Part 7

_Explicit de lanselot. del lac[41] Ces Roumans fu par escris. En lan del Incarnation nostre Segnor. mil deus cens et sixante et quatorse le semedi apres pour ce li ki lescrist_.

It is in a fine state of preservation. Mons. Méon shewed me a manuscript of the ST. GRAAL, executed in a similar style, and written in treble columns.

LE MEME. This is a metrical MS of the XIIIth century: executed in double columns. The illuminations are small but rather coarse. It is in fine preservation. Bound in green velvet. Formerly the outsides of this binding had silver gilt medallions; five on each side. These have been latterly stolen. I also saw a fine PERCEFOREST, in four large folio volumes upon vellum, written in a comparatively modern Gothic hand. The illuminations were to be _supplied_--as spaces are left for them. There is also a paper MS. of the same Romance, not illuminated.

ROMAN DE LA ROSE: No. 6983. I consider this to be the oldest MS. of its subject which I have seen. It is executed in a small Gothic character, in two columns, with ink which has become much faded: and from the character, both of the scription and the embellishments, I apprehend the date of it to be somewhere about the middle of the XIVth century. The illuminations are small, but pretty and perfect; the backgrounds are generally square, diamond-wise, without gold; but there are backgrounds of solid shining gold. The subjects are rather quaintly and whimsically, than elegantly, treated. In the whole, one hundred and sixty leaves. From Romances, of all and of every kind, let us turn our eyes towards a representation of subjects intimately connected with them: to wit,

A BOOK OF TOURNAMENTS. No. 8351. Folio. This volume is in a perfect blaze of splendour. Hither let PROSPERO and PALMERIN resort--to choose their casques, their gauntlets, their cuirasses, and lances: yea, let more than one-half of the Roxburghers make an annual pilgrimage to visit this tome!-- which developes, in thirteen minutes, more chivalrous intelligence than is contained even in the mystical leaves of the _Fayt of Arms and Chyvalrye_ of our beloved Caxton. Be my pulse calm, and my wits composed, as I essay the description of this marvellous volume. Beneath a large illumination, much injured, of Louis XI. sitting upon his throne--are the following verses:

_Pour exemple aulx nobles et gens darmes Qui appetent les faitz darmes hautes Le Sire de gremthumsé duyt es armes Volut au roy ce livre presenter_.

Next ensue knights on horseback, heralds, &c.--with a profusion of coat-armours: each illumination occupying a full page. On the reverse of the ninth leaf, is a most interesting illumination, in which is seen the figure of _John Duke of Brittany_. He is delivering a sword to a king at arms, to carry to his cousin, the Duke of Bourbon; as he learns, from general report, that the Duke is among the bravest champions in Christendom, and in consequence he wishes to break a lance with him.

The illumination, where the Duke thus appears, is quite perfect, and full of interest: and I make no doubt but the countenance of the herald, who is kneeling to receive the sword, is a faithful portrait. It is full of what may be called individuality of character. The next illumination represents the _Duke of Bourbon accepting the challenge_, by receiving the sword. His countenance is slightly injured. The group of figures, behind him, is very clever. The ensuing illumination exhibits the herald offering the Duke de Bourbon the choice of eight coats of armour, to put on upon the occasion. A still greater injury is here observable in the countenance of the Duke. The process of conducting the tournay, up to the moment of the meeting of the combatants, is next detailed; and several illuminations of the respective armours of the knights and their attendants, next claim our attention. On the reverse of the xxxijnd, and on the recto of the xxxiijd leaf, the combat of the two Dukes is represented. The seats and benches of the spectators are then displayed: next a very large illumination of the procession of knights and their attendants to the place of contest. Then follows an interesting one of banners, coat armours, &c. suspended from buildings--and another, yet larger and equally interesting, of the entry of the judges.

I am yet in the midst of the emblazoned throng. Look at yonder herald, with four banners in his hand. It is a curious and imposing sight. Next succeeds a formal procession--preparing for the combat. It is exceedingly interesting, and many of the countenances are full of natural expression. This is followed by a still more magnificent cavalcade, with judges in the fore-ground; and the "dames et damoiselles," in fair array to the right. We have next a grand rencontre of the knights attendant--carried on beneath a balcony of ladies

whose bright eyes Reign influence, and decide the prize.

These ladies, thus comfortably seated in the raised balcony, wear what we should now call the _cauchoise_ cap. A group of grave judges is in another balcony, with sundry mottos spread below. In the rencontre which takes place, the mace seems to be the general instrument of attack and defence. Splendid as are these illuminations, they yield to those which follow; especially to that which _immediately_ succeeds, and which displays the preparation for a tournament to be conducted upon a very large scale. We observe throngs of combatants, and of female spectators in boxes above. These are rather more delicately touched. Now comes ... the mixed and stubborn fight of the combatants. They are desperately engaged with each other; while their martial spirit is raised to the highest pitch by the sharp and reverberating blasts of the trumpet. The trumpeters blow their instruments with all their might. Every thing is in animation, bustle, energy, and confusion. A man's head is cut off, and extended by an arm, to which--in the position and of the size we behold--it would be difficult to attach a body. Blood flows copiously on all sides. The reward of victory is seen in the next and _last_ illumination. The ladies bring the white mantle to throw over the shoulders of the conqueror. In the whole, there are only lxxiiij. leaves. This is unquestionably a volume of equal interest and splendor; and, when it was fresh from the pencil of the illuminator, its effect must have been exquisite.[42]

BOOK OF TOURNAMENTS: No. 8204. 8vo. We have here a sort of miniature exhibition of the chief circumstances displayed in the previous and larger MS. It is questionless a very precious book; but has been cruelly cropt. The text and ornaments are clearly of the end of the fifteenth century; perhaps about 1470. Nothing can well exceed the brilliancy and power of many of the illuminations, which are very small and very perfect. The knight, with a representation of the trefoil, (or what is called club, in card playing) upon a gold mantle, kills the other with a black star upon a white mantle. This mortal combat is the last in the book. Each of the knights, praying before going to combat, is executed with considerable power of expression. The ladies have the high (cauchoise) cap or bonnet. The borders, of flowers, are but of secondary merit.

POLYBIUS, _Græcè_. Folio. M. Gail placed before me, in a sly manner--as if to draw off my attention from the volumes of chivalry just described,--the present beautiful MS. of Polybius. It is comparatively recent, being of the very commencement of the sixteenth century: but the writing exhibits a perfect specimen of that style or form of character which the Stephenses and Turnebus, &c. appear to have copied in their respective founts of the Greek letter. It has also other, and perhaps stronger, claims to notice. The volume belonged to Henry II. and Diane de Poictiers, and the decorations of the pencil are worthy of the library to which it was attached. The top ornament, and the initial letter,--at the beginning of the text--are each executed upon a blue ground, shaded in brown and gold, in the most exquisitely tasteful manner. This initial letter has been copied "ad amussim" by old Robert Stephen. Upon the whole, this is really an enchanting book, whether on the score of writing or of ornament.

Farewell, now, therefore--to the Collection of MSS. in the _Bibliothèque du Roi_ at Paris. Months and years may be spent among them, and the vicissitudes of seasons (provided fires were occasionally introduced) hardly felt. I seem, for the last fortnight, to have lived entirely in the "olden time;" in a succession of ages from that of Charles the Bald to that of Henri Quatre: and my eyes have scarcely yet recovered from the dazzling effects of the illuminator's pencil. "II faut se reposer un peu."

[38] Vol. i. p. ccxx-i.

[39] See _Bibl. Spenceriana_, vol. iv p. 421.

[40] The fac-simile drawing of this portrait, by M. Coeuré--from which the print was taken, in the previous edition of this work--is also in the possession of my friend Mr. Ponton. See note, page 79 ante.

[41] The words "del lac" are in a later hand.

[42] What is rather singular, there is a duplicate of this book: a copy of every illumination, done towards the beginning of the sixteenth century; but the text is copied in a smaller hand, so as to compress the volume into lxviij. leaves. Unluckily, the copies of the illuminations are not only comparatively coarse, but are absolutely faithless as to resemblances. There is a letter prefixed, from a person named _Le Hay_, of the date of 1707, in which the author tells some gentleman that he was in hopes to procure the volume for 100 crowns; but afterwards, the owner obstinately asking 200, _Le Hay_ tells his friend to split the difference, and offer 150. This book once belonged to one "_Hector Le Breton Sievr de la Doynetrie_"--as the lettering upon the exterior of the binding implies--and as a letter to his son, of the date of 1660, within the volume, also shows. This letter is signed by Le Breton.

_LETTER V._

SOME ACCOUNT OF EARLY PRINTED AND RARE BOOKS IN THE ROYAL LIBRARY.

As the ART of PRINTING rather suddenly, than gradually, checked the progress of that of writing and illuminating--and as the pressman in consequence pretty speedily tripped up the heels of the scribe--it will be a natural and necessary result...that I take you with me to the collection of PRINTED BOOKS. Accordingly, let us ascend the forementioned lofty flight of stone steps, and paying attention to the affiche of "wiping our shoes," let us enter: go straight forward: make our obeisance to Monsieur Van Praet, and sit down doggedly but joyfully to the glorious volumes...many of them

Rough with barbaric gold,

which, through his polite directions, are placed before us. To come to plain matter of fact. Receive, my good friend, in right earnest and with the strictest adherence to truth, a list of some of those rarer and more magnificent productions of the ancient art of printing, which I have been so many years desirous of inspecting, and which now, for the first time, present themselves to my notice and admiration. After the respectable example of M. Van Praet,[43] I shall generally, add the sizes, or measurement[44] of the respective books examined--not so much for the sake of making those unhappy whose copies are of less capacious dimensions, as for the consolation of those whose copies may lift up their heads in a yet more aspiring attitude. One further preliminary remark. I send you this list precisely in the order in which chance, rather than a preconcerted plan, happened to present the books to me.

RECUEIL DES HISTOIRES DE TROYE. _Printed by Caxton_. Folio. The late M. De La Serna Santander, who was Head Librarian of the public Library at Brussels, purchased this book for the Royal Library for 150 francs.[45] It is in the finest possible state of preservation; and is bound in red morocco, with rather a tawdry lining of light blue water-tabby silk.

THE SAME WORK. _Printed by Verard, without date_. Folio. This copy is UPON VELLUM; in the finest possible condition both for size and colour. It is printed in Verard's small gothic type, in long lines, with a very broad margin. The wood-cuts are coloured. The last leaf of the first book is MS.: containing only sixteen lines upon the recto of the leaf. This fine copy is bound in red morocco.

HORÆ BEATÆ VIRGINIS, Gr. _Printed by Aldus_. 1497. 12mo. Perhaps the rarest Aldine volume in the world:--when found in a perfect state. M. Renouard had not been able to discover a copy to enrich his instructive annals of the Aldine typography.[46] The present copy is four inches and five eighths, by three inches and a half. It is in its original clasp binding, with stamped leather-outsides.[47]

THE SHYPPE OF FOOLES. _Printed by Wynkyn de Worde_. 1509. 8vo. At length this far-famed and long talked of volume has been examined. It is doubtless a prodigious curiosity, and unique--inasmuch as this copy is UPON VELLUM. The vellum is stout but soft. I suspect this copy to be rather cropt. It is bound in red morocco, and is perfectly clean and sound throughout.

ROMAN DE JASON. In French. _Printed by Caxton_. Folio. A little history is attached to the acquisition of this book, which may be worth recital. An unknown, and I may add an unknowing, person, bought this most exceedingly rare volume, with the _Qudriloge of Alain Chartier_, 1477, Folio, in one and the same ancient wooden binding, for the marvellously moderate sum of-- _one louis_! The purchaser brought the volume to M. de La Serna Santander, and asked him if he thought _two_ louis too much for their value. That wary Bibliographer only replied, "I do not think it is." He became the purchaser; and instantly and generously consigned the volumes to their present place of destination.[48] You may remember that the collection of Anthony Storer, in the library of Eton College, also possesses this book-- at present wanting in Lord Spencer's library. The present copy contains one hundred and thirty-two leaves, including a blank leaf; and is in a perfect state of preservation.

PSALTERIUM, Latinè. _Printed by Fust and Schoiffher_. 1457. Folio. EDITIO PRINCEPS. This celebrated volume is a recent acquisition. It was formerly the copy of Girardot de Préfond, and latterly that of Count M'Carthy; at whose sale it was bought for 12,000 francs. It is cruelly cropt, especially at the side margins; and is of too sombre and sallow a tint. Measurement-- fourteen inches, by nine and a half. It is doubtless an absolutely necessary volume in a collection like the present. Only SEVEN known copies in the world.

PSALTERIUM, Latinè. _Printed by the same_. 1459: Folio. _Editio Secunda_. The first six leaves have been evidently much thumbed; and the copy, from the appearance of the first leaf alone, is as evidently cropt. For the colophon, both of this and of the preceding edition, examine the catalogue of Lord Spencer's library.[49] Upon the whole, it strikes me, as far as recollection may serve, that his Lordship's copy of each edition is preferable to those under consideration.[50] This copy measures sixteen inches and a quarter, by twelve and one-eighth.

PSALTERIUM, Latinè. _Printed by Schoiffher_. 1490. Folio. A magnificent volume: and what renders it still more desirable, it is printed UPON VELLUM. Lord Spencer's copy is upon paper. The _previous_ editions are _always_ found upon vellum. Fine and imposing as is the copy before me, it is nevertheless evident--from the mutilated ancient numerals at top--that it has been somewhat cropt. This fine book measures sixteen inches and five eighths, by eleven inches and seven eighths.

PSALTERIUM, Latinè. _Printed by Schoiffher_. 1502. Folio. This book (wanting in the cabinet at St. James's Place) is upon paper. As far as folio Cxxxvij. the leaves are numbered: afterwards, the printed numerals cease. A ms. note, in the first leaf, says, that the text of the first sixteen leaves precisely follows that of the first edition of 1457. The present volume will be always held dear in the estimation of the typographical antiquary. It is THE LAST in which the name of _Peter Schoiffher_, the son-in-law of Fust, appears to have been introduced. That printer died probably a short time afterwards. It measures fifteen inches and one eighth in height, by ten inches and seven eighths in width.

PSALTERIUM, Latinè. _Printed by Schoiffher's Son_. 1516. Folio. A fine and desirable copy, printed UPON VELLUM. It is tolerably fair: measuring fifteen inches, by ten inches and three quarters.

I have little hesitation in estimating _these five copies_ of the earlier editions of the Psalter, to be worth, at least, one thousand pounds.

BIBLIA LATINA. (_Supposed to have been printed in 1455.)_ Folio. This is the famous edition called the MAZARINE BIBLE, from the first known copy of it having been discovered in the library of that Cardinal, in the college founded by himself. Bibliography has nearly exhausted itself in disquisitions upon it. But this copy--which is upon paper--is THE COPY _of all copies_; inasmuch as it contains the memorable inscription, or coeval ms. memorandum, of its having been illuminated in 1456.[51] In the first volume, this inscription occurs at the end of the printed text, in three short lines, but to the best of my recollection, the memorandum resembles the printed text rather more than the fac-simile of it formerly published by me. In the second volume, this inscription is in three long lines and is well enough copied in the M'Carthy catalogue. It may be as well to give you a transcript of this celebrated memorandum, as it proves unquestionably the impression to have been executed before any known volume with a printed date. It is taken from the end of the second volume.[52]

THE SAME EDITION.--This is a sound and desirable copy, printed UPON VELLUM; but much inferior in every respect, to another similar copy in the possession of Messrs. G. and W. Nicol, booksellers to his Majesty.[53] It measures fifteen inches and three-fourths, by nearly eleven and six eighths.

BIBLIA LATINA. _Printed by Pfister, at Bamberg_. Folio. Three volumes. The rarest of all Latin Bibles, when found in a perfect state. This was Lord Oxford's copy, and is not to be equalled for its beauty and soundness of condition. What renders it precious and unique, is an undoubted coeval ms. date, in red ink, of 1461. Some of the leaves in the first volume are wholly uncut. It is in handsome, substantial russia binding.

DURANDI RATIONALE DIV. OFF. _Printed by Fust and Schoiffher_. 1459. Folio. Here are not fewer than _three_ copies of this early, and much coveted volume: all of course UPON VELLUM. The tallest of them measures sixteen inches and a half, by twelve and one eighth; and is in red morocco binding.

BIBLIA GERMANICA. _Supposed to be printed by Mentelin_. _Without date_. Folio. If we except the earlier leaves--of which the first is in ms., upon vellum, and the three succeeding, which are a little tender and soiled-- this is a very fine copy; so large, as to have many bottom rough margins. At the end of the second volume an ancient ms. memorandum absurdly assigns the printing of this edition to Fust, and its date to 1472. The paper of this impression is certainly not very unlike that of the _Catholicon_ of 1460.

BIBLIA PAUPERUM. A block-book. This is a cropt, but clean and uncoloured copy. I suspect, however, that it has been washed in some parts. It is in red morocco binding.

BIBLIA POLONICA. 1563. Folio. This is the famous Protestant Polish Bible, put forth under the patronage of Prince Radziwill; and concerning which a good deal has been already submitted to the public attention.[54] But the copy under consideration was a _presentation_ copy from a descendant of Prince Radziwill--to the public Library of Sedan, to be there deposited through the intervention of Lord James Russell; as the following memorandum, in the Prince's own hand writing, attests: "_Hoc sacrarum Literarum Veteris Nouique Testamenti opus, fidelissima Cura Maiorum meorum vetustis Typis Polonicis excusum, In Bibliothecam Sedanensem per Nobilem Virum Dominum Jacobum Russelium, Ill^{mi} Principis Friderici Mauritii Bullionei ad me exlegatum inferendum committo_.

_H. Radziwill_."

It is nevertheless an imperfect copy, as it wants the title-page. M. Van Praet thinks it otherwise complete, but I suspect that it is not so.

BIBLIA SCLAVONICA; 1587. Folio. Of this exceedingly scarce volume--which M. Van Praet placed before me as almost unique--the present is a fine and desirable copy: in its original binding--with a stamped ornament of the Crucifixion on each side. One of these ornaments is quite perfect: the other is somewhat injured.

BIBLIA BOHEMICA. _Printed in 1488_. Folio. Among the rarest of the early-printed versions of the sacred text: and this copy happens to be a most beautiful and desirable one. It is wanting in Lord Spencer's collection; which renders a minute description of it the more desirable. The first signature, _a i_, appears to be blank. On _a ii_ begins a prologue or prefatory proheme, ending on the reverse of _a vj_. It has a prefix, or title, in fifteen lines, printed in red. The text is uniformly printed in double columns, in a sharp secretary-gothic character, with ink sufficiently black, upon paper not remarkably stout, but well manufactured. There are running titles, throughout. The last eight leaves upon signature _i_ are printed in red and black lines alternately, and appear to be an index. The colophon, in nineteen lines, is at the bottom of the second column, on the reverse of _mm viij_. This book is thought to have been printed at _Prague_. The present copy is bound in blue morocco.

NEW TESTAMENT: _in the Dutch and Russian languages_. This volume, which is considered to be unique, and of which indeed I never saw, or heard of, another copy, bears the imprint of "_'T Gravenhage--Iohannes Van Duren, Boecverkoper_. MDCCXVII." Folio. The Dutch text is uniformly printed in capital letters; the Russian, in what I conceive to be lowercase, and about two-thirds the size of the Dutch.

The cause of the scarcity of perfect copies is, that very nearly the whole of the impression was _lost at sea_. The present copy undoubtedly affords decided demonstrations of a marine soaking: parts of it being in the most piteous condition. The first volume contains 255 leaves: the second, 196 leaves. The copy is yet in boards, in the most tender condition. M. Van Praet thinks it _just_ possible that there may be a _second_ similar copy. The _third_ (if there be a second) is known to have perished in the flames at Moscow.

THE PENTATEUCH: _in Hebrew_. _Printed in 1491_. _Folio_. A very fine copy, printed UPON VELLUM. The press work has a rich and black appearance; but the vellum is rather soiled. One leaf presents us with the recto covered by ms. of a brown tint--and the reverse covered by printed text. The last page is certainly ms. This however is a rare and costly tome.