Part 5

Mr Mifflin sat down on the bed.

'This fellow fell off the pier, and a girl brought him in.'

George nodded.

'And that was you?'

George nodded.

Mr Mifflin's eyes opened wide.

'It's the heat,' he declared, finally. 'That and the worry of rehearsals. I expect a doctor could give the technical name for it. It's a what-do-you-call-it--an obsession. You often hear of cases. Fellows who are absolutely sane really, but cracked on one particular subject. Some of them think they're teapots and things. You've got a craving for being rescued from drowning. What happens, old man? Do you suddenly get the delusion that you can't swim? No, it can't be that, because you were doing all the swimming for the two of us just now. I don't know, though. Maybe you didn't realize that you were swimming?'

George finished lacing his shoe and looked up.

'Listen,' he said; 'I'll talk slow, so that you can understand. Suppose you fell off a pier, and a girl took a great deal of trouble to get you to the shore, would you say, "Much obliged, but you needn't have been so officious. I can swim perfectly well?"'

Mr Mifflin considered this point. Intelligence began to dawn in his face. 'There is more in this than meets the eye,' he said. 'Tell me all.'

'This morning'--George's voice grew dreamy--'she gave me a swimming-lesson. She thought it was my first. Don't cackle like that. There's nothing to laugh at.'

Mr Mifflin contradicted this assertion.

'There is you,' he said, simply. 'This should be a lesson to you, George. Avoid deceit. In future be simple and straightforward. Take me as your model. You have managed to scrape through this time. Don't risk it again. You are young. There is still time to make a fresh start. It only needs will-power. Meanwhile, lend me something to wear. They are going to take a week drying my clothes.'

* * * * *

There was a rehearsal at the Beach Theatre that evening. George attended it in a spirit of resignation and left it in one of elation. Three days had passed since his last sight of the company at work, and in those three days, apparently, the impossible had been achieved. There was a snap and go about the piece now. The leading lady had at length mastered that cue, and gave it out with bell-like clearness. Arthur Mifflin, as if refreshed and braced by his salt-water bath, was infusing a welcome vigour into his part. And even the comedian, George could not help admitting, showed signs of being on the eve of becoming funny. It was with a light heart and a light step that he made his way back to the hotel.

In the veranda were a number of basket-chairs. Only one was occupied. He recognized the occupant.

'I've just come back from a rehearsal,' he said, seating himself beside her.

'Really?'

'The whole thing is different,' he went on, buoyantly. 'They know their lines. They act as if they meant it. Arthur Mifflin's fine. The comedian's improved till you wouldn't know him. I'm awfully pleased about it.'

'Really?'

George felt damped.

'I thought you might be pleased, too,' he said, lamely.

'Of course I am glad that things are going well. Your accident this afternoon was lucky, too, in a way, was it not? It will interest people in the play.'

'You heard about it?'

'I have been hearing about nothing else.'

'Curious it happening so soon after--'

'And so soon before the production of your play. Most curious.'

There was a silence. George began to feel uneasy. You could never tell with women, of course. It might be nothing; but it looked uncommonly as if--

He changed the subject.

'How is your aunt this evening, Miss Vaughan?'

'Quite well, thank you. She went in. She found it a little chilly.'

George heartily commended her good sense. A little chilly did not begin to express it. If the girl had been like this all the evening, he wondered her aunt had not caught pneumonia. He tried again.

'Will you have time to give me another lesson tomorrow?' he said.

She turned on him.

'Mr Callender, don't you think this farce has gone on long enough?'

Once, in the dear, dead days beyond recall, when but a happy child, George had been smitten unexpectedly by a sportive playmate a bare half-inch below his third waistcoat-button. The resulting emotions were still green in his memory. As he had felt then, so did he feel now.

'Miss Vaughan! I don't understand.'

'Really?'

'What have I done?'

'You have forgotten how to swim.'

A warm and prickly sensation began to manifest itself in the region of George's forehead.

'Forgotten!'

'Forgotten. And in a few months. I thought I had seen you before, and today I remembered. It was just about this time last year that I saw you at Hayling Island swimming perfectly wonderfully, and today you are taking lessons. Can you explain it?'

A frog-like croak was the best George could do in that line.

She went on.

'Business is business, I suppose, and a play has to be advertised somehow. But--'

'You don't think--' croaked George.

'I should have thought it rather beneath the dignity of an author; but, of course, you know your own business best. Only I object to being a conspirator. I am sorry for your sake that yesterday's episode attracted so little attention. Today it was much more satisfactory, wasn't it? I am so glad.'

There was a massive silence for about a hundred years.

'I think I'll go for a short stroll,' said George.

* * * * *

Scarcely had he disappeared when the long form of Mr Mifflin emerged from the shadow beyond the veranda.

'Could you spare me a moment?'

The girl looked up. The man was a stranger. She inclined her head coldly.

'My name is Mifflin,' said the other, dropping comfortably into the chair which had held the remains of George.

The girl inclined her head again more coldly; but it took more than that to embarrass Mr Mifflin. Dynamite might have done it, but not coldness.

'_The_ Mifflin,' he explained, crossing his legs. 'I overheard your conversation just now.'

'You were listening?' said the girl, scornfully.

'For all I was worth,' said Mr Mifflin. 'These things are very much a matter of habit. For years I have been playing in pieces where I have had to stand concealed up stage, drinking in the private conversation of other people, and the thing has become a second nature to me. However, leaving that point for a moment, what I wish to say is that I heard you--unknowingly, of course--doing a good man a grave injustice.'

'Mr Callender could have defended himself if he had wished.'

'I was not referring to George. The injustice was to myself.'

'To you?'

'I was the sole author of this afternoon's little drama. I like George, but I cannot permit him to pose in any way as my collaborator. George has old-fashioned ideas. He does not keep abreast of the times. He can write plays, but he needs a man with a big brain to boom them for him. So, far from being entitled to any credit for this afternoon's work, he was actually opposed to it.'

'Then why did he pretend you had saved him?' she demanded.

'George's,' said Mr Mifflin, 'is essentially a chivalrous nature. At any crisis demanding a display of the finer feelings he is there with the goods before you can turn round. His friends frequently wrangle warmly as to whether he is most like Bayard, Lancelot, or Happy Hooligan. Some say one, some the other. It seems that yesterday you saved him from a watery grave without giving him time to explain that he could save himself. What could he do? He said to himself, "She must never know!" and acted accordingly. But let us leave George, and return--'

'Thank you, Mr Mifflin.' There was a break in her laugh. 'I don't think there is any necessity. I think I understand now. It was very clever of you.'

'It was more than cleverness,' said Mr Mifflin, rising. 'It was genius.'

* * * * *

A white form came to meet George as he re-entered the veranda.

'Mr Callender!'

He stopped.

'I'm very sorry I said such horrid things to you just now. I have been talking to Mr Mifflin, and I want to say I think it was ever so nice and thoughtful of you. I understand everything.'

George did not, by a good deal; but he understood sufficient for his needs. He shot forward as if some strong hand were behind him with a needle.

'Miss Vaughan--Mary--I--'

'I think I hear aunt calling,' said she.

* * * * *

But a benevolent Providence has ordained that aunts cannot call for ever; and it is on record that when George entered his box on the two hundredth night of that great London success, _Fate's Footballs_, he did not enter it alone.

WHEN DOCTORS DISAGREE

It is possible that, at about the time at which this story opens, you may have gone into the Hotel Belvoir for a hair-cut. Many people did; for the young man behind the scissors, though of a singularly gloomy countenance, was undoubtedly an artist in his line. He clipped judiciously. He left no ridges. He never talked about the weather. And he allowed you to go away unburdened by any bottle of hair-food.

It is possible, too, that, being there, you decided that you might as well go the whole hog and be manicured at the same time.

It is not unlikely, moreover, that when you had got over the first shock of finding your hands so unexpectedly large and red, you felt disposed to chat with the young lady who looked after that branch of the business. In your genial way you may have permitted a note of gay (but gentlemanly) badinage to creep into your end of the dialogue.

In which case, if you had raised your eyes to the mirror, you would certainly have observed a marked increase of gloom in the demeanour of the young man attending to your apex. He took no official notice of the matter. A quick frown. A tightening of the lips. Nothing more. Jealous as Arthur Welsh was of all who inflicted gay badinage, however gentlemanly, on Maud Peters, he never forgot that he was an artist. Never, even in his blackest moments, had he yielded to the temptation to dig the point of the scissors the merest fraction of an inch into a client's skull.

But Maud, who saw, would understand. And, if the customer was an observant man, he would notice that her replies at that juncture became somewhat absent, her smile a little mechanical.

* * * * *

Jealousy, according to an eminent authority, is the 'hydra of calamities, the sevenfold death'. Arthur Welsh's was all that and a bit over. It was a constant shadow on Maud's happiness. No fair-minded girl objects to a certain tinge of jealousy. Kept within proper bounds, it is a compliment; it makes for piquancy; it is the gin in the ginger-beer of devotion. But it should be a condiment, not a fluid.

It was the unfairness of the thing which hurt Maud. Her conscience was clear. She knew girls--several girls--who gave the young men with whom they walked out ample excuse for being perfect Othellos. If she had ever flirted on the open beach with the baritone of the troupe of pierrots, like Jane Oddy, she could have excused Arthur's attitude. If, like Pauline Dicey, she had roller-skated for a solid hour with a black-moustached stranger while her fiance floundered in Mug's Alley she could have understood his frowning disapprovingly. But she was not like Pauline. She scorned the coquetries of Jane. Arthur was the centre of her world, and he knew it. Ever since the rainy evening when he had sheltered her under his umbrella to her Tube station, he had known perfectly well how things were with her. And yet just because, in a strictly business-like way, she was civil to her customers, he must scowl and bite his lip and behave generally as if it had been brought to his notice that he had been nurturing a serpent in his bosom. It was worse than wicked--it was unprofessional.

She remonstrated with him.

'It isn't fair,' she said, one morning when the rush of customers had ceased and they had the shop to themselves.

Matters had been worse than usual that morning. After days of rain and greyness the weather had turned over a new leaf. The sun glinted among the bottles of Unfailing Lotion in the window, and everything in the world seemed to have relaxed and become cheerful. Unfortunately, everything had included the customers. During the last few days they had taken their seats in moist gloom, and, brooding over the prospect of coming colds in the head, had had little that was pleasant to say to the divinity who was shaping their ends. But today it had been different. Warm and happy, they had bubbled over with gay small-talk.

'It isn't fair,' she repeated.

Arthur, who was stropping a razor and whistling tunelessly, raised his eyebrows. His manner was frosty.

'I fail to understand your meaning,' he said.

'You know what I mean. Do you think I didn't see you frowning when I was doing that gentleman's nails?'

The allusion was to the client who had just left--a jovial individual with a red face, who certainly had made Maud giggle a good deal. And why not? If a gentleman tells really funny stories, what harm is there in giggling? You had to be pleasant to people. If you snubbed customers, what happened? Why, sooner or later, it got round to the boss, and then where were you? Besides, it was not as if the red-faced customer had been rude. Write down on paper what he had said to her, and nobody could object to it. Write down on paper what she had said to him, and you couldn't object to that either. It was just Arthur's silliness.

She tossed her head.

'I am gratified,' said Arthur, ponderously--in happier moments Maud had admired his gift of language; he read a great deal: encyclopedias and papers and things--'I am gratified to find that you had time to bestow a glance on me. You appeared absorbed.'

Maud sniffed unhappily. She had meant to be cold and dignified throughout the conversation, but the sense of her wrongs was beginning to be too much for her. A large tear splashed on to her tray of orange-sticks. She wiped it away with the chamois leather.

'It isn't fair,' she sobbed. 'It isn't. You know I can't help it if gentlemen talk and joke with me. You know it's all in the day's work. I'm expected to be civil to gentlemen who come in to have their hands done. Silly I should look sitting as if I'd swallowed a poker. I _do_ think you might understand, Arthur, you being in the profession yourself.'

He coughed.

'It isn't so much that you talk to them as that you seem to like--'

He stopped. Maud's dignity had melted completely. Her face was buried in her arms. She did not care if a million customers came in, all at the same time.

'Maud!'

She heard him moving towards her, but she did not look up. The next moment his arms were round her, and he was babbling.

And a customer, pushing open the door unnoticed two minutes later, retired hurriedly to get shaved elsewhere, doubting whether Arthur's mind was on his job.

For a time this little thunderstorm undoubtedly cleared the air. For a day or two Maud was happier than she ever remembered to have been. Arthur's behaviour was unexceptionable. He bought her a wrist-watch-- light brown leather, very smart. He gave her some chocolates to eat in the Tube. He entertained her with amazing statistics, culled from the weekly paper which he bought on Tuesdays. He was, in short, the perfect lover. On the second day the red-faced man came in again. Arthur joined in the laughter at his stories. Everything seemed ideal.

It could not last. Gradually things slipped back into the old routine. Maud, looking up from her work, would see the frown and the bitten lip. She began again to feel uncomfortable and self-conscious as she worked. Sometimes their conversation on the way to the Tube was almost formal.

It was useless to say anything. She had a wholesome horror of being one of those women who nagged; and she felt that to complain again would amount to nagging. She tried to put the thing out of her mind, but it insisted on staying there. In a way she understood his feelings. He loved her so much, she supposed, that he hated the idea of her exchanging a single word with another man. This, in the abstract, was gratifying; but in practice it distressed her. She wished she were some sort of foreigner, so that nobody could talk to her. But then they would look at her, and that probably would produce much the same results. It was a hard world for a girl.

And then the strange thing happened. Arthur reformed. One might almost say that he reformed with a jerk. It was a parallel case to those sudden conversions at Welsh revival meetings. On Monday evening he had been at his worst. On the following morning he was a changed man. Not even after the original thunderstorm had he been more docile. Maud could not believe that first. The lip, once bitten, was stretched in a smile. She looked for the frown. It was not there.

Next day it was the same; and the day after that. When a week had gone by, and still the improvement was maintained, Maud felt that she might now look upon it as permanent. A great load seemed to have been taken off her mind. She revised her views on the world. It was a very good world, quite one of the best, with Arthur beaming upon it like a sun.

A number of eminent poets and essayists, in the course of the last few centuries, have recorded, in their several ways, their opinion that one can have too much of a good thing. The truth applies even to such a good thing as absence of jealousy. Little by little Maud began to grow uneasy. It began to come home to her that she preferred the old Arthur, of the scowl and the gnawed lip. Of him she had at least been sure. Whatever discomfort she may have suffered from his spirited imitations of Othello, at any rate they had proved that he loved her. She would have accepted gladly an equal amount of discomfort now in exchange for the same certainty. She could not read this new Arthur. His thoughts were a closed book. Superficially, he was all that she could have wished. He still continued to escort her to the Tube, to buy her occasional presents, to tap, when conversing, the pleasantly sentimental vein. But now these things were not enough. Her heart was troubled. Her thoughts frightened her. The little black imp at the back of her mind kept whispering and whispering, till at last she was forced to listen. 'He's tired of you. He doesn't love you any more. He's tired of you.'

* * * * *

It is not everybody who, in times of mental stress, can find ready to hand among his or her personal acquaintances an expert counsellor, prepared at a moment's notice to listen with sympathy and advise with tact and skill. Everyone's world is full of friends, relatives, and others, who will give advice on any subject that may be presented to them; but there are crises in life which cannot be left to the amateur. It is the aim of a certain widely read class of paper to fill this void.

Of this class _Fireside Chat_ was one of the best-known representatives. In exchange for one penny its five hundred thousand readers received every week a serial story about life in highest circles, a short story packed with heart-interest, articles on the removal of stains and the best method of coping with the cold mutton, anecdotes of Royalty, photographs of peeresses, hints on dress, chats about baby, brief but pointed dialogues between Blogson and Snogson, poems, Great Thoughts from the Dead and Brainy, half-hours in the editor's cosy sanctum, a slab of brown paper, and--the journal's leading feature--Advice on Matters of the Heart. The weekly contribution of the advice specialist of _Fireside Chat_, entitled 'In the Consulting Room, by Dr Cupid', was made up mainly of Answers to Correspondents. He affected the bedside manner of the kind, breezy old physician; and probably gave a good deal of comfort. At any rate, he always seemed to have plenty of cases on his hands.

It was to this expert that Maud took her trouble. She had been a regular reader of the paper for several years; and had, indeed, consulted the great man once before, when he had replied favourably to her query as to whether it would be right for her to accept caramels from Arthur, then almost a stranger. It was only natural that she should go to him now, in an even greater dilemma. The letter was not easy to write, but she finished it at last; and, after an anxious interval, judgement was delivered as follows:

'Well, well, well! Bless my soul, what is all this? M. P. writes me:

'I am a young lady, and until recently was very, very happy, except that my fiance, though truly loving me, was of a very jealous disposition, though I am sure I gave him no cause. He would scowl when I spoke to any other man, and this used to make me unhappy. But for some time now he has quite changed, and does not seem to mind at all, and though at first this made me feel happy, to think that he had got over his jealousy, I now feel unhappy because I am beginning to be afraid that he no longer cares for me. Do you think this is so, and what ought I to do?'

'My dear young lady, I should like to be able to reassure you; but it is kindest sometimes, you know, to be candid, however it may hurt. It has been my experience that, when jealousy flies out of the window, indifference comes in at the door. In the old days a knight would joust for the love of a ladye, risking physical injury rather than permit others to rival him in her affections. I think, M. P., that you should endeavour to discover the true state of your fiance's feelings. I do not, of course, advocate anything in the shape of unwomanly behaviour, of which I am sure, my dear young lady, you are incapable; but I think that you should certainly try to pique your fiance, to test him. At your next ball, for instance, refuse him a certain number of dances, on the plea that your programme is full. At garden-parties, at-homes, and so on, exhibit pleasure in the society and conversation of other gentlemen, and mark his demeanour as you do so. These little tests should serve either to relieve your apprehensions, provided they are groundless, or to show you the truth. And, after all, if it is the truth, it must be faced, must it not, M. P.?'