Chapter 4 of 23 · 3921 words · ~20 min read

Part 4

We quitted this solitary cross to enter a thick forest of beech trees, that screened in some measure the precipices on which they grew, catching, however, every instant terrifying glimpses of the torrent below. Streams gushed from every crevice in the cliffs, and falling over the mossy roots and branches of the beech, hastened to join the great torrent, athwart which I every now and then remarked certain tottering bridges, and sometimes could distinguish a Carthusian crossing over to his hermitage, that just peeped above the woody labyrinths on the opposite shore.

It was now about ten o’clock, and my guide assured me I should soon discover the convent. Upon this information I took new courage, and continued my route on the edge of the rocks, till we struck into another gloomy grove. After turning about it for some time, we entered again into the glare of daylight, and saw a green valley skirted by ridges of cliffs and sweeps of wood before us. Towards the farther end of this inclosure, on a gentle acclivity, rose the revered turrets of the Carthusians, which extend in a long line on the brow of the hill; beyond them a woody amphitheatre majestically presents itself, terminated by spires of rock and promontories lost among the clouds.

The roar of the torrent was now but faintly distinguishable, and all the scenes of horror and confusion I had passed were succeeded by a sacred and profound calm. I traversed the valley with a thousand sensations I despair of describing, and stood before the gate of the convent with as much awe as some novice or candidate newly arrived to solicit the holy retirement of the order.

As admittance is more readily granted to the English than to almost any other nation, it was not long before the gates opened, and whilst the porter ordered our horses to the stable, we entered a court watered by two fountains and built round with lofty edifices characterized by a noble simplicity.

The interior portal opening discovered an arched aisle, extending till the perspective nearly met, along which windows, but scantily distributed between the pilasters, admitted a pale solemn light, just sufficient to distinguish the objects with a picturesque uncertainty. We had scarcely set our feet on the pavement when the monks began to issue from an arch, about half-way down, and passing in a long succession from their chapel, bowed reverently with much humility and meekness, and dispersed in silence, leaving one of their body alone in the aisle.

The father Coadjutor (for he only remained) advanced towards us with great courtesy, and welcomed us in a manner which gave me far more pleasure than all the frivolous salutations and effected greetings so common in the world below. After asking us a few indifferent questions, he called one of the lay brothers, who live in the convent under less severe restrictions than the fathers whom they serve, and ordering him to prepare our apartment, conducted us to a large square hall with casement windows, and, what was more comfortable, an enormous chimney whose hospitable hearth blazed with a fire of dry aromatic fir, on each side of which were two doors that communicated with the neat little cells destined for our bed-chambers.

Whilst he was placing us round the fire, a ceremony by no means unimportant in the cold climate of these upper regions, a bell rang which summoned him to prayers. After charging the lay brother to set before us the best fare their desert afforded, he retired, and left us at full liberty to examine our chambers.

The weather lowered, and the casements permitted very little light to enter the apartment: but on the other side it was amply enlivened by the gleams of the fire, that spread all over a certain comfortable air, which even sunshine but rarely diffuses. Whilst the showers descended with great violence, the lay brother and another of his companions were placing an oval table, very neatly carved and covered with the finest linen in the middle of the hall; and, before we had examined a number of portraits which were hung in all the panels of the wainscot, they called us to a dinner widely different from what might have been expected in so dreary a situation. Our attendant friar was helping us to some Burgundy, of the happiest growth and vintage, when the Coadjutor returned, accompanied by two other fathers, the Secretary and Procurator, whom he presented to us. You would have been both charmed and surprised with the cheerful resignation that appeared in their countenances, and with the easy turn of their conversation.

In the course of our conversation they asked me innumerable questions about England, where formerly, they said, many monasteries had belonged to their order; and principally that of Witham, which they had learnt to be now in my possession.

The Secretary, almost with tears in his eyes, beseeched me to revere these consecrated edifices, and to preserve their remains, for the sake of St. Hugo, their canonized prior. I replied greatly to his satisfaction, and then declaimed so much in favour of St. Bruno and the holy prior of Witham, that the good fathers grew exceedingly delighted with the conversation, and made me promise to remain some days with them. I readily complied with their request, and, continuing in the same strain, that had so agreeably affected their ears, was soon presented with the works of St. Bruno, whom I so zealously admired.

After we had sat extolling them, and talking upon much the same sort of subjects for about an hour, the Coadjutor proposed a walk amongst the cloisters and galleries, as the weather would not admit of any longer excursion. He leading the way, we ascended a flight of steps, which brought us to a gallery, on each side of which a vast number of pictures, representing the dependent convents were ranged; for I was now in the capital of the order, where the general resides, and from whence he issues forth his commands to his numerous subjects, who depute the superiors of their respective convents whether situated in the wilds of Calabria, the forests of Poland, or in the remotest districts of Portugal and Spain, to assist at the grand chapter, held annually under him, a week or two after Easter.

Having amused myself for some time with the pictures, and the descriptions the Coadjutor gave me of them, we quitted the gallery and entered a kind of chapel, in which were two altars with lamps burning before them, on each side of a lofty portal. This opened into a grand coved hall, adorned with historical paintings of St. Bruno’s life, and the portraits of the generals of the order since the year of the great founder’s death (1085) to the present time. Under these portraits are the stalls for the superiors who assist at the grand convocation. In front, appears the general’s throne; above, hangs a representation of the canonized Bruno, crowned with stars.

The Coadjutor seemed charmed with the respect with which I looked round on these holy objects; and if the hour of vespers had not been drawing near, we should have spent more time in the contemplation of Bruno’s miracles, portrayed on the lower panels of the hall. We left that room to enter a winding passage (lighted by windows in the roof) that brought us to a cloister six hundred feet in length, from which branched off two others, joining a fourth of the same most extraordinary dimensions. Vast ranges of slender pillars extend round the different courts of the edifice, many of which are thrown into gardens belonging to particular cells. We continued straying from cloister to cloister, and wandering along the winding passages and intricate galleries of this immense edifice, whilst the Coadjutor was assisting at vespers.

In every part of the structure reigned the most death-like calm: no sound reached my ears but the “minute drops from off the eaves.” I sat down in a niche of the cloister, and fell into a profound reverie, from which I was recalled by the return of our conductor, who, I believe, was almost tempted to imagine from the cast of my countenance, that I was deliberating whether I should not remain with them for ever.

But I soon roused myself, and testified some impatience to see the great chapel, at which we at length arrived after traversing another labyrinth of cloisters. The gallery immediately before its entrance appeared quite gay, in comparison with the others I had passed, and owes its cheerfulness to a large window (ornamented with slabs of polished marble) that admits the view of a lovely wood, and allows a full blaze of light to dart on the chapel door, which is also adorned with marble, in a plain but noble style of architecture.

The father sacristan stood ready on the steps of the portal to grant us admittance; and, throwing open the valves, we entered the chapel and were struck by the justness of its proportions, the solemn majesty of the arched roof and the mild solemn light equally diffused over every part of the edifice. No tawdry ornaments, no glaring pictures disgraced the sanctity of the place. The high altar, standing distinct from the walls which were hung with a rich velvet, was the only object on which many ornaments were lavished; and, it being a high festival, was clustered with statues of gold, shrines, and candelabra of the stateliest shape and most delicate execution. Four of the latter, of a gigantic size, were placed on the steps; which, together with part of the inlaid floor within the choir, were spread with beautiful carpets.

The illumination of so many tapers striking on the shrines, censers and pillars of polished jasper, sustaining the canopy of the altar, produced a wonderful effect; and, as the rest of the chapel was visible only by the faint external light admitted from above, the splendour and dignity of the altar was enhanced by contrast. I retired a moment from it, and seating myself in one of the furthermost stalls of the choir, looked towards it, and fancied the whole structure had risen by “subtle magic,” like an exhalation.

Here I remained several minutes breathing nothing but incense, and should not have quitted my station soon, had I not been apprehensive of disturbing the devotions of two aged fathers who had just entered, and were prostrating themselves before the steps of the altar. These venerable figures added greatly to the solemnity of the scene; which as the day declined increased every moment in splendour; for the sparkling of several lamps of chased silver that hung from the roofs, and the gleaming of nine huge tapers which I had not before noticed, began to be visible just as I left the chapel.

Passing through the sacristy, where lay several piles of rich embroidered vestments, purposely displayed for our inspection, we regained the cloister which led to our apartment, where the supper was ready prepared. We had scarcely finished it, when the Coadjutor and the fathers who had accompanied us before, returned, and ranging themselves round the fire, resumed the conversation about St. Bruno.

It grew rather late before my kind hosts had finished their narrations and I was not sorry, after all the exercise I had taken, to return to my cell, where everything invited to repose. I was charmed with the neatness and oddity of my little apartment; its cabin-like bed, oratory and ebony crucifix; in short, everything it contained; not forgetting the aromatic odour of the pine, with which it was roofed, floored and wainscoted. The night was luckily dark. Had the moon appeared, I could not have prevailed upon myself to have quitted her till very late; but, as it happened, I crept into my cabin, and was by “whispering winds soon lulled asleep.”

Eight o’clock struck next morning before I awoke; when, to my great sorrow, I found the peaks, which rose above the convent, veiled in vapours, and the rain descending with violence.

After we had breakfasted by the light of our fire (for the casements admitted but a very feeble gleam), I sat down to the works of St. Bruno; of all medleys one of the strangest. Allegories without end; a theologico-natural history of birds, beast and fishes; several chapters on paradise; the delights of solitude; the glory of Solomon’s temple; the new Jerusalem; and numberless other wonderful subjects, full of the loftiest enthusiasm.

I had scarcely finished taking extracts from the writings of this holy and highly-gifted personage when the dinner appeared, consisting of everything most delicate which a strict adherence to the rules of meagre could allow. The good fathers returned as usual before our repast was half over, and resumed as usual their mystic discourse, looking all the time rather earnestly into my countenance to observe the sort of effect their most marvellous narrations produced upon it.

Our conversation, which was beginning to take a gloomy and serious turn, was interrupted, I thought very agreeably, by the sudden intrusion of the sun, which, escaping from the clouds, shone in full splendour above the highest peak of the mountains, and the vapours fleeting by degrees discovered the woods in all the freshness of their verdure. The pleasure I received from seeing this new creation rising to view was very lively, and, as the fathers assured me the humidity of their walks did not often continue longer than the showers, I left my hall.

Crossing the court, I hastened out of the gates, and running swiftly along a winding path on the side of the meadow, bordered by the forests, enjoyed the charms of the prospect, inhaled the perfume of the woodlands, and now turning towards the summits of the precipices that encircle this sacred inclosure, admired the glowing colours they borrowed from the sun, contrasted by the dark hues of the forest. Now, casting my eyes below, I suffered them to roam from valley to valley, and from one stream (beset with tall pines and tufted beech trees) to another. The purity of the air in these exalted regions, and the lightness of my own spirits, almost seized me with the idea of treading in that element.

The tranquillity of the region, the verdure of the lawn, environed by girdles of flourishing wood, and the lowing of the distant herds filled me with the most pleasing sensations. But when I lifted my eyes to the towering cliffs and beheld the northern sky streaming with ruddy light, and the long succession of misty forms hovering over the space beneath, they became sublime and awful. The dews which began to descend, and the vapours which were rising from every dell, reminded me of the lateness of the hour; and it was with great reluctance that I turned from the scene which had so long engaged my contemplation, and traversed slowly and silently the solitary meadows, over which I had hurried with such eagerness an hour ago.

We had hardly supped before the gates of the convent were shut, a circumstance which disconcerted me not a little, as the full moon gleamed through the casements, and the stars, sparkling above the forests of pines, invited me to leave my apartment again, and to give myself up entirely to the spectacle they offered.

The Coadjutor perceiving that I was often looking earnestly through the windows, guessed my wishes, and calling a lay-brother, ordered him to open the gates, and wait at them till my return. It was not long before I took advantage of this permission, and escaping from the courts and cloisters of the monastery, all hushed in death-like stillness, ascended a green knoll, which several ancient pines strongly marked with their shadows: there, leaning against one of their trunks, I lifted up my eyes to the awful barrier of the surrounding mountains, discovered by the trembling silver light of the moon shooting directly on the woods which fringed their acclivities.

The lawns, the vast woods, the steep descents, the precipices, the torrents, lay all extended beneath, softened by a pale bluish haze, that alleviated, in some measure, the stern prospect of the rocky promontories above, wrapped in dark shadows. The sky was of the deepest azure, innumerable stars were distinguished with unusual clearness from this elevation, many of which twinkled behind the fir-trees edging the promontories. White, grey, and darkish clouds came marching towards the moon that shone full against a range of cliffs, which lift themselves far above the others. The hoarse murmur of the torrent, throwing itself from the distant wilderness into the gloomy vales, was mingled with the blast that blew from the mountains.

It increased. The forests began to wave, black clouds rose from the north, and, as they fleeted along, approached the moon whose light they shortly extinguished. A moment of darkness succeeded; the gust was chill and melancholy; it swept along the desert, and then subsiding, the vapours began to pass away, and the moon returned; the grandeur of the scene was renewed, and its imposing solemnity was increased by her presence. Inspiration was in every wind.

I followed some impulse, which drove me to the summit of the mountains before me; and there, casting a look on the whole extent of wild woods and romantic precipices, thought of the days of St. Bruno. I eagerly contemplated every rock that formerly might have met his eyes; drank of the spring which tradition says he was wont to drink of; and ran to every pine, whose withered appearance bespoke the most remote antiquity, and beneath which, perhaps, the saint had reposed himself, when worn with vigils, or possessed with the sacred spirit of his institutions. It was midnight before I returned to the convent and retired to my quiet chamber, but my imagination was too much disturbed, and my spirits far too active, to allow me any rest for some time.

THE TEMPLES OF HATCHIMAN

ΑΙΜÉ HUMBERT

The Temples of Hatchiman are approached by long lines of those great cedar-trees which form the avenues to all places of worship in Japan. As we advance along the avenue on the Kanasawa side, chapels multiply themselves along the road, and to the left, upon the sacred hills, we also come in sight of the oratories and commemorative stones which mark the stations of the processions; on the right the horizon is closed by the mountain, with its grottos, its streams, and its pine groves. After we have crossed the river by a fine wooden bridge, we find ourselves suddenly at the entrance of another alley, which leads from the seaside, and occupies a large street. This is the principal avenue, intersected by three gigantic toris, and it opens on the grand square in front of the chief staircase of the main building of the Temple. The precinct of the sacred place extends into the street, and is surrounded on three sides by a low wall of solid masonry, surmounted by a barrier of wood painted red and black. Two steps lead to the first level. There is nothing to be seen there but the houses of the bonzes, arranged like the side-scenes of a theatre, amid trees planted along the barrier-wall, with two great oval ponds occupying the centre of the square. They are connected with each other by a large canal crossed by two parallel bridges, each equally remarkable in its way. That on the right is of white granite, and it describes an almost perfect semicircle, so that when one sees it for the first time one supposes that it is intended for some sort of geometrical exercise; but I suppose that it is in reality a bridge of honour, reserved for the gods and the good genii who come to visit the Temple. The bridge on the left is quite flat, constructed of wood covered with red lacquer, with balusters and other ornaments in old polished copper. The pond crossed by the stone bridge is covered with magnificent white lotus flowers,--the pond crossed by the wooden bridge with red lotus flowers. Among the leaves of the flowers we saw numbers of fish, some red and others like mother of pearl, with glittering fins, swimming about in waters of crystal clearness. The black tortoise glides among the great water-plants and clings to their stems.

[Illustration: THE DAÏBOUDHS OF KAMAKOURA, JAPAN.]

After having thoroughly enjoyed this most attractive spectacle, we go on towards the second enclosure. It is raised a few steps higher than the first, and, as it is protected by an additional sanctity, it is only to be approached through the gate of the divine guardians of the sanctuary. This building, which stands opposite the bridges, contains two monstrous idols, placed side by side in the centre of the edifice. They are sculptured in wood, and are covered from head to foot with a thick coating of vermilion. Their grinning faces and their enormous busts are spotted all over with innumerable pieces of chewed paper, which the native visitors throw at them when passing, without any more formality than would be used by a number of schoolboys out for a holiday. Nevertheless, it is considered a very serious act on the part of the pilgrims. It is the means by which they make the prayer written on the sheet of chewed paper reach its address, and when they wish to recommend anything to the gods very strongly indeed, they bring as an offering a pair of straw slippers plaited with regard to the size of the feet of the Colossus, and hang them on the iron railings within which the statues are enclosed. Articles of this kind, suspended by thousands to the bars, remain there until they fall away in time, and it may be supposed that this curious ornamentation is anything but beautiful.

Here a lay brother of the bonzes approached us, and his interested views were easily enough detected by his bearing. We hastened to assure him that we required nothing from his good offices, except access to an enclosed building. With a shake of his head, so as to make us understand that we were asking for an impossibility, he simply set himself to follow us about with the mechanical precision of a subaltern. He was quite superfluous, but we did not allow his presence to interfere with our admiration. A high terrace, reached by a long stone staircase, surmounted the second enclosure. It is sustained by a Cyclopean wall, and in its turn supports the principal Temple as well as the habitations of the bonzes. The grey roofs of all these different buildings stand out against the sombre forest of cedars and pines. On our left are the buildings of the Treasury; one of them has a pyramidal roof surmounted by a turret of bronze most elegantly worked. At the foot of the great terrace is the Chapel of the Ablutions. On our right stands a tall pagoda, constructed on the principle of the Chinese pagodas, but in a more sober and severe style. The first stage, of a quadrangular form, is supported by pillars; the second stage consists of a vast circular gallery which, though extremely massive, seems to rest simply upon a pivot. A painted roof, terminated by a tall spire of cast bronze, embellished with pendants of the same metal, completes the effect of this strange but exquisitely proportioned building.