II.

In royal 8vo, with Copperplate Illustrations, price 5s.,

THE NATURAL PRINCIPLES OF BEAUTY, AS DEVELOPED IN THE HUMAN FIGURE.

_From the Spectator._

We cannot refuse to entertain Mr Hay’s system as of singular intrinsic excellence. The simplicity of his law and its generality impress themselves more deeply on the conviction with each time of enforcement. His theory proceeds from the idea, that in nature every thing is effected by means more simple than any other that could have been conceived,—an idea certainly consistent with whatever we can trace out or imagine of the all-wise framing of the universe.

_From the Sun._

By founding (if we may so phrase it) this noble theory, Mr Hay has covered his name with distinction, and has laid the basis, we conceive, of no ephemeral reputation. By illustrating it anew, through the medium of this graceful treatise, he has conferred a real boon upon the community, for he has afforded the public another opportunity of following the golden rule of the poet—by looking through the holy and awful mystery of creation to the holier and yet more awful mystery of Omnipotence.

_From the Cambridge Journal of Classical and Sacred Philology._

The inquiries which of late years have been instituted by Mr D. R. Hay of Edinburgh, on the proportions of the human figure, and on the natural principles of beauty, as illustrated by works of Greek art, constitute an epoch in the study of æsthetics and the philosophy of form.