Part 13

"'I congratulate you,' said the captain, as I picked up my shako. 'You are safe for to-day.' I knew the military superstition which holds the maxim _Non bis in idem_ to be as applicable on a battle-field as in a court of justice. I proudly replaced my shako on my head. 'An unceremonious way of making people bow,' said I, as gaily as I could. Under the circumstances, this poor joke appeared excellent. 'I congratulate you,' repeated the captain; 'you will not be hit again, and to-night you will command a company, for I feel that my turn is coming. Every time I have been wounded, the officer near me has received a spent ball, and,' he added in a low voice, and almost ashamed, 'all their names began with a P.'

"I affected to laugh at such superstitions. Many would have done as I did--many would have been struck, as I was, by these prophetic words. As a raw recruit I understood that I must keep my feelings to myself, and always appear coldly intrepid.

"After half an hour the Russian fire sensibly slackened; then we emerged from our cover to march against the redoubt. Our regiment was composed of three battalions. The second was charged to take the redoubt in flank on the side of the gorge; the two others were to deliver the assault. I was in the third battalion.

"On appearing from behind the sort of ridge that had protected us, we were received by several volleys of musketry, which did little harm in our ranks. The whistling of the bullets surprised me: I turned my head several times, thus incurring the jokes of my comrades, to whom the noise was more familiar. 'All things considered,' said I to myself, 'a battle is not such a terrible thing.'

"We advanced at storming pace, preceded by skirmishers. Suddenly the Russians gave three hurras, very distinct ones, and then remained silent, and without firing. 'I don't like that silence,' said my captain. 'It bodes us little good.' I thought our soldiers rather too noisy, and I could not help internally comparing the tumultuous clamour with the imposing stillness of the enemy.

"We rapidly attained the foot of the redoubt: the palisades had been broken, and the earth ploughed by our cannonade. With shouts of '_Vive l'Empereur!_' louder than might have been expected from fellows who had already shouted so much, our soldiers dashed over the ruins.

"I looked up, and never shall I forget the spectacle I beheld. The great mass of smoke had arisen, and hung suspended like a canopy twenty feet above the redoubt. Through a gray mist were seen the Russian grenadiers, erect behind their half-demolished parapet, with levelled arms, and motionless as statues. I think I still see each individual soldier, his left eye riveted on us, the right one hidden by his musket. In an embrasure, a few feet from us, stood a man with a lighted fuse in his hand.

"I shuddered, and thought my last hour was come. 'The dance is going to begin,' cried my captain. Good-night.' They were the last words I heard him utter.

"The roll of drums resounded in the redoubt. I saw the musket muzzles sink. I shut my eyes, and heard a frightful noise, followed by cries and groans. I opened my eyes surprised to find myself still alive. The redoubt was again enveloped in smoke. Dead and wounded men lay all around me. My captain was stretched at my feet; his head had been smashed by a cannon-ball, and I was covered with his blood and brains. Of the whole company, only six men and myself were on their legs.

"A moment of stupefaction followed this carnage. Then the colonel, putting his hat on the point of his sword, ascended the parapet, crying '_Vive l'Empereur!_' He was instantly followed by all the survivors. I have no clear recollection of what then occurred. We entered the redoubt, I know not how. They fought hand to hand in the middle of a smoke so dense that they could not see each other. I believe I fought too, for my sabre was all bloody. At last I heard a shout of victory, and, the smoke diminishing, I saw the redoubt completely covered with blood and dead bodies. About two hundred men in French uniform stood in a group, without military order, some loading their muskets, others wiping their bayonets. Eleven Russian prisoners were with them.

"Our colonel lay bleeding on a broken tumbril. Several soldiers were attending to him, as I drew near--'Where is the senior captain?' said he to a sergeant. The sergeant shrugged his shoulders in a most expressive manlier. 'And the senior lieutenant?' 'Here is _Monsieur_, who joined yesterday,' replied the sergeant, in a perfectly calm tone. The colonel smiled bitterly. 'You command in chief, sir,' he said to me; 'make haste to fortify the gorge of the redoubt with those carts, for the enemy is in force; but General C. will send you a support.'--'Colonel,' said I, 'you are badly wounded.'--'_Foutre, mon cher_, but the redoubt is taken.'"

"Carmen," M. Merimee's latest production, appeared a few months since in the _Revue des Deux Mondes_, which appears to have got the monopoly of his pen, as it has of many of the cleverest pens in France. "Carmen" is a graceful and animated sketch, in style as brilliant as anything by the same author--in the character of its incidents less strikingly original than some of his other tales. It is a story of Spanish life, not in cities and palaces, in court or camp, but in the barranca and the forest, the gipsy suburb of Seville, the woodland bivouac and smuggler's lair. Carmen is a gipsy, a sort of Spanish Esmeralda, but without the good qualities of Hugo's charming creation. She has no Djali; she is fickle and mercenary, the companion of robbers, the instigator of murder. She inveigles a young soldier from his duty, leads him into crime, deceives and betrays him, and finally meets her death at his hand. M. Merimee has been much in Spain, and--unlike some of his countrymen, who apparently go thither with the sole view of spying out the nakedness of the land and making odious comparisons, and who, in their excess of patriotic egotism, prefer Versailles to the Alhambra, and the Bal Mabille to a village _fandango_--he has a vivid perception of the picturesque and characteristic, of the _couleur locale_, to use the French term, whether in men or manners, scenery or costume, and he embodies his impressions in pointed and sparkling phrase. As an antiquarian and linguist, he unites qualities precious for the due appreciation of Spain. Well-versed in the Castilian, he also displays a familiarity with the Cantabrian tongue--that strange and difficult _Vascuense_ which the Evil One himself, according to a provincial proverb, spent seven years of fruitless labour in endeavouring to acquire. And he patters Romani, the mysterious jargon of the gitanos, in a style no way inferior--so far as we can discover--to Bible Borrow himself. That gentleman, by the bye, when next he goes a missionarying, would find M. Merimee an invaluable auxiliary, and the joint narrative of their adventures would doubtless be in the highest degree curious. The grave earnestness of the Briton would contrast curiously with the lively half-scoffing tone of the witty and learned Frenchman. Indeed, there would be danger of persons of such opposite character falling out upon the road, and fighting a mortal duel, with the king of the gipsies for bottle-holder. The proverbial jealousy between persons of the same trade might prove another motive of strife. Both are dealers in the romantic. And "Carmen," related as the personal experience of the author during an archaeological tour in Andalusia the autumn of 1830, is as graphic and fascinating as any chapters of the great tract-monger's remarkable wanderings.

FOOTNOTES:

[B] It was a rule with the _raffines_ not to commence a new quarrel so long as there was an old one to terminate.

HOW TO BUILD A HOUSE AND LIVE IN IT.

NO. III.

Having disposed of two grand categories of mistakes and absurdities in house-building, viz., lightness of structure and badness of material, we shall now address ourselves more particularly to the defects of Arrangement and Form, or, as an architect might term it, to the discussion of Plan and Elevation. The former task was ungrateful enough; for therein we had to attack the cupidity and meanness, and the desire for show and spurious display, which is the besetting sin of every Englishman who pays poor-rates; but, the present undertaking is hardly less hopeless, for we have to appeal to the intelligence, not only of architects and builders, but also of those who commission them.

Now, there is nothing drier and more unprofitable under the sun, nothing more nearly approaching to a state of addle, than a builder's brains. Your regular builders (and, indeed, not a few of your architects) are the sorriest animals twaddling about on two legs; mere vivified bags of sawdust, or lumps of lath and plaster, galvanised for a while, and forming themselves into strange, uncouth, unreasonable shapes. A mere "builder" has not two ideas in his head; he has only one; he can draw only one "specification," as he calls it, under different forms; he can make only one plan; he has one set of cornices always in his eye; one peculiar style of panel; one special cut of a chimney. You may trace him all through a town, or across a county, if his fame extends so far; a dull repetition of the same notion characterises all his works. He served his apprenticeship to old Plumbline, in Brick Lane; got up the _Carpenter's Vade-Mecum_ by heart; had a little smattering of drawing from Daub the painter, and then set up in business for himself. As for Mr Triangle the architect, who built the grand town-hall here, the other-day, in the newest style of Egyptian architecture, and copied two mummies for door-posts, and who is now putting up the pretty little Gothic church for the Diocesan Church-and-Chapel-Building and Pew-Extension Society, with an east window from York, and a spire from Salisbury, and a west front from Lincoln--why, he is the veriest stick of a designer that ever applied a T-square to a stretching-board. He has studied Wilkins's Vitruvius, it is true, and he has looked all through Hunt's Tudor Architecture, but his imagination is as poor as when he began them; he has never in his life seen one of the good buildings he is pirating from, barring St Paul's and Westminster Abbey; he knows nothing finer than Regent Street and Pall-Mall, and yet he pretends to be a modern Palladio. It will not do, all this sham and parade of knowledge; we want a new generation, both of architects and builders, before we shall see any thing good arising in the way of houses--but as this new progeny is not likely to spring up within a few days, nor even years, we may as well buckle to the task of criticism at once, and find out faults, which we shall leave others to mend.

And, to lay the foundation of criticism in such matters once more and for ever, let us again assert that good common-sense, and a plain straight-forward perception of what is really useful, and suited to the wants of climate and locality, are worth all the other parts of any architect's education. These are the great qualities, without which he will take up his rulers and pencils in vain; without them, his ambitious _facades_ and intricate plans will all come to nothing, except dust and rubbish. He may draw and colour like Barry himself; but unless he has some spark of the genius that animated old Inigo and Sir Christopher, some little inkling of William of Wickham's spirit within him, some sound knowledge of the fitness and the requirements of things, he had better throw down his instruments, and give it up as a bad job; he'll only "damn himself to lasting shame."

A moderate degree of science, an ordinarily correct eye, so as to tell which is straightest, the letter I or the letter S, and a good share of plain common-sense--these are the real qualifications of all architects, builders, and constructors whatsoever.

One other erroneous idea requires to be upset; the notion that our modern houses, merely because they are recent, are better built and more convenient than ancient ones. If there be one thing more certain than another in the matter, it is this, that a gentleman's house built in 1700, is far handsomer, stronger, and more convenient, than one built in 1800; and not only so, but if it had had fair play given it, would still outlive the newer one, and give it fifty years to boot;--and also that another house built in 1600, is stronger than the one raised in 1700, and has still an equal chance of survivorship; but that any veteran mansion which once witnessed the year 1500, is worth all the other three put together--not only for design and durability, but also for comfort and real elegance. Pick out a bit of walling or roofing some four or five centuries old, and it would take a modern erection of five times the same solidity to stand the same test of ages.

Let it not be supposed that our ancestors dwelt in rooms smaller, or darker, or smokier, than those we now cram ourselves into. Nothing at all of the kind; they knew what ease was, better than we do. They had glorious bay-windows, and warm chimney-corners, and well-hung buttery hatches, and good solid old oak tables, and ponderous chairs: had their windows and doors been only a little more air-tight, their comforts could not have been increased.

First of all, then, with regard to the plans best suited for the country residences of the nobility and gentry of England--of that high-minded and highly gifted aristocracy, which is the peculiar ornament of this island,--of that solid honest squirearchy, which shall be the sheet-anchor of the nation, after all our commercial gents, with their ephemeral prosperity, shall have disappeared from the surface of the land, and have been forgotten,--the plan of a house best suited for the "Fine old English Gentleman;" and we really do not care to waste our time in considering the convenience and the taste of any that do not rank with this class of men. It is absurd for any of the worthy members of that truly noble and generous class of men, to try to erect reminiscences of Italy, or any other southern clime, amid their own "tall ancestral groves" at home, here in old England. They have every right in the world to inhabit the palaces of Italy, which many a needy owner is glad to find them tenanting; they cannot but admire the noble proportions, the solid construction, the magnificent decorations, which meet their eyes on every side, whether at Genoa, at Verona, at Venice, at Florence, or at Rome. But it by no means follows, that what looks so beautiful, and is so truly elegant and suitable on the Lake of Como, will preserve the same qualities when erected on the banks of Windermere; those lovely villas that overlook the _Val d'Arno_, and where one could be content to spend the rest of one's days, with Petrarch and Boccacio, and Dante, and Michael Angelo, and Raffaelle, will not bear transplanting either to Richmond or Malvern. The climate and the sky and the earth of Tuscany and Piedmont, are not those of Gloucestershire and Warwickshire; what may be very harmonious in form and colour when contrasted with the objects of that country which produced it, may have the most disagreeable effect, and be excessively inconvenient, in another region with which it has no relation. Not that the proportions of style and the execution of detail may not be reproduced in England, if sufficient taste and money be applied,--but that all surrounding things are out of harmony with the very idea and existence of the building. The vegetable world is different: the external and internal qualities of the soil jar with the presence of the foreign-looking mansion. An English garden is not, nor can be, an Italian one; an English terrace can never be made to look like an Italian one; those very effects of light and shade on which the architect counted when he made his plans and elevations, are not to be attained under an English sky. The house, however closely it may be taken from the last Palazzo its noble owner lived in, will only be a poor-looking copy after all; and he will wonder, as he paces through its corridors and halls, or views it from every point of the compass on the outside, what can be the cause of such a failure of his hopes? He hoped for and expected an impossibility; he thought to raise up a little Italy in the midst of his Saxon park. Could the experiment end in any thing else than a failure?

Every climate and every country has its own peculiarities, which the inhabitants are found to consult, and which all architects will do well to observe closely before they lay down their plans. The general arrangement, the plan of a house, will depend upon this class of external circumstances more than on any other; while the architectural effect and design of the elevation will have an intimate relation to the physical appearance of the region, to the ideas, the pursuits, and the history of its people.

Thus it was with the ancient Greeks and Romans, as we find their domestic life revealed to us at Pompeii. In that delicious climate of Campania, where the sun shines with a whitening and ever unclouded splendour, and where winter's frosts may be said to be unknown, the great thing wanted was shady coolness, privacy, and the absence of all that might fatigue. Hence, in the arrangement of the Pompeian villas, windows were comparatively unknown: the rooms were lighted from above; the aperture for the light was open to the sky; whatever air could be procured was precious. Colonnades and dark passages were first-rate appendages of a fashionable man's habitation. His sleeping apartment was a dark recess impervious to the sun's rays, lighted only by the artificial glare of lamps, placed on those elegant candelabra, which must be admired as models of fitness and beauty as long as imitative art shall exist. He had not a staircase in all his house, or he would not have if he could help it. The fatigue of lifting the foot in that hot climate was a point of importance, and he carefully avoided it. The house was a regular _frigidarium_. It answered the end proposed. It was commodious, it was elegant--and it was therefore highly suitable to the people and the place. But it does not therefore follow that it ought to be imitated in a northern clime, nor indeed in any latitude, we would rather say in any country, except Italy itself. Few parts of France and Germany would admit of such erections--some portions of Spain and Greece might. In Greece, indeed, the houses are much after the same plan, but in Spain only portions of the south-eastern coast would allow of such a style of building being considered at all habitable.

Place, then, a Pompeian villa at Highgate or Hampstead--build up an Atrium with an Impluvium, add to it a Caldarium if you please, and a Viridarium, too,--and _omne quod exit in um_: but you will not thereby produce a good dwelling-house; far from it, you will have a show-box fit for Cockneys to come and gape at: but nothing else.

Now, if we would only follow the same rule of common sense that the Greek or Roman architect did on the shores of the Parthenopoean Gulf, we should arrive at results, different indeed, but equally congruous to our wants, equally correct and harmonious in idea. What is it that we want in this foggy, damp, and cloudy climate of ours, nine days out of every ten? Do we want to have a spacious colonnade and a portico to keep off every ray of a sun only too genial, only too scorching? Is the heavens so bright with his radiance that we should endeavour to escape from his beams? Are we living in an atmosphere of such high temperature that if we could now and then take off our own skins for a few minutes, we should be only too glad to do so? As far as our own individual sensations are concerned, we would that things were so; but we know from unpleasant experience that they are far otherwise.

We believe that every rational householder will agree with us, that the first thing to be guarded against in this country is cold, next wet, and thirdly darkness. A man who can really prove that he possesses a thoroughly warm, dry, and well-lighted house, may write himself down as a _rerum dominus_ at once: a favoured mortal, one of Jove's right-hand men, and a pet of all the gods. He is even in imminent danger of some dreadful calamity falling upon him, inasmuch as no one ever attains to such unheard-of prosperity without being visited by some reverse of fortune. He is at the top of the fickle goddess's wheel, and the least impulse given to one of its many spokes must send him down the slippery road of trouble. Nevertheless, though difficult to attain, these three points are the main ones to be aimed at by every English builder and architect; let him only keep them as the stars by which he steers his course, and he will come to a result satisfactory in the end.

One other point is of importance to be attended to as a _fundamental_ one, and indeed as one of superstruction too. From the peculiarly changeable nature of our climate, and from the provision that has to be made for thoroughly warming a house, there is always a danger of the ventilation and the drainage being neglected. Not one architect in a hundred ever allows such "insignificant" points as these to disturb his reveries. All that he is concerned in is his elevation, and his neatly executed details; but whether the inhabitants are stifled in their beds with hot foul air, or are stunk out of their rooms by the effluvia of drains, are to him mere bagatelles. No trifles these, to those who have to live in the house; no matter of insignificance to those who have an objection to the too frequent visits of their medical attendant.