Part 50

She laughed, and so strangely that Madame Potier cried out in terror. She would have rushed at the girl and clutched her but for Breagh's strong interposing hand. He said in her ear in the bad French she took for Belgian:

"Madame has traveled many miles, fasting, and she has suffered a great bereavement.... Do not question her, but go and make ready her apartment, and prepare food for her. Hot soup--she needs that before all!"

The little woman addressed looked sharply at the speaker, then mounted the two steps leading to the terrace, scuttled across it in front of the shuttered windows of the drawing-room and billiard-room, descended the steps upon the other side, and vanished in the direction of the basement kitchen door.

Then P. C. Breagh, wondering at his own daring, stretched out a hand and touched Juliette's. It was very cold. He lifted it gently and led her unresisting down the ivy-bordered path that led into the pleasance.

For she must not be left alone in this mood, and the garden was still, and scented, and beautiful in the noonday sunshine. Its beds of autumn flowers blazed from their setting of smooth and still verdant turf. The great wistaria on the stable buildings was magnificent in trails of fading purple blossoms. The oaks were browning, the chestnuts shedding their yellow fans. The stately limes were bleached pale golden, the tall acacias were already stripped quite bare.

It was not yet the season of song for thrush and blackbird, but the robin's sweet shrill twitter came from the heart of a hawthorn, marvelously laden with gorgeous crimson fruit. The breast of the bird, not yet attired in fullest winter plumage, showed orange as japonica berries beside the ripe haws' splendid hue.

Said P. C. Breagh, trying to speak lightly and naturally:

"Look at him! What a pretty little beggar! Nobody ever told me you had robins in France!..." Then as the bird cocked his round bright eye and hopped to a higher twig, and Juliette's pale face remained unchanged, and her fixed stare blankly ignored him, her sorrowful friend cried out in a passion of entreaty:

"Juliette! Juliette, take care! For the love of God, don't yield to this! Oh, Juliette! have pity upon others, even if you have none on yourself!"

The cry touched a chord that responded in vibration. The stiff waxen mask softened, and became the face he knew. She looked at him, and her eyes were no longer fixed and glassy. She asked in wonder:

"What do you want me to do?"

Trees hid them from the house with its closed slatted shutters. They were near a rustic seat that was under the great tulip tree. Breagh led her to the seat, made her sit down, and sat himself beside her. He made no effort to retain the little hand. "_It is not mine,_" he said to himself, as he looked at it, and then his heart jolted, and stood still.... Where was her wedding ring?... Didn't French married ladies wear the plain gold circlet? Of course they did! Then why?... Came her faint, sad voice again:

"What is it I might do and do not do, for myself and others? Tell me, Monsieur, for I do not like to be unkind!"

He said, trying to speak clearly and unemotionally: "It is because you love so greatly those who are near you that I ask you to be kind to these and to yourself. You have suffered a great loss, you brood upon it to your injury.... You dream of revenge upon a man, high-placed and powerful, whom you accuse of having brought about the War."

She had taken off the black silk veil that she had worn as head covering. A dry leaf fluttered down from the tulip tree and crowned her splendid coils of mist-black hair. Her thin arched brows were drawn together and frowning; from the dark caverns that Grief had hollowed round them looked eyes that were cold and hard and brilliant as blue diamonds. She asked in almost a whisper:

"And if I dream ... and accuse ... am I not justified?... Because he saved your life, do you take his part?"

Breagh answered her with a sudden spurt of anger:

"I take no part. I speak for your own good. If a woman as frail and sensitive as you are yields to the promptings of a hate so overwhelming, a time comes when she cannot, if she would, control them or rule herself.... When voices sound in her ears, urging her to deeds of violence, and she cannot silence them by any prayers.... Then she goes away into a strange dim country peopled with shadows--lovely or queer, strange or awful. And that is the country of Madness, where live the insane.... Even those who love her as I--as your friends and your husband love you!--can never reach her there!"

The pleading seemed to touch her. Two great tears over-brimmed her pure pale underlids and fell upon her shabby black gown. She said, trembling a little:

"You are very good to have so much solicitude for me. I thank you very humbly. It is true that I have sustained a terrible wound, and that it rankles--is that the right word? My nature is not gentle--not amiable!--I long to strike back when I am wounded.... When those I love are hurt..." She stopped and controlled herself with a visible effort, then resumed: "I have it in me to be pitiless! See you well, there is something of my mother in me!"

"Of your mother?..."

He echoed the words in dismay that was almost ludicrous.... He had never asked whether Juliette possessed a mother or not. Now he looked to the house, expecting one of the shuttered French windows to open, anticipating the appearance of a middle-aged lady arrayed in mourning crape and weepers, and Juliette followed and understood his look. She said, with sorrowful meaning:

"Where friends of my father live. Monsieur, you do not find my mother. She is very beautiful, but not good, not noble, as he!... She left him many years ago, when I was an infant. See! I could not have been higher than that!" She measured with her hand above the turf the height of the baby of five years, with hair that had been silky and yellow as newly hatched chickens' down. She said, her clear, transparent face darkening with the shadow that swept across her memory: "Before I encountered you at Gravelotte I had passed through a terrible experience. This lady--of whom I dread to speak!--was thrown across my path. She did not reveal to me that she was my mother, when I quitted Brussels in her company.... She represented herself as the wife of an officer who had been wounded. She told me that my father was a prisoner in the hands of the Prussians. She took me to Rethel, that I might lay my case before the Prince Imperial, and beg him to obtain my father's release."

P. C. Breagh looked at her doubtfully, fearing--what he most feared for her. She said, drawing a folded envelope from the bosom of her black school dress:

"Never shall I forget how graciously Monseigneur received me. Here is a little keepsake he gave me with his own hand.... You shall hold it in yours, because you are my friend, and Monseigneur would permit it.... No one else, because no one deserves it save you!"

And she exhibited with dainty pride the splinter of rusty scrap iron. The envelope bore a small Imperial crown in gold, with the initial "E" beneath.... It was directed in violet ink and in a handwriting pointed and elegantly feminine, to S. A. the Prince Imperial, with the Great Headquarters of the Imperial Army, at the Prefecture of Metz.

"He is so brave!... He wanted to join M. de Bazaine and fight the Prussians. He stamped ... he wept ... he suffered such chagrin when the telegram came from the Emperor.... No! I must not tell you of the telegram.... My Prince said: '_Mademoiselle shall hear it because she is discreet!_'..."

She folded away her treasure in the envelope that bore the Empress's handwriting, and hid it away again in its sweet nest close to her innocent heart. Life and vivacity were hers again as she descanted upon the graces and gifts of her Imperial princeling, and P. C. Breagh listened, grateful for the change in her. The shadow came back for a moment as she told him:

"And when I descended to the vestibule, Madame had gone away.... She had been seized with faintness in the moment of our arrival, when she had encountered a stranger passing through the hall.... Then I went back to the hotel, and crept up to my room quietly. Madame--whom I had discovered to be my mother!--was engaged with a visitor.... I do not know at all who he was. But I heard him say, on the other side of the door that was between us ... '_When she comes, you shall present me to the little Queen of Diamonds!_' And he laughed.... _Mon Dieu!_ how strange a laugh!... It made me feel cold. It makes me cold even now to remember it.... But I do not think I have been really warm since the night upon which I found the portrait, and my mother said: '_The discovery was inevitable! Now, with your leave, I am going to sleep!_'"

With such truth did she render the very tone of the sumptuous Adelaide's languid irony that P. C. Breagh started as though he had been stung. Somewhere he had met someone ... a woman who spoke like that?... Who was she? Where had they encountered?... He beat his brains to evoke some reply, in vain. And Juliette went on:

"It does me good to tell you this, Monsieur, though I thought at first I would not. You will understand how terrible it was to discover in this lady, who had deceived me, the mother whom I have believed dead until a few months ago. There was something in her very beauty, and ah! she is so beautiful!--that made me regard her with terror.... See you, I prayed to Our Blessed Lady for aid to overcome that terror. Then at the daybreak, I rose and went to her bed. When I saw her sleeping, I think I feared her more than ever. The face can reveal so much, Monsieur, in sleep. And hers was a sleep uneasy, and troubled by visions.... Without waking she said a thing so strange.... '_Only a woman of fashion would be guilty of such infamy!_' ... What made you start so violently, Monsieur?"

For P. C. Breagh had jumped as though he had been hit by a bullet. His mouth screwed itself into the shape of a whistle, his eyes rounded unbecomingly. He remembered when and where he had heard that utterance--in the resonant accents of the Man of Iron, and addressed to the adventurous beauty encountered at the Foreign Office in the Wilhelm Strasse, Berlin.

What were the words that had preceded the sentence, scathing in their irony, terrible in their implied contempt?

"_It would have required fewer scruples and more toughness than Agamemnon possessed to have offered up an only daughter to Venus Libertina.... Only a woman of fashion would be capable of such infamy.... Pardon! but you have dropped your parasol!_"

And an English boy had picked it up, and seen the devastating change wrought in that softly tinted mask of sensuous beauty, by Conscience, roused to anguish by the vitriol splash of scorn.

So the Duessa of the Wilhelm Strasse was Madame de Bayard! How strange the chance encounter that had brought them together in that house! What was the bargain she had hoped to drive with Bismarck? What had she intended when she had taken her daughter to Rethel? Who was the man who had been waiting to be presented to the little Queen of Diamonds?... And how true had been the instinct that had warned the girl of danger, whose nature her Convent-bred innocence made it impossible for her to conceive?

She was speaking:

"Do not think me wicked or insensible, Monsieur. I am deeply sensible of all your goodness!... I know very well that there is truth in what you say!... You are noble, candid, magnanimous.... You do not comprehend what it is to hate so that it is torture ... like fire burning here, here, and here!..."

She touched her slight bosom and her throat with the joined finger-tips of her small hands, shielded her eyes and forehead with them an instant, then swept them wide apart. A curious gesture, and notable, in its suggestion of surging overwhelming emotion, and the dominance of an impulse obsessing in its evil strength.

"Here where it is so quiet I shall recover in a little.... I shall become calmer.... I shall learn to sleep again.... You cannot imagine how much I wish to sleep, Monsieur!... But when I lie down it is as though great doors in my brain were thrown wide open. There is music ... and processions of people come pouring, pouring through.... There are voices that make great clamor--there are hands that wave to me and beckon. But I clench my own hands and lie still--so very still! I pray to Our Lord that one figure may not pass among the others, for then I know I shall have to get up and follow him.... I cry to Our Lady to cover my eyes with Her cool hands, that I may not see if he does come. But always he passes; walking or driven in a chariot--riding a great horse, or borne upon the shoulders of guards. And then I resist no more, for it is useless! I wake!--and I am standing in the middle of my room!"

Said P. C. Breagh, comprehending the situation: "In a word, you are suffering from overstrain and consequent insomnia. And I wish I were a full-blown M.D., because I think I should know what to do. But you will let me prescribe the doctor, if I may not undertake the case, won't you? What's that? Who's there?"

Something like a gurgling laugh had sounded behind them, and Juliette glanced round, and back at Carolan with something of the old gayety in her eyes.

"It is the Satyr of the pool, where Madame Tessier grows her water plants. He laughs like that when the water bubbles in his throat."

She rose and followed a little path leading through a shrubbery of lilac and syringa. Beyond rose the ivy-hung and creeper-covered eastern boundary wall of the pleasance. From the grinning mouth of the Satyr mask wrought in gray stone the slender spring spouted no longer. It trickled from a hole in the pipe behind the mask, and yet the laugh sounded at intervals as of old. The wall below the mask was wet, and green with a slimy moss-growth, fed by the dampness; the ferns that bordered the pool, the water plants that grew in it, had suffered from the diminution of their supply. The brook had diminished to a slender trickle winding among stones crowned with dry and withering mosses. Juliette cried out at the spectacle in sheer dismay.

What would Madame say if she knew how spoiled was this, her cherished bit of sylvan beauty? Never mind. When she returned all should be found in order of the best. The kitchen garden, perforce neglected since the departure of M. Potier, should be weeded diligently. The dead roses should be snipped off with loving care, the withered blossoms pulled from the sheaths of the flaming gladioli.... The place needed a mistress, that was plain to Mademoiselle de Bayard's order-loving eye.

"We will work here!..." she said, and almost clapped her hands at the thought of the pleasant labor waiting them. "Me, I adore gardening! And you also--do you not, Monsieur?..."

Could P. C. Breagh deny? He cried with a hot flush of joy at the thought of long days of sweet companionship: "Indeed I do!... and of course I will, Madame!"

"'_Madame!..._'"

She had nearly betrayed the truth, but she nipped her stern upper lip close down upon its rosy fellow.... Was she not married? Nearly, if not quite....

So nearly that until M. Charles appeared with Madame, she would maintain the character of a recent bride. It would be better not to rekindle in the gray eyes of Monica's brother that fire that had blazed there so fiercely a few hours before.

LXII

How strangest of the strange, to love a person so nearly a stranger!... What had Monica's brother been thinking of? In January they had met, and parted coldly ... in August they had met again, and had spent together not quite three days.... But what days! to brand themselves upon the memory. After that morning on the bloody field of Gravelotte--that night spent in the woodshed behind the cottage of Madame Guyot--that gray dawn when they had walked, hand clasped in hand, behind the bearer of the Blessed Sacrament, could He and She be ever anything but friends?... Close friends ... dear comrades, linked by indissoluble bonds of memories ... of perils shared, of experiences unforgettable by both.... What would Life be like when one had to face it shorn of the sympathy and companionship of Monica's brother?... Juliette did not dare to question. The thought of such loneliness was enough to freeze the heart.

Meanwhile, here was Madame Potier, heated and triumphant, proclaiming Madame served with the best that could be got. A lentil soup--an omelette with ham, coffee, and fruit from the garden. One would do better later, let Madame only wait.... The apartment of Madame Tessier had been got ready for Madame ... the small room usually occupied by M. Charles might be prepared for the Belgian gentleman.... Or--since that room was dismantled for cleaning purposes, and Madame Potier herself occupied the apartment adjoining ... would Monsieur mind sleeping at the garden cottage? She would guarantee there cleanliness and more than comfort.... Was not the bedroom hers and her poor Potier's?... Had they not slept in that bed for ten years past?... Ah, wherever her poor Potier might now be sleeping, he would never find the equal of his own bed....

The proposal, possibly prompted by discretion on the part of the excellent Madame Potier, was gratefully accepted by Breagh. And from that hour, under the sheltering wing of the hectic little caretaker, began a little idyll of happiness for two young people, who asked nothing better than that it should last.

It was exquisite autumn weather. They rose early, and passed out of the iron gate together, and so through the quiet streets to Mass at the great church of Notre Dame in the Rue St. Genevieve. Or they would attend it at the Chapel in the Convent of Carmelites that is now the Petit College in conjunction with a colossal Lycée. Then they would come back to _déjeuner_, laid on a table under the trees on the lawn, and afterward they would work in the garden, or read, or talk. But they read no newspapers, and for the best part of two months they never exchanged a word about the War.

It was the treatment devised by P. C. Breagh, who had failed of his practicing degree in Medicine, and under this _régime_ the shadow that had rested upon Juliette lifted day by day. He had taken Madame Potier into his confidence, and she entered into a conspiracy for the better nourishing of one whom she firmly believed to be the wife of her master. She dragooned Juliette into drinking a vast quantity of milk, and the girl's haggard outlines began to fill out, and her dreadful dreams ceased to haunt her. Sleep returned, strength revived, her grief for the lost father, unassuaged, became less poignant. She could look back upon the happiness of their old life together without the anguish that rends the heart.

Daily she doled out to Madame Potier the small sum necessary for housekeeping. Under the able management of the hectic little woman, a very little money went a long way. Such butter, such cheese of Brie, such excellent bread, milk and cream, such country chickens, such fruit, and vegetables from the garden, were daily set upon the table, that a honeymooning Prince and Princess could not have been better served. The reward of Madame Potier was to see her handiwork vanish under the combined onslaughts of Madame Charles and Monsieur.... She waited upon them at table, and joined in their conversation, after the inconvenient habit of her simple kind.

As, still after the habit of her kind, she conceived an affection for her young mistress, she developed cunning of a wholly lovable sort. The first time she heard her idol laugh, she clapped her hands with rapture. Another day, in pursuance of a stratagem she had elaborated, she placed upon the dinner table a dish, with the blatant boast:

"My poor Potier used to declare by all that is sacred that no living woman could cook _ragoût_ of veal except his wife!"

She whipped off the cover. Madame Charles helped Monsieur in silence, and unwittingly P. C. Breagh played into Madame Potier's hands. For he sniffed approval, and said, as she set his sizzling hot plate before him:

"M. Potier was quite right! If the woman lives who can cook a better _ragoût_, I've never met her, Madame!"

Juliette's eyes sent forth blue sparks as she sat erect at the head of the table. Her sloping shoulders sloped terribly, her upper lip was preternaturally long. She helped herself to a very little of the dish before her, and began to eat without perceptible enthusiasm. Madame Potier stood back and watched her, her red hands on the hips that were embraced by her apron of blue stuff. She said:

"Madame Charles will perhaps have forgotten the _menus_ she used to prepare for Madame Tessier and M. le Colonel." She crossed herself at the mention of the dead man's name.

Juliette's blue eyes filled, and the stiffness went out of her. She laid down her knife and fork. P. C. Breagh scowled savage reproof at Madame Potier. But Madame, at first overwhelmed, recovered herself. She went on, as though she had never broken off:

"_Menus_ composed of excellent--but excellent dishes!... What a pity to think that Madame Charles cannot make them now!--Look you, to cook well is an art that may be easily forgotten!... Hey, Madame is not eating to-day!"

Madame said in accents that were dignified and frigid:

"There is a little too much sugar in the _ragoût_, dear Madame Potier; otherwise it is, as Monsieur says--excellent!"

"'Sugar.' ... But one doesn't put sugar----" P. C. Breagh was beginning, when both the women turned on him and rent him, figuratively.

"Who does not put sugar? Will Monsieur answer me?"

The piercing shriek was Madame Potier's. And the silvery accents of Madame Charles took up the burden, saying:

"Dear Monsieur Breagh, the delicate brown of coloring that pleases you--the suavity that corrects the sharpness of the salt--these are due to sugar--burnt and added at the last moment. But one should use it with delicacy, or the effect is absolutely lost!"

"Can you really cook?" he asked, in his senseless, masculine fashion, smiling rather foolishly and staring at her with his honest gray eyes.

And Juliette answered with a trill of delicate, airy laughter:

"Do you find it so incredible? Well, I will not boast now, but presently--you shall see!"