Part 4

"But she's got to have something to keep her things in!" Corinne had cried, at the time the fatal arrangement was being made.

This was so obvious that Irma had made no further demur than to say: "I didn't think she had that much left."

"You've never heard about the lilies of the field?" Corinne asked with her most oblique look, but it was lost on Irma who said:

"What?" as she noisily dragged the chest of drawers into the alcove.

"How these little pebbles hurt my feet," murmured Corinne further, and when Irma answered: "What hurts your feet?" she turned aside. Irma was clearly impervious. But she had emptied the drawers--all except the top one--quite ostentatiously. Various blessings flowed from Corinne, who brought their Sunday dinner and who could be counted on to get the often expensive materials for her needlework; she knew, too, that Corinne from time to time gave Mizzi a finely-pointed thrust of truth about what Irma called "jewing her down" in her prices. Corinne could quietly cut to the bone. Irma had been a skillful needlewoman even in the old days, now through Mizzi she kept abreast of the latest styles. That season the rage was for motifs of "petit point" which were being inserted in Suède handbags, making one of the famous Viennese leather novelties. She had once received 80,000 crowns, when 80,000 was something, for a tiny medallion, so fine that she had only been able to work on it on warm summer mornings with the window open, even the glass panes seemed to blur it somewhat, though that north window up those five flights of stairs was certainly as good a place as one could have for working.

Irma being without sensibility, unconnected with her boys, had said further to Corinne on that same occasion:

"Business is business," at which Corinne had ineffectually protested that it was just what it wasn't,--business.

"You know how I am situated with the three boys," Irma had answered, in the same tone she would have used to give new information rather than to discuss a situation already threadbare, "so much for a cup of coffee in the morning and you know what bread costs, then the soup in the evening--a plateful--she won't need the thick part of it," she proceeded baldly, "the boys are growing and so hungry. She'll only need something to warm her up and when you think that she will have eaten well every day at noon, she'll get on all right."

The family had never been able to accustom themselves to the shock of certain unexpected thoughts appearing quite unclothed and without the least shame from Irma's most intimate being. A chill visited Corinne's backbone at the reference to the thin part of the soup, and a white point appeared in her eyes, glacial as an iceberg in blue water, which, however, did not attract Irma's attention nor reduce her temperature. She was, anyway, a woman who easily got red in the face and was always saying how hot she was when others were half frozen.

Having thus delivered herself of her inner thoughts she had proceeded to draw, not uncheerfully, two nails out of the kitchen wall and drive them neatly, loudly, deafeningly into two light-grey roses in the brown wall-paper of the alcove, near the curtain where they wouldn't be seen, and just a little too high to be reached comfortably. She had then duly sewed the hook and eye on the curtains under Corinne's very gaze and zealously, inexpensively flicked away any possible dust from the gilt-framed engraving of Haydn leading the young Mozart by the hand, and the flat white and gilt vase on the little bracket underneath, sole embellishments of the alcove. But all the same in order to feel the least bit amiable about it Irma had to keep reminding herself that her sister-in-law would be paying for that same alcove. Indeed, with a second bare, arctic look also lost on Irma, Corinne had put the money for it for a whole month in advance into her hand. She had felt like snatching her treasure up in her arms, conveying her a hundred, a thousand miles and setting her down in some warm and pleasant spot. And this, this was what she had prepared for her, this quite evident place of tribulation. She made no answer to Irma's last words beyond drawing her lips thinly together. They had all learned that they couldn't get at their father's widow except through her sons, but just as soon as she could turn around she'd get another niche for her Dresden china auntie....

No one, not even Corinne was ever to know what Frau Stacher's thoughts or rather feelings were, as soundlessly, in the narrow confines of the alcove, she unpacked her few possessions. When those designed for the lower drawer of the little chest were laid in, it stuck obstinately in a three cornered way as she tried to close it. The upper one had proved to be still full of old letters, postcards and photographs. A faded reminder of Heinie and Irma with knapsacks and alpenstocks off on their honeymoon in the Dolomites, caught her eye, which was further held by a likeness of her unsuspecting self staring at her from under an oak in the Stadtpark at Baden, with Anna's baby, the first-born grandchild on her knee. And _this_ was to what it was all leading up she thought in unaccustomed irritation, as she gave another push to the lower drawer, which went in with a jerk that left her breathless. When she wanted to hang up her coat she found that she had to stand on the divan to reach the nail. Her eyes taking in the details of that very evident tent of a night were at their palest, scarcely a trace of blue left in them. She was quite alone. Irma waiting impatiently to open the door for her sister-in-law's belated arrival had almost immediately departed to engage in the protracted and militant operation of marketing. The three boys were at school. Irma's welcome had been hasty and without warmth. The room itself was cold with the insidious chill of a room in a damp climate that has not had a fire in it since the day before. The white porcelain stove, as Frau Stacher stepped shiveringly over to it possessed not even a reminder of heat, though she put her hands knowingly on certain tiles, hoping possibly to find one still warm from the previous evening. Irma never lighted the fire till the boys got back in the afternoon. She herself would sit at her embroidery frame with a round, grey, stone bottle of hot water, wrapt in a piece of old flannel, in her lap. Frau Stacher tried to think that the place would be warmer in many ways when the boys came home.

Then the cuckoo clock struck eleven hollow strokes and hurriedly she began to lay out her very best things to wear to Liesel's. Liesel adored good clothes and always noticed what people wore. A large part of her conversation was about making over old things or the possibility of getting new ones, and the discussion of what was being worn that season and might be worn the next could induce in her sensations bordering on rapture.

Frau Stacher was still wearing for "best" with a measure of decency, some stancher remnants of the years of plenty. She now proceeded to put on her black cloth suit with the embroidered black and white lapels, the last thing she had bought before her "crac," arranging softly about her neck, which was already encircled by a bit of narrow black velvet, a certain piece of oft-washed and much-mended old lace that she had worn for twenty years, pinning it with an oxydized silver bar pin on which was stamped "Karlsbad," unlosable, valueless relic of a journey in the happier days. She carefully brushed her black hat, with its purple velvet knot faded into grey, giving it a few supplementary pinches and pats before putting it on, instinctively at an angle that was dignified, even becoming; then she rolled tightly her black cotton umbrella and drew on her neatly darned black gloves. She paused on the threshold to give a strange, pale glance about the familiar room become suddenly not only unfamiliar, but odious. The cold north light lay whitely upon it, bringing out every thread in the worn spots of the old rug, by the door, under the table, as you went into the kitchen; she remembered that Heinie's feet had had their part in wearing them threadbare, Heinie now seven years in his grave. There by the window was the unwieldy, red upholstered armchair that he had sat in all through that last winter of his life, with smooth, shining, dark spots on the arms and at the top. She shivered again but this time it was not from the cold of the room. As she passed out, her arms held more closely than ever to her sides, her head very erect, her little pride all indeed that she had left to her out of a whole life full of things, she still looked the Frau Commercial Advisor Stacher, born von Berg. Her gentility was ineffaceable.

* * * * *

Liesel was busy in the tiny kitchen when her aunt rang gently, apologetically. As she opened the door an entrancing smell, unmistakably of fresh noodles in fresh butter, was wafted on the air. It wasn't the sort of scent that hung around Frau Kerzl's apartment nor about Irma's. Frau Stacher found herself sniffing it up eagerly, and certainly Liesel's warm welcome fittingly accompanied it. Where on earth did Liesel get the butter? she was thinking as she felt her niece's bright cheek against hers and her soft breast warmly near. Her spirits began to rise. She was momentarily out of sight and hearing of the combat for food, enveloped sustainingly in that delightful union of scents--above lilies and roses--fresh flour, fresh, warm butter! Her heart was suddenly flooded with an immense gratitude, not alone for the food, as she returned the soft embrace.

It was a comfortable little living room into which she then stepped, crowded with furniture, mostly Biedermayer, that had belonged to Otto's mother and his grandmother before her. Mellow, pale brown furniture decorated here and there with a black motif. A writing desk, with high shelves and glass doors destined for books, now held a mauve and white tea-set in old Vienna ware. A green porcelain stove stood in one corner and was beginning to give forth its gentle heat. Liesel lighted it about an hour before Otto returned and then all day long into the evening it could be depended on to give out generously its pleasant, even warmth. Between it and the window were Otto's armchair and his special stool for his lame leg, near it a little table with a rack for his pipes, his wallet of tobacco and a box of Trabucos. Otto _had_ to have his cigar after supper and when luxuriously he had smoked it he would pull at his pipe and read the _Wiener Journal_ or perhaps get out his flute. They talked of renting a piano when things got better and then Liesel could play his accompaniments. After busy days, pleasant evenings. Liesel's deft fingers were always at work salvaging something old,--her darning was famous in the family, or smartly fashioning something new. She had a way of standing in front of him and asking him if the stripes were more becoming across or up and down, or she would sit in his lap and ask him if his treasure could wear her dress as short as _that_, only so much stuff, every centimeter counted, that enchanted his uxorious soul. He would pinch her ankles and say that anybody who wore a 35 shoe could do as she liked, or as far up as the police permitted, and Liesel would be delighted and laugh and laugh. After hearing what had happened at the Ministry, she would tell of those even more vitally interesting visits to provision shops, where evidently the tradespeople liked to see her, and as far as was wise she would let him into the secret of her ways of ferreting out the little that was hidden; her ready smile, those two soft dimples and her even softer brown eyes counting for much in such operations. Once, but that was in the very beginning, she had started to tell Otto of the quite fresh remarks of the cheesemonger--a good-looking fellow--but he'd pouted for two days and though secretly Liesel was gratified by these signs of jealousy--once in awhile, like that--in the end she wisely kept the not at all displeasing personal attentions she received while marketing to herself.

Liesel had no books and never dreamed of opening the newspaper,--world-events were nothing to her. After supper as she sewed, Otto would sometimes read her amusing bits under the caption "Around about the Globe": "A dangerous Don Juan," "The most useful tree in the world," "The Adonis of the American film world," "Solemn mourning for a cat," and such like. Liesel adored cats. She wanted a cat, a piano and a baby; otherwise she had really little left to wish for.

Occasionally they followed a case through the criminal courts, especially if it had an amusing side. Liesel loved to laugh and laugh she often did in the weeping city.... And a jewel robbery made her eyes shine. But Liesel's real use for newspapers was to soak them in water, then roll them into tight balls and set them to dry. They made excellent fuel, one or two, put knowingly into the porcelain stove with a couple of briquets. There were always a few drying on the window-ledge in the kitchen.

Otto's own reactions to the problems of the Fatherland as set forth in the Press were not much more vigorous than his wife's. When he read of a new difficulty he would in his mind straightway blame some far-off, unreachable individual or circumstance for the national misfortunes in general and particular. He had then done all that could be required of him; effort was ended and he was quits with the situation. He didn't blame openly the Republic, he got his living and his Liesel's from it as from the Monarchy, and he rarely used the now familiar expression "Dos homma von da Republik," (that's the fault of the Republic) but he thought it. It was, further, a source of evils, that he, Otto Steiner, could not be expected to purify. What, indeed, could he do about the Republic, about the Jews, about the Freemasons, about the Exchange? Nothing, quite evidently nothing, and it let him comfortably out of all responsibility. He just kept on at his work, came home to his Liesel, who in turn pursued her agreeable and busy round of making him happy. So endless were the combinations and strategies involved in this once simple matter that she had her hands and time full.

She felt very sorry for her Tante Ilde, losing her money and being old and alone, for Kaethe and her children, for Irma and the boys, and sometimes she took them things to eat. Quite often she found her way to Mizzie's shop where she was always sure of a warm welcome, for undeniably Liesel understood the niceties of Mizzi's business. She sometimes even thought of going in with her, but she felt that she was, momentarily at least, better employed in using Otto's salary to the fullest advantage, and "with things as they are," (which was Liesel's nearest approach to intellectual participation in the national misfortunes) _that_ took all her time and thought. Standing in those everlasting cues, running as she said, "from Pontius to Pilatus," bringing everything home herself, though the aged porter at the corner of the Kohlmarkt and the Wallnerstrasse always helped when it was a question of coals, glad to serve once more a handsome woman,--handsome in the traditional way he so thoroughly understood. Liesel would listen, quite truly interested, as they walked along to his tales of other days when gentlemen were "cavaliers" and ladies hard to win; of whilom young attachés at the not distant Foreign Office, that imposing Ballplatz, who had been wont to send him with love letters and flowers and bonbons. The telephone had given the first blow to such romantic expressions of love; and as for the War and the Peace, they were equally and finally calamitous....

She could well afford to greet her aunt lovingly, and her "dearest aunties" and her "how sweet you look" and her "I'm so glad to have you," came gushingly out of the abundance of her heart. She was so happy that she could add cheer to her food without the slightest effort.

The table was already spread. Aunt Ilde's involuntary though delicate glance showed her three places set, just the same for all; three wine glasses, three plates, three knives even, (on those knife-rests that she had so fortunately added to the coffee spoons and napkin rings when Liesel was married,) knives meant meat, but she then and there made up her mind not to take any--perhaps a little wine. The carafe stood on the table filled with a Voslauer, a pleasant, light, open wine, gently quite gently warming to the stomach. It grew on those very slopes about Baden.

Then she bethought herself cheerfully of the moment, when she would say to Liesel: "Now you stay with Otto, I'm going to do the dishes, but I must have an apron."

She had taken her things off and hung them up on one of the pegs in the little hallway. She had wished even as she did so that she didn't have to leave them there. They'd be the first things Otto would see and perhaps ... But such misgivings and some others had given way before that delicious odor and Liesel's warm welcome. She looked so pretty, so appetizing, in that big, pink apron. As she went back into the kitchen her aunt could hear her singing an old waltz from the "Graf von Luxenburg," "Bist meine liebe, kleine Frau."

Frau Stacher had for a moment the illusion that she was still living at Baden and that she had only come in for the day. There, too, was her little inlaid worktable that had belonged to her own mother and that Liesel had taken for safe-keeping when the house was given up. She'd always kept her wools and her fine darning in it and Liesel did the same.

"Can't I help?" she asked, as she continued to look at it, rent by a sudden, terrible homesickness, that made her voice quite weak.

"No, you just sit quiet and rest. Everything is ready. It's time for Otto to come, anyway," Liesel answered with a look at her wrist watch. "He's always to the minute. He only has an hour for dinner and must find everything ready."

Indeed as she spoke the rattle of a key was heard at the front door. She flew to it. There were the unmistakable, immemorial sounds of embracing and then a whispered word from Liesel.

"Ach, yes, yes," Tante Ilde heard him answer.

He had hung up his green plush hat with the little grey feather at the back on its own invariable peg, had divested himself of his overcoat, with its rather high, tight belt and hung it up on the next by Tante Ilde's hat and coat, just as she had known he would, but without the inhospitable thoughts her humility had attributed to him. As he entered he was combing his hair and moustache with his little pocket comb and smiling his somewhat fatuous smile.

Otto Steiner was the son of a small government official, the grandson of one. He had gone into the Ministry of Agriculture when he was eighteen, and had been there seven years, when at a certain hour the war found him, in a certain room, at a certain desk, bending over a certain big ledger. And out of that secure and dusty routine, as natural to him as breathing, he had been thrown to the Russian front, then to the French front where he had been wounded. He had been healed and thrown to the Italian front, every nerve in his body making its agonized appeal against going through certain perfectly definite horrors again. He was thankful when his knee, which was supposed to be quite cured, began once more to stiffen and swell, when in a short time quite certainly he wouldn't be able to get about and they'd have to send him home. Then before he could be demobilized he had been taken prisoner and put in that Italian camp where his feet had frozen. Such strange things to happen to one who found his pleasure as well as his daily bread in those dusty ledgers, and whose conversation was largely made up of references to "Das Ministerium." It was one of the first words he remembered from his childhood days, as familiar as "guten Morgen."

Now after all the agonies, the incredible agonies, it had been granted to him, out of so many who had been heaped in nameless graves everywhere in Europe, to be coming into his own home from that very same Ministry, greeted by that delightful odor of food, prepared by a beloved, loving and lovely wife. "I'm certainly lucky," he often said to himself and asked no further grace of heaven than to grow old in the Ministry, moving slowly, as his forbears had moved, up through various rooms, indicative of various grades.

He was pale and wore eye-glasses. His face was the somewhat round-cheeked face of the average Viennese, with rather small nose and rather full lips under a brown moustache. Unmistakably a government employee who would set no river on fire but could be depended on to go his serviceable little way, hour by hour, day by day, year by year ... the traditional "rond de cuir."

There were always rumors of reducing the number of employees, but Steiner's work was so exact, his handwriting and figures so beautifully neat, that he was as safe as anybody in those unsafe days. He could, furthermore, answer any question put to him by any superior, even the strange questions of new men, who, momentarily "protected," came into the Ministry in the upper grades, passing in and then out. The administration was fairly snowed under by employees. It was reckoned often, (not, however, by those employed, they kept such statistics as much as possible to themselves) that 750,000 out of the 2,500,000 lived on and by the different departments of government. But mostly their positions were no more secure than yellowing leaves in Autumn. A gust of zeal on the part of some one high up and they fell in showers from the governmental tree, disappearing into the dark, wet, windy streets of hyemal Vienna. The question with each and every one was how to hang on....

Hydrocephalous Austria, with that terrible will to live! A mangled trunk supported its great head, Vienna. The members through which the blood should have circulated had been lopped off, the head was growing bigger, sicker....

But Otto Steiner wasn't thinking of any of these things as he greeted his aunt Ilde. He saluted her affectionately; some not very urgent realization that she "had had it hard" put an additional cordiality into his voice. He was further melted by the odor of those fresh noodles and hot butter just as she had been.

A sizzling sound, like sweetest music, coming from the kitchen, next fell on their ears. Liesel disappeared anxiously.