M.

M——, Lord, vi. 380.

M——, Mr (? Malthus), iv. 241.

M——, (? Tom Moore), vi. 358.

M—— (T.), vi. 454.

MacAdam, John Loudon, iv. 250; ix. 94.

MacAlpine, Mr, xii. 379.

—— Mrs, xii. 379.

—— Miss, viii. 275.

Macartney, Lord, vi. 455.

Macauley, Elizabeth Wright, iv. 223.

Macbeth (Shakespeare’s), i. 186; also referred to in i. 138, 179, 200, 201, 238, 293, 300, 311, 394, 395; iii. 168; v. 10, 52, 56, 188, 218, 220, 223; vi. 39, 392, 394, 409, 410; viii. 31, 49, 185, 199, 203, 208–9, 249, 272, 305, 314, 378, 472, 518; ix. 401, 474; x. 81, 82, 111, 117; xi. 192, 315, 404, 451, 482, 506, 601; xii. 33, 365.

Macbriar (Scott’s Old Mortality), iv. 247; viii. 129; xi. 531; xii. 277.

Maccabees, The Book of, xi. 321.

Macclesfield, ii. 12, 14, 18.

Macculloch, John Ramsay, ii. 415; xii. 131, 141, 320, 345, 361, 412.

Macdonald, Chevalier, ii. 107.

Macduff (in Shakespeare’s Macbeth), v. 48; vi. 39; viii. 333; xi. 316.

MacFane (in Holcroft’s Anna St Ives), ii. 128.

Macflecknoe (Dryden’s), v. 80.

M’Gibbon, Mrs, viii. 192, 459.

Macgregor, Sanders, viii. 105.

Machiavelli, Niccolo, iv. 283; v. 186; vii. 28; xi. 424.

Macintosh, Sir James, iv. 279; also referred to in ii. 196; iii. 86; iv. 211, 319; vi. 205 _n._; vii. 447, 448, 451 _n._, 460; ix. 490; xi. 465, 467, 468; xii. 264, 275, 347.

Macirone, Francis, Interesting Facts relating to the Fall and Death of Joachim Murat, etc., iii. 177, 183.

MacIvor, Fergus, ix. 367.

Mackenzie, Henry, ii. 195, 200; iv. 367; vii. 227; x. 399; xi. 546 _n._; xii. 67.

Macklin, Charles, i. 157, 158; ii. 56, 57, 58, 59, 60, 61, 62, 63, 109 _n._; viii. 166, 351.

Maclean, Dr, ii. 232.

Macready, William Charles, ii. 302; vi. 277, 278; viii. 334, 335, 337, 338, 356, 368, 391, 426, 440, 442, 457, 465, 534; xi. 315, 391.

Macready’s Macbeth, Mr, xi. 315.

—— Othello, viii. 338.

Macullamores, The, xii. 255.

Mad Tom (in Shakespeare’s King Lear), i. 260, 268; viii. 302, 440, 441.

Madame Centaur (in Ben Jonson’s Silent Woman), viii. 43.

—— d’Orbe (in Rousseau’s New Eloise), ix. 146.

—— Haughty (in Ben Jonson’s Silent Woman), viii. 43.

—— Mavis (in Ben Jonson’s Silent Woman), viii. 43.

—— Valmont (in Tyran Domestique), xi. 356.

Madamira (song in Shadwell’s Libertine), viii. 372.

Madge Wildfire (Scott’s Heart of Midlothian), iv. 248; vii. 342; xi. 388.

Madison, James, iii. 172 _n._

Madman, The (Hogarth’s), xii. 242.

Mad Mother, The (Wordsworth’s), xii. 270.

Madoc (Southey’s), iv. 265.

Madonna, The (Correggio’s), xii. 356.

—— Guido’s, ix. 34.

—— Raphael’s, ix. 261, 433.

—— of Foligno, The (Raphael’s), x. 191.

—— and Child (Cranach’s), ix. 354.

—— of the Crown, or of the Garland (Raphael’s), ix. 67; xi. 485.

Madonna and Infant Christ (Vandyke’s), ix. 21.

—— Pia, ix. 252.

—— della Seggia (Raphael’s), ix. 226.

Madras System, Southey’s Tract on, iii. 149.

Madrid, i. 123; iii. 119.

Maeviad (Gifford’s), i. 379 _n._, 380, 385, 396; iv. 304, 309; vi. 221.

Maffei, Counts, x. 303.

Magdalen (Dolci’s), ix. 41.

—— (Guido’s), ix. 57.

—— (Titian’s), ix. 269, 270.

Magellan, v. 187; xi. 601.

Maggiore, Lago, ix. 278.

Magna Charta, iv. 93; vi. 155.

Magnus Troil (in Scott’s The Pirate), xi. 534, 536.

Magpie; or, Maid of Palisseau (? Dibdin’s version), xi. 304, 381.

Mahomet, xi. 472 _n._

—— (Voltaire’s), vi. 383.

Mahomet’s Coffin, iii. 138.

Maid’s Tragedy, The (Beaumont and Fletcher’s), v. 251.

Maid and Magpie (Arnold’s version), viii. 244; also referred to in vii. 339; viii. 280; ix. 175; xi. 304, 381.

—— of Orleans (Shakespeare’s 1st Henry VI.), i. 292.

—— of The Vale (Holcroft’s adaptation), ii. 86.

Maiden Queen (Dryden’s), i. 195.

Maidstone, ii. 186.

Main Chance, The, xii. 78.

Maintenon, Madame de, vi. 419; ix. 179.

Maitland, General, ii. 218, 222.

Maître Jacques (a play), xi. 380.

Major Bath (in Fielding’s Joseph Andrews), vii. 223.

—— Dumpling (in Jones’s The Green Man), viii. 468.

—— Galbraith (Scott’s), iv. 248.

—— Oakley (in G. Colman the elder’s Jealous Wife), viii. 532.

—— O’Flaherty (in The West Indian), ii. 83; viii. 511.

Major Sturgeon (Foote’s Mayor of Garratt), viii. 167, 168, 246, 317, 318, 392; xi. 366, 368, 396.

Makins, Mr (in Amory’s John Buncle), i. 54; iii. 142.

Malades, Mont des, ix. 98.

Malatesta, Anthony, ix. 218.

Malbecco (Spenser’s Faëry Queen), iii. 55; v. 42, 43.

Malcolm (in Shakespeare’s Macbeth), v. 48.

Malcontent, The (Marston’s), v. 226, 228, 229, 271 _n._, 272.

Malebranche, Nicolas, iv. 216; vii. 144, 146; xi. 286, 288.

Malevole (in Marston’s The Malcontent), v. 225, 228, 230.

Malibran (de Beriot, Maria Felicita), xii. 384.

Mall in St James’s Park, View of (Gainsborough’s), vi. 437.

Mallet, David, v. 375.

Malmesbury, x. 143.

Malone, Edmond, ii. 184; vi. 366, 510, 511; x. 172, 173.

Malta, ii. 173, 175; iii, 3, 5, 7.

Malthus, Thomas Robert, iv. 287; also referred to in iii. 95; iv. 241; vi. 269; vii. 193; x. 403; xii. 40, 141.

Malthus’s Doctrines, An Examination of: (1) the Geometrical and Arithmetical Series, iii. 356.

—— Essay, On the Originality of, iii. 361.

—— Principle to the Poor Laws, On the application of, iii. 374.

—— Reply to the Essay on Population, by Rev. T. R., iv. 1; also referred to in iii. 462; xii. 412.

Malthuses, The, xii. 255.

Malvil (Murphy’s), viii. 164.

Malvolio (in Shakespeare’s Twelfth Night), iii. 213; v. 97; viii. 12, 32, 164, 302.

Mambrino (in Cervantes’ Don Quixote), viii. 108; x. 27.

Man, The, in the Louvre (Titian’s), ix. 273.

Man, Aphorisms on, xii. 209.

—— The Essay on (Pope’s), v. 76, 373; xi. 491; xii. 31.

—— in Black, portrait (in the Louvre), xii. 192.

—— of Business (G. Colman, the elder), ii. 109 _n._

—— of Feeling, The (Mackenzie’s), ii. 336; vii. 227; viii. 105; xii. 67.

—— with a Hawk (Northcote’s), ix. 55.

—— —— (Rembrandt’s), ix. 49.

—— in the Iron Mask, The, iii. 290.

—— was made to Mourn (Burns), v. 139.

—— of Mode, The (Etherege’s), viii. 68.

—— in Mourning for Himself, A (a play), viii. 323.

—— of Ten Thousand, The (Holcroft’s), ii. 159, 161, 201.

—— of the World, The (Macklin), viii. 318, 350; also referred to in ii. 58; viii, 105, 166.

Manager in Distress, The (G. Colman, the elder), viii. 428.

Manchester, ii. 267; iv. 4; vi. 103, 203, 204 _n._, 346; vii. 28; ix. 290, 302; xii. 93.

—— Duke of, ii. 105.

Mandane (in Arne’s Artaxerxes), vi. 292; viii. 192, 194, 248, 320, 451, 453; xi. 304, 317.

Mandeville. See De Mandeville, Bernard.

—— (Godwin’s), iv. 209; viii. 131, 420; x. 399.

Mandrake (Farquhar’s Twin Rivals), viii. 22.

Manfred (Byron’s), iv. 258; viii. 421.

Manfrini, Signor, ix. 270.

Mangeon, Miss, viii. 372.

Manly (in Wycherley’s The Plain Dealer), viii. 14, 78.

Manner, On, i. 41.

Manners, Essay On, xi. 269.

Manners and Treatment of Animals, An Account of the (D’Obsonville), ii. 107.

Mannheim (town), ix. 298, 299.

Manning, Thomas (M.), vi. 68.

Manoah (in Jephson’s The Italian Lover), viii. 338.

Mansfield, ii. 18, 19.

—— Lord, iii. 419; v. 77; vi. 414; xii. 31.

Mansion House, The, vii. 68.

Mantes (town), ix. 105.

Mantua (town), vii. 96; ix. 355; x. 73.

Manwaring, Dr, iii. 395, 400.

Mary Morison, Lines to (by Burns), v. 140.

Manzotti (an Italian), xi. 341.

Maquerella (in Marston’s Malcontent), v. 229.

Mar, Earl of, iii. 415.

Marall (in Massinger’s A New Way to Pay Old Debts), v. 269 _n._; viii. 274, 304; x. 172.

Maratti, Carlo, vi. 124, 128; ix. 19, 21, 409, 482; xi. 211.

Marcella (Sackville’s Ferrex and Porrex), v. 195, 243.

—— (in Don Quixote), viii. 110; x. 30.

March, Lord, ii. 28, 31, 35, 48.

—— to Finchley (Hogarth’s), i. 31; viii. 138; ix. 81.

Marchant, Nathaniel, vi. 438.

Marchese Pallavicini and Walter Landor (Landor’s), x. 244.

Marconi, Madame, viii. 297.

Marcus Sextus, The Return of (Guérin’s), xi. 240.

Mardyn, Mrs, viii. 249, 252, 270, 278, 285, 316, 336, 361, 463, 465, 475, 524, 525, 531, 537.

Marengo (a town), iii. 112; ix. 290.

Maret, H. B., iii. 154.

Margaret of Anjou, i. 293.

—— (in Lamb’s John Woodvil), v. 346.

—— Street, ii. 163, 203.

Margaret’s Ghost (an old ballad), ii. 42.

Margate Hoy, A, viii. 435.

Marguerite (in Godwin’s St Leon), viii. 131; x. 389.

Maria (in Holcroft’s Alwyn), ii. 95.

—— (in Holcroft’s He’s much to Blame), ii. 162.

—— The tale of (Sterne’s), viii. 121; ix. 178, 179; x. 39.

—— (in Sheridan’s School for Scandal), viii. 251.

—— Heartley (in Leigh’s Where to Find a Friend), viii. 258, 259.

Maria-Louisa, Queen, ix. 199, 200, 203.

Mariage de Figaro (Beaumarchais), ii. 112, 114, 115.

—— Forcé (Molière), v. 228.

Marialva (Le Sage’s Gil Blas), x. 214.

Marian, ii. 224.

Marianne (Claude Prosper Jolyot de Marivaux), x. 16.

Marianne’s Dream (Shelley’s), x. 264.

Marie Antoinette, i. 71 _n._, 427; xii. 290.

Marina (in Shakespeare’s Pericles of Tyre), i. 357; ix. 27.

Mariner’s Glee, The (Pinkerton’s), ii. 185.

Marino (Italian poet), v. 315.

—— Faliero (Byron’s), xi. p. viii.

Maritorneses (Cervantes’ Don Quixote), ix. 176.

Marivaux, Pierre Carlet de Chamblain de, iv. 217; vii. 311; viii. 112, 369; x. 31.

Mark Antony (in Shakespeare’s Julius Cæsar). See Antony.

Marlborough, Duke of, i. 8, 44; iii. 415; viii. 96; ix. 74.

—— Duchess of, viii. 160; ix. 71.

Marlow (Goldsmith’s), viii. 507.

Marlowe (Christopher), v. 192; also referred to in i. 356; iv. 309; v. 99, 176, 181, 189, 202, 229, 298; vi. 218 _n._, 243 _n._; vii. 134, 224, 313, 320; x. 205, 274; xii. 34.

Marmion (Scott’s), iv. 242; v. 155.

Marmontel, Jean François, vii. 311; ix. 118.

Marmozet (in Smollett’s Peregrine Pickle), viii. 513.

Marmozette (Thompson’s Dumb Savoyard), xi. 364.

Marplot (in Mrs Centlivre’s Busy-Body), viii. 156, 270, 503.

Marriage of Cana (Paul Veronese’s), vi. 319; ix. 53, 113, 491; xi. 197.

—— of St Catherine (Caracci’s copy of Correggio’s), ix. 35.

—— of Figaro (Chalon’s), xi. 245.

—— à la Mode (Hogarth’s), i. 25 _et seq._; vi. 453; viii. 133, 134, 136, 141, 143; ix. 15, 75, 389, 391, 392; xi. 212, 252 _n._; xii. 24.

—— of Two Children, The (Northcote’s), vi. 296.

—— of the Virgin (Caminade’s), ix. 125.

Mars, v. 30; vii. 202; viii. 375; x. 6, 7.

—— Mademoiselle, vii. 324; also referred to in ix. 147, 148, 151; xi. 354, 355, 366, 379; xii. 24, 146.

—— Subdued by Peace (Miss Jackson’s), xi. 245.

—— and Venus (Titian’s), ix. 74.

Marsac, Mr, ii. 89, 261.

Marsan, Madame, ix. 152.

Marsennus (Marin Mersenne), xi. 53.

Marshall, Mr, ii. 172, 181.

Marston, John, v. 176, 181, 193, 224, 234, 280; vi. 164.

—— Chapman, Deckar, and Webster, On, v. 223.

Martello Tower, iv. 257.

Martigny (town), ix. 283, 288, 290.

Martin (in Voltaire’s Candide), v. 114.

—— Jack (fighter), xii. 4.

—— John (a bookseller), vi. 490.

Martin, John (painter), vi. 397; ix. 109, 336, 337; xi. 381, 553.

—— Richard, xi. 344.

Martin’s Muir (in Lancashire), ii. 2, 167.

Martinet, Mr (an emigrant), ii. 217, 219.

Martinus Scriblerus, v. 104; xi. 288.

Martorell, Jean, x. 56.

Martyrs, Book of (Foxe’s), vii. 129, 320; xi. 443; xii. 384.

Martyrdom of Saint Damian and Saint Cosmas, The (Salvator’s), x. 305.

—— of St Lawrence (Titian’s), ix. 273.

—— of St Placide (Correggio’s), ix. 204.

—— of St Sebastian (Guido’s), ix. 26.

Marullus (in Shakespeare’s Julius Cæsar), i. 195.

Marveil, Arnaud de, x. 55.

Marvell, Andrew, iii. 277; iv. 61; v. 83, 258, 311, 313, 372; vii. 232; xi. 123, 282, 514; xii. 47.

Marville, Vignuel de, vi. 170 _n._

Mary, Lines to (Cowper’s), v. 95; vi. 210.

—— the Cookmaid (Swift’s), v. 110.

—— the Maid of the Inn (Southey’s), viii. 362.

—— Magdalen Anointing the Feet of our Saviour (Hilton’s), xi. 190.

—— Queen of Scots, viii. 460; ix. 23, 66; xi. 320, 324.

—— Stuart (Schiller’s), viii. 391.

Marys with the Dead Body of Christ, The Three (L. Caracci’s), ix. 112.

Mary-le-bone Street, ii. 163, 242.

Masaccio (painter), iv. 217; vi. 45, 126, 346; ix. 409, 427; xi. 211.

Masetto (in Byron’s Don Juan), viii. 365, 366, 371; xi. 307.

Mask of Arthur and Emmeline, The (Dryden’s), v. 356.

Mask of Cupid, The (Spenser’s), v. 35, 38, 40; x. 74.

—— of Semele (Congreve’s), viii. 76.

Maskwell (Congreve’s Double Dealer), viii. 72.

Mason, William, i. 171; x. 164.

Massacre of Glencoe, Apology for the (Defoe’s), x. 378.

—— of the Innocents (Le Brun’s), ix. 25.

—— of the Mamelukes (Vernet’s), ix. 137.

—— in Piedmont (Milton), vi. 176, 178.

Massachusetts, x. 315.

Massaniello (Tommaso Aniello), x. 301.

Massena, André, ix. 146.

Massinger, Philip, v. 248; also referred to in iv. 309, 310; v. 193, 265, 269 _n._, 345; viii. 272, 287, 290.

Massys, Quentin, ix. 40.

Master Baillie (in Still’s Gammer Gurton’s Needle), v. 286.

—— Barnardine (in Shakespeare’s Measure for Measure), i. 241, 346, 347, 425; iv. 248; vi. 249; viii. 283.

—— Bobby (Sterne’s Tristram Shandy), xii. 152.

—— Edward Knowell (in Ben Jonson’s Every Man in His Humour), viii. 312.

—— Froth (in Shakespeare’s Measure for Measure), i. 391; viii. 283.

—— Kerneguy (in Scott’s Woodstock), vi. 410.

—— Matthew (in Ben Jonson’s Every Man in His Humour), viii. 45, 311.

—— Nicolas the Barber (in Cervantes’ Don Quixote), viii. 108.

—— Oliver the Barber (Scott’s), iv. 248.

—— Silence (Shakespeare’s 2nd Henry IV.), iv. 365.

Master Stephen (in Ben Jonson’s Every Man in His Humour), vi. 194 _n._; viii. 45, 311.

—— Well-bred (Ben Jonson’s Every Man in His Humour), viii. 312.

Mater Dolorosa (Carlo Dolce’s), ix. 20, 41.

Matheo (in Dekker’s Honest Whore), v. 238, 239, 241, 247.

Matilda (General Burgoyne’s Richard Cœur de Lion), viii. 195.

Matsys, Quintin. See Massys, Quentin.

Matter and Manner (Hazlitt), i. 421; xi. p. x _n._

Matthew (Wordsworth’s), xii. 57.

—— Bramble (Smollett’s Humphry Clinker), viii. 117, 165, 510; x. 35.

Matthews, Charles, vi. 273, 278, 350, 417, 418 _n._; vii. 300, 508; viii. 177, 243, 281, 317, 412, 428, 430–5, 459, 484, 523; xi. p. viii, 367, 483, 554; xii. 6, 140 _n._, 353.

—— (John), viii. 497.

—— Miss, vi. 293; viii. 231, 235, 236, 275, 531; xi. 395.

—— (in Fielding’s Amelia), viii. 114; x. 33.

Matthias (Massinger’s The Picture), v. 266.

Matrimony (a Comedy), viii. 392.

Maturin, Rev. Robert Charles, viii. 308, 368, 416, 421, 478; xi. 418.

Maud the Milkmaid (in Walton’s The Complete Angler), i. 56; v. 98.

Maurice of Nassau, Prince, xi. 289.

Maurice’s Parrot, Prince, iii. 101.

Maurocordato, Prince, x. 232, 251.

Mawworm (in Bickerstaff’s Hypocrite), i. 59; ii. 84; viii. 163, 246, 392; xi. 396; xii. 366.

Maximilian of Bavaria, xi. 289.

Maxims on Love, xii. 354.

Maxwell, Mr, ii. 173.

May-Day (Chapman’s), v. 234.

May-Day Night (Shelley’s, from Goethe), x. 261, 271.

May Fair, xii. 132.

Mayence, ix. 298, 299.

Mayor of Garratt, The (Foote’s), viii. 166, 167, 168, 316; xi. 368.

Maywood (actor), viii. 374; xi. 397, 405, 406.

—— as Iago, viii. 513.

—— —— Shylock, viii. 374.

—— —— Zanga, xi. 397; also referred to in viii. 513.

Mazarin, Cardinal, vi. 238.

Mazeres, Baron, xii. 302, 303.

Mazzuola, Francesco. See Parmegiano.

Meadows, Mr (actor), xi. 373.

—— (in Bickerstaff’s Love in a Village), viii. 329.

—— (in Madame D’Arblay’s The Wanderer), viii. 123; x. 42.

—— (in Godwin’s Cloudesley), x. 392.

Means and Ends, On, xii. 184.

Measure for Measure (Shakespeare’s), i. 345; viii. 281; also referred to, i. 241, 391; v. 226; vi. 249.

Mecca, x. 120.

Mechel (print-seller), ii. 185.

Medea, The (Euripides), x. 97.

Medecin malgré lui (Molière’s), viii. 28, 159, 558; x. 107.

Medici Family, ix. 212, 221, 225.

—— Cosmo de, vi. 353.

—— Hippolito de (Titian’s portrait of), ix. 345, 385; xi. 222.

—— Lorenzo de, The Chapel of, x. 354.

Meditations (Harvey’s), vii. 163.

Mediterranean, The, viii. 126; ix. 182.

Medoro (Ariosto’s Orlando Furioso), v. 3.

Medusa’s Head (Leonardo da Vinci’s), ix. 225; x. 261; xii. 195.

Medwin, Captain, vii. 313, 343.

Meeting of Abram and Melchisedec (Rubens’), ix. 52.

Meeting of Christ and St John (Raphael’s), ix. 30.

—— of Jacob and Laban (Murillo’s), ix. 54.

—— of Jacob and Rachel (Murillo’s), ix. 23.

—— between Louis XIV. and the Spanish Ambassador (Gérard’s), ix. 123.

Meggett, Mr (actor), viii. 239, 240, 241, 532.

Meg Merrilees (in Scott’s Heart of Midlothian), iv. 248; vii. 341, 343; viii. 129, 146 _n._, 292; ix. 206; xi. 531.

Meggy Macgilpin (in O’Keeffe’s Highland Reel), xi. 364.

Méhul, Étienne Nicolas, viii. 325.

Meillerie (Rousseau’s Nouvelle Héloïse), i. 133; ii. 326; ix. 281; xii. 25.

Melancholy, Address to (in Beaumont and Fletcher’s Nice Valour), v. 295.

Melanchthon, Philip, iv. 228; x. 143.

Melaric (in L. Bonaparte’s Charlemagne), xi. 236.

Melchior, Friedrich. See Grimm, Baron.

Meleager and Atalanta (Wilson’s), xi. 200.

—— ix. 433; x. 208.

Melford (Cherry’s The Soldier’s Daughter), xi. 297.

Melissa (Holcroft’s), ii. 264, 265.

Mellida (in Marston’s Antonio and Mellida), v. 225.

Mellon, Miss, vii. 127.

Melmoth (Maturin’s), viii. 478.

—— Wm., i. 93.

Melrose Abbey, ix. 235.

Memnon (mythological), v. 60; ix. 108; x. 221, 337.

Memoirs of Anastasius the Greek (Thomas Hope’s), v. 363.

—— (Baron de Bausset), xii. 135.

Memoirs of De Tott (translated by Holcroft), ii. 107.

—— (Count Grammont’s), iii. 307; xi. 276.

—— (of Margravine of Bareuth), vi. 445.

—— (Cardinal Retz), vi. 238, 349; x. 301.

—— (Sir J. Reynolds), i. 442.

—— of Granville Sharp (by Prince Hoare), vii. 48 _n._, 49.

Memoires de Voltaire écrits par lui-même, ii. 267.

—— of a Cavalier, The (Defoe’s), x. 382.

—— on Chivalry, The (by M. de St Palaye), x. 20.

—— of an Heiress, or Cecilia. See Cecilia.

—— of Fanny Hill (Cleland’s), iv. 102 _n._

—— of Lady Vane, The (in Smollett’s Peregrine Pickle), vii. 221.

Memorabilia of Mr Coleridge, xii. 346.

Memory (in Spenser), v. 38.

Menæchmi (Plautus), i. 351.

Menander, viii. 552; x. 100, 232.

Mendacio (in Brewer’s Lingua), v. 293.

Menenius, Agrippa (in Shakespeare’s Coriolanus), viii. 403.

Mengs, Anton Rafael, vi. 345, 431; ix. 203, 349, 409, 472 _n._, 482; xi. 230, 255.

Menjaud, Mlle., ix. 150.

Merchant of Bruges, The (Kinnaird’s), viii. 264.

—— of Venice (Shakespeare’s), i. 320; also referred to in i. 391, 392; ii. 71; v. 210; viii. 249.

Merciers, The, ii. 107, 114, 168, 181, 195, 218, 219, 228, 230, 234, 272; vii. 241.

Mercury, i. 33, 71; v. 83; vii. 203; x. 93, 350, 387.

—— The Elgin, ix. 340, 341.

Mercury teaching Cupid to Read (Correggio’s), xii. 356.

—— and Herse (Turner’s), xi. 191.

—— inventing the Lyre (Barry’s), ix. 419.

Mercutio (in Shakespeare’s Romeo and Juliet), i. 257; viii. 32, 200.

Meredith, Sir W., iii. 422; vi. 88.

Mergées (Merger, Mr), ii. 280.

Mérimée, Madame (Madame M.), vi. 319, 503.

Merlin the Enchanter (early romance), x. 20, 21, 56.

Mermaid Inn, v. 297; xii. 207.

Merrimee, J. F. L., vii. 333.

Merry, Miss, viii. 323, 329.

—— England, xii. 15.

—— Robert, iv. 309 and _n._

—— Devil of Edmonton, The, v. 289, 293.

—— Sherwood, xii. 15.

—— Wives of Windsor, The (Shakespeare’s), i. 349; also referred to in viii. 31, 32, 43.

Mertoun, the elder (in Scott’s The Pirate), xi. 535.

Merveilleuses in Bedlam (Hogarth’s), vi. 167.

Meshech, iii. 265.

Message, The (in Liber Amoris), ii. 290.

Messalina, ix. 221.

Messiah (Handel’s), xi. 455.

Messora, M. (a painter), xi. 245.

Metamorphoses (Ovid), iii. 287.

Metastasio, x. 45; xii. 128.

Methodism, vii. 351; x. 158.

—— On the Causes of, i. 57.

Methuselah, xii. 263.

Metzu, Gabriel, ii. 225; ix. 35.

Meux, Mr, iii. 308.

Mexicans, xi. 319.

Mexico, iii. 290 _n._; iv. 189.

Mezentius, ix. 132.

Mezzofanti, Prof. Joseph Caspar, ix. 205.

Michael, Poem of (Wordsworth’s), xii. 316.

Michael Angelo, i. 78, 85, 148, 161, 164; ii. 276; iv. 276; v. 18, 45, 247, 297; vi. 10, 74, 85, 127, 128, 132, 137–9, 145, 212, 297, 346, 347, 353, 363, 368, 392, 413; vii. 59, 61, 94, 96, 103, 107, 118, 157, 158, 199, 203; viii. 55, 284, 364, 470; ix. 11, 28, 42, 134, 165, 211, 219, 220, 232, 235, 236, 239, 240–1, 273, 274, 327, 360–4, 366, 369, 380–2, 394, 403, 409, 427, 491; x. 63, 77, 180, 181, 206–8, 279–82, 336, 354; xi. 202, 212, 214, 215, 217, 227–9 _n._, 234 _n._, 424, 449, 482, 590; xii. 36.

—— Cassio (in Shakespeare’s Othello), vi. 195; viii. 189, 214, 339, 340, 473, 560; xi. 294.

Mickle, William Julius, v. 122.

Micklestane Moor, iv. 246; vii. 343.

Microcosmus (Nabbes’s), v. 289, 290, 292, 334.

Midas, v. 197, 199, 201; ix. 105.

Middle Passage, The, vii. 47; ix. 185.

—— Temple, The, x. 363.

Middlesex, iii. 423.

Middleton, Conyers, ii. 169, 173, 176, 190, 194; x. 249.

—— Thomas, v. 176, 181, 193, 214, 223, 224.

Midhurst, iii. 421.

Midsummer Night’s Dream (Shakespeare’s), i. 61, 244; viii. 274; also referred to in i. 137, 178, 242, 244, 359; v. 190; viii. 305; x. 116; xi. 451; xii. 74 _n._

Mieris (a family of painters), ix. 60, 92.

Mignet, François Auguste Marie, ix. 186.

Milan, vii. 169; viii. 291, 429; ix. 187 _n._, 198, 260, 264, 275, 277, 278, 419; x. 192.

Mile-end, ix. 480.

Milford (in Holcroft’s The Road to Ruin), ii. 124.

—— Haven, i. 182; xi. 292.

Milking (by John Burnett), xi. 247.

Mill, James, vii. 160, 183, 186, 495; xii. 131, 255.

Mill, John Stuart, xii. 255.

Millamant (Congreve’s Way of the World), i. 12; vi. 165; vii. 121; viii. 14, 37, 73, 74, 151, 152, 465, 555; xi. 346.

Millamour (in Murphy’s All in the Wrong), viii. 164.

Millar, Andrew, vii. 220.

Miller, Miss, viii. 128.

—— The (Chaucer), v. 24.

—— and his Men, The (Pocock’s), xi. 394.

Miller’s Wife (in Pocock’s Miller and His Men), viii. 292.

Millennium (in Cowper’s Task), v. 94.

Millisent (in Merry Devil of Edmonton), v. 293.

Millot, Claude François Xavier, x. 46.

Mills, Dr (Milles, Dr Jeremiah), v. 122.

Mills, Mr, Mrs and Miss (actors), ii. 70 _n._, 77, 78, 195.

Milman, Henry Hart, iv. 421; v. 379; viii. 416, 478.

Milner, Miss (in Mrs Inchbald’s Simple Story), vii. 304; ix. 237; xii. 65.

Miltiades, x. 232.

Milton, John, v. 44; also referred to in i. 3, 22, 49, 79, 94, 138, 153, 156, 161, 164, 319, 381, 397–401, 425; ii. 79, 91, 166, 275, 358, 397 _n._, 436; iii. 1, 168, 258, 270, 299, 326, 336; iv. 45, 61, 190, 217, 229, 244, 275, 276, 355, 365; v. 11, 68, 70, 123, 125, 145–6, 148, 180, 183, 230, 247, 256, 316–8, 369, 371; vi. 42, 68, 73, 77, 85, 96, 100, 106, 110, 163, 169, 210, 218, 223–4, 316, 347, 350, 356, 362, 380, 392–3, 399, 401, 413, 423, 427, 433; vii. 8, 17, 36, 117, 119–20, 153, 158, 160, 169, 197, 203, 249, 268, 320, 322, 371; viii. 23, 43, 55, 58, 68, 101–2, 230, 232–3, 273, 298, 385, 478 _n._, 535, 561; ix. 15, 159, 167, 186, 196, 211, 218, 232, 238, 243 _n._, 283, 320, 321, 427, 431, 483, 491; x. 13, 62–4, 71–2, 77, 116, 118, 155, 156, 200, 204, 232, 244, 324, 325, 327, 377, 399, 406, 416; xi. 215, 233, 235, 294, 431, 450–2, 457, 464, 486–7, 506, 514, 518, 546, 573; xii. 27, 39, 67, 116, 142, 192, 207–8, 273, 277, 341, 346, 372, 433.

Milton’s Eve, Character of, i. 105.

—— Lycidas, On, i. 31.

—— Sonnets, On, vi. 174; also referred to in v. 371.

—— Versification, On, i. 36.

Milwood (in Lillo’s George Barnwell), viii. 269.

Mina, General, x. 250.

Mincing, Mrs (in Congreve’s Way of the World), viii. 465.

Mind and Motive, vi. 496; xi. p. x.

Mind, On the (Helvetius), xi. 173 _n._

Minehead, xii. 272.

Mine Host (Ben Jonson’s New Inn), v. 263.

—— —— of the George (Merry Devil of Edmonton), v. 293.

—— —— of The Tabard (Chaucer), xii. 30.

Minerva (statue), ix. 341, 430, 466; x. 343, 350.

—— Sunias, Temple of the, ix. 325, 381.

—— Press, The, vii. 222; xi. 459.

Minna (in Scott’s The Pirate), xi. 532

Minor, The (Foote’s), ii. 170.

—— Theatres, viii. 403, 478.

Minstrel, The (Beattie’s), v. 100.

Minstrel’s Song in Ælla, The (Chatterton’s), v. 126.

Minucci (an Italian), x. 303.

Minuet de la Cour, The (a dance), xii. 122.

Minute Philosopher (Berkeley’s), vi. 198; xii. 397 _n._

Mirabaud, J. Bapt. de, i. 408; vii. 430; xi. 579; xii. 116.

Mirabel (Farquhar’s The Inconstant), i. 154; viii. 73, 74, 75; xi. 367.

Miracles, Essay on (Hume’s), xii. 266.

Miracle of Bolseno (Raphael’s), vi. 340; ix. 240, 364.

Miracle of the Conversion (Raphael’s), ix. 380; xi. 227.

—— of St Mark (Tintoretto’s), ix. 274.

Miraculous Draught of Fishes (Raphael’s), vi. 220; viii. 147; ix. 47.

Miranda (in Mrs Centlivre’s The Busy-Body), viii. 270, 503.

—— (in Shakespeare’s The Tempest), i. 105, 238; x. 116; xi. 296, 417.

Mirandola (Barry Cornwall’s), vi. 96.

Mirror, The (a periodical), viii. 105.

Mirrour for Magistrates, The Induction to the (Thomas Sackville’s), v. 196.

Misanthrope (Molière’s), viii. 28, 31, 554, 558; ix. 147–9; x. 107, 108; xi. 354, 383; xii. 24.

Miscellaneous Poems, F. Beaumont, P. Fletcher, Drayton, Daniel, etc., Sir P. Sidney’s Arcadia, and other works, v. 295

Miser, The (Molière’s), xi. 379, 380.

Miserere, The, ix. 235.

Misers (Massys’), ii. 417; ix. 40.

Misnah, The, iii. 274.

Miss Mactab (in The Poor Gentleman), xi. 376.

—— Prue (Congreve’s Love for Love), vii. 127, 226; viii. 14, 72, 77, 82, 152, 278, 555.

Mistress, Lines to his (Donne’s), xii. 28.

—— (Titian’s), vii. 282; ix. 33, 112, 121, 224, 270.

Mitre, The (an inn), vi. 193; viii. 103.

—— Court, vii. 37; xii. 35 _n._

Mock Doctor, The (Fielding’s), viii. 159.

Modena (town), ix. 207.

Modern Comedy, On, i. 10; viii. 551

—— Midnight Conversation (Hogarth’s), viii. 142, 143.

—— Tory Delineated, xi. p. vii.

Mogul, The, ii. 224.

Mohun, Michael, viii. 160.

Moiano (a town), ix. 211.

Molesworth, Robert, Lord, iv. 93.

Molière, i. 81, 314; ii. 166, 229; v. 227, 228; vi. 49, 85, 86, 111, 196 _n._, 417; vii. 311, 323; viii. 28, 29, 31, 42, 76–8, 122, 133, 159, 160, 162, 167, 193, 195, 244, 319, 554, 558; ix. 129, 146–50, 152, 166, 214, 242, 391; x. 40, 107, 108, 298; xi. 276, 288, 354, 358, 366, 371, 379, 383, 395, 452, 460; xii. 22, 37, 346.

Molineaux, Tom (pugilist), iv. 223.

Moll Flagon (in Burgoyne’s Lord of the Manor), xi. 316, 388.

—— Flanders (Defoe’s), x. 380; xii. 367.

Molly, Old, xi. 311.

—— Jollop (G. Colman the elder’s The Jealous Wife), viii. 168, 318, 392.

—— Seagrim (in Fielding’s Tom Jones), vii. 221; viii. 113.

Molteno’s print-shop, ix. 8.

Mombelli, Esther, ix. 174.

Momus, The Elgin, ix. 340.

Monaghan, Mr (in Amory’s John Buncle), i. 54; iii. 142.

Monarchy, On the Spirit of, xii. 241.

Monastery (Scott’s), vii. 201; viii. 439

Monasticon (Dugdale’s), v. 120; vii. 317.

Moneses (Congreve’s Bajazet), xi. 275.

Money, On the want of, xii. 136.

Monimia (in Otway’s Orphan), i. 157; v. 355; viii. 263, 310.

—— (in Smollett’s Count Fathom), xii. 64.

Moniteur, The (a newspaper), ix. 165.

Monk Lewis, xii. 271.

—— The (Lewis), viii. 127.

Monkeys, The (Gay’s Fable), v. 107.

Monmouth’s Rebellion, x. 357.

Monmouth Street, vi. 459; vii. 69; xii. 210.

Monrose (in Holcroft’s Knave or Not?), ii. 161, 162.

Monsieur Jourdain (in Molière), i. 81; viii. 160; xi. 355.

—— D’Olive (Chapman’s), v. 231.

—— Pourceaugnac (Molière’s), i. 81; viii. 28, 160; x. 107.

—— Thomas (Beaumont and Fletcher’s), v. 261.

Montagu, Mrs Basil, vii. 41, 132.

—— Edward Wortley, iv. 90 _n._

—— Lady Mary Wortley, vii. 207; ix. 477; xii. 32, 134, 153 _n._

Montaigne, Michael, Lord of, i. 7; ii. 410; iv. 195, 373; v. 334; vi. 86; vii. 26, 28, 219 _n._, 230, 311, 313, 323; viii. 92, 93, 94, 95, 100; ix. 166; x. 72; xi. 383; xii. 37.

Mont-Mirail, The Battle of (Vernet’s), ix. 128.

Mont St Jean, The Battle of, ix. 128.

Montargis (a town), ix. 175, 176, 177.

Monte-Fiascone, ix. 231.

Monte Pincio, The, x. 303.

Monte-Pulciano, xi. 487.

Monte Rosa, ix. 279, 281, 296.

Montesquieu, Charles de St Bavon de, iv. 9 _n._; vii. 40, 311; x. 184; xii. 247.

Montfort (actor), i. 440.

Montgomery, James, v. 378; vi. 156; vii. 14.

Monthly Magazine, The, ii. 175, 177, 192; iv. 9 _n._; vii. 230; x. 221, 222; xii. 136, 150, 161, 173, 184, 198, 209, 230, 235.

—— Mirror, The, ii. 228.

—— Review, The, ii. 95, 163, 225; iv. 284, 311 _n._; vi. 65, 216.

Montmartre, vii. 332; ix. 161; xii. 189.

Montmorenci, vii. 307; ix. 161.

Montpelier Tea Gardens, vi. 257.

Montroses, The, xii. 255.

Montrose (the town), ii. 308.

Monument, The, iii. 128; vi. 421; vii. 68; viii. 435; ix. 59.

—— of the Two Children (Chantrey’s), vi. 326.

Moody or Pinchwife (in Garrick’s adaptation of Wycherley’s Country Wife), vi. 68; viii. 77; xi. 277.

Moonshine (in Shakespeare’s Midsummer Night’s Dream), i. 248; viii. 276.

Moor (Schiller’s), xii. 67.

—— The (in Shakespeare’s Titus Andronicus), x. 117.

Moor of Venice, or Othello (Shakespeare’s). See Othello.

Moore, Edward, v. 6, 359; vi. 368.

—— Sir John, ii. 375.

—— Peter, viii. 413.

—— Dr, ii. 171, 198; vi. 360.

—— Thomas, iii. 122, 311, 312; iv. 9, 13, 213, 258, 312, 353; v. 151, 152, 153, 155, 369, 378; vi. 67, 334 _n._, 454, 495, 509; vii. 123, 153, 314, 319, 365–72, 378–82; viii. 10, 166, 284, 422; ix. 34 _n._, 73, 106, 160 _n._, 190, 218, 246, 257, 281, 283; x. 233, 314; xi. 372, 386; xii. 138, 155 _n._, 307, 323.

—— Sir Graham, vi. 385.

Moorish Alhambra, The, ix. 349.

Mopsa and Dorcas (Sir Philip Sidney’s), ix. 58.

Moral Epistles (Pope’s), v. 373.

Morals (Seneca’s), viii. 557.

Moral and Political Philosophy, Paley’s, iii. 224, 276; iv. 166 _n._; vii. 49; xi. 336.

Morales, Luis de, ix. 26.

Morceaux, from Wat Tyler (Southey’s), iii. 194 _et seq._

Mordaunt, Mertoun (in Scott’s The Pirate), xi. 532.

Mordent (Holcroft’s The Deserted Daughter), ii. 159.

More, Hannah, i. 66; v. 108, 147; vi. 363; viii. 194, 256, 257, 284.

Moreau, Jean Victor, iii. 53, 56.

Moredens, The (in Leigh’s Where to Find a Friend), viii. 258–260.

Morgan (in Holcroft’s Old Clothesman), ii. 173, 174, 176, 177.

—— (in Smollett’s Roderick Random), iii. 218; vii. 378.

—— Lady, iv. 308; vii. 220; ix. 226, 267; x. 233, 276 _et seq._, 305 _n._

Morganti Maggiore (Pulci’s), x. 69.

Mori, Miss, viii. 341.

Morland, George, ii. 202; vii. 56.

Morn (Michael Angelo’s), ix. 363.

Morning (C. V. Fielding’s), xi. 248.

—— (Hogarth’s), viii. 144; ix. 80.

—— Chronicle, The, i. p. xxx., 415–6, 418, 425, 426, 434–5, 441–2; ii. 94, 204, 205, 207, 221, 222; iii. 47 _et seq._, 51, 101 _n._, 107, 205, 232, 339 _n._, 453–4; vi. 190, 292, 293; vii. 205; viii. 174, 241, 459, 502, 512 _et seq._, 522–3, 531, 551; ix. 84, 85, 186, 315, 462, 489; x. 213–6; xi. p. ix., 162, 167, 172, 180, 187, 191, 195, 420, 447, 566, 567, 602; xii. 319.

—— Herald, The, ii. 106, 109, 224; iii. 97; vi. 190.

—— Post, i. 383 _n._; ii. 143, 144; iii. 18 _n._, 76, 93, 126, 243 _n._, 350; x. 138, 150, 220; xi. 495.

—— and Evening of the Roman Empire (Claude’s), ix. 54, 57.

Morocchius (in Shakespeare’s Merchant of Venice), i. 322, 391, 392.

Morocco, Emperor of (in Peter Pindar), viii. 168.

Moroni, Giovanni Battista, ix. 34.

Morose (in Jonson’s Silent Woman), viii. 42.

Morpeth, Lord, xi. 386.

Mortimer (in Cumberland’s Faithless Lover), ii. 83.

—— (in Shakespeare’s Henry IV.), i. 284.

Morton, Charles, x. 357.

—— Thomas, iii. 162; vi. 453; viii. 442; xi. 374.

—— (Scott’s Old Mortality), iv. 247.

Mosaics of the Church of St Mark, Venice, ix. 274.

Mosca (in Jonson’s Fox or Volpone), viii. 44.

Moscow, iii. 99, 178; vi. 241; xi. 195, 196.

Moses, iii. 265, 297; viii. 58; xi. 233, 472 _n._; xii. 263.

—— Cosmogony of, xii. 279.

—— (Michael Angelo’s), ix. 362; x. 208.

—— (Poussin’s), ix. 473.

—— (Sheridan’s), viii. 250.

—— in Egypt (an Oratorio), ix. 202.

—— (in a play), viii. 387; xii. 24.

Mosheim, Johann Lorenz von, iii. 276.

Mossop, Henry, ii. 63, 64.

Moth (in Shakespeare’s Midsummer Night’s Dream), i. 61, 244; viii. 275.

Mother Bombie (by John Lyly), v. 197, 198.

—— Cole (in Foote’s The Minor), viii. 167.

—— and Child, The (Raphael’s), viii. 148.

—— Hubberd’s Tale (Spenser’s Shepherds’ Calendar), v. 98.

—— and a Sleeping Child (Guido’s), ix. 51.

Mother’s Picture, Verses on his (by Cowper), v. 95.

Motto, or Invocation to his Muse (Cowley’s), viii. 58.

Moudon (a town), ix. 285, 295, 296.

Mouldy (Shakespeare’s 2nd Henry IV.), viii. 33.

Moulins (a town), ix. 178, 179.

Mounsey, George, vi. 192, 195, 197, 198, 199, 201.

Mount, Sermon from the, v. 184.

Mountaineers, The (G. Colman, junr.), ii. 109; viii. 239.

Mountford, Sir Charles, v. 213.

Mountfort, Susanna, i. 157; viii. 160.

Mountjoy, Lady, ix. 473.

Mourning Bride (Congreve’s), i. 176; vi. 195; vii. 306; xi. 382.

Mourritt (operatic singer), ix. 171.

Moustache (Macready’s Henry IV.), viii. 442.

Mowbray (Shakespeare’s Richard II.), i. 273.

Mozart, Johann Chrysostom Wolfgang Amadeus, ii. 174, 178, 200, 201; iii. 311; vi. 74; vii. 239; viii. 325–7, 362–4, 370–1, 452, 535; xi. 427, 455, 500; xii. 168, 345, 384.

Mrs Battle’s Opinions on Whist (Lamb’s), iv. 364; vi. 199, 245.

Mrs James (in Fielding’s Amelia), viii. 114; x. 33.

—— Leicester’s School (Lamb’s), v. 146.

—— Malaprop (in Sheridan’s Rivals), viii. 165, 508; x. 142; xi. 307.

—— Marwood (Congreve’s Way of the World), viii. 74.

—— Oakley (in Geo. Colman the elder’s The Jealous Wife), viii. 316, 505; xi. 304.

—— Patch (in Mrs Centlivre’s Busy-Body), viii. 503.

Much Ado about Nothing (Shakespeare’s), i. 335; iii. 200; viii. 32, 401 _n._

Mucklewrath (Scott’s Old Mortality), iv. 247.

Mudford, William, vi. 111, 196, 293 _n._; x. 219; xi. 547.

Mudge, Dr, vi. 368, 419, 512.

Mudges, The, vi. 366, 367, 374, 510, 512.

—— Zachary, vi. 368.

Muiopotmos (Spenser’s), viii. 404.

Mulberry Tree, The (a song), viii. 301.

Muleteers (Correggio’s), ix. 35.

Muley-Muloch (in Dryden’s Don Sebastian), v. 357, 358.

Mulgrave, Lord, i. 374.

Müller, Johannes von, iii. 154.

Mumps (in Oulton’s Frightened to Death), viii. 359.

Munchausen, Baron, vii. 37, 138.

Munden, Joseph Shepherd, ii. 147, 148, 368; v. 269 _n._; vi. 275–6 _n._, 418, 453; viii. 71, 226–7, 256, 264–5, 278, 286, 310, 317, 343, 359, 386, 392, 400, 416, 459, 465, 525, 534, 536; xi. 303, 306, 366, 377–8, 392; xii. 24, 198 _n._

Munden’s Sir Peter Teazle, xi. 392.

Mundungus, x. 149 _n._

Mungo (in Bickerstaffe’s Padlock), ii. 84.

Müntz, John Henry, x. 164.

Murder of Dentatus (Haydon’s), xi. 482.

Murillo, Bartolomeo Esteban, vi. 219; ix. 23, 25, 26, 54, 158, 186, 389, 390; xi. 205 _n._, 249; xii. 262.

Murphys, The, v. 359; viii. 164.

Murray, Chas., viii. 309.

—— John, i. 376, 379, 380; iii. 124, 194, 217, 218; iv. 302, 312; vi. 89, 211; vii. 376, 378, 515; ix. 247 _n._; xi. 423, 486, 489, 580; xii. 267, 320.

—— Lindley, iii. 445; iv. 241 _n._, 391; xii. 232.

Murray, William (Earl of Mansfield), iii. 416.

—— Mr (Pope’s friend), viii. 555.

—— Miss, viii. 529.

Muse, Invocation to, or Motto (Cowley’s), viii. 58.

Music, History of (Burney’s), x. 288 _n._

—— Messora’s, xi. 245.

Music-piece (Giorgione’s), ix. 271.

—— (Titian’s), ix. 11, 70.

Musical Instruments, Personification of (in Tatler), i. 9; viii. 98.

—— Party (Giorgione’s), ix. 26.

Musician and the Nightingale, The Contest between the (by Crashaw), viii. 53.

Musidorus and Philoclea (Sir Philip Sidney’s), ix. 58.

Mustapha and Alaham (by Fulke Greville), v. 231; vii. 255; xii. 34.

Mustard Seed (in Shakespeare’s Midsummer Night’s Dream), i. 61, 244; viii. 275.

My Aunt (a farce), viii. 239, 240.

—— Father (in Sterne’s Tristram Shandy), i. 12; viii. 121, 151.

—— First Acquaintance with Poets, xii. 259.

—— Grandmother (by Prince Hoare), i. 155; vi. 416; viii. 230.

—— Landlady’s Night-Gown (Oulton’s), viii. 328.

—— Spouse and I (C. Dibdin’s), viii. 525.

—— Uncle Toby (in Sterne’s Tristram Shandy), i. 12; viii. 11, 121, 151; x. 39; xi. 553.

—— Wife! What Wife? (by Barrett), viii. 237.

Myrrha (Byron’s Sardanapalus), ii. 307.

Myrtle (in Steele’s Conscious Lovers), viii. 158.

Mysie Happer (in Scott’s Monastery), viii. 454.

Mysterious Mother, The (Walpole’s), x. 165.

Mysteries, The, x. 60.

—— of Udolpho, The (by Mrs Radcliffe), viii. 125; xii. 64.

Mystery of the Passions, x. 60.

N.

Naiad, i. 19.

Nairn, iv. 280.

Naldi, Guiseppe, viii. 326, 365, 372; xi. 308.

Namur, Siege of, i. 429.

Nantreuil, Charles François le Bœuf, ix. 127.

Nantucket, x. 315.

Nantwich, ii. 167.

Nanty Ewart (in Scott’s Redgauntlet), vii. 319.

Napier, John, vi. 85.

—— (of Marchiston), xii. 441.

—— MacVey, xii. 255.

Naples, ii. 180, 223; iii. 179; vi. 347, 379, 385; ix. 233, 249, 253, 256, 259, 419, 475 _n._; x. 56, 277, 282, 283, 287 _n._, 292, 300.

Napoleon Buonaparte. See Buonaparte, Napoleon.

Narcissa (in Smollett’s Roderick Random), xii. 64.

Narcissus, i. 25; xii. 200.

—— and The Graces (Bishop’s), iv. 102.

—— Looking into Water (Barry’s), ix. 419.

Narni (a town), ix. 258.

Narrative of Facts (Holcroft’s), ii. 139, 156, 201, 205.

Nash, Sir B., vi. 451.

—— Miss, viii. 254.

Nasmyth, Peter, xi. 245, 246, 247.

Nathan, Mr (an actor), viii. 401.

—— the Wise (Lessing’s), x. 119.

Nathaniel (in Shakespeare’s Love’s Labour’s Lost), i. 332.

National Antipathies, ix. 138.

—— Gallery, ix. 3; xii. 215.

Natural Son (Kotzebue’s). See Mrs Inchbald’s Lover’s Vows.

Natural Disinterestedness of the Human Mind, The (Coleridge’s), xii. 266.

Nature and Art (Mrs Inchbald’s), ii. 336; vi. 364; viii. 123, 127; x. 41.

—— State of (Hobbes), vi. 308.

Naufragium Joculare (Cowley’s), v. 214.

Nayrs, The, vi. 150.

Neal, Daniel, iii. 265; iv. 217; xi. 443.

—— John, x. 313.

Neapolitan Nobleman (Titian’s), vii. 292; ix. 385.

Neate, Bill (pugilist), iv. 223; xii. 8 _et seq._

Nebuchadnezzar, xii. 204.

Nebuchadnezzar’s image, viii. 407.

Ned Christian (in Scott’s Peveril of the Peak), xi. 538.

—— Softly (in The Tatler), vii. 64.

Neely. See Sherwood, Neely, and Jones.

Negro (or African), i. 69.

Nehemiah, ii. 4.

Nell (in Coffey’s The Devil to Pay), viii. 252, 389; xii. 24, 122.

Nelson, Lord, i. 97; vi. 85, 359, 522.

—— Life of (Southey’s), ii. 48.

Nelson’s Victory, iii. 195.

Nemours, Duc de, vii. 308; viii. 326.

Neptune, i. 34; vi. 168; ix. 348.

—— The (of John of Bologna), ix. 205.

—— The (Elgin Marbles), ix. 467, 492.

—— and Amphitrite (Titian’s), ix. 75.

Nerestan (in Voltaire’s Zaire), xi. 282.

Nerissa (in Shakespeare’s Merchant of Venice), i. 322; iv. 260.

Nero, i. 390; iv. 61; ix. 221; x. 231; xii. 285.

Nero’s Golden House, ix. 234.

Nessus, iv. 104; xi. 268.

Nestor (in Shakespeare’s Troilus and Cressida), i. 221.

—— (Homer’s), xii. 155.

Netcher, Caspar, ix. 354.

Nether-Stowey, x. 150; xii. 265, 269, 270, 272, 274.

Net-maker and His Wife. See Zembuca.

Neufchatel, The Lake of, ix. 296.

Neuilly, Barrier of, ix. 133 _n._, 158, 159; xii. 191.

Neuss (a town), ix. 299.

Nevers (a town), ix. 177.

Neville, Living in London (? Jameson’s), viii. 242, 243.

New Books, On Reading, xii. 161.

—— Eloise (Rousseau’s), i. 91, 427; vi. 186; vii. 24, 28, 224, 304; ix. 146, 281, 285; x. 75; xii. 14, 54, 123 _n._, 169.

—— English Drama. See William Oxberry.

—— English Opera, The, viii. 314, 320, 323, 329.

—— Holland, iv. 46.

—— Inn, The (Ben Jonson’s), v. 263, 265.

—— Jerusalem, The, v. 94; xii. 463.

—— Lanark, iii. 172; iv. 198.

—— Man of Feeling (Godwin’s), x. 399.

—— Monthly Magazine, The, iv. 186, 348, 418 _et seq._; vi. 485–6, 494, 504 _et seq._; vii. 481, 485–7, 489, 507, 509–11; ix. 62 _n._, 446, 469, 470; x. 221–2; xi. p. vii, 496, 590; xii. 1, 15, 26, 38, 51, 59, 68, 78, 95, 104, 119, 125, 131.

—— Pygmalion. See Liber Amoris.

—— River, The, vii. 129.

—— Road, The (London), ii. 163.

—— Scots Mag. See Edinburgh Magazine.

—— Testament, The, v. 183; vi. 392.

New Times (a newspaper), iii. 233, 284, 286, 313, 314; x. 217, 218; xi. 316; xii. 289.

—— View of Society, A, iii. 121.

—— View of Society (Owen’s), iv. 198.

—— Way to Pay Old Debts, A (Massinger), viii. 272; also referred to in v. 266, 267 _n._; vii. 313; viii. 277; xii. 168.

—— Year’s Ode (Southey’s), iii. 49.

—— York, ii. 205; viii. 473.

—— Zealand, iii. 360.

Newark-upon-Trent, ii. 12.

Newbury, xi. 309; xii. 2, 6, 13.

New Castile, x. 57.

Newcastle, ii. 166.

—— Duke of, xii. 41, 383.

—— Duchess of, iv. 216; viii. 69, 503; xii. 37.

—— The Marquis of, xi. 53.

Newfoundland Dog, vi. 452.

Newgate, ii. 148, 150, 171, 206; iv. 195; v. 97; vii. 449; ix. 157; x. 227, 377, 380, 381; xi. 373.

—— Calendar, iv. 250; vi. 314; viii. 269; xi. 190; xii. 34 _n._, 355.

Newington Green, x. 357.

Newman Street, ii. 147, 163, 199.

Newmarket, ii. 23, 24, 26, 28, 30, 31, 32, 35–7, 40–2, 45, 46, 49, 50, 52–5, 107; vii. 211.

Newport, Lord (Vandyke’s), ix. 61.

Newport-Pagnell, ii. 14.

News, The, x. 220.

Newspaper (Crabbe’s), xi. 606.

Newstead Abbey, x. 169.

Newton, Bishop (Reynolds’s), ix. 399.

Newton, Sir Isaac, i. 10 _n._, 46, 82, 100; iii. 140, 141, 151; iv. 8, 45; v. 163; vi. 85, 239, 304; vii. 153, 249, 306, 358, 371, 458; viii. 99; ix. 243; x. 13, 134, 222, 249; xi. 258, 263 _n._, 273, 311; xii. 26, 27, 153 _n._, 154 _n._, 279, 441.

Ney, Marshal, iii. 165; ix. 146.

Nice Valour; or, The Passionate Madman (Beaumont and Fletcher), v. 295.

Nicholas Gimcrack (in The Tatler), iii. 40; vi. 118, 119.

N.—— (Nicholson, William), ii. 91, 95, 100, 173, 175, 191–3, 195–6, 217, 219, 264, 279; vi. 92; vii. 230.

Nicias, viii. 17.

Nick Strumpfer (Scott’s The Pirate), xi. 534.

Nicknames, On, xi. 442.

Nicolas the Barber (in Cervantes’ Don Quixote), x. 27.

Nicole, Pierre, xi. 289.

Niger, The, ix. 255.

Night (Michael Angelo’s), ix. 363.

—— Picture of (Brown’s), v. 315.

—— at Dresden, The (Correggio’s), xii. 357.

—— Scene (Hogarth’s), viii. 136, 137; ix. 80.

—— Thoughts (Young’s), ii. 91; v. 375.

—— Walker, The (Beaumont and Fletcher’s), v. 261.

Nightingale, To the (Drummond of Hawthornden), v. 300.

Nile, The, i. 232; vii. 344; ix. 350.

—— the Battle of the, i. 97.

Nimeguen, ix. 299, 300.

Nimrod, vi. 168.

Nina (an Italian Opera), vii. 325, 335; ix. 174, 175 _n._

Nine Muses (Tintoretto’s), ix. 42.

Ninette à la Cour (C. S. Favart’s), xi. 380.

Ninon de l’Enclos, xii. 37.

Niobe (The Elgin), ix. 379; x. 82.

—— (Raphael’s), i. 70.

—— (R. Wilson’s), ii. 198; ix. 393; xi. 200.

Nipperkin (in Sprigs of Laurel), xii. 24.

Nismes, Massacre of, iii. 118, 216.

No Song, No Supper (by Hoare), vii. 193; viii. 406, 416.

Noah’s Ark, vii. 96; ix. 335; xii. 263.

Noble, Walter, x. 243.

—— Kinsmen (Fletcher’s), v. 190.

—— Lord, Letter to a (Burke’s). See Letter to Bedford, Duke of.

—— Peasant, The (Holcroft’s), ii. 87, 109, 268.

Noblet, Mademoiselle, ix. 174.

Nodin (a picture dealer), ii. 205.

Noel, Mademoiselle, i. 53; ix. 170.

Nokes, James, i. 157; viii. 160.

Nola, the Philosopher of, x. 145.

Nollekens, Joseph, vi. 373, 379, 384; vii. 88, 90; xii. 221, 439.

Noman (in Homer’s Odyssey), xi. 452.

Nonjuror (Cibber’s), viii. 162.

Noon (Hogarth’s), viii. 137, 140; ix. 80; xi. 252; xii. 364.

Norbury Park, vi. 360.

Nore, The, ii. 248.

Norfolk, ii. 249, 277; iii. 405.

Norfolk, Duke of, xii. 164.

—— (in Richard III.), viii. 184, 202.

Norman (Holcroft’s), ii. 204.

—— Court, vi. 24; ix. 27.

Normandy, iii. 97; ix. 100.

Norna of the Fitful-Head (in Scott’s The Pirate), xi. 534.

North, Lord, iii. 290, 337 _n._, 419, 420; iv. 237.

—— T., ii. 205.

—— Sir Thomas, v. 186.

Norths, The, iii. 389.

North Berwick-Law, ii. 314.

—— Briton (a newspaper), iii. 422.

—— West Passage, iv. 207; vi. 414.

Northampton, ii. 14, 125; x. 356.

Northcote, James, i. 442; ii. 208, 209, 217, 224; iv. 212; vi. 10, 18, 65 _n._, 296, 318, 407; vii. 39, 40, 42, 89–94, 211, 487; ix. 34, 55, 61, 66, 226, 407 _n._, 475 _n._; xi. 202 _n._, 509, 516, 543, 590; xii. 224, 439.

Northcote’s Conversations, vi. 333.

—— Samuel, vi. 395.

Northern Winter, A (A. Philips), v. 374.

North Pole, Panorama of, vi. 407.

Northumberland, Duchess of, iii. 307.

—— the Family of, x. 171.

—— the Earl and Countess of (Vandyke’s), ix. 61.

—— in the Tower (Vandyke’s), ix. 61.

—— (in Shakespeare’s Henry IV. and VI.), i. 284, 296, 301; xi. 192.

Northwich (a town), ii. 18.

Norton, Thomas, v. 193.

Norval (in Home’s Douglas), vi. 294; viii. 180; xi. 373.

Norway, iii. 62, 104, 106, 107, 158, 216.

Norwich, ii. 182, 230, 278.

Norwood, vii. 114.

Norwynne (in Inchbald’s Nature and Art), vii. 339; xii. 65.

Nota Bene; or, The Two Doctor Funguses (a play), viii. 536.

Nothing, Poem upon (Rochester’s), v. 83.

Notre-Dame, ix. 156.

Nottingham, ii. 14, 19–23, 29, 72, 85, 106, 125; vi. 445.

Nottingham, Lord, iii. 464.

Novel (in Wycherley’s Plain Dealer), viii. 78.

Novelle di Salernitano, ii. 172.

Novelists, On The English, viii. 106.

Novelty (Shakespeare’s Sonnet), i. 360.

—— and Familiarity, On, vii. 294.

Novi (a town), ii. 178.

Novum Organum (Bacon’s), v. 328.

Nugent, Lord, ii. 94; x. 215.

Numitorius (Knowles’s Virginius), viii. 456.

Nuneaton, ii. 14.

Nurse (in Shakespeare’s Romeo and Juliet), viii. 199.

Nursey, Perry, xi. 249.

Nut-Brown Maid, The (old ballad), v. 106; xi. 533.

Nym (in Shakespeare’s Henry V.), i. 291, 351; viii. 33.

Nymph, The First and Second (in Milton’s Comus), viii. 231.

—— (Titian’s), ix. 14.

—— appearing to the River God (a picture), ix. 128.

—— making a garland of flowers (Parmentier’s), ix. 167.

—— and Satyr (Giorgione’s), ix. 226.

—— —— (Polemberg’s), ix. 20.

—— —— A (a picture), ix. 43.

Nymphadoro (Marston’s Antonio and Mellida), v. 228.

O.

O——, Mr, xi. 387.

Oak and the Briar, The (Spenser’s), v. 98.

Oakhampton Castle (Wilson’s), xi. 199.

Oates, Titus, ii. 143.

Oath of the Horatii (David’s), ix. 134.

Oberon (in Shakespeare’s Midsummer Night’s Dream), i. 245 _et seq._

Ober Wesel, xi. 363.

Obligations, On the Spirit of, vii. 78.

O’Bryan, Mr, ii. 173, 174.

Observations on Judge Eyre’s Charge to the Jury in 1794 (Godwin’s), x. 399.

Observer, The, ix. 287; x. 220.

Occasion (Spenser’s), x. 245.

Occasional Conformity Bill, The, x. 377.

Occleve, Thomas, v. 34.

Oceana (Harrington’s), iii. 122.

Oceanus (Æschylus’s Prometheus), x. 93.

O’Coigly, James, ii. 429.

O’Connell, Daniel, xii. 214.

O’Connor, Arthur, ii. 174, 186, 190, 196, 431.

—— Roger, ii. 190.

Octavia (in Shakespeare’s Antony and Cleopatra), i. 229; viii. 192.

Octavian (in The Mountaineers), viii. 239, 241.

Ode on Chatterton (Coleridge’s), iv. 215.

—— to Departing Year (Coleridge’s), v. 377; xii. 268.

—— to Eton College (Gray’s), v. 118; vii. 74.

—— to Evening (Collins), v. 116, 374.

—— to Fear (Collins), v. 116, 374.

—— to Indifference (Mrs Greville’s), viii. 216.

—— to the Memory of Sir Lucius Cary and Sir H. Morrison (Ben Jonson’s), v. 306.

—— to Naples, The (Shelley’s), x. 267.

—— on the Passions (Collins), v. 116, 374.

—— on the Poetical Character (Collins’s), v. 116, 126, 374.

—— on the Progress of Life (Wordsworth’s), i. 250.

—— on St Cecilia (Dryden’s), v. 81.

Odes and Inscriptions (Southey’s), v. 164.

Odeon, The (theatre), ix. 154.

Odry, Jacques Charles, ix. 153.

Odyssey (Homer’s), i. 71 _n._; v. 14, 66; viii. 20; x. 12; xi. 236, 452; xii. 168.

Œdipus (Æschylus), x. 96.

—— (Lee’s), v. 357; vii. 298.

—— (Corneille’s), ix. 154, 193.

O’Fin (in Amory’s John Buncle), i. 54.

Ogygia (in Spenser), viii. 241; (Homer’s), x. 12.

Ohio, iv. 337; vi. 53.

O’Keefe (in Amory’s John Buncle), i. 54; iii. 142.

O’Keeffe, John, vi. 417; viii. 166, 319, 400, 416, 534; xi. 364, 383.

Old Actors, Some of the, xi. 366.

—— Age (Cicero’s), iv. 384.

—— —— (Holcroft’s), ii. 87.

—— —— of Artists, On the, vii. 88.

—— Bachelor, The (Congreve’s), viii. 72.

—— Bailey, The, ii. 99, 151, 199; vii. 339.

—— Clothes to Sell (a song in Holcroft’s Old Clothesman), ii. 177.

—— Clothesman, The (Holcroft’s), ii. 163, 170, 173, 195, 222, 225, 226.

—— Customs, viii. 327.

—— Double (in Shakespeare’s Henry IV.), i. 64, 283; viii. 33, 35.

—— English Baron, The (Mrs Radcliffe’s), viii. 127.

—— —— Writers and Speakers, vii. 311.

—— Fortunatus (Dekker’s), v. 234.

—— Jewry, Chapel in the, vi. 367.

—— Masters, The, x. 196.

—— Mortality (Scott’s), iv. 243 _n._, 247; vi. 425; xi. 459, 532, 537.

—— Mother W. (? Hogarth’s), xii. 364.

—— Nosy (in Dibdin’s Past Ten o’clock), xi. 393.

—— Project (in Reynolds’s What’s a Man of Fashion?), viii. 262.

—— Sarum, Sonnet to (Southey’s), iii. 203.

Old Sarum (town), iii. 110, 414; iv. 263.

—— Soldier (Opie’s), ii. 228.

—— Testament, The, v. 17, 183; x. 62.

—— Times (a newspaper), iii. 194.

—— Woman, xii. 321.

Oldenburgh, Duchess of, iii. 308.

Oldfield, Mrs, i. 8, 157; viii. 90, 96, 160.

Oldmixon, John, x. 368 _n._, 370, 371.

Oliver, Tom, vi. 40.

—— (in Shakespeare’s As You Like It), i. 341.

—— (in L. Bonaparte’s Charlemagne), xi. 232.

—— (a Government Spy), iii. 232, 234, 240, 261, 280.

Olivia (in Holcroft’s Hugh Trevor), ii. 137.

—— (in Holcroft’s The Man of Ten Thousand), ii. 160.

—— (in Wycherley’s Plain Dealer), viii. 14, 78, 86.

—— (in Shakespeare’s Twelfth Night), i. 315, 318; viii. 32, 37.

Ollapod (in Colman’s The Poor Gentleman), xi. 376.

Olympian Jupiter, The, ix. 466.

Olympic Games (Barry’s), ix. 421; x. 199.

—— Theatre, The, vi. 81; viii. 461, 462, 472.

Olympus, i. 34, 71; ix. 324, 325; x. 7.

Omai, portrait of (by Northcote), vi. 402.

One Man’s Profit is Another’s Loss (Montaigne’s), viii. 94 _n._

O’Neill, Miss, i. 156; v. 355; viii. 177, 210, 211, 223, 256, 261–3, 273, 284, 288, 291, 309, 310, 347, 350, 391–4, 397–8, 465, 478, 524, 528, 537, 538; ix. 147; xi. 304, 367, 403, 407, 410.

O’Neill, Miss, as Belvidera, viii. 261, 513.

—— —— as Constance, viii. 513.

—— —— as Mrs Oakley, viii. 530.

—— —— as Elwina, viii. 256.

—— —— as Juliet, viii. 198.

—— —— as Lady Teazle, viii. 291.

—— —— as Widow Cheerly, xi. 297.

Onslow, Arthur, xii. 370.

Opera, The, xi. 426.

Opera, The Company at the, xi. 369.

—— New English, viii. 314, 320, 329.

—— House, The, ii. 90, 193; viii. 465.

Ophelia (in Shakespeare’s Hamlet), i. 105, 232, 293 _n._; iii. 122; v. 49, 261; viii. 188, 209, 478 _n._; ix. 145; x. 116; xi. 295, 395, 451; xii. 144.

Opie, John, i. 149; ii. 169, 172, 174–6, 178, 180, 184, 189, 196, 198, 208–9, 223–6, 228, 230, 398; vi. 10, 79 _n._, 296, 343, 351, 390, 411, 433, 436, 462; vii. 109, 274, 305; ix. 225, 403; xi. 218.

—— Mrs, ii. 169, 226, 231; viii. 268.

Opposition and The Courier, iii. 240.

O.P. Row, viii. 357; xi. 372; xii. 39, 297.

Ops (a heathen god), vii. 255.

Orange, House of, vii. 322; ix. 42.

—— the Prince of, iii. 284; vi. 221; x. 370, 372.

—— Court, ii. 1, 2.

Oratorios, The, viii. 296.

Orcagna, Andrea, ix. 354.

Ordonio (in Coleridge’s Remorse), vi. 314; viii. 421.

Orestes (Æschylus), x. 93.

—— (Phillips’ The Distressed Mother), viii. 334.

Orford, Lord, vi. 461.

Orgagna, the Giant (Ariosto’s), ix. 239.

Orger, Mrs Mary Ann, viii. 246, 279, 355, 358, 536; ix. 151.

Orgon (Molière’s Tartuffe), viii. 29, 246; ix. 151; x. 108; xi. 354.

Oriana (in Dimond’s Conquest of Torento), viii. 368.

Orient (a ship), ii. 214.

Originality, ix. 423.

Orinda (in Farquhar’s Inconstant), i. 154.

Orion (N. Poussin’s), vi. 169, 170.

Orkneys, The, xi. 532, 533.

Orlando (in Shakespeare’s As You Like It), i. 339; iii. 297; viii. 252.

—— (in L. Bonaparte’s Charlemagne), xi. 232, 235.

—— (in Dekker’s Honest Whore), v. 235, 237, 240.

—— Amoroso (Bayardo’s), x. 69.

—— Furioso (Ariosto’s), x. 14, 70, 71, 85.

Orleans Gallery, The, i. 78; vi. 14; ix. 9, 11, 31, 33 and _n._, 422.

Ormond, The Duke of, vi. 345.

Ormskirk, ii. 167.

Ornamental Gardening, Treatise on (Thomas Whately’s), i. 171.

Oroondates, The (in La Calprenède’s Cassandra), xii. 61.

Oroonoko; or, The Royal Slave (Southerne’s), xi. 301; also referred to in i. 300; v. 359; vii. 70; viii. 537.

Orosman (Voltaire’s), x. 111; xi. 282.

Orphan, The (Otway’s), v. 355; viii. 263.

Orpheus, vii. 14.

—— (by Barry), ix. 420.

—— (by Dance), vi. 442.

—— and Eurydice (Drolling’s), ix. 137 _n._

Orr, William, iii. 237.

Orsin (Butler’s Hudibras), viii. 65.

Orsini, xi. 443.

Orson (in Valentine and Orson), v. 361; vii. 215.

Orton, Rev. Job, vii. 316, 317.

Orville, Lord, xii. 65.

Osborn, the bookseller, x. 221.

Osborne (in Holcroft), ii. 262, 263, 264, 265.

Osmond, Mr, ii. 205.

Osmyn, Mr, x. 204.

Ossian, i. 155; v. 15, 18; vi. 197 _n._; vii. 6; xi. 235; xii. 165.

Ostade, Adriaen Jazoon van, ix. 20, 26, 35, 60.

Ostend, ix. 198.

Othello (Shakespeare’s), i. 200; i. 16, 179, 180, 186, 259, 293, 300, 393; ii. 59, 71, 178, 301, 391; iii. 168, 312; v. 5, 52, 55, 145, 188; vi. 274, 409, 456; vii. 137 _n._, 206, 282, 343, 344, 371; viii. 31, 131, 177, 185, 190, 207–10, 214, 216–9, 221, 223, 227, 234, 249, 271, 356, 357, 385, 390, 414, 444, 458, 472, 513, 528, 534, 560; ix. 80; x. 82, 111, 117, 156; xi. 276, 283, 291, 294, 308, 350, 351, 352, 362, 366, 368, 389, 405, 499; xii. 318, 366.

Othman (in Southerne’s Oroonoko), xi. 302.

Otho, vi. 298.

Othryadas erecting the Trophy (statue), ix. 166.

—— wounded (Heral’s), ix. 166.

Otway, Thomas, i. 157; v. 181, 354, 355; vi. 49; vii. 362; viii. 69, 263, 284; ix. 152; x. 17, 118, 205, 243; xi. 402, 435; xii. 35, 67, 121.

Ovando (a Spanish Grandee), iii. 290 _n._

Overbury, Sir Thomas, v. 99, 141.

Ovid, iv. 101; v. 79, 186; vi. 217 _n._; viii. 94; x. 257.

—— (translated by A. Golding), v. 399

—— in Hexameters (translation by Voss), ii. 229.

Owen, Robert, iii. 121, 169, 172, 229, 359; iv. 198; vi. 66, 67; vii. 129; xii. 275, 413.

Owen, Mr (a farmer), ii. 167.

Owen Glendower (in Shakespeare’s Henry IV.), i. 284.

Oxberry, William, i. 159 _n._; viii. 228, 245, 246, 258, 260, 264, 274, 311, 369, 392, 426, 436, 487 _et seq._, 504–6, 508, 511, 536; xi. 303, 396.

Oxendon Street, Haymarket, ii. 280.

Oxford, i. 84; ii. 137; iii. 399, 408, 411, 416; v. 273; vi. 75, 188; vii. 42; viii. 319; ix. 46, 69, 98, 144 _n._, 232; xi. 309; xii. 351.

—— Earl of, ii. 370; x. 358.

—— Road (London), ii. 88, 182.

—— Scholar, The (in Chaucer), v. 22.

—— Street, ii. 199; iii. 239; v. 102; vi. 431, 437; ix. 158.

—— and Blenheim, Pictures at, ix. 69.

P.

P—— Mr. See Patmore, Peter George.

P—— Lady F., vi. 401.

P—tt—n (? Pitton), xi. 309.

Padua, ix. 264, 266, 275.

Paddington, iv. 108.

Paer, Mr, viii. 540.

Pæstum, ix. 255.

Paine, Howard, viii. 439.

—— Thomas, iii. 143, 169, 300; iv. 128, 201, 334, 335, 336, 340, 341; vi. 51, 52, 57, 58, 338, 391; vii. 275 _n._; xi. 458, 472 _n._; xii. 266, 306, 346.

Pains of Sleep, The (Coleridge’s), x. 417.

Painter, Edward, vi. 40.

—— (Crabbe’s), iv. 353.

Painting, Essay on (Richardson’s), xi. 208 _n._

—— in Italy, History of (Stendhal’s), x. 403.

Painting, On the Grand and Familiar Style of, viii. 133.

Palace of Ice, Empress of Russia’s, v. 92.

Palais aux Cerfs, i. 388.

—— Royal, The, i. 133; ix. 128; xii. 25.

Palamon and Arcite (Chaucer’s), i. 332; v. 21, 82; x. 69; (Fletcher’s), v. 258, 261.

Palanza (a town), ix. 278.

Palarini (actress), vii. 338; ix. 278.

Palemon and Lavinia (Thomson’s), v. 90.

Paley, Dr William, iii. 276; iv. 116 _n._, 166 _n._, 201, 277, 283, 333, 373; vi. 199; xi. 336; xii. 267, 358.

Palinzi (a town), viii. 126.

Palisseau (a town), ix. 179.

Palladio, ix. 266, 269, 274; xi. 456 _n._

Pallas, vii. 268.

Pallavicini, Cardinal Sforza, x. 301 _n._

Pall Mall, ii. 280; vi. 435; vii. 212, 232; ix. 43; xi. 184; xii. 215.

Palma, Jacopo Vecchio, ix. 35.

Palmer, The (John Heywood’s Four P’s), v. 274, 276.

—— Bob, vii. 127; viii. 229, 388.

—— Fyshe, x. 229.

—— Jack, viii. 81, 199, 251, 300, 388; xi. 367, 393.

—— Thomas (jun.), ii. 198.

Palmerins of England, The, xii. 62.

Palmyra, vii. 185; ix. 256; xi. 495.

Pamela (Richardson’s), ii. 281; iii. 49; vi. 236, 380; vii. 227; ix. 64; x. 37, 38; xii. 63, 226, 328.

Pan, i. 239; iv. 217; v. 192, 201; vi. 319.

—— (The Elgin), ix. 340.

—— (in Fletcher’s Faithful Shepherdess), v. 255.

—— Head of, xi. 228.

Pancras Churchyard, x. 221.

Pandarus (Shakespeare’s Troilus and Cressida), i. 221; viii. 326; xi. 295 _et seq._

Pandemonium (in Milton’s Paradise Lost), v. 65, 318 _n._; xi. 506.

Pandora (Barry’s), ix. 421, 422.

Pangs of Conscience. See The Ravens (Pocock’s).

Pannel (J. P. Kemble’s), viii. 537; xi. 303, 305.

—— The, and The Ravens, xi. 303.

Panopticon (Bentham’s), iv. 197; vii. 129, 240, 247, 249; viii. 411.

Pantagruel (Rabelais), iv. 378 _n._; v. 113; viii. 29.

Panthea (in Beaumont and Fletcher’s King and No King), v. 252.

Pantheon, The, ii. 276; ix. 156, 232, 235, 241; x. 296, 301.

Pantisocracy, Scheme of, ii. 278 _n._; iii. 166, 225; x. 149 _n._; xi. 513.

Panurge (Rabelais), v. 113.

Papal Palace, ix. 34.

Papinio (a village), ix. 259.

Paraclete, The, ix. 146.

Paradise (Dante’s), x. 63.

—— Lost (Milton’s), i. 22 _n._, 36, 39, 49, 94, 138, 164, 393; ii. 275, 368, 397 _n._; iv. 190; v. 61, 63, 66, 83, 148, 315, 317, 318, 357, 371; vi. 42, 174, 176, 218, 224, 350, 380, 392; vii. 36, 41, 117, 134, 197, 227; viii. 23, 58; ix. 167, 186, 218; x. 327, 416; xi. 254, 382, 457, 464; xii. 67, 193, 207, 354, 367.

—— Regained (Milton’s), vii. 36, 119.

Paradol, Madame, ix. 154.

Paradox and Commonplace, On, vi. 146.

Parallel Passages in Various Poets, xi. 282.

Parasitaster; or, The Fawn (Marston’s), v. 226.

Paræus, Ambrose, iv. 379 _n._

Pardoner (in John Heywood’s Four P’s), v. 274, 276.

Paris, i. 8, 91, 132, 133, 390, 435; ii. 21, 104–7, 109, 112–5, 130, 164, 180, 181, 188, 192, 232, 235, 267–8, 280 _n._; iii. 54, 56, 61, 97, 98, 119, 122, 159, 183, 227, 247, 344, 408; iv. 189; v. 203; vi. 16, 303, 404, 422; vii. 96, 185, 311, 313, 314, 323, 324 _n._, 332; viii. 89, 97, 363, 441; ix. 27, 95, 99 _n._, 100, 102, 103–6, 118, 119, 122, 133 _n._, 142, 145, 147, 155, 174, 177, 182, 183, 186, 192, 196, 203, 206 _n._, 207, 212, 214, 244, 246, 252, 254, 274, 355, 365, 417, 491; x. 67, 303, 329; xi. 53, 184, 195, 196, 240, 242, 246, 333, 345 _n._, 352, 353, 371, 389, 391; xii. 19, 23, 24, 146, 169, 225, 226, 314, 458.

—— (the man), i. 416.

—— (Vandyke, portrait), xii. 36.

—— (in Shakespeare’s Romeo and Juliet), viii. 199.

Parish Register (Crabbe’s), xi. 605 _n._

Parismus and Parismenos, history of (E. Ford’s), ii. 2, 4.

Park, The, ii. 211.

Parkes, Joseph. See Toms, Jo.

Parkgate, ii. 64.

Parkinson, James (sen.), ii. 212.

—— Joseph (jun.), ii. 212.

Park Lane, xii. 132.

Parliament, The Long, iv. 83 _n._

Parliamentary Report on the Criminal Laws. See Criminal Law, Parliamentary Report on.

—— Eloquence, Present state of, xi. 464.

—— Register (Debrett’s), ii. 186.

Parma, vi. 384, 415; vii. 126; ix. 197, 199, 201, 202, 205, 409; x. 192; xii. 38.

Parmegiano Francesco Mazzuola, ix. 11, 41, 43, 51, 226, 355; ix. 543.

Parmentier, James, ix. 167.

Parnassus, vi. 209; vii. 90; xi. 346, 423.

—— (Raphael’s), ix. 365.

Parnell, Thos., iv. 365; v. 104, 373.

Parolles (in Shakespeare’s All’s Well that Ends Well), i. 293; iii. 86, 437; v. 252; vi. 291.

Parr, Dr Samuel, i. 425 _n._; ii. 196; iii. 255; iv. 211, 233, 337; vi. 53, 73, 354.

Parrhasius (The Prince of Painters), i. 162; vii. 61.

Par-ris and Lutetia (Rabelais’ etymology of), ix. 155.

Parry James (junr.), ii. 182, 193, 196, 198, 225.

—— Dr John, ii. 173, 182, 192, 193, 195, 196, 198, 228.

—— Sir William Edward, iv. 207; ix. 138.

Parson Adams (in Fielding’s Joseph Andrews), i. 12, 80, 121; iii. 282; iv. 246, 367; vi. 215, 457; vii. 84, 223, 368; viii. 12, 107, 112, 115, 152, 158, 553; x. 27, 33, 34; xi. 378, 435; xii. 64, 76.

—— Supple, xi. 487.

—— Trulliber (Eachards’s Contempt of Clergy), viii. 107; x. 27.

Parsons, Wm., i. 155; ii. 111; viii. 230, 278, 388; xi. 367; xii. 24.

Parthenon, The, ix. 28, 325, 492; xi. 495.

Partisanship, On the Spirit of, xi. 521.

Partridge (in Fielding’s Joseph Andrews), viii. 112, 113, 116; x. 31, 35.

—— Mrs, viii. 113.

Party Spirit, On, xii. 402.

Pascal, Blaise, i. 410; vii. 311; xii. 169.

Pass of Thermopylæ (David’s), ix. 134.

Passeri, Giovanni Battista, x. 296, 305.

Passionate Madman; or, Nice Valour (Beaumont and Fletcher), v. 295.

—— Pilgrim, The (Shakespeare’s), i. 360.

Past and Future, On the, vi. 21.

—— Ten o’clock (Dibdin’s), xi. 392.

Pasta, Madame, ix. 175 _n._; xi. 300, 352, 372, 382, 383; xii. 307, 366, 384.

—— —— and Mlle. Mars, vii. 324.

Pastoral Ballad (Shenstone’s), v. 119; vi. 224.

Pastorals (Brown’s), v. 315.

—— (Gay’s), v. 107.

—— (Ambrose Phillips), v. 374.

Pastorella (Spenser’s), v. 43.

Patent Seasons (Arnold’s), viii. 476.

Paternoster Row, ii. 172, 204; iii. 157; xii. 344.

Patie and Peggy (Allan Ramsay’s Gentle Shepherd), ii. 78.

Patmore, Peter George (P—— Mr), vi. 371–3; x. 404, 406.

Paton, Miss I., xi. 387.

Patrick’s Return (a ballet), viii. 353.

Patriotism, On (a Fragment), i. 67.

Patroclus (Shakespeare’s Troilus and Cressida), i. 227; v. 54.

Patronage and Puffing, On, vi. 289.

Pattison, William, v. 122.

Patu, Claude Pierre, i. 66 _n._

Paul, St., i. 145; iii. 272; iv. 162; vi. 448; vii. 216; x. 128.

—— Czar, ii. 246.

—— before Felix (Hogarth’s), viii. 146.

—— III. (Titian’s), vi. 340, 385.

—— Clifford (Bulwer’s), xii. 130.

—— and Virginia (Bernardin de St Pièrre’s), vi. 186, 442; viii. 372; xii. 268, 364.

Paulo (in Leigh Hunt’s Rimini), x. 409.

Pavilion, The, at Brighton, ix. 90.

Payne’s Araglade Family, viii. 279; xi. 304.

Pays de Vaud, The, vi. 186; vii. 304; ix. 284, 288.

Peachum, Mr and Mrs (in Gay’s Beggar’s Opera), i. 66, 94, 142; iii. 68, 142, 163, 233; v. 108; vi. 288, 314; viii. 194, 255, 256; xi. 374; xii. 355.

Peacock, Thomas Love, vii. 186, 495.

—— Inn, The, at Parma, ix. 201.

Peake, Richard Brinsley, xi. 369, 370.

Pearman, William, viii. 464.

Peasant Family going to Market (Rubens’s), ix. 387.

Peasants going to Market (Burnett’s), xi. 247.

Pease-Blossom (Shakespeare’s Midsummer Night’s Dream), i. 61; viii. 275.

Peavor (a village), ii. 167.

Pedantry, On, i. 80, 84; also referred to in i. 382; xii. 320.

Pedlar (in John Heywood’s Four P’s), v. 274, 276.

Pedrillo (in O’Keeffe’s Castle of Andalusia), viii. 330.

Peel, Sir Robert, iv. 250; vi. 89; vii. 186; xi. 473; xii. 275.

Peel’s Coffee-house, xii. 165 _n._

Peeping Tom, ii. 11; vi. 417; xi. 387.

Peg (Congreve’s), viii. 74.

Pegasus, v. 63.

Peggy, Miss (in Wycherley’s Country Wife), viii. 15, 76, 77, 554; xi. 274, 276, 290.

Pegu, iv. 189.

Pekin, ii. 269; vi. 73.

Pelaez, Martin, xi. 329.

Pelissie, Monsieur, xi. 366.

Pellegrini, Félix, ix. 174.

Pellew, Sir Edward, vi. 447.

Pelliams, The, iii. 389, 412.

Pembroke, Anne, Countess of, v. 148.

—— Earl of, ix. 71; x. 335.

—— Lord and Lady, ix. 58.

—— Family, The, vi. 14; ix. 58.

—— —— (Vandyke’s), ix. 473 _n._

Pembrokeshire, iii. 411.

Pendragon, x. 56.

Penelope (Cimarosa’s), viii. 537.

—— and the Dansomanie, xi. 299.

Penitent, The Fair (Rowe’s), viii. 287.

Penitent Girl (Haydon’s), x. 201.

Penitentiary, i. 139; vii. 249.

Penkethman, William, i. 8, 157; viii. 160.

Penley, S., viii. 250, 264, 280, 302, 403, 427, 465, 525.

Pennant, Thomas, ii. 170, 172.

—— Mr, vii. 69.

Pennick, Dr, vi. 390.

Penny, Edward, ix. 422.

Penrith, ii. 78; v. 148.

Penrose, Thomas, v. 122.

Penruddock (in Cumberland’s Wheel of Fortune), viii. 376; xi. 205, 206.

Penshurst, vi. 354.

Pension Suisse, The, at Turin, ix. 196.

—— de l’Univers (an inn), ix. 133 _n._

Penson, Mrs W., viii. 315.

Pentland Hills, The, ii. 314; ix. 98.

People with One Idea, On, vi. 59.

—— What is the, iii. 283, 292.

—— of Sense, On, vii. 242.

Percival, The Knight (in Merlin the Enchanter), x. 21.

Percy (Miss Hannah More), viii. 256, 258.

—— (in Shakespeare’s Richard II.), i. 276; xi. 192.

—— Thomas, vii. 252.

Percys, The, x. 172.

Perdita (in Shakespeare’s Winter’s Tale), i. 35, 106, 176; vii. 327; viii. 74, 354; x. 116; xi. 296; xii. 339.

Père la Chaise, Cemetery of, vii. 369; ix. 145, 146, 161.

Peregrine (in Jonson’s Volpone), viii. 43.

Peregrine Paragon (in Kenney’s The World), viii. 369.

—— Pickle (Smollett’s), i. 47; vii. 221, 303; viii. 117; ix. 64; x. 35; xi. 274, 441; xii. 41.

Perfect Love (Liber Amoris), ii. 322.

Pericles, viii. 335; x. 248, 337, 346.

Pericles (Shakespeare’s), ix. 27; x. 117.

Perillus’s Bull (Dryden’s), iii. 159.

Periodical Essayists, On the, vii. 226; viii. 91.

—— Press, The, x. 202, 212.

Perkin Warbeck (Ford’s), v. 270.

Perlet, Monsieur, xi. 352, 355–6, 366, 379, 380, 383.

Perouse, John Francis Galoup de, ii. 192.

Perron, Cardinal du, xi. 289.

Perry, James, ii. 89, 171, 172, 224, 424; vi. 292, 293, 294 _n._; viii. 175; ix. 315; x. 214, 215, 424.

Perry, Mrs, ii. 224.

Persecution, Parable against (Franklin’s), x. 314.

Perseus (Cellini’s), ix. 219; xii. 209.

—— and Andromeda (Guido’s), ix. 41.

Persia, iv. 77.

Persian Letters, The (Lord Lyttelton’s), viii. 104.

Personal Identity, On, xii. 198.

—— Politics, xii. 456.

Personification of Musical Instruments (Addison’s), i. 9; viii. 98.

Persons one would wish to have seen, Of, xii. 26.

Pertinax, Surly (Ben Jonson’s Alchemist), xi. 171.

Peru, i. 95.

—— The Mines of, xii. 149.

—— Mr (fives player), vi. 88.

Perugia, ix. 211, 228, 260, 262, 302.

Perugino, Pietro, vi. 347; ix. 262.

Pesaroni, Madame, xii. 366.

Peschiera, Fortress of, ix. 277.

Peter Aretine, Profile of (Titian’s), vii. 96.

—— Bell (Wordsworth’s), xi. 497; xii. 270, 271.

—— the Great, ii. 246; iii. 308; vi. 429.

—— the Hermit, iv. 226.

—— Grimes (in Crabbe), xi. 606.

Peter Pastoral (in Teasing made Easy), viii. 468.

—— Peebles (in Scott’s Redgauntlet), vii. 319; xii. 91.

—— Pickthank (? _nom de plume_ used by Hazlitt), xi. 577.

—— Pounce (in Fielding’s Joseph Andrews), vi. 215; vii. 363.

Peterborough, ii. 9; ix. 63.

—— Cathedral, xii. 156.

—— Court, vi. 415.

Petersham, ii. 263.

Petion, Jérôme, ii. 177.

Petit-André (Scott’s Quentin Durward), iv. 251.

Peto (Shakespeare’s Henry IV.), viii. 33.

Petrarch, i. 45; v. 19, 30, 186, 299, 301–302; vi. 175, 280; ix. 262; x. 45, 55, 63, 67; xi. 273, 423, 493; xii. 30, 165.

Petruchio (Shakespeare’s Taming of the Shrew), v. 239.

Petulant (Congreve’s Way of the World), v. 231; viii. 73, 76.

Petworth, ix. 61.

Peveril of the Peak (Scott’s), xi. 537; iv. 248; ix. 279; xii. 286.

Phædra, The (Euripides), x. 97.

—— (Racine’s), x. 97, 106.

Phædra and Hippolitus (Guérin’s), ix. 122, 134.

Phæton (Wilson’s), ix. 392; xi. 198.

Pharaoh’s Daughter (Hogarth’s), viii. 146.

Pharsalia (Lucan), xii. 166.

Phelim Connar, Epistle from (Fudge Family in Paris), iii. 315.

Phidias, vi. 74, 414; ix. 28, 165, 379, 430, 466, 490–2; x. 341, 343, 344, 346, 348, 350.

Philadelphia, ii. 205; viii. 473.

Philarete (Brown’s), v. 315.

Philaster, or Love lies a Bleeding (Beaumont and Fletcher’s), v. 262, 296.

Philemon, x. 100.

Philia Borzo (Marlowe’s Jew of Malta), v. 210.

Philinte (in Molière’s Misanthrope), ix. 150.

Philip IV. of Spain (Velazquez), ix. 25.

Philips, Ambrose, i. 56; viii. 334.

—— John, v. 373; x. 369.

—— Sir Robert, iii. 395.

—— Thomas, viii. 226, 465.

Phillip II. (in Schiller’s Don Carlos), ii. 178.

Phillips, Charles, iv. 319, 323; xi. 472 _n._

—— Edward (Ned P——), vii. 37; xii. 476.

—— Sir Richard, ii. 177, 234; iii. 221; vi. 362, 418; xi. 556; xii. 224.

—— (an auctioneer), ii. 221, 224, 225, 226, 228.

Philipses, Lives of (Godwin’s), x. 369, 399.

Phillis (Steele’s Conscious Lovers), viii. 158.

Philoctetes (Barry’s), ix. 419.

—— (Racine’s), ix. 154.

—— (Sophocles), v. 14.

Philomel, v. 104.

Philosophical Necessity, Doctrine of, xi. 277.

Philosophy, Lectures on (Hazlitt’s), xi. p. ix.

—— of Rhetoric (Campbell’s), viii. 62.

Phœbe Dawson (Crabbe’s), iv. 353.

—— (in Rosina), viii. 527.

Phœbus (Milton’s), i. 32.

Photinus (in Beaumont and Fletcher’s False One), v. 253.

Photius, x. 15.

Phrenologists, Society of, vii. 156 _n._

Phrygian Shepherds (in Lyly’s Midas), v. 199.

Physiognomical System (Drs Gall and Spurzheim), vii. 18, 19.

Physiology of the Brain (Spurzheim’s), vii. 17.

Piazza Coffee House, The, xii. 140 _n._

—— di Spagna, The, at Rome, ix. 229 _n._

Piccadilly, ii. 227; iii. 448; vii. 211; xii. 239, 240, 277.

Pichegru, General, x. 250.

Pic-Nic, The (a newspaper), xii. 276 _n._

Picture, The (Massinger’s), v. 266.

Picture Galleries in England, Sketches of the Principal, ix. 1.

Pictures at Burleigh House, ix. 62.

—— at Hampton Court, The, ix. 42.

—— at Oxford and Blenheim, ix. 69.

—— at Wilton, Stourhead, etc., ix. 55.

—— at Windsor Castle, The, ix. 36.

Picturesque and Ideal, On the, vi. 317

Pie de Lupo, The (a mountain), ix. 259.

—— Voleuse, The (French play), xi. 381.

Pierre (in Otway’s Venice Preserved), i. 155; ii. 59; v. 354, 355; vi. 329; viii. 262, 378, 459; xi. 402, 407, 480.

—— Cardinal, x. 55.

—— Vidal, x. 55.

Pietra Mala (a town), ix. 209.

Pig and Gridiron, viii. 475.

Pigeons and Crows (a play), viii. 467, 469.

Pigott, Jack, xii. 2, 13, 14, 15.

Pigwiggin the Younger (in Pigeons and Crows), viii. 469.

Pilgrims and the Peas, The (by Peter Pindar), viii. 168.

Pilgrim’s Progress, The (Bunyan’s), i. 57 _n._; ii. 155; iv. 337; v. 13, 14, 43; vi. 54, 413; ix. 133 _n._, 229; x. 24, 74; xii. 33, 236.

Pilnitz, iii. 61; xi. 196.

Pilot, The (Fenimore Cooper’s), vi. 385, 386; x. 313.

Pinch, Richard, vii. 71, 72.

Pinchwife; or, Moody (in Garrick’s adaptation of Wycherley’s Country Wife), vi. 68; viii. 76, 77; xi. 277.

Pindar, iv. 271.

—— Peter (Dr John Walcot), xii. 348; also referred to in vi. 79 _n._, 213, 343, 423; vii. 41; viii. 168; xi. 550, 590; xii. 350.

—— —— Address to (Gifford’s), iv. 309.

Pindaric Odes (Gray’s), v. 118.

Pinkerton, John, ii. 177, 181, 182, 184, 187, 192.

Pinnarius Natta (in Jonson’s Sejanus), v. 263.

Pinner of Wakefield, The; or, George-a-Greene (by Robert Greene), v. 289, 294.

Piombo, Sebastian del, ix. 10, 43, 112; xi. 238.

Pipino (in Thompson’s Dumb Savoyard), xi. 364.

Pippini, Signor, ix. 229.

Piranesi, Giambattista, x. 190.

Pirate, The (Scott’s), xi. 531.

Pirithous, vii. 253; xii. 19.

Pisa, iv. 217; vii. 282; ix. 246, 302, 409; x. 354; xii. 274 _n._, 347.

Pisander (in Massinger’s Bondman), v. 266.

Pisani Palace, The, ix. 269.

Pisanio (in Shakespeare’s Cymbeline), xi. 291, 292.

Piscatory Eclogues (Sannazarius’s), v. 98.

Pistol (in Shakespeare’s 2nd Henry IV.), ii. 255; vi. 229, 246; vii. 277; viii. 33.

Pitcairne, Dr, ii. 174, 175, 193, 194, 195.

—— Pitcairn’s Island, viii. 529.

Pitt, William (younger), i. 379, 383, 397; ii. 158, 178, 200, 223–6, 375; iii. 14–5, 18 _n._, 60–1, 96–9, 131 _n._, 328 _n._, 339, 344, 346, 350, 389, 391, 406–7, 412, 413, 418, 423, 461, 466; iv. 233, 237, 333; vi. 34, 109; vii. 100, 200, 269, 273; viii. 17; x. 213, 232; xi. 196, 257, 436; xii. 50, 94, 206, 274, 289, 293.

Pitt, Character of the Late Mr, i. 125; iii. 346.

—— Finance, Sinking Fund, xi. p. vii.

Pitt (poet), v. 122.

Pitti Palace, ix. 212, 220, 221, 224, 225, 226, 366.

Pitton (a village), xi. 309.

Pizarro (Sheridan’s), v. 360; viii. 468; xii. 346.

Place, Francis, iii. 39; vii. 186, 271, 382; xi. 556.

—— Vendôme, The, ix. 157.

Placentia, ix. 199.

Plague, History of the (Defoe’s), x. 382.

—— of Athens (Poussin’s), ix. 201 _n._, 384.

—— of London, vii. 69.

—— of Milan, The (modern painting), ix. 239.

Plain Dealer (Wycherley’s), viii. 14, 77, 78, 86, 506; xi. 404.

—— Speaker, vii. 1; also referred to in vi. 2, 487; xi. 610.

Planche, James Robinson, xi. 388.

Plantagenet, House of, The, viii. 181.

Plantagenets, The, xii. 356.

Platæa, The Plain of, ix. 325.

Plato, i. 50, 135 _n._; iii. 151; iv. 9 _n._, 143, 144, 217, 285; v. 3, 296, 327; vi. 198; vii. 46, 52, 246; viii. 243; x. 121, 157, 249; xii. 164, 165 _n._, 370.

Platoff, Hetman (Matvei Ivanovitch, Count Platoff), ix. 465.

Plausible (in Wycherley’s Plain Dealer), viii. 78.

Plautian Family, ix. 256.

Plautus, i. 353; viii. 44; x. 100.

Pleasure of Painting, On the, vi. 5, 13.

Pleasures of Hating, On the, vii. 127.

Pleasures of Hope (Campbell’s), ii. 413; iv. 343, 345, 346; v. 149, 375, 377; vi. 210; ix. 490.

—— of the Imagination (Addison’s), i. 380; (Akenside’s), v. 119, 375.

—— of Memory (Rogers’s), ii. 413; iv. 343; v. 148, 375; ix. 490.

Pletho, Gemistius, x. 145.

Pleydell the Counsellor (Scott’s Guy Mannering), iv. 248.

Pliny, vi. 241; ix. 223, 466.

Plotinus, iv. 217; xii. 164 _n._

Plovers (Chantry’s), xi. 248.

Plume (in Farquhar’s Recruiting Officer), viii. 286.

Plunket, William Conyngham, Baron, iv. 319.

Plunkett, M.P. (Mr), xi. 472, 473, 474.

Plutarch (Sir Thomas North’s), i. 7, 218; v. 186; viii. 96; xi. 601.

Pluto and Proserpine (Titian’s), ix. 74.

Plutus (Aristophanes), viii. 28.

—— House of (in Spenser), v. 42.

Plymouth, ii. 85, 208, 375; iv. 189; vi. 65 _n._, 113 _n._, 351, 374, 375, 390, 418, 446; ix. 102; xi. 341, 546.

Po, The, iii. 181; ix. 196, 198.

Pocock, Robert, ii. 245.

Poelenburgh, Cornelis van, ix. 20, 43, 60.

Poems on the Naming of Places (Wordsworth’s), xii. 268.

Poetical Character, On the (Collins), v. 116, 126, 374.

—— Versatility, On, i. 151.

Poetry, xii. 339.

—— Art of (Bysshe’s), ix. 483.

—— of the Anti-Jacobin (by Canning and others), vii. 350; xi. 341.

—— in General, On, v. 1.

Poet’s Corner, vi. 94, 333; vii. 67, 249; ix. 156.

Poets, My First Acquaintance with, xii. 259.

Poggio, Bracciolini, vii. 61 _n._

Poland, iii. 12, 32 _n._, 61 _n._, 68, 71, 103, 104, 107, 158, 216.

Polemberg, C. van. See Poelenburgh.

Polemon (Barry’s), ix. 421.

Police Bill, Mr Peel’s, iv. 250.

Polidori, Dr, viii. 474.

Polite Conversation (Swift’s), xii. 44.

Political Economy, Principles of (John Macculloch’s), xii. 131, 345.

—— —— Elements of (Mill’s), xii. 345.

—— Essays (Hazlitt’s), i. 426, 433, 438; iii. 463; iv. 401, 410; x. 418, 419, 420, 421; xi. p. vi, 596.

—— —— with Sketches of Public Characters, iii. 25, 47.

—— House that Jack Built (Hone’s), vii. 279 _n._

—— Justice, Enquiry concerning (Godwin’s), iii. 122, 368; iv. 19, 65, 201–3, 289; vii. 251; viii. 132, 419; xii. 170, 281, 407.

—— Register, The (Cobbett’s), iii. 239, 285; iv. 340, 341, 401; vi. 56; xi. 539; xii. 7.

Politicians (Wilkie’s), xi. 253.

Polixenes (Shakespeare’s The Winter’s Tale), i. 329.

Polling for Votes (Hogarth’s), viii. 137; ix. 81.

Polly (a play), viii. 525.

—— (in Gay’s Beggar’s Opera), i. 65; v. 107; viii. 158, 193, 194, 195, 254, 323, 341, 470; xi. 274, 304, 317, 373, 533.

—— Watts (in Hook’s Diamond Ring; or, Exchange No Robbery), viii. 475.

Polonius (Shakespeare’s Hamlet), ii. 79, 81; v. 265; viii. 186, 189; xii. 207, 425.

Polydore (in Otway’s The Orphan), viii. 263, 310.

Poly-Olbion (Drayton’s), v. 311, 370; vii. 316; xi. 284.

Polyphemus (in Gay’s Acis and Galatea), vii. 103.

Pomfret, John, v. 373.

Pomona, ix. 216.

Pompey, ix. 373; (Shakespeare’s), i. 391

—— (Statue), xi. 422.

—— (in Beaumont and Fletcher’s False One), v. 253.

Pompey’s Pillar, xii. 329.

Poniatowski (in Lander’s Imaginary Conversations), x. 250.

Ponsonby, John, xi. 471.

Pont Beau-Voisin (a town), ix. 185.

—— Neuf, The, ix. 156.

Ponte, Jacopo da. See Bassano, Il.

Pontius Pilate, vii. 36.

Pool of Bethesda (Hogarth’s), viii. 147; xii. 367.

Poole, Miss, viii. 240, 244.

—— Tom, xii. 272.

Poor Gentleman, The (George Colman, the younger), viii. 319; xi. 375.

—— Robin (Franklin’s), x. 314.

—— Susan (Wordsworth’s), v. 156.

Pope, Lord Byron, and Mr Bowles, xi. 486.

—— Alexander, v. 68; also referred to in i. 8, 18 _n._, 26, 39, 40–1, 56, 71, 80, 138, 162, 171, 176, 318, 324, 380, 399; ii. 79, 166, 199, 370, 397; iii. 46–7, 408, 416, 424; iv. 259, 277, 309, 350, 356, 359, 365; v. 8, 13, 32, 43, 45, 61, 63, 79, 88, 92, 98, 100, 104, 119, 125, 161, 369, 373, 374, 375; vi. 30, 195, 204 _n._, 210, 222, 223, 250, 336, 351, 359, 363, 367, 413, 414, 440, 444, 454, 464; vii. 6 _n._, 24, 36, 40, 93, 102, 103, 105, 124, 168, 203, 206, 209, 226, 234, 290, 303, 363, 380; viii. 14, 18, 24, 29, 30, 53, 62, 79, 93, 96, 134, 152, 158, 160, 273, 359, 401, 416, 555; ix. 37, 76, 233, 391; x. 77, 108, 134, 155, 161, 172, 204, 232, 250, 375, 416; xi. 233, 240, 256, 272, 275, 375, 430, 436, 457, 486, 606; xii. 31, 32, 50, 78, 154 _n._, 207, 208, 245, 251, 273, 375, 388.

Pope was a Poet, On the Question Whether, xi. 430.

—— Anecdotes of (Spence’s), vi. 30; vii. 209; xi. 498.

—— Alexander (actor), viii. 224, 249, 250, 264, 272, 301, 302, 403, 465; xi. 399.

—— Mrs Elizabeth, viii. 515.

—— Miss, viii. 389; xi. 367; xii. 24.

Popular Opinion, On the Causes of, xii. 316.

Population, Essay on (Malthus’s), iv. 288.

—— Extracts from the Essay on, with a Commentary and Notes, iv. 105.

—— On General Tendency of, to Excess, iv. 26.

—— Principle of, as affecting Schemes of Utopian Improvement, iii. 367; iv. 18.

—— The Principle of, whether Vice and Misery are the necessary Consequences of, and the only checks to, iv. 52.

—— Queries Relating to the Essay on, iii. 381.

Porchester, Lord, xi. 386.

Pordenone (Giovanni Antonio Licinio of), ix. 34, 35.

Porlier, General, iii. 119.

Porlock, x. 416.

Porretta, Jeronymo della, ix. 59.

Porridge Island, ii. 90.

Porson (Richard), ii. 169, 176; iv. 233; vi. 73, 199, 208; vii. 198; viii. 17; x. 214, 244; xi. 288; xii. 75.

Porteous (Scott’s Heart of Midlothian), iv. 248.

Port Royal Logic, The (Anthony Arnaud’s), xi. 289.

Porta di Popolo, vi. 379.

Portalis, Jean Étienne Marie, xi. 123.

Porter, Miss Jane, x. 296.

—— Walsh, ix. 13, 65.

Portia (Shakespeare’s Julius Cæsar), i. 198.

—— (in Shakespeare’s Merchant of Venice), i. 391; iv. 260; viii. 180.

Portland, Duke of (D—— P——, the), ii. 169, 216.

—— Place, vi. 235; ix. 158, 479.

Portman Square, vii. 68; ix. 158; xi. 385.

Portrait (by S. del Piombo), xi. 238.

—— of an English Lady, On a (by Vandyke), vii. 280.

—— of a Female (Rembrandt’s), ix. 50.

—— of a Lady (Maratti’s), ix. 21.

—— of a Man (Leonardo da Vinci’s), ix. 26.

—— of the Prince of the Austurias (Velasquez’s), ix. 23.

—— of a Youth (Gainsborough’s), xi. 202.

—— of a Youth (Parmegiano’s), ix. 41.

Portsmouth, ii. 85, 185.

—— Duchess of (Lely’s), ix. 38.

Portugal, iii. 216, 228.

Posa, Marquis of (in Schiller’s Don Carlos), ii. 178.

Possessed Boy (Domenichino’s), xii. 367.

Posthumous Fame, On; Whether Shakespeare was Influenced by a Love of it, i. 21.

Posthumus (in Shakespeare’s Cymbeline), viii. 539; xi. 291, 293.

Pot of Basil, The Story of the (Boccacio’s), i. 163; xi. 517.

Poticary, The (in Heywood’s Four P’s), v. 274, 276.

Potier, Charles, ix. 153.

Potter, Paul, ii. 187; ix. 63, 301.

—— Robert, xi. 284.

Poulterer’s Shop (G. Dou’s), ix. 355.

Poure Persone (Chaucer’s), v. 24.

Poussin, Gaspar, ii. 318; vi. 15; ix. 14, 35, 51, 239; x. 278, 300; xi. 17; xii. 272. (See also references under Nicholas Poussin.)

—— Lines on a picture of (Southey’s), v. 164.

—— Nicholas, i. 149, 163; iv. 277; v. 38, 98; vi. 74, 171, 173 _n._, 174; vii. 103, 291–2; viii. 314; ix. 7, 13–4, 24, 30, 36, 51, 59, 72, 107–10 _n._, 113, 128, 133, 232, 237, 311, 323, 384, 387, 389, 393, 409, 473, 477; x. 77, 192, 278, 281, 303; xi. 188, 191, 197, 199, 200–1 _n._, 240 _n._, 242, 543; xii. 189, 207.

—— On a Landscape of Nicholas, vi. 168.

Pontoppidan, Eric, ii. 252.

Povey, Miss, viii. 460.

Powel, Mr (an Oxonian), ii. 196.

Powell, William, viii. 280, 286; ix. 149.

—— Mr (a racket player), vi. 88, 89, 286, 451.

Power, Tyrone, xi. 381.

Pozzo Borgo (a town), ix. 227.

Practice of Piety (Lewis Bayly’s), iii. 111; xi. 254.

Pradere (a musician), ii. 234.

Præfatio ad Bellendenum (Parr’s), ii. 196.

Prague, viii. 363.

Pratt, Charles (Earl Camden), iii. 418.

—— Sir John, iii. 418.

—— Samuel Jackson, xi. 460.

Pratt’s Hotel, Dieppe, ix. 92.

Praxiteles, ix. 237; x. 341, 343.

Preaux, Guillaume de, x. 54.

Predominant Principles and Excitements of the Human Mind, On the, xi. 258.

Preface to an Abridgment of Abraham Tucker’s Light of Nature Pursued, iv. 369.

Prefaces, Dryden’s, vi. 217.

Prejudice, On, xii. 391–6.

Presbyterians, viii. 62, 66; x. 362 _n._; xi. 420.

Present Discontents (Burke’s), iii. 421.

Presentation in the Temple, The, (Guido’s), vii. 283, 292; ix. 111.

Press, The—Coleridge, Southey, Wordsworth, and Bentham, xi. 411.

Press-yard, iv. 195.

Prestor John, iii. 142.

Pretender, iii. 117, 408; x. 377; xii. 31.

Priam, xii. 155.

Price, Mrs, ii. 228.

Price, Dr Richard, iii. 225, 401; iv. 9 _n._; xii. 358, 359, 405.

Pride (in Spenser), v. 39.

Prideaux, Humphrey, vi. 76, 476.

Priestley, Dr Joseph, xii. 357; also referred to in i. 49 _n._; ii. 415; iii. 225; iv. 216; vii. 445–6; x. 315, 316; xi. 53, 54, 65, 66, 70, 72, 472 _n._, 579; xii. 405.

Primrose, Dr (Goldsmith’s Vicar of Wakefield), v. 119.

Primrose-hill, vii. 66; viii. 463; ix. 158, 336.

Prince and The Pretender; or, The Year 1745 (a short play), xi. 387.

—— Arthur (in Spenser), v. 35; x. 74.

—— Athanase, a Fragment (Shelley’s), x. 267.

—— Maurice’s Parrot, iii. 101; also referred to in vi. 284.

—— of Painters, The (Parrhasius), i. 162; vii. 61.

—— Prettyman (in Duke of Buckingham’s Rehearsal), vii. 205.

—— Regent, The, i. 416; iii. 218; ix. 479.

—— Regent leading a Horse (Gainsborough’s), xi. 203.

—— of Wales, The (passage boat), ii. 242.

Prince’s Street, ii. 314; ix. 324.

Princess of Cleves, The (Madame de la Fayette), xii. 62, 169.

—— of Arragon, A (Raphael’s), vii. 287.

Principia (Newton’s), ii. 379; iii. 141; xii. 26, 279, 402.

Principle of Population as affecting the Schemes of Utopian Improvement, On the, iii. 367.

Prior, Matthew, i. 80; iv. 359; v. 83, 104, 106–7, 369, 373; viii. 56.

—— Aymer (in play from Scott’s Ivanhoe), viii. 410.

Prioress, The (in Chaucer), v. 32, 82.

Pripscovius, iii. 266.

Priscilla, Tomboy (in The Romp), viii. 539.

Prison Thoughts (Dodd’s), xii. 348.

Pritchard, Mrs, i. 157; vi. 275; xii. 33.

Prize, The (Prince Hoare’s), i. 155; viii. 230, 388, 416.

Procession of the Passions, The (Spenser’s), v. 35, 39, 40.

Proclus, iv. 217; x. 145; xii. 164 _n._

Procrastination, Lines on (Young), v. 114.

Procrustes, i. 176; iv. 374 _n._; v. 150.

Prodigal Son, The, v. 184.

Progress of Finance, xi. p. vii.

Project for a New Theory of Civil and Criminal Legislation, xii. 405.

Prologue in Heaven, The (Shelley’s, from Goethe), x. 271.

Prometheus, vi. 424; ix. 135; xii. 222.

—— The picture of (Salvator’s), x. 283, 296.

—— (Æschylus’s), iv. 216; v. 64; viii. 420; x. 93; xii. 347.

—— (Titian’s), ix. 273.

—— Unbound (Shelley’s), vi. 148.

Promissory Note, The (a play), viii. 464.

Prophet Ezra (Hayter’s), xi. 245.

—— Samuel (Reynolds’s), ix. 24.

Prophets and Sybils (Michael Angelo’s), ix. 241, 366.

Prose-Style of Poets, On the, vii. 5.

Proserpine (a frigate), ii. 227.

Prospects of Mankind, Nature, and Providence (Wallace’s), iv. 291.

Prospero (Shakespeare’s Tempest), i. 245, 346; iv. 202; v. 48, 187; vii. 213; viii. 235, 236; xi. 119, 417, 451.

Proteus, iii. 325.

—— (Shakespeare’s Two Gentlemen of Verona), i. 319.

—— (Spenser), v. 38.

Provençal Poetry, x. 46 _et seq._

Provence, viii. 126; ix. 182.

Provincial Letters (Pascal’s), xii. 169.

Provoked Husband, The; or Journey to London (Vanbrugh’s), vi. 15, 414, 444, 453.

—— Wife, The (Vanbrugh’s), viii. 79, 81, 83.

Prussia, iii. 68, 71; xi. 333.

—— King of, ii. 185; iii. 106.

Psalmanazar, George, vii. 198.

Psalmody (Arnold’s), ii. 44, 50, 54.

Psalms, The, vi. 392; xi. 489.

Psyche (in Apuleius’s Golden Ass), vi. 201.

Public Opinion, On, xii. 311.

Pucelle (Voltaire’s), i. 292.

Puck (in Shakespeare’s Midsummer Night’s Dream), i. 241, 424; v. 53.

—— ix. 177.

—— (Reynolds’s), ix. 329, 400.

Puff (a horse), ii. 39, 40.

Puffendorf, Samuel, Baron von, iv. 283; vi. 76; xii. 378.

Pugh, Mr (a surgeon), ii. 225.

Pulci, Luigi, x. 69.

Pulpit Oratory—Dr Chalmers and Mr Irving, xii. 275.

Pulteney, Sir William (Earl of Bath), iii. 389, 410, 412, 465; vi. 449.

—— Sir William Johnstone (Plug Pulteney), ii. 217; iv. 2 _n._, 298.

Punch and the Puppet Show, ii. 396; vii. 25; xii. 17, 205, 353.

Punishment of Death, On the, xii. 466.

Purcell, Henry, ii. 176; iii. 311; v. 384.

Purgatorio (Dante’s), ix. 251; x. 63.

Purgatory (Salvator’s), x. 297.

Puritans, i. 49; viii. 54; x. 356.

—— History of the (Neale’s), iii. 265; iv. 217; xi. 443.

—— The, or Widow of Watling Street, i. 356; v. 289.

Purley, Diversions of, On (Tooke’s), xi. 119.

Purple Island (P. Fletcher’s), v. 311.

Putney Bridge, viii. 201 _n._

Pye, Henry James, iii. 109, 113, 258; viii. 160.

Pygmalion (fable of), ii. 400; ix. 222; xi. 241.

Pym, John, iii. 394; iv. 61; vii. 320.

Pyne, Mr (singer), viii. 240, 244, 301.

Pyramids, The, i. 110; iii. 246; vi. 188; vii. 255; ix. 350.

Pyrochles, The Shipwreck of (in Sir P. Sidney’s Arcadia), v. 323.

Pyrrhus, xii. 204.

—— (in Phillips’s Distressed Mother), viii. 334.

—— (referred to in Shakespeare’s Hamlet), xi. 395.

Pythagoras, iv. 37, 384; vii. 243; x. 338; xi. 491.

Q.

Quadratus (in Marston’s What You Will), v. 225.

Quakers, i. 49 and _n._, 50.

Quarles, xii. 48 _n._

Quarrel, The (in Liber Amoris), ii. 294.

Quarterly Review, The, iii. 192; also referred to in i. 95, 139, 166, 365, 376, 384, 385–6, 410, 456; iii. 44, 110, 112, 126, 202, 203–4, 211–15, 217–22, 224–5, 229, 231, 242, 262, 295; iv. 298, 302, 307–8, 310, 343, 419; vi. 59, 87, 99, 152 _n._, 226, 263, 284, 479; vii. 131, 208, 301, 312, 381; viii. 453; ix. 246 _n._; xi. 322, 419, 537, 547, 551; xii. 169, 295, 314.

Quattro-Fontane-, Via di (at Rome), ix. 233.

Quebec, Battle of, xi. 546.

Queen (in Lust’s Dominion), v. 207.

—— (in Shakespeare’s Richard III.), xi. 194.

—— Caroline (in Scott’s Heart of Midlothian), viii. 413 _n._

—— Charlotte, The (passage boat), ii. 242.

—— Dollalolla (in Fielding’s Tom Thumb), vi. 453.

—— Elinor (in Shakespeare’s King John), xi. 411.

—— Katherine (in Shakespeare’s King John), i. 311; vii. 306; viii. 223.

—— Mab, vi. 276; viii. 32; xii. 20.

—— Whim (in Rabelais), iii. 128.

Queen’s Matrimonial Ladder (Hone’s), xii. 172 _n._

—— Trial (Hayter’s), vi. 386; ix. 128.

Queensberry, Duke of, ii. 28; vii. 211.

Queensberry’s Duchess, xi. 375.

Quentin Durward (Scott’s), iv. 248; vii. 339.

Queries and Answers; or, The Rule of Contrary, xii. 296.

Quevedo Y. Villegas, Francisco Gomez de, i. 387; xi. 234; xii. 348.

Quick, John, i. 155; vi. 275; viii. 230, 386; xii. 198 _n._

Quickly, Mrs, xi. 312.

Quin, James, i. 157; iii. 389; xii. 33.

Quintilian, i. 394.

Quintus (Cicero’s brother), x. 251.

Quotations—

A.

A jocis ad seria in seriis vicissim ad jocos transire, i. 52.

About a league from the town is a place called Walheim, etc., vi. 6 _n._

above all names, a name great, i. 143.

absolute, that in itself summ’d all delight, ix. 54.

absurd to talk of a complex idea, it is as, etc., iv. 379 _n._

Accept a miracle instead of wit, etc., viii. 15.

according to the book of arithmetic, viii. 346.

according to knowledge, xi. 324.

ace of clubs, like an, i. 69.

Ackermann’s dresses, in the manner of, etc., iii. 321; iv. 358.

acquitted felon, ii. 149, 157.

action is momentary, etc., iv. 276.

action is momentary, The motion of a muscle, etc., viii. 130.

actions, all the, that we have any idea of, etc., xi. 60.

adamantine scales, turned to the stroke, his, etc., xi. 522.

added a cubit to his stature, viii. 208.

admire anything, Not to, i. 81 _n._; xii. 181.

admired, needs but to be seen to be, iv. 230, 360.

admired of all observers, the, xii. 325.

Adonis of fifty! an, etc., iv. 358; vii. 123; viii. 475.

advantage of this method of considering objects, The, etc., vi. 136.

advantage, dressed to, xi. 375.

Advance, soft soother of the mind, etc., ii. 74.

advice in a word is this, my, etc., vi. 128.

A few termes coude he, etc., vii. 270.

affectation, that seal of mediocrity, vi. 461.

Afric on its hundred thrones rejoice, Let, viii. 338.

Age after age, from sire to son, etc., iii. 50.

age of chivalry is gone for ever, iii. 233; v. 189; vii. 374; xii. 91, 285.

age of comedy would be gone, The, etc., viii. 15.

age of hobby-horses, the, x. 40.

aggregation of ideas, viii. 55.

agreeable surprise, viii. 467.

Ah! idle creature, viii. 73.

Ah! noble prince, how oft have I beheld, etc., v. 195.

ah, pardonna, viii. 297.

ah, voila de la pervenche, i. 92; v. 103; vii. 372 _n._; xii. 329.

Ah! well-a-day, my poor heart! ii. 113.

Ah! what a weary race my feet have run, etc., v. 121.

airs and graces, xii. 237.

airy, notional good, an, vii. 395.

alarmists by trade, x. 121.

Alas! he is not dead; he’s in a trance, etc., v. 243.

Alas! how changed from him, etc., v. 78; viii. 409.

alas! Leviathan was not so tamed! iii. 329.

Alas the wo! alas the peines stronge, etc., v. 29.

Alas! they had been friends in youth, etc., v. 166.

Alexander—If I were not, xii. 198.

Alexis, here she stay’d among these pines, etc., v. 302.

Aliquando sufflaminandus erat, i. 311; vii. 38; viii. 41. _See_ Nunquam.

all earth’s bliss, both living and loving, of, etc., viii. 407.

all germins spill at once, xii. 67.

all hail him victor in both gifts of song, etc., iii. 47.

all men are mortal, vi. 324

All our surgeons Convent in their behoof, v. 258.

all power given them upon Earth, iii. 106.

all the art of art is flown, xi. 496.

all the beasts of the forest are mine, etc., vi. 392.

All the editors with the exception of Capell, etc., i. 353.

all the inward acts of worship, etc., iii. 270.

All the mutually reflected charities, i. 30; viii. 137; ix. 80, 144.

all this I will do with the stone, xi. 171.

all was one full-swelling bed, v. 88.

all which, though we most potently believe, xi. 274 _n._

All whose parish ther was non, etc., v. 24.

All eyes shall see me, etc., viii. 148; ix. 69; x. 191.

allegiance and just fealty, etc., iii. 209.

Allemagne, tu es une nation, et tu pleurs, xi. 282.

Alley has a brother, where each, etc., iii. 424.

allow for the wind, to, iv. 192; vi. 81.

Alma redemptoris mater, Oh, etc., v. 29; x. 76.

alone give value and dignity to it, ix. 397.

Alps nor Apennines Can keep him out, Nor fortified redoubt, Nor, vi. 66; ix. 291.

Alps o’er Alps arise, where, ix. 191; x. 132.

alter et idem, viii. 463.

alternate action and repose, ix. 327, 329.

always speaks in blank verse, i. 239.

Alworthy had done so many charitable actions, Mr, xii. 309.

am I not thy Duchess, etc., v. 246 _n._

amalgamation of the wonderful powers, an, viii. 191.

amaranthine flower, The only, etc., xii. 251.

amazing brightness, purity and truth, x. 191.

amber-lidded snuff-box, of, justly vain, etc., i. 25; viii. 134; ix. 76; xi. 498.

amid the forest deep, stock-dove plain, v. 88; vii. 114; xii. 153.

Among the rocks, etc., xii. 316.

ample scope and verge enough, iii. 140; iv. 340; vi. 57; viii. 403; xi. 470, 483.

amusing to see this person, sitting like one of Brouwer’s Dutch boors, it was, etc., iv. 307.

anarchy is the shortest lived, Of all evils, vi. 164.

ancestral voices, xi. 515.

ancient Gower, v. 34.

ancient knights of true and noble heart, Oh, x. 71.

And all my fears go with thee, etc., v. 256.

and all that day we read no more, x. 62 _n._

And all the rest forgot, etc., x. 394.

and are, when unadorned, adorned the most, xi. 440.

And as the new abashed, etc., i. 226; v. 20.

And by his side rode loathsome Gluttony, etc., v. 39.

and curs’d the hour, and curs’d the luckless day, etc., iv. 222.

And down the streams which close those mountains, etc., x. 266.

and e’en on Sunday, etc., xii. 20.

And eke that stranger knight, v. 38.

And have not two saints power to use, etc., viii. 63.

And in his nose, like Indian king, etc., viii. 63.

And more to lull him in his slumber soft, etc., v. 36.

And next to him rode lustfull Lechery, etc., v. 39.

And now from out the watery floor, etc., ix. 268.

And see where surly Winter passes off, v. 86.

And setting his right foot before, etc., viii. 65.

and struts Sir Judkin, an exceeding knave, iii. 237.

And that green wreath which decks the bard when dead, etc., v. 120.

And turn’d and look’d, and turn’d to look again, v. 119.

And when I think that his immortal wings, etc., vii. 85; ix. 164.

and when that last, iii. 118.

And with a quavering coyness tastes the strings, v. 318.

angel from Heaven, ii. 312.

angels ’twas most like, To, vi. 259.

angels’ visits, few and far between, Like, iv. 346 and _n._; v. 150 and _n._; vii. 38; viii. 316.

angels weep, as make the, viii. 471.

angles at the four corners was a right one, not one of the, viii. 93.

Anna, the silver-voiced, vii. 301.

another Yarrow, vii. 229.

Anthony Codrus Urceus, a most learned, etc., vi. 238.

antic sits, And there the, etc., vi. 354.

any faction that at the time can get the power, etc., iii. 291.

Apelles of the flowers, the, v. 300.

Apollo, without making one observation, I cannot quit the, etc., vi. 139.

appears to have been the first who discovered the path, he, etc., vi. 126.

Arabia have I seen a Phœnix, So in, vi. 233 _n._

Arcadian! I also was an, i. 163; v. 98; vi. 27; x. 187; xi. 267. _See_ Et _and_ painter.

are you our daughter, viii. 446.

Argicide, He said; and straight the herald, etc., i. 71 _n._

Arguments from reason, of the, etc., xi. 54.

Argument, they own’d his wondrous skill, In, etc., vi. 80.

arm-chair at an inn, the, xii. 121.

army of Macedonian and Swedish mad butchers fly before him, an, v. 123.

Around him the bees in play flutter and cluster, etc., v. 151.

arriving round about doth fly, There he, etc., viii. 404.

arrogant a piece of paper, as, iii. 231.

arrowy sleet, vi. 54.

art, by his so potent, vi. 272.

art is long, and life is short, vii. 61.

art of being well deceived, the, vii. 204.

Art thou not Lucifer? etc., v. 317.

artists, as Vasari likewise observes, Many, etc., vi. 136.

artists, Few, have excelled Wilson in the tint of air, etc., xi. 201.

artists who have quitted the service of nature, Those, etc., vi. 130.

as a lamb, he was led, etc., iii. 239

as beseems him well, iii. 114.

As having clasp’d a rose within my palm, etc., v. 225.

As I walked about, etc., v. 14.

as if he were a God to punish, etc., viii. 348.

As if they thrill’d frail hearts, etc., vii. 282.

as in a glass darkly, but now face to face! vi. 9; xii. 152.

as in a map the voyager his course, v. 326.

As Julia once a slumbering lay, etc., v. 313.

as much again to govern it, iv. 321; vi. 317.

As the morning lark sings over her young, etc., v. 210.

as those same plumes, so seems he vain and light, etc., xi. 479.

As when an owl that’s in a barn, etc., viii. 67.

As when, in prime of June, etc., xii. 174.

Ashby, The gentle and free passage of arms at, etc., xii. 18 _n._

ashes live his wonted fires, Even in his, x. 386.

asinos asinina decent, iii. 207.

ask the Apollo to dance, And would, ix. 174.

Ask me no more where Jove bestows, When June is past, the fading rose, etc., v. 311.

Aspiring to be Gods, if angels fell, etc., vii. 196.

assumes the rod, affects the God, etc., vi. 215.

assured; what they are least, xii. 363.

Astonishment, fear, and amazement beat upon my heart, etc., v. 212.

at an easy rate, ii. 149.

at every trifle scorn to take offence, etc., v. 75.

At once he took his Muse and dipt her Right in the middle of the Scripture, ii. 340.

at one end of a rod, xii. 19.

at the public good, v. 215.

At this the knight grew high in chafe, etc., viii. 66.

Au-dessus du mont Jove, un mont plus escarpé, etc., xi. 231.

aujourd’hui jour de Pâques fleuries, etc., vii. 372 _n._

Auld Reekie, iv. 245.

aut Cæsar aut nihil, vi. 274; vii. 167; xii. 326.

author, ’tis a venerable name, an, etc., vi. 162.

Auvergne alone, when in, etc., iv. 206.

avarice, If there had been no such thing as, xi. 298.

avengers of mankind, the, iii. 99.

aversion, it is his, iv. 258.

awake, my sack-but! iii. 50.

B.

Babylon, by the waters of, vii. 122.

Back and side, go bare, go bare, Both foot and hand go cold, etc., v. 288.

bade the lovely scenes at distance hail, And, vii. 304.

Bailey, that unfortunate Miss, iii. 160.

balsam of fierabras, xi. 304.

bambouzled and bit, iii. 156.

bane and antidote, its, iv. 8; xi. 524

Bann’d be those hours when ’mongst the learned throng, etc., v. 283.

barbarous kings, iii. 111.

bard whose soul is meek as dawning day, i. 429.

bared his swelling heart, iii. 338.

bare trees and mountains bare, the, etc., i. 113; iii. 168; v. 163.

ball of dazzling fire, xii. 342.

base cullionly fellow, xii. 285.

Be every day of your long life like this, etc., viii. 75.

Be mine to read eternal new romances of Marivaux and Crebillon, v. 118; viii. 106; x. 25; xi. 333.

Be niggards of advice on no pretence, etc., v. 75.

Be silent always, when you doubt your sense, etc., v. 75.

Be to her faults a little blind, etc., iii. 217.

Be wise to-day; ’tis madness to defer, etc., v. 114.

beaker full of the warm South, Oh for a, etc., ix. 174.

bear a charmed life, xii. 151.

Bear thou that great Eliza in thy mind, etc., iii. 112, 278.

beautiful is vanished, and returns not, the, etc., vi. 186; xii. 293.

Beautiful mask! etc., xii. 321.

beauty and grandeur of the art, The whole, etc., vi. 134.

beauty, By their own, etc., x. 349.

beauty in creatures of the same species, etc., vi. 137.

Beauty, Love, and Truth lie here, etc., ii. 75.

Beauty out of favour and on crutches, vi. 221.

beauty, rendered still more beautiful, xi. 212.

Beauty the lover’s gift? Dear me, what is a lover that it can give? etc., viii. 73.

Beauty, When he saw nought but, etc., iv. 217.

because he was a lord, firstly, etc., xi. 487.

because it would do that in verse, etc., xi. 491.

because on earth their names, etc., i. 23; x. 63.

Because you think me a savage, viii. 442.

bees in spring-time, like, xii. 121.

beggarly, unmannered corse, xii. 285.

beggars are coming to town, The, etc., viii. 408 _n._

beguile the slow and creeping hours of time, xii. 157.

Begun in gladness, whereof has come, etc., vii. 57.

Behold the fate of a reformer, etc., vi. 378.

Behold the lilies of the field, etc., xi. 504; vi. 392.

Behold the twig, to which thou laidest down thy head, is now become a tree, v. 199.

Behold thy mother, etc., v. 184.

beholds that lady in her bower, etc., viii. 308.

Believe me, the providence of God, etc., vi. 100.

believes him to have been the greatest genius, etc., v. 123.

believes in a fat capon, x. 69.

bellum internecinum, iii. 61; xi. 469.

Below the bottom of the great abyss, etc., v. 315.

Belton so pert, and so pimply, viii. 120; x. 38.

Beneath the hills, along the flowery vales, etc., iv. 272.

Beneath the hills, amid the flowery groves, etc., vii. 233.

Besides these jolly birds, whose corpse impure, v. 80.

best can feel them, xii. 43.

best company in the world, the, viii. 82.

best of kings, i. 305; iii. 41.

best of men (The) that e’er wore earth about him, was a sufferer, etc., v. 185.

best tennis players, the, vii. 42.

best-found, and latest, as well as earliest choice, viii. 392.

best thing (that the) that could have happened to a man was never to have been born, etc., i. 1.

bestow his tediousness, xii. 40.

Better be lord of them that riches have, etc., vi. 111.

better none, x. 185.

Beware, therefore, with lordes for to play, etc., iii. 385.

Beyond Hyde Park all is a desart, etc., vi. 187; vii. 67; viii. 36.

bidding, at his, viii. 236.

bid a gay defiance to mischance, must, etc., viii. 160.

Bidding the lovely scenes, etc., ix. 94; xii. 151.

Bigger than a mustard seed, at first no, etc., x. 395.

bis repetita crambe, vii. 126.

bitter bad judges, i. 94; vi. 310, 407.

black and melancholy yew trees, No, ix. 145.

black mutton or white, v. 114; vii. 173.

black upon white, and white upon black, vi. 319.

blasts from hell, viii. 363.

blazons herself, viii. 74.

bleating oratory, the, v. 323.

blesses the Regent, etc., iii. 42.

Blessings be with them, and eternal praise, etc., i. 22.

blights the tender blossom, etc., xii. 140.

blind with rain, ix. 109.

blindness to the future kindly given, Oh! etc., vi. 250.

blinking Sam, xi. 221.

blocking out and staying in, xii. 233.

blossom tear? Ah! why so soon the, xii. 207.

blotted out the map of Europe, xii. 291.

Blow, blow, thou winter’s wind, xii. 122.

blown about by every wind, etc., xii. 441.

blushes with blood of queens and kings, vii. 225.

body of this death, the, xii. 125.

bony prizer, viii. 357; xi. 367.

bonzes and priests, of all religions, the, etc., viii. 104.

book in the world he was the best pleased with, viii. 94.

book, sealed, ix. 29.

Books do not teach the use of books, vi. 73.

Books, dreams are each a world, and books, we know, are a substantial world, both pure and good, v. 247; vii. 372; viii. 120; x. 38; xi. 295.

book and brain, within the volume of the, etc., vi. 173.

bordered on the verge of all we hate, viii. 188.

Borealis race, Or like the, iii. 141.

born for the universe, iv. 251.

Born for their use, they live but to oblige them, etc., vii. 80.

born in a garret sixteen storeys high, iv. 258.

born to converse, to live, and _act_ with ease, xi. 381.

Born universal heir to all humanity! vi. 42, 253.

born within the sound of Bow-bell, vii. 70.

bosom of its Father and its God, v. 137.

both end and use, iii. 323.

both living and loving! ii. 310.

Both thought it was the wisest course, etc., viii. 66.

bound them with Styx, xii. 260.

bow their crested pride, iii. 11.

brain would have been like a smokejack, my, vi. 275.

brangle and brave-all, etc., iii. 314.

brave man in distress, a, xi. 533.

brave sublunary things, vi. 193; vii. 265; xii. 153.

brazen throat and iron tongue, with its, etc., xii. 55.

break out like a wild overthrow, vi. 164.

breath that under heaven is blown, By every little, iv. 333; xii. 22.

breath can _mar_ them as a breath has made, A, vii. 52; xi. 197.

Breathed hot, From all the boundless furnace of the sky, etc., v. 88.

breezy call of incense-breathing morn, ix. 51.

Brentford on one throne, So sit two Kings of, ix. 236.

Brentford to Ealing, from, etc., viii. 168, 318.

Brightest, if there be remaining Any service, without feigning, etc., v. 255.

brilliant land! Ah! etc., viii. 441.

Bring back the hour of glory in the grass, etc., vi. 257.

Bring but a Scotsman frae his hill, etc., xi. 446.

Britain’s warriors, her Statesmen, etc., iii. 162, 258; xi. 429.

Britain’s warriors, the flower of, etc., xi. 429.

Britannia rival Greece, bid, vi. 270.

broad as it is long, as, xi. 369.

brother, and half the story had its, etc., viii. 399.

brother of the groves, a, viii. 467; xii. 133.

brother, Sir Charles, lived to himself, her, vi. 90.

brothers of the angle, xii. 19.

Brownies and Bogilis full is his Buik, of, x. 311.

Brunswick’s fated line, iii. 117. bubble knocks another on the head, one, etc., viii. 464.

bud of the briar, the, v. 323.

building up of our feelings through the imagination, vii. 408 _n._

Buonaparte, little bookselling, xi. 386

burden and the mystery, the, v. 67; ix. 159.

buried as a man, he had been, etc., xii., 353.

burning and shining light, i. 60.

burnished fly in month of June, a, v. 88.

Busied about some wicked gin, xi. 581.

But a little way off, they saw the mast, etc., v. 323.

But for an utmost end, etc., xi. 265.

But he so teazed me, viii. 255.

But I will come again, my love, An’ it were ten thousand mile, ii. 290.

But if, unblameable in word and thought, etc., v. 94.

But not for me the merry bells, viii. 525.

But of the two, less dangerous is the offence, etc., v. 74.

But still the world, etc., iii. 254.

But ’tis the fall degrades her to a whore, etc., iii. 46; vii. 368; xi. 475.

But the admirers of this great poet have most reason to complain, etc., i. 177.

But the commandment of knowledge, etc., v. 332.

But there is matter for a second rhyme, etc., xi. 282; xii. 275.

But thou, oh Hope, with eyes so fair, etc., viii. 436.

But where are the other eleven? i. 257.

But where ye doubt the truth not knowing, Believing the best, good may be growing, etc., v. 280.

butterflies flutter around, And gaudy, xii. 25.

buttress, wall, and tower, Where, ix. 266.

by a long tract of time, by the use of language, etc., vii. 387.

By him lay heavie Sleepe, cosin of Death, etc., v. 196.

By our first strange and fatal interview, etc., xii. 28.

By the first part of this last tale, etc., v. 275.

by the help of his fayre hornes on hight, v. 42.

By the mass I saw him of late call up a great black devil, etc., v. 288.

by words only ... a man becometh, x. 135.