of Roman antiquities.

The preservation of corn, after it has been reaped, is a subject of much importance, to which Cato has paid particular attention. This was a matter of considerable difficulty in Italy, in the time of the Romans; and all their agricultural writers are extremely minute in their directions for preserving it from rot, and from the depredations of insects, by which it was frequently consumed.

A great part of the work of Cato is more appropriate to the housewife than the farmer. We have receipts for making all sorts of cakes and puddings, fattening hens and geese, preserving figs during winter; as also medical prescriptions for the cure of various diseases, both of man and beast. _Mala punica_, or pomegranates, are the chief ingredient, in his remedies, for Diarrhœa, Dyspepsia, and Stranguary. Sometimes, however, his cures for diseases are not medical recipes, but sacrifices, atonements, or charms. The prime of all is his remedy for a luxation or fracture.—“Take,” says he, “a green reed, and slit it along the middle—throw the knife upwards, and join the two parts of the reed again, and tie it so to the place broken or disjointed, and say this charm—‘Daries, Dardaries, Astataries, Dissunapiter.’ Or this—‘Huat, Hanat, Huat, Ista, Pista, Fista, Domiabo, Damnaustra.’ This will make the part sound again(18).”

The most remarkable feature in the work of Cato, is its total want of arrangement. It is divided, indeed, into chapters, but the author, apparently, had never taken the trouble of reducing his precepts to any sort of method, or of following any general plan. The hundred and sixty-two chapters, of which his work consists, seem so many rules committed to writing, as the daily labours of the field suggested. He gives directions about the vineyard, then goes to his corn-fields, and returns again to the vineyard. His treatise was, therefore, evidently not intended as a regular or well-composed book, but merely as a journal of incidental observations. That this was its utmost pretensions, is farther evinced by the brevity of the precepts, and deficiency of all illustration or embellishment. Of the style, he of course would be little careful, as his _Memoranda_ were intended for the use only of his family and slaves. It is therefore always simple,—sometimes even rude; but it is not ill adapted to the subject, and suits our notion of the severe manners of its author, and character of the ancient Romans.

Besides this book on agriculture, Cato left behind him various works, which have almost entirely perished. He left a hundred and fifty orations(19), which were existing in the time of Cicero, though almost entirely neglected, and a book on military discipline(20), both of which, if now extant, would be highly interesting, as proceeding from one who was equally distinguished in the camp and forum. A good many of his orations were in dissuasion or favour of particular laws and measures of state, as those entitled—“Ne quis iterum Consul fiat—De bello Carthaginiensi,” of which war he was a vehement promoter—“Suasio in Legem Voconiam,—Pro Lege Oppia,” &c. Nearly a third part of these orations were pronounced in his own defence. He had been about fifty times accused(21), and as often acquitted. When charged with a capital crime, in the 85th year of his age, he pleaded his own cause, and betrayed no failure in memory, no decline of vigour, and no faltering of voice(22). By his readiness, and pertinacity, and bitterness, he completely wore out his adversaries(23), and earned the reputation of being, if not the most eloquent, at least the most stubborn speaker among the Romans.

Cato’s oration in favour of the Oppian law, which was a sumptuary restriction on the expensive dresses of the Roman matrons, is given by Livy(24). It was delivered in opposition to the tribune Valerius, who proposed its abrogation, and affords us some notion of his style and manner, since, if not copied by the historian from his book of orations, it was doubtless adapted by him to the character of Cato, and his mode of speaking. Aulus Gellius cites, as equally distinguished for its eloquence and energy, a passage in his speech on the division of spoil among the soldiery, in which he complains of their unpunished peculation and licentiousness. One of his most celebrated harangues was that in favour of the Rhodians, the ancient allies of the Roman people, who had fallen under the suspicion of affording aid to Perseus, during the second Macedonian war. The oration was delivered after the overthrow of that monarch, when the Rhodian envoys were introduced into the Senate, in order to explain the conduct of their countrymen, and to deprecate the vengeance of the Romans, by throwing the odium of their apparent hostility on the turbulence of a few factious individuals. It was pronounced in answer to those Senators, who, after hearing the supplications of the Rhodians, were for declaring war against them; and it turned chiefly on the ancient, long-tried fidelity of that people,—taking particular advantage of the circumstance, that the assistance rendered to Perseus had not been a national act, proceeding from a public decree of the people. Tiro, the freedman of Cicero, wrote a long and elaborate criticism on this oration. To the numerous censures it contains, Aulus Gellius has replied at considerable length, and has blamed Tiro for singling out from a speech so rich, and so happily connected, small and insulated portions, as objects of his reprehensive satire. All the various topics, he adds, which are enlarged on in this oration, if they could have been introduced with more perspicuity, method, and harmony, could not have been delivered with more energy and strength(25).

Both Cicero and Livy have expressed themselves very fully on the subject of Cato’s orations. The former admits, that his “language is antiquated, and some of his phrases harsh and inelegant: but only change that,” he continues, “which it was not in his power to change—add number and cadence—give an easier turn to his sentences—and regulate the structure and connection of his words, (an art which was as little practised by the older Greeks as by him,) and you will find no one who can claim the preference to Cato. The Greeks themselves acknowledge, that the chief beauty of composition results from the frequent use of those forms of expression, which they call tropes, and of those varieties of language and sentiment, which they call figures; but it is almost incredible with what copiousness, and with what variety, they are all employed by Cato(26).” Livy principally speaks of the facility, asperity, and freedom of his tongue(27). Aulus Gellius has instituted a comparison of Caius Gracchus, Cato, and Cicero, in passages where these three orators declaimed against the same species of atrocity—the illegal scourging of Roman citizens; and Gellius, though he admits that Cato had not reached the splendour, harmony, and pathos of Cicero, considers him as far superior in force and copiousness to Gracchus(28).

Of the book on Military Discipline, a good deal has been incorporated into the work of Vegetius; and Cicero’s orations may console us for the want of those of Cato. But the loss of the seven books, _De Originibus_, which he commenced in his vigorous old age, and finished just before his death, must ever be deeply deplored by the historian and antiquary. Cato is said to have begun to inquire into the history, antiquities, and language of the Roman people, with a view to counteract the influence of the Greek taste, introduced by the Scipios; and in order to take from the Greeks the honour of having colonized Italy, he attempted to discover on the Latin soil the traces of ancient national manners, and an indigenous civilization. The first book of the valuable work _De Originibus_, as we are informed by Cornelius Nepos, in his short life of Cato, contained the exploits of the kings of Rome. Cato was the first author who attempted to fix the era of the foundation of Rome, which he calculated in his _Origines_, and determined it to have been in the first year of the 7th Olympiad. In order to discover this epoch, he had recourse to the memoirs of the Censors, in which it was noted, that the taking of Rome by the Gauls, was 119 years after the expulsion of the kings. By adding this period to the aggregate duration of the reigns of the kings, he found that the amount answered to the first of the 7th Olympiad. This is the computation followed by Dionysius of Halicarnassus, in his great work on Roman antiquities. It is probably as near the truth as we can hope to arrive; but even in the time of Cato, the calculated duration of the reigns of the kings was not founded on any ancient monuments then extant, or on the testimony of any credible historian. The second and third books treated of the origin of the different states of Italy, whence the whole work has received the name of _Origines_. The fourth and fifth books comprehended the history of the first and second Punic wars; and in the two remaining books, the author discussed the other campaigns of the Romans till the time of Ser. Galba, who overthrew the Lusitanians.

In his account of these later contests, Cato merely related the facts, without mentioning the names of the generals or leaders; but though he has omitted this, Pliny informs us that he did not forget to take notice, that the elephant which fought most stoutly in the Carthaginian army was called Surus, and wanted one of his teeth(29). In this same work he incidentally treated of all the wonderful and admirable things which existed in Spain and Italy. Some of his orations, too, as we learn from Livy, were incorporated into it, as that for giving freedom to the Lusitanian hostages; and Plutarch farther mentions, that he omitted no opportunity of praising himself, and extolling his services to the state. The work, however, exhibited great industry and learning, and, had it descended to us, would unquestionably have thrown much light on the early periods of Roman history and the antiquities of the different states of Italy. Dionysius of Halicarnassus, himself a sedulous inquirer into antiquities, bears ample testimony to the research and accuracy of that part which treats of the origin of the ancient Italian cities. The author lived at a time which was favourable to this investigation. Though the Samnites, Etruscans, and Sabines, had been deprived of their independence, they had not lost their monuments or records of their history, their individuality and national manners. Cicero praises the simple and concise style of the _Origines_, and laments that the work was neglected in his day, in consequence of the inflated manner of writing which had been recently adopted; in the same manner as the tumid and ornamented periods of Theopompus had lessened the esteem for the concise and unadorned narrative of Thucydides, or as the lofty eloquence of Demosthenes impaired the relish for the extreme attic simplicity of Lysias(30).

In the same part of the dialogue, entitled _Brutus_, Cicero asks what flower or light of eloquence is wanting to the _Origines_—“Quem florem, aut quod lumen eloquentiæ non habent?” But on Atticus considering the praise thus bestowed as excessive, he limits it, by adding, that nothing was required to complete the strokes of the author’s pencil but a certain lively glow of colours, which had not been discovered in his age.—“Intelliges, nihil illius lineamentis, nisi eorum pigmentorum, quæ inventa nondum erant, florem et calorem defuisse(31).”

The pretended fragments of the _Origines_, published by the Dominican, Nanni, better known by the name of Annius Viterbiensis, and inserted in his _Antiquitates Variæ_, printed at Rome in 1498, are spurious, and the imposition was detected soon after their appearance. The few remains first collected by Riccobonus, and published at the end of his Treatise on History, (Basil, 1579,) are believed to be genuine. They have been enlarged by Ausonius Popma, and added by him, with notes, to the other writings of Cato, published at Leyden in 1590.

Any rudeness of style and language which appears either in the orations of Cato, or in his agricultural and historical works, cannot be attributed to total carelessness or neglect of the graces of composition, as he was the first person in Rome who treated of oratory as an art(32), in a tract entitled _De Oratore ad Filium_.

Cato was also the first of his countrymen who wrote on the subject of medicine(33). Rome had existed for 500 years without professional physicians(34). A people who as yet were strangers to luxury, and consisted of farmers and soldiers, (though surgical operations might be frequently necessary,) would be exempt from the inroads of the “grisly troop,” so much encouraged by indolence and debauchery. Like all semi-barbarous people, they believed that maladies were to be cured by the special interposition of superior beings, and that religious ceremonies were more efficacious for the recovery of health than remedies of medical skill. Deriving, as they did, much of their worship from the Etruscans, they probably derived from them also the practice of attempting to overcome disease by magic and incantation. The Augurs and Aruspices were thus the most ancient physicians of Rome. In epidemic distempers the Sibylline books were consulted, and the cures they prescribed were superstitious ceremonies. We have seen that it was to free the city from an attack of this sort that scenic representations were first introduced at Rome. During the progress of another epidemic infliction a temple was built to Apollo(35); and as each periodic pestilence naturally abated in course of time, faith was confirmed in the efficacy of the rites which were resorted to. Every one has heard of the pomp wherewith Esculapius was transported under the form of a serpent, from Epidaurus to an islet in the Tiber, which was thereafter consecrated to that divine physician. The apprehension of diseases raised temples to Febris and Tussis, and other imaginary beings belonging to the painful family of death in order to avert the disorders which they were supposed to inflict. It was perceived, however, that religious professions and lustrations and _lectisterniums_ were ineffectual for the cure of those complaints, which, in the 6th century, luxury began to exasperate and render more frequent at Rome. At length, in 534, Archagatus, a free-born Greek, arrived in Italy, where he practised medicine professionally as an art, and received in return for his cures the endearing appellation of _Carnifex_(36). But though Archagatus was the first who practised medicine, Cato was the first who wrote of diseases and their treatment as a science, in his work entitled _Commentarius quo Medetur Filio, Servis, Familiaribus_. In this book of domestic medicine—duck, pigeons, and hare, were the foods he chiefly recommended to the sick(37). His remedies were principally extracted from herbs; and colewort, or cabbage, was his favourite cure(38). The recipes, indeed, contained in his work on agriculture, show that his medical knowledge did not exceed that which usually exists among a semi-barbarous race, and only extended to the most ordinary simples which nature affords. Cato hated the compound drugs introduced by the Greek physicians—considering these foreign professors of medicine as the opponents of his own system. Such, indeed, was his antipathy, that he believed, or pretended to believe, that they had entered into a league to poison all the barbarians, among whom they classed the Romans.—“Jurarunt inter se,” says he, in a passage preserved by Pliny, “barbaros necare omnes medicina: Et hoc ipsum mercede faciunt, ut fides iis sit, et facile disperdant(39).” Cato, finding that the patients lived notwithstanding this detestable conspiracy, began to regard the Greek practitioners as impious sorcerers, who counteracted the course of nature, and restored dying men to life, by means of unholy charms; and he therefore advised his countrymen to remain stedfast, not only by their ancient Roman principles and manners, but also by the venerable unguents and salubrious balsams which had come down to them from the wisdom of their grandmothers. Such as they were, Cato’s old medical saws continued long in repute at Rome. It is evident that they were still esteemed in the time of Pliny, who expresses the same fears as the Censor, lest hot baths and potions should render his countrymen effeminate, and corrupt their manners(40).

Every one knows what was the consequence of Cato’s dislike to the Greek philosophers, who were expelled from the city by a decree of the senate. But it does not seem certain what became of Archagatus and his followers. The author of the _Diogene Moderne_, as cited by Tiraboschi, says that Archagatus was stoned to death(41), but the literary historian who quotes him doubts of his having any sufficient authority for the assertion. Whether the physicians were comprehended in the general sentence of banishment pronounced on the learned Greeks, or were excepted from it, has been the subject of a great literary controversy in modern Italy and in France(42).

Aulus Gellius(43) mentions Cato’s _Libri quæstionum Epistolicarum_, and Cicero his _Apophthegmata_(44), which was probably the first example of that class of works which, under the appellation of _Ana_, became so fashionable and prevalent in France.

The only other work of Cato which I shall mention, is the _Carmen de Moribus_. This, however, was not written in verse, as might be supposed from the title. Precepts, imprecations, and prayers, or any set _formulæ_ whatever, were called _Carmina_. I do not know what maxims were inculcated in this _carmen_, but they probably were not of very rigid morality, at least if we may judge from the “Sententia Dia Catonis,” mentioned by Horace:

“Quidam notus homo cùm exiret fornice, Macte Virtute esto, inquit sententia dia Catonis(45).”

Misled by the title, some critics have erroneously assigned to the Censor the _Disticha de Moribus_, now generally attributed to Dionysius Cato, who lived, according to Scaliger in the age of Commodus and Septimius Severus(46).

The work of

MARCUS TERENTIUS VARRO,

On agriculture, has descended to us more entire than that of Cato on the same subject; yet it does not appear to be complete. In the early times of the republic, the Romans, like the ancient Greeks, being constantly menaced with the incursions of enemies, indulged little in the luxury of expensive and ornamental villas. Even that of Scipio Africanus, the rival and contemporary of Cato the Censor, and who in many other respects anticipated the refinements of a later age, was of the simplest structure. It was situated at Liternum, (now Patria,) a few miles north from Cumæ, and was standing in the time of Seneca. This philosopher paid a visit to a friend who resided in it during the age of Nero, and he afterwards described it in one of his epistles with many expressions of wonder and admiration at the frugality of the great Africanus(47). When, however, the scourge of war was removed from their immediate vicinity, agriculture and gardening were no longer exercised by the Romans as in the days of the Censor, when great crops of grain were raised for profit, and fields of onions sown for the subsistence of the labouring servants. The patricians now became fond of ornamental gardens, fountains, terraces, artificial wildernesses, and grottos, groves of laurel for shelter in winter, and oriental planes for shade in summer. Matters, in short, were fast approaching to the state described in one of the odes of Horace—

“Jam pauca aratro jugera regiæ, Moles relinquent: undique latius Extenta visentur Lucrino Stagna lacu: platanusque cœlebs Evincet ulmos: tum violaria, et Myrtus, et omnis copia narium, Spargent olivetis odorem Fertilibus domino priori. Tum spissa ramis laurea fervidos Excludet ictus. Non ita Romuli Præscriptum, et intonsi Catonis Auspiciis, veterumque norma(48).”

Agriculture, however, still continued to be so respectable an employment, that its practice was not considered unworthy the friend of Cicero and Pompey, nor its precepts undeserving to be delivered by one who was indisputably the first scholar of his age—who was renowned for his profound erudition and thorough insight into the laws, the literature, and antiquities of his country,—and who has been hailed by Petrarch as the third great luminary of Rome, being only inferior in lustre to Cicero and Virgil:—

“Qui’ vid’ io nostra gente aver per duce Varrone, il terzo gran lume Romano, Che quanto ’l miro più, tanto più luce(49).”