Part 21
After five or six weeks _sejour_ at the baths of Lucca, the only exception to the pleasure of which was an attack of the "country fever," I am again on the road, with a pleasant party, bound for Venice; but passing by cities I had not seen, I have been from one place to another for a week, till I find myself to-day in Modena--a place I might as well not have seen at all as to have hurried through, as I was compelled to do a month or two since. To go back a little, however, our first stopping-place was the city of Lucca, about fifteen miles from the baths; a little, clean, beautiful gem of a town, with a wall three miles round only, and on the top of it a broad carriage road, giving you on every side views of the best cultivated and loveliest country in Italy. The traveller finds nothing so rural and quiet, nothing so happy-looking, in the whole land. The radius to the horizon is nowhere more than five or six miles; and the bright green farms and luxuriant vineyards stretch from the foot of the wall to the summits of the lovely mountains which form the theatre around. It is a very ancient town, but the duchy is so rich and flourishing that it bears none of the marks of decay, so common to even more modern towns in Italy. Here Cæsar is said to have stopped to deliberate on passing the Rubicon.
The palace of the Duke is the _prettiest_ I ever saw. There is not a room in it you could not _live_ in--and no feeling is less common than this in visiting palaces. It is furnished with splendor, too--but with such an eye to comfort, such taste and elegance, that you would respect the prince's affections that should order such a one. The Duke of Lucca, however, is never at home. He is a young man of twenty-eight or thirty, and spends his time and money in travelling, as caprice takes him. He has been now for a year at Vienna, where he spends the revenue of these rich plains most lavishly. The Duchess, too, travels always, but in a different direction, and the people complain loudly of the desertion. For many years they have now been both absent and parted. The Duke is a member of the royal family of Spain, and at the death of Maria Louisa of Parma, he becomes Duke of Parma, and the duchy goes to Tuscany.
From Lucca we crossed the Appenines, by a road seldom travelled, performing the hundred miles to Modena in three days. We suffered, as all must who leave the high roads in continental countries, more privations than the novelty was worth. The mountain scenery was fine, of course, but I think less so than that on the passes between Florence and Bologna, the account of which I wrote a few weeks since. We were too happy to get to Modena.
Modena lies in the vast campagna lying between the Appenines and the Adriatic--an immense plain looking like the sea as far as the eye can stretch from north to south. The view of it from the mountains in descending is magnificent beyond description. The capital of the little duchy lay in the midst of us, like a speck on a green carpet, and smaller towns and rivers varied its else unbroken surface of vineyards and fields. We reached the gates just as a fine sunset was reddening the ramparts and towers, and giving up our passports to the soldier on guard, rattled into the hotel.
The town is full of Austrian troops, and in our walk to the ducal palace we met scarce any one else. The streets look gloomy and neglected, and the people singularly dispirited and poor. This petty Duke of Modena is a man of about fifty, and said to be the greatest tyrant, after Don Miguel, in the world. The prisons are full of suspected traitors; one hundred and thirty of the best families of the duchy are banished for liberal opinions; three hundred and over are now under arrest (among them a considerable number of ladies); and many of the Modenese nobility are now serving in the galleys for conspiracy. He has been shot at eighteen times. The last man who attempted it, as I stated in a former letter, was executed the morning I passed through Modena on my return from Venice. With all this he is a fine soldier, and his capital looks in all respects like a garrison in the first style of discipline. He is just now absent at a chateau three miles in the country.
The palace is a union of splendor and meanness within. The endless succession of state apartments are gorgeously draped and ornamented, but the entrance halls and intermediate passages are furnished with an economy you would scarce find exceeded in the "worst inn's worst room." Modena is Corregio's birthplace, and it was from a Duke of Modena that he received the bag of copper coin which occasioned his death. It was, I think, the meagre reward of his celebrated "Night," and he broke a blood-vessel in carrying it to his house. The Duke has sold this picture, as well as every other sufficiently celebrated to bring a princely price. His gallery is a heap of trash, with but here and there a redeeming thing. Among others, there is a portrait of a boy, I think by Rembrandt, very intellectual and lofty, yet with all the youthfulness of fourteen; and a copy of "Giorgione's mistress," the "love in life" of the Manfrini palace, so admired by Lord Byron. There is also a remarkably fine crucifixion, I forget by whom.
The front of the palace is renowned for its beauty. In a street near it, we passed a house half battered down by cannon. It was the residence of the chief of a late conspiracy, who was betrayed a few hours before his plot was ripe. He refused to surrender, and, before the ducal troops had mastered his house, the revolt commenced and the Duke was driven from Modena. He returned in a week or two with some three thousand Austrians, and has kept possession by their assistance ever since. While we were waiting dinner at the hotel, I took up a volume of the Modenese law, and opened upon a statute forbidding all subjects of the duchy to live out of the Duke's territories under pain of the entire confiscation of their property. They are liable to arrest, also, if it is suspected that they are taking measures to remove. The alternatives are oppression here or poverty elsewhere, and the result is that the Duke has scarce a noble left in his realm.
Modena is a place of great antiquity. It was a strong-hold in the time of Cæsar, and after his death was occupied by Brutus, and besieged by Antony. There are no traces left, except some mutilated and uncertain relics in the museum.
We drove to Bologna the following morning, and I slept once more in Rogers's chamber at "the Pilgrim." I have described this city, which I passed on my way to Venice, so fully before, that I pass it over now with the mere mention. I should not forget, however, my acquaintance with a snuffy little librarian, who showed me the manuscripts of Tasso and Ariosto, with much amusing importance.
We crossed the Po to the Austrian custom-house. Our trunks were turned inside out, our papers and books examined, our passports studied for flaws--as usual. After two hours of vexation, we were permitted to go on board the steamboat, thanking Heaven that our troubles were over for a week or two, and giving Austria the common benediction she gets from travellers. The ropes were cast off from the pier when a police retainer came running to the boat, and ordered our whole party on shore, bag and baggage. Our passports, which had been retained to be sent on to Venice by the captain, were irregular. We had not passed by Florence, and they had not the signature of the Austrian ambassador. We were ordered imperatively back over the Po, with a flat assurance, that, without first going to Florence, we never could see Venice. To the ladies of the party, who had made themselves certain of seeing this romance of cities in twelve hours, it was a sad disappointment, and after seeing them safely seated in the return shallop, I thought I would go and make a desperate appeal to the commissary in person. My nominal commission as _attaché_ to the Legation at Paris, served me in this case as it had often done before, and making myself and the honor of the American nation responsible for the innocent designs of a party of ladies upon Venice, the dirty and surly commissary signed our passports and permitted us to remand our baggage.
It was with unmingled pleasure that I saw again the towers and palaces of Venice rising from the sea. The splendid approach to the Piazzetta; the transfer to the gondola and its soft motion; the swift and still glide beneath the balconies of palaces, with whose history I was familiar; and the renewal of my own first impressions in the surprise and delight of others, made up, altogether, a moment of high happiness. There is nothing like--nothing equal to Venice. She is the city of the imagination--the realization of romance--the queen of splendor and softness and luxury. Allow all her decay--feel all her degradation--see the "Huns in her palaces," and the "Greek upon her mart," and, after all, she is alone in the world for beauty, and, spoiled as she has been by successive conquerors, almost for riches too. Her churches of marble, with their floors of precious stones, and walls of gold and mosaic; her ducal palace, with its world of art and massy magnificence; her private palaces, with their fronts of inland gems, and balconies and towers of inimitable workmanship and riches; her lovely islands and mirror-like canals--all distinguish her, and will till the sea rolls over her, as one of the wonders of time.
LETTER XXXVIII.
VENICE--CHURCH OF THE JESUITS--A MARBLE CURTAIN--ORIGINAL OF TITIAN'S MARTYRDOM OF ST. LAWRENCE--A SUMMER MORNING--ARMENIAN ISLAND--VISIT TO A CLOISTER--A CELEBRATED MONK--THE POET'S STUDY--ILLUMINATED COPIES OF THE BIBLE--THE STRANGER'S BOOK--A CLEAN PRINTING-OFFICE--THE HOSPITAL FOR THE INSANE--INNOCENT AND HAPPY-LOOKING MANIACS--THE CELLS FOR UNGOVERNABLE LUNATICS--BARBARITY OF THE KEEPER--MISERABLE PROVISIONS-- ANOTHER GLANCE AT THE PRISONS UNDER THE DUCAL PALACE--THE OFFICE OF EXECUTIONER--THE ARSENAL--THE STATE GALLERY--THE ARMOR OF HENRY THE FOURTH--A CURIOUS KEY--MACHINES FOR TORTURE, ETC.
In a first visit to a great European city it is difficult not to let many things escape notice. Among several churches which I did not see when I was here before, is that of the _Jesuits_. It is a temple worthy of the celebrity of this splendid order. The proportions are finer than those of most of the Venetian churches, and the interior is one tissue of curious marbles and gold. As we entered, we were first struck with the grace and magnificence of a large heavy curtain, hanging over the pulpit, the folds of which, and the figures wrought upon it, struck us as unusually elegant and ingenious. Our astonishment was not lessened when we found it was one solid mass of verd-antique marble. Its sweep over the side and front of the pulpit is as careless as if it were done by the wind. The whole ceiling of the church is covered with _sequin gold_--the finest that is coined. In one of the side chapels is the famous "Martyrdom of St. Lawrence," by Titian. A fine copy of it (said in the catalogue to be the original) was exhibited in the Boston Athenæum a year or two since.
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It is Sunday, and the morning has been of a heavenly, summer, sunny calmness, such as is seen often in Italy, and once in a year, perhaps, in New England. It is a kind of atmosphere, that, to breathe is to be grateful and happy. We have been to the Armenian island--a little gem on the bosom of the Lagune, a mile from Venice, where stands the monastery, to which place Lord Byron went daily to study and translate with the fathers. There is just room upon it for a church, a convent, and a little garden. It looks afloat on the water. Our gondola glided up to the clean stone stairs, and we were received by one of the order, a hale but venerable looking monk, in the Armenian dress, the long black cassock and small round cap, his beard long and scattered with gray, and his complexion and eyes of a cheerful, child-like clearness, such as regular and simple habits alone can give. I inquired, as we walked through the cloister, for the father with whom Lord Byron studied, and of whom the poet speaks so often and so highly in his letters. The monk smiled and bowed modestly, and related a little incident that had happened to him at Padua, where he had met two American travellers, who had asked him of himself in the same manner. He had forgotten their names, but from his description I presumed one to have been Professor Longfellow, of Bowdoin University.
The stillness and cleanliness about the convent, as we passed through the cloisters and halls, rendered the impression upon a stranger delightful. We passed the small garden, in which grew a stately oleander in full blossom, and thousands of smaller flowers, in neat beds and vases, and after walking through the church, a plain and pretty one, we came to the library, where the monk had studied with the poet. It is a proper place for study--disturbed by nothing but the dash of oars from a passing gondola, or the screams of a sea-bird, and well furnished with books in every language, and very luxurious chairs. The monk showed us an encyclopædia, presented to himself by an English lady of rank, who had visited the convent often. His handsome eyes flashed as he pointed to it on the shelves. We went next into a smaller room, where the more precious manuscripts are deposited, and he showed us curious illuminated copies of the Bible, and gave us the stranger's book to inscribe our names. Byron had scrawled his there before us, and the Empress Maria Louisa had written hers twice on separate visits. The monk then brought us a volume of prayers, in twenty-five languages, translated by himself. We bought copies, and upon some remark of one of the ladies upon his acquirements, he ran from one language to another, speaking English, French, Italian, German, and Dutch, with equal facility. His English was quite wonderful; and a lady from Rotterdam, who was with us, pronounced his Dutch and German excellent. We then bought small histories of the order, written by an English gentleman, who had studied at the island, and passed on to the printing office--the first _clean_ one I ever saw, and quite the best appointed. Here the monks print their Bibles, and prayer-books in really beautiful Armenian type, beside almanacs, and other useful publications for Constantinople, and other parts of Turkey. The monk wrote his name at our request (Pascal Aucher) in the blank leaves of our books, and we parted from him at the water-stairs with sincere regret. I recommend this monastery to all travellers to Venice.
On our return we passed near an island, upon which stands a single building--an insane hospital. I was not very curious to enter it, but the gondolier assured us that it was a common visit for strangers, and we consented to go in. We were received by the keeper, who went through the horrid scene like a regular cicerone, giving us a cold and rapid history of every patient that arrested our attention. The men's apartment was the first, and I should never have supposed them insane. They were all silent, and either read or slept like the inmates of common hospitals. We came to a side door, and as it opened, the confusion of a hundred tongues burst through, and we were introduced into the apartment for women. The noise was deafening. After traversing a short gallery, we entered a large hall, containing perhaps fifty females. There was a simultaneous smoothing back of the hair and prinking of the dress through the room. These the keeper said, were the well-behaved patients, and more innocent and happy-looking people I never saw. If to be happy is to be wise, I should believe with the mad philosopher, that the world and the lunatic should change names. One large, fine-looking woman took upon herself to do the honors of the place, and came forward with a graceful curtesy and a smile of condescension and begged the ladies to take off their bonnets, and offered me a chair. Even with her closely-shaven head and coarse flannel dress, she seemed a lady. The keeper did not know her history. Her attentions were occasionally interrupted by a stolen glance at the keeper, and a shrinking in of the shoulders, like a child that had been whipped. One handsome and perfectly healthy-looking girl of eighteen, walked up and down the hall, with her arms folded, and a sweet smile on her face, apparently lost in pleasing thought, and taking no notice of us. Only one was in bed, and her face might have been a conception of Michael Angelo for horror. Her hair was uncut, and fell over her eyes, her tongue hung from her mouth, her eyes were sunken and restless, and the deadly pallor over features drawn into the intensest look of mental agony, completing a picture that made my heart sick. Her bed was clean, and she was as well cared for as she could be, apparently.
We mounted a flight of stairs to the cells. Here were confined those who were violent and ungovernable. The mingled sounds that came through the gratings as we passed were terrific. Laughter of a demoniac wildness, moans, complaints in every language, screams--every sound that could express impatience and fear and suffering saluted our ears. The keeper opened most of the cells and went in, rousing occasionally one that was asleep, and insisting that all should appear at the grate. I remonstrated of course, against such a piece of barbarity, but he said he did it for all strangers, and took no notice of our pity. The cells were small, just large enough for a bed, upon the post of which hung a small coarse cloth bag, containing two or three loaves of the coarsest bread. There was no other furniture. The beds were bags of straw, without sheets or pillows, and each had a coarse piece of matting for a covering. I expressed some horror at the miserable provision made for their comfort, but was told that they broke and injured themselves with any loose furniture, and were so reckless in their habits, that it was impossible to give them any other bedding than straw, which was changed every day. I observed that each patient had a wisp of long straw tied up in a bundle, given them, as the keeper said, to employ their hands and amuse them. The wooden blind before one of the gratings was removed, and a girl flew to it with the ferocity of a tiger, thrust her hands at us through the bars, and threw her bread out into the passage, with a look of violent and uncontrolled anger such as I never saw. She was tall and very fine-looking. In another cell lay a poor creature, with her face dreadfully torn, and her hands tied strongly behind her. She was tossing about restlessly upon her straw, and muttering to herself indistinctly. The man said she tore her face and bosom whenever she could get her hands free, and was his worst patient. In the last cell was a girl of eleven or twelve years, who began to cry piteously the moment the bolt was drawn. She was in bed, and uncovered her head very unwillingly, and evidently expected to be whipped. There was another range of cells above, but we had seen enough, and were glad to get out upon the calm Lagune. There could scarcely be a stronger contrast than between those two islands lying side by side--the first the very picture of regularity and happiness, and the last a refuge for distraction and misery. The feeling of gratitude to God for reason after such a scene is irresistible.
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In visiting again the prisons under the ducal palace, several additional circumstances were told us. The condemned were compelled to become executioners. They were led from their cells into the dark passage where stood the secret guillotine, and without warning forced to put to death a fellow-creature either by this instrument, or the more horrible method of strangling against a grate. The guide said that the office of executioner was held in such horror that it was impossible to fill it, and hence this dreadful alternative. When a prisoner was about to be executed, his clothes were sent home to his family with the message, that "the state would care for him." How much more agonizing do these circumstances seem, when we remember that most of the victims were men of rank and education, condemned on suspicion of political crimes, and often with families refined to a most unfortunate capacity for mental torture! One ceases to regret the fall of the Venetian republic, when he sees with how much crime and tyranny her splendor was accompanied.
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I saw at the arsenal to-day the model of the "Bucentaur," the state galley in which the Doge of Venice went out annually to marry him to the sea. This poetical relic (which, in Childe Harold's time, "lay rotting unrestored") was burnt by the French--why, I can not conceive. It was a departure from their usual habit of respect to the curious and beautiful; and if they had been jealous of such a vestige of the grandeur of a conquered people, it might at least have been sent to Paris as easily as "Saint Mark's steeds of brass," and would have been as great a curiosity. I would rather have seen the Bucentaur than all their other plunder. The arsenal contains many other treasures. The armor given to the city of Venice by Henry the Fourth is there, and a curious key constructed to shoot poisoned needles, and used by one of the Henrys, I have forgotten which, to despatch any one who offended him in his presence. One or two curious machines for torture were shown us--mortars into which the victim was put, with an iron armor which was screwed down upon him till his head was crushed, or confession stopped the torture.
LETTER XXXIX.
VENICE--SAN MARC'S CHURCH--RECOLLECTIONS OF HOME--FESTA AT THE LIDO--A POETICAL SCENE--AN ITALIAN SUNSET--PALACE OF MANFRINI--PESARO'S PALACE AND COUNTRY RESIDENCE--CHURCH OF SAINT MARY OF NAZARETH--PADUA--THE UNIVERSITY--STATUES OF DISTINGUISHED FOREIGNERS THE PUBLIC PALACE--BUST OF TITUS LIVY--BUST OF PETRARCH--CHURCH OF ST. ANTONY DURING MASS--THE SAINT'S CHIN AND TONGUE--MARTYRDOM OF ST. AGATHA--AUSTRIAN AND GERMAN SOLDIERS--TRAVELLER'S RECORD-BOOK--PETRARCH'S COTTAGE AND TOMB--ITALIAN SUMMER AFTERNOON--THE POET'S HOUSE--A FINE VIEW--THE ROOM WHERE PETRARCH DIED, ETC.