Part 10

The old man’s wife wanted to dress the body of her husband in a white shirt, with white bands which serve as stockings, and new boots, but she was not allowed to do so. The two men were buried together in the same pit outside the church-yard wall.

“Princess Sofia Vladimirovna tells me he is a very remarkable preacher,” remarked the old Empress, the Emperor’s mother, one day to her son: “Faites le venir. Il peut precher a la cathedrale.”

“No, it would be better in the palace church,” said the Emperor, and ordered the hermit Isidor to be invited.

All the generals, and other high officials, assembled in the church of the imperial palace; it was an event to hear the famous preacher.

A thin and grey old man appeared, looked at those present, and said: “In the name of God, the Son, and the Holy Ghost,” and began to speak.

At first all went well, but the longer he spoke the worse it became. “Il devient de plus en plus aggressif,” as the Empress put it afterwards. He fulminated against every one. He spoke about the executions and charged the government with having made so many necessary. How can the government of a Christian country kill men?

Everybody looked at everybody else, thinking of the bad taste of the sermon, and how unpleasant it must be for the Emperor to listen to it; but nobody expressed these thoughts aloud.

When Isidor had said Amen, the metropolitan approached, and asked him to call on him.

After Isidor had had a talk with the metropolitan and with the attorney-general, he was immediately sent away to a friary, not his own, but one at Suzdal, which had a prison attached to it; the prior of that friary was now Father Missael.

XIV

EVERY one tried to look as if Isidor’s sermon contained nothing unpleasant, and nobody mentioned it. It seemed to the Czar that the hermit’s words had not made any impression on himself; but once or twice during that day he caught himself thinking of the two peasants who had been hanged, and the widow of Sventizky who had asked an amnesty for them. That day the Emperor had to be present at a parade; after which he went out for a drive; a reception of ministers came next, then dinner, after dinner the theatre. As usual, the Czar fell asleep the moment his head touched the pillow. In the night an awful dream awoke him: he saw gallows in a large field and corpses dangling on them; the tongues of the corpses were protruding, and their bodies moved and shook. And somebody shouted, “It is you--you who have done it!” The Czar woke up bathed in perspiration and began to think. It was the first time that he had ever thought of the responsibilities which weighed on him, and the words of old Isidor came back to his mind. . . .

But only dimly could he see himself as a mere human being, and he could not consider his mere human wants and duties, because of all that was required of him as Czar. As to acknowledging that human duties were more obligatory than those of a Czar--he had not strength for that.

XV

HAVING served his second term in the prison, Prokofy, who had formerly worked on the Sventizky estate, was no longer the brisk, ambitious, smartly dressed fellow he had been. He seemed, on the contrary, a complete wreck. When sober he would sit idle and would refuse to do any work, however much his father scolded him; moreover, he was continually seeking to get hold of something secretly, and take it to the public-house for a drink. When he came home he would continue to sit idle, coughing and spitting all the time. The doctor on whom he called, examined his chest and shook his head.

“You, my man, ought to have many things which you have not got.”

“That is usually the case, isn’t it?

“Take plenty of milk, and don’t smoke.”

“These are days of fasting, and besides we have no cow.”

Once in spring he could not get any sleep; he was longing to have a drink. There was nothing in the house he could lay his hand on to take to the public-house. He put on his cap and went out. He walked along the street up to the house where the priest and the deacon lived together. The deacon’s harrow stood outside leaning against the hedge. Prokofy approached, took the harrow upon his shoulder, and walked to an inn kept by a woman, Petrovna. She might give him a small bottle of vodka for it. But he had hardly gone a few steps when the deacon came out of his house. It was already dawn, and he saw that Prokofy was carrying away his harrow.

“Hey, what’s that?” cried the deacon.

The neighbours rushed out from their houses. Prokofy was seized, brought to the police station, and then sentenced to eleven months’ imprisonment. It was autumn, and Prokofy had to be transferred to the prison hospital. He was coughing badly; his chest was heaving from the exertion; and he could not get warm. Those who were stronger contrived not to shiver; Prokofy on the contrary shivered day and night, as the superintendent would not light the fires in the hospital till November, to save expense.

Prokofy suffered greatly in body, and still more in soul. He was disgusted with his surroundings, and hated every one--the deacon, the superintendent who would not light the fires, the guard, and the man who was lying in the bed next to his, and who had a swollen red lip. He began also to hate the new convict who was brought into hospital. This convict was Stepan. He was suffering from some disease on his head, and was transferred to the hospital and put in a bed at Prokofy’s side. After a time that hatred to Stepan changed, and Prokofy became, on the contrary, extremely fond of him; he delighted in talking to him. It was only after a talk with Stepan that his anguish would cease for a while. Stepan always told every one he met about his last murder, and how it had impressed him.

“Far from shrieking, or anything of that kind,” he said to Prokofy, “she did not move. ‘Kill me! There I am,’ she said. ‘But it is not my soul you destroy, it is your own.’”

“Well, of course, it is very dreadful to kill. I had one day to slaughter a sheep, and even that made me half mad. I have not destroyed any living soul; why then do those villains kill me? I have done no harm to anybody . . .”

“That will be taken into consideration.”

“By whom?”

“By God, to be sure.”

“I have not seen anything yet showing that God exists, and I don’t believe in Him, brother. I think when a man dies, grass will grow over the spot, and that is the end of it.”

“You are wrong to think like that. I have murdered so many people, whereas she, poor soul, was helping everybody. And you think she and I are to have the same lot? Oh no! Only wait.”

“Then you believe the soul lives on after a man is dead?”

“To be sure; it truly lives.”

Prokofy suffered greatly when death drew near. He could hardly breathe. But in the very last hour he felt suddenly relieved from all pain. He called Stepan to him. “Farewell, brother,” he said. “Death has come, I see. I was so afraid of it before. And now I don’t mind. I only wish it to come quicker.”

XVI

IN the meanwhile, the affairs of Eugene Mihailovich had grown worse and worse. Business was very slack. There was a new shop in the town; he was losing his customers, and the interest had to be paid. He borrowed again on interest. At last his shop and his goods were to be sold up. Eugene Mihailovich and his wife applied to every one they knew, but they could not raise the four hundred roubles they needed to save the shop anywhere.

They had some hope of the merchant Krasnopuzov, Eugene Mihailovich’s wife being on good terms with his mistress. But news came that Krasnopuzov had been robbed of a huge sum of money. Some said of half a million roubles. “And do you know who is said to be the thief?” said Eugene Mihailovich to his wife. “Vassily, our former yard-porter. They say he is squandering the money, and the police are bribed by him.”

“I knew he was a villain. You remember how he did not mind perjuring himself? But I did not expect it would go so far.”

“I hear he has recently been in the courtyard of our house. Cook says she is sure it was he. She told me he helps poor girls to get married.”

“They always invent tales. I don’t believe it.”

At that moment a strange man, shabbily dressed, entered the shop.

“What is it you want?”

“Here is a letter for you.”

“From whom?”

“You will see yourself.”

“Don’t you require an answer? Wait a moment.”

“I cannot.” The strange man handed the letter and disappeared.

“How extraordinary!” said Eugene Mihailovich, and tore open the envelope. To his great amazement several hundred rouble notes fell out. “Four hundred roubles!” he exclaimed, hardly believing his eyes. “What does it mean?”

The envelope also contained a badly-spelt letter, addressed to Eugene Mihailovich. “It is said in the Gospels,” ran the letter, “do good for evil. You have done me much harm; and in the coupon case you made me wrong the peasants greatly. But I have pity for you. Here are four hundred notes. Take them, and remember your porter Vassily.”

“Very extraordinary!” said Eugene Mihailovich to his wife and to himself. And each time he remembered that incident, or spoke about it to his wife, tears would come to his eyes.

XVII

FOURTEEN priests were kept in the Suzdal friary prison, chiefly for having been untrue to the orthodox faith. Isidor had been sent to that place also. Father Missael received him according to the instructions he had been given, and without talking to him ordered him to be put into a separate cell as a serious criminal. After a fortnight Father Missael, making a round of the prison, entered Isidor’s cell, and asked him whether there was anything he wished for.

“There is a great deal I wish for,” answered Isidor; “but I cannot tell you what it is in the presence of anybody else. Let me talk to you privately.”

They looked at each other, and Missael saw he had nothing to be afraid of in remaining alone with Isidor. He ordered Isidor to be brought into his own room, and when they were alone, he said,--“Well, now you can speak.”

Isidor fell on his knees.

“Brother,” said Isidor. “What are you doing to yourself! Have mercy on your own soul. You are the worst villain in the world. You have offended against all that is sacred . . .”

A month after Missael sent a report, asking that Isidor should be released as he had repented, and he also asked for the release of the rest of the prisoners. After which he resigned his post.

XVIII

TEN years passed. Mitia Smokovnikov had finished his studies in the Technical College; he was now an engineer in the gold mines in Siberia, and was very highly paid. One day he was about to make a round in the district. The governor offered him a convict, Stepan Pelageushkine, to accompany him on his journey.

“A convict, you say? But is not that dangerous?”

“Not if it is this one. He is a holy man. You may ask anybody, they will all tell you so.”

“Why has he been sent here?”

The governor smiled. “He had committed six murders, and yet he is a holy man. I go bail for him.”

Mitia Smokovnikov took Stepan, now a bald-headed, lean, tanned man, with him on his journey. On their way Stepan took care of Smokovnikov, like his own child, and told him his story; told him why he had been sent here, and what now filled his life.

And, strange to say, Mitia Smokovnikov, who up to that time used to spend his time drinking, eating, and gambling, began for the first time to meditate on life. These thoughts never left him now, and produced a complete change in his habits. After a time he was offered a very advantageous position. He refused it, and made up his mind to buy an estate with the money he had, to marry, and to devote himself to the peasantry, helping them as much as he could.

XIX

HE carried out his intentions. But before retiring to his estate he called on his father, with whom he had been on bad terms, and who had settled apart with his new family. Mitia Smokovnikov wanted to make it up. The old man wondered at first, and laughed at the change he noticed in his son; but after a while he ceased to find fault with him, and thought of the many times when it was he who was the guilty one.

AFTER THE DANCE

“--AND you say that a man cannot, of himself, understand what is good and evil; that it is all environment, that the environment swamps the man. But I believe it is all chance. Take my own case . . .”

Thus spoke our excellent friend, Ivan Vasilievich, after a conversation between us on the impossibility of improving individual character without a change of the conditions under which men live. Nobody had actually said that one could not of oneself understand good and evil; but it was a habit of Ivan Vasilievich to answer in this way the thoughts aroused in his own mind by conversation, and to illustrate those thoughts by relating incidents in his own life. He often quite forgot the reason for his story in telling it; but he always told it with great sincerity and feeling.

He did so now.

“Take my own case. My whole life was moulded, not by environment, but by something quite different.”

“By what, then?” we asked.

“Oh, that is a long story. I should have to tell you about a great many things to make you understand.”

“Well, tell us then.”

Ivan Vasilievich thought a little, and shook his head.

“My whole life,” he said, “was changed in one night, or, rather, morning.”

“Why, what happened?” one of us asked.

“What happened was that I was very much in love. I have been in love many times, but this was the most serious of all. It is a thing of the past; she has married daughters now. It was Varinka B----.” Ivan Vasilievich mentioned her surname. “Even at fifty she is remarkably handsome; but in her youth, at eighteen, she was exquisite--tall, slender, graceful, and stately. Yes, stately is the word; she held herself very erect, by instinct as it were; and carried her head high, and that together with her beauty and height gave her a queenly air in spite of being thin, even bony one might say. It might indeed have been deterring had it not been for her smile, which was always gay and cordial, and for the charming light in her eyes and for her youthful sweetness.”

“What an entrancing description you give, Ivan Vasilievich!”

“Description, indeed! I could not possibly describe her so that you could appreciate her. But that does not matter; what I am going to tell you happened in the forties. I was at that time a student in a provincial university. I don’t know whether it was a good thing or no, but we had no political clubs, no theories in our universities then. We were simply young and spent our time as young men do, studying and amusing ourselves. I was a very gay, lively, careless fellow, and had plenty of money too. I had a fine horse, and used to go tobogganing with the young ladies. Skating had not yet come into fashion. I went to drinking parties with my comrades--in those days we drank nothing but champagne--if we had no champagne we drank nothing at all. We never drank vodka, as they do now. Evening parties and balls were my favourite amusements. I danced well, and was not an ugly fellow.”

“Come, there is no need to be modest,” interrupted a lady near him. “We have seen your photograph. Not ugly, indeed! You were a handsome fellow.”

“Handsome, if you like. That does not matter. When my love for her was at its strongest, on the last day of the carnival, I was at a ball at the provincial marshal’s, a good-natured old man, rich and hospitable, and a court chamberlain. The guests were welcomed by his wife, who was as good-natured as himself. She was dressed in puce-coloured velvet, and had a diamond diadem on her forehead, and her plump, old white shoulders and bosom were bare like the portraits of Empress Elizabeth, the daughter of Peter the Great.

“It was a delightful ball. It was a splendid room, with a gallery for the orchestra, which was famous at the time, and consisted of serfs belonging to a musical landowner. The refreshments were magnificent, and the champagne flowed in rivers. Though I was fond of champagne I did not drink that night, because without it I was drunk with love. But I made up for it by dancing waltzes and polkas till I was ready to drop--of course, whenever possible, with Varinka. She wore a white dress with a pink sash, white shoes, and white kid gloves, which did not quite reach to her thin pointed elbows. A disgusting engineer named Anisimov robbed me of the mazurka with her--to this day I cannot forgive him. He asked her for the dance the minute she arrived, while I had driven to the hair-dresser’s to get a pair of gloves, and was late. So I did not dance the mazurka with her, but with a German girl to whom I had previously paid a little attention; but I am afraid I did not behave very politely to her that evening. I hardly spoke or looked at her, and saw nothing but the tall, slender figure in a white dress, with a pink sash, a flushed, beaming, dimpled face, and sweet, kind eyes. I was not alone; they were all looking at her with admiration, the men and women alike, although she outshone all of them. They could not help admiring her.

“Although I was not nominally her partner for the mazurka, I did as a matter of fact dance nearly the whole time with her. She always came forward boldly the whole length of the room to pick me out. I flew to meet her without waiting to be chosen, and she thanked me with a smile for my intuition. When I was brought up to her with somebody else, and she guessed wrongly, she took the other man’s hand with a shrug of her slim shoulders, and smiled at me regretfully.

“Whenever there was a waltz figure in the mazurka, I waltzed with her for a long time, and breathing fast and smiling, she would say, ‘Encore’; and I went on waltzing and waltzing, as though unconscious of any bodily existence.”

“Come now, how could you be unconscious of it with your arm round her waist? You must have been conscious, not only of your own existence, but of hers,” said one of the party.

Ivan Vasilievich cried out, almost shouting in anger: “There you are, moderns all over! Nowadays you think of nothing but the body. It was different in our day. The more I was in love the less corporeal was she in my eyes. Nowadays you think of nothing but the body. It was different in our day. The more I was in love the less corporeal was she in my eyes. Nowadays you set legs, ankles, and I don’t know what. You undress the women you are in love with. In my eyes, as Alphonse Karr said--and he was a good writer--’ the one I loved was always draped in robes of bronze.’ We never thought of doing so; we tried to veil her nakedness, like Noah’s good-natured son. Oh, well, you can’t understand.”

“Don’t pay any attention to him. Go on,” said one of them.

“Well, I danced for the most part with her, and did not notice how time was passing. The musicians kept playing the same mazurka tunes over and over again in desperate exhaustion--you know what it is towards the end of a ball. Papas and mammas were already getting up from the card-tables in the drawing-room in expectation of supper, the men-servants were running to and fro bringing in things. It was nearly three o’clock. I had to make the most of the last minutes. I chose her again for the mazurka, and for the hundredth time we danced across the room.

“‘The quadrille after supper is mine,’ I said, taking her to her place.

“‘Of course, if I am not carried off home,’ she said, with a smile.

“‘I won’t give you up,’ I said.

“‘Give me my fan, anyhow,’ she answered.

“‘I am so sorry to part with it,’ I said, handing her a cheap white fan.

“‘Well, here’s something to console you,’ she said, plucking a feather out of the fan, and giving it to me.

“I took the feather, and could only express my rapture and gratitude with my eyes. I was not only pleased and gay, I was happy, delighted; I was good, I was not myself but some being not of this earth, knowing nothing of evil. I hid the feather in my glove, and stood there unable to tear myself away from her.

“‘Look, they are urging father to dance,’ she said to me, pointing to the tall, stately figure of her father, a colonel with silver epaulettes, who was standing in the doorway with some ladies.

“‘Varinka, come here!’ exclaimed our hostess, the lady with the diamond ferronniere and with shoulders like Elizabeth, in a loud voice.

“‘Varinka went to the door, and I followed her.

“‘Persuade your father to dance the mazurka with you, ma chere.--Do, please, Peter Valdislavovich,’ she said, turning to the colonel.

“Varinka’s father was a very handsome, well-preserved old man. He had a good colour, moustaches curled in the style of Nicolas I., and white whiskers which met the moustaches. His hair was combed on to his forehead, and a bright smile, like his daughter’s, was on his lips and in his eyes. He was splendidly set up, with a broad military chest, on which he wore some decorations, and he had powerful shoulders and long slim legs. He was that ultra-military type produced by the discipline of Emperor Nicolas I.

“When we approached the door the colonel was just refusing to dance, saying that he had quite forgotten how; but at that instant he smiled, swung his arm gracefully around to the left, drew his sword from its sheath, handed it to an obliging young man who stood near, and smoothed his suede glove on his right hand.

“‘Everything must be done according to rule,’ he said with a smile. He took the hand of his daughter, and stood one-quarter turned, waiting for the music.