Part 5

"In a week. I am assembling the lock at home. I shall make it work to five letters. The only word I can spell. I shouldn't have known that, but I heard a man spell it once--on the ship that brought me home. He was a steerage passenger and he used to take his little child on the deck when it was fine, and the little one used to read Scripture stories to him. When she came to a hard word, he spelled it. I heard one word and never forgot it."

"I'll be glad when the thing is finished," the Greek meditated. "We have a whole lot of papers that we never want to see the light of day, Steppe and I. We could destroy them, but they may be useful, correspondence that it isn't safe to keep and it isn't wise to burn. You are an ingenious devil!"

In the Paddington directory, against "Moropulos, 49 Junction Terrace," were the words, "mining engineer." It was a courtesy status, for he had neither mined nor engineered. Probably the people of Junction Terrace were too occupied with their own strenuous affairs to read the directory. They knew him as one who at irregular periods was brought home in the middle of the night singing noisily in a strange language. Cicero's oration was Greek to Cassius; the melodious gibberish of Mr. Moropulos was Greek to Junction Terrace, though they were not aware of the fact. No. 49 was a gaunt, damp house with a mottled face, for the stucco had peeled in patches and had never been renewed. Moropulos bought it at a bargain price and made no contingency allowance for delapidations. The windows of the upper floors were dingy and unwashed. The owner argued that as he did not occupy the rooms above, it would be wicked waste of money to clean the windows. Similarly he dispensed with carpets in the hall and on the stairs.

His week-ends he spent in more pleasing surroundings, for he had a cottage on the borders of Hampshire where he kept hens and grew cabbage-roses and on Sundays loafed in his garden, generally in his pajamas, to the scandal of the neighborhood. He had a whimsical turn of mind and named his cottage, "The Parthenon", and supported this conceit by decorating his arcadian groves with plaster reproductions of the great figures of mythology, such figures as Phidias and Polycletus and Praxiteles chiselled. He added to this a wooden pronaos which the local builder misguidedly surmised was intended for the entrance to a new cinema. When they discovered that the erection had no other purpose than to remind Moropulos of departed Hellenic splendors, the grief of the villagers was pathetic.

Here he was kept, reluctantly, tidy. He owned a small American car which supplied him the transportation he required, and made his country home accessible. It was Friday, the day he usually left town, but he had lingered on, hoping to see some tangible progress in the construction of the safe.

"You never seem to get any further," he complained. "You have been fiddling with that noisy lamp for two hours, and, so far as I can see, you've done nothing. How long will it be before anything happens?" and then before Sault could reply he went on: "Why don't you come to my little Athens, Sault? You prefer to stay in town. And you are a man of brains! Have you a girl here, eh?"

"No."

"Gee! What a time that fellow Ronnie must have! But they will catch him some day--a mad father or a lunatic fiancé, and ping! There will be Ronnie Morelle's brains on the floor, and the advocates pleading the unwritten law!"

"You seem to know a lot about him?"

Moropulos ran his fingers through his beard and grinned at the ceiling. "Yes--I can't know too much. We shall have trouble with him. Steppe laughs at the idea. He has him bound to his heel--is that the expression, no? Well, he has him like that! But how can you bind a liar or chain an eel? His very cowardice is a danger."

"What have you to be afraid of?" asked Sault. "So far as I can make out, you are carrying on an honest business. It must be, or the doctor wouldn't be in it." His tone was sharp and challenging. Moropulos had sufficient _nous_ not to accept that kind of challenge.

"I can understand that you have papers that you wish to keep in such a way that nobody but yourselves can get at them. All businesses have their secrets."

"Quite so," agreed the Greek and yawned.

"Ronnie will pay," he said, "but I am anxious that I should not be asked to contribute to the bill. I have had a great deal of amusement watching him. The other night I was in the park. I go there because he goes. I know the paths he uses. And there came with him a most pretty young lady. She did not know him."

"You guessed that?"

"I know, because later, when she complained, she did not know his name. Ronnie!" he mused. "Now I tell you what I will undertake to do. I will make a list, accurate and precise, of all his love affairs. It will be well to know these, because there may come a day when it will be good to flourish a weapon in this young man's face. Such men marry rich women."

Sault was working and only muttered his reply. He was not then interested in Ronnie Morelle.

X

He stayed on in the house long after Moropulos had dragged himself to his room and had dressed for the journey. So absorbed was he in his task that the Greek left without his noticing. At seven o'clock he finished, put away his tools in a cupboard, threw a cloth over the safe, and went out, locking the door behind him.

Both Steppe and Moropulos had urged him to live in the house, but though he had few predilections that were not amenable to the necessities of his friends, Sault was firm on this point. He preferred the liberty which his lodgings gave him. Possibly he foresaw the difficulties which might arise if he lived entirely with the Greek. Moropulos had a vicious and an uncertain tongue; was tetchy on some points, grotesquely so, on the question of Greek decadence, although he had lived so long away from his native country that English was almost his mother tongue. Sault could be tactful, but he had a passion for truth, and the two qualities are often incompatible.

A bus carried him to the end of the street where he lodged, and he stopped at a store on the corner and bought a box of biscuits for Christina. She was secretary and reader to him, and he repaid her services with a library subscription and such delicacies as she asked him to get for her. The subscription was a godsend to the girl, and augmented, as it was, by an occasional volume which Evie was allowed to bring from the store library by virtue of her employment, her days were brightened and her dreams took a wider range than ever. The driving force of learning is imagination. By imagination was Christina educated.

Evie sometimes said that she did not understand one half of the words that Christina used. To Mrs. Colebrook her daughter was an insoluble enigma. She associated education with brain fever and ideas above your station, and whilst she was secretly proud of the invalid's learning, she regarded Christina's spinal trouble as being partly responsible for the abnormality. Mrs. Colebrook believed in dreams and premonitions and the sinister significance of broken picture wires. It was part of her creed that people who are not long for this world possess supernatural accomplishments. Therefore she eyed Christina's books askance, and looked upon the extra library subscription as being a wild flight in the face of Providence. She expressed that view privately to Ambrose Sault.

"You have come at a propitious moment, Sault Effendi," said Christina solemnly as he came in. "I have just been taking my last look at the silvery Bosphorus. My husband, taking offense at a kiss I threw to the handsome young sultan as he rose beneath my latticed window, has decreed that tonight I am to be tied in a sack and thrown into the dark waters!"

"Good gracious," said Ambrose. "You have been in trouble today, Christina."

"Not very much. The journey was a lovely one. We went by way of Bergen--and thank you ever so much for that old Bradshaw you got for me. It was just the thing I wanted."

"Mr. Moropulos kindly gave it to me--yes--Bergen?"

"And then to Petrograd--the Czars were there, poor people--and then to Odessa, and down the Black Sea in--oh, I don't know. It was a silly journey today, Ambrose--I wasn't in the heart for a holiday."

"Is your back any worse?"

She shook her head. "No--it seems better. I nearly let myself dream about getting well. Do you think that other idea is possible? We can borrow a spinal carriage from the Institute but mother hasn't much time, and besides, I couldn't get down those narrow stairs without a lot of help. Yes--yes, yes! I know it is possible now. But the chariot, dear Ambrose?"

"I've got it!" he chuckled at her astonishment, "it will come tomorrow. It is rather like a motor-car for I have to find a garage for it. In this tiny house there is no room. But I got it--no, it didn't cost me a great deal. Dr. Merville told me where I could get one cheap. I put new tires on and the springs are grand. Christina, you will be--don't cry, Christina, please--you make me feel terrible!" His agitation had the effect of calming her.

"There must be something in this room that makes people weep," she gulped. "Ambrose--Evie is just worrying me to death."

"What is wrong?"

She shook her red head helplessly. "I don't know. She is changed--she is old. She's such a kid, too--such a kid! If that man hurts her," the knuckles of her clenched hand showed bone-white through the skin, "I'll ask you to do what you did for mother, Ambrose, give me strength for an hour--" her voice sank to a husky whisper, "and I'll kill him--kill him--"

Sault sat locking and unlocking his fingers, his eyes vacant. "She will not be hurt. I wish I were sure it was Ronald Morelle. Steppe has only to lift his finger--"

They heard the sound of Mrs. Colebrook's heavy feet on the stairs and Christina wondered why she was coming up. She had never interrupted their little talks before.

"Somebody to see you, Christina, and I'm sure it is too kind of you, miss, and please thank the doctor. I'll never be grateful enough for what he did--"

Ambrose Sault got up slowly to his feet as Beryl came into the room.

"I wonder if you really mind my coming--I am Beryl Merville."

"It is very good of you, Miss Merville," said Christina primly. She was ready to dislike her visitor; she hated the unknown people who called upon her, especially the people who brought jelly and fruit and last year's magazines. Their touching faith in the virtues of calves'-foot and fruit as a panacea for human ills, their automatic cheerfulness and mechanical good-humor, drove her wild. The church and its women had given up Christina ever since she had asked, in answer to the inevitable question: "Yes, there are some things I want; I'd like a box of perfumed cigarettes, some marron glace and a good English translation of 'Liaisons Dangereux'."

She loathed marron glace and scented tobacco was an abomination. Her chief regret was that the shocked inquirer had never heard of "Liaisons Dangereux". Christina only knew of its existence from a reference in a literary weekly which came her way.

Beryl sensed the hidden antagonism and the cause. "I really haven't come in a district visitor spirit," she said, "I'm not frightfully sorry for you and I haven't brought you oranges--"

"Grapes," corrected Christina. "They give you appendicitis--mother read that on the back page of 'Health Hints'. Sit down, Miss Merville. This is Mr. Sault." She nodded to Ambrose.

"Mr. Sault and I are old acquaintances," she said. She did not look at him. "I have to explain why I came at all. I know that you are not particularly enthusiastic about stray visitors--nobody is. But my father was talking about you at lunch today. He has never seen you, but Mr. Sault has spoken about you and, of course, he does know your mother. And father said: 'Why don't you go along and see her, Beryl?' I said, 'She would probably be very annoyed--but I'll take her that new long wordy novel that is so popular. I'm sure she'll hate it as much as I."

"If it is 'Let the World Go', I'm certain I shall," said Christina promptly, "but I'd love to read it. Let us sneer together." Beryl laughed and produced the book.

It seemed an appropriate moment for Ambrose to retire and he went out of the room quietly; he thought that neither of the girls saw him go, but he was mistaken. Christina Colebrook was sensitive to his every movement, and Beryl had really come to the house to see him.

On her way home she tried to arraign herself before the bar of intelligence, but it was not until she was alone in her room that night that she set forth the stark facts of her folly. She loved Ronald Morelle, loved him with an intensity which frightened her; loved him, although he was, according to all standards by which men are judged, despicable. He was a coward, a liar, a slave to his baser appetites. She had no doubt in her mind, when she faced the truth, that the stories which had been told of him were true. The East girl--the pretty parlormaid who had begun an action against him.

And yet there was something infinitely pathetic about Ronald Morelle, something that made her heart go out to him. Or was that a case of self-deception too? Was it not the beautiful animal she loved, the sleek, lithe tiger--alive and vital and remorseless? To all that was brain and spirit in her, he was loathsome. There were periods when she hated him and was bitterly contemptuous of herself. And in these periods came the soft voice of Ambrose Sault, whispering, insinuating. That was lunacy, too. He was old enough to be her father; was an illiterate workman, an ex-convict, a murderer; when her father had told her he had killed a man she was neither shocked nor surprised. She had guessed, from his brief reference to New Caledonia, that he had lived on that island under duress. He must have been convicted of some great crime; she could not imagine him in any mean or petty rôle. A coarse-handed workman, shabby of attire--it was madness to dream and dream of him as she did. And dreams, so Freud had said, were the expressions of wishes unfulfilled. What did she wish? She was prepared to answer the question frankly if any answer could be framed. But she had no ultimate wish. Her dreams of Ambrose Sault were unfinishable. Their ends ran into unfathomable darkness.

"I wonder if he is very fond of that red-haired girl?" she asked her mirror. Contemplating such a possibility she experienced a pang of jealousy and hated herself for it.

Jan Steppe came back from Paris on the eve of her birthday. He called at the house the next morning, before she was down, and interviewed Dr. Merville; when Beryl went in to breakfast, two little packages lay on her plate. The first was a diamond shawl pin.

"You are a dear, daddy!" She went round the table and kissed him. "It is beautiful and I wanted one badly."

She hurried back to her place. Perhaps Ronnie had remembered--?

She picked up the card that was enclosed and read it. "Mr. Steppe?"

Her father shot a quick glance at her. "Yes--bought it in Paris. He came in person to present it, but left when he found that you were not down--rather pretty." This was an inadequate description of the beautiful plaque that flashed and glittered from its velvet bed.

"It is lovely," she said, but without warmth. "Ought I accept--it is a very expensive present!"

"Why not? Steppe is a good friend of ours; besides, he likes you," said the doctor, not looking up from his plate. "He would be terribly hurt if you didn't take it--in fact, you cannot very well refuse."

She ran through her letters. There was a note from Ronnie, an invitation to a first night. He said nothing about her birthday.

"Oh, by the way, some flowers came. I told Dean to put them in your room. I have been puzzling my head to remember when I told him the date of your birthday. I suppose I must have done so, and, of course, he has the most colossal memory."

"Who, father?"

"Sault. He must have got up very early and gone to the market to get them. Very decent of him."

She went out of the room with an excuse and found her maid in the pantry. She had filled a big bowl with the roses. There were so many that only room for half of them had been found.

"The others I will put in the doctor's room, Miss," said the maid.

"Put them all in my room, every one of them," demanded Beryl.

She selected three and fastened them in her belt before she went back to the breakfast room. The doctor laughed.

"I've never seen you wearing flowers before--Sault would be awfully pleased."

This she knew. That was why she wore them.

XI

Evie Colebrook came home at an unusually early hour and the girl on the bed looked up in surprise.

"I heard mother talking to somebody, but I had no idea it was you, Evie. What is the matter--has your swain another engagement?"

"My swain, as you call him, is working tonight," said Evie, "and it is so hot that I thought I would come home and get into my pajamas."

"Mother has been talking about your eccentric tastes, with particular reference to pajamas," said Christina. "She thinks that pajamas are indelicate. In her young days girls weren't supposed to have legs."

"Father wore pajamas."

"Father also drank. Mother thinks that the pajamas had something to do with it. She also thinks that book reading was a contributary cause."

"What terrible jaw-breaking words you use, Christina. Father did read a lot, didn't he?"

"Father was a student. He studied, amongst other things, race horses. Do you know who father was?" Evie stared at her expectantly.

"He was a carpenter, wasn't he?"

"He was the youngest son of the youngest son of a lord. Take that look off your face, Evie; there is no possibility of our being the rightful heiresses of the old Hall. But it is true; he had a coat of arms."

"Then why did he marry mother?"

"Why do people marry anybody?" demanded Christina. "Why did grandfather marry grandmother? Besides, why shouldn't he have married mother? He was only a cabinet maker when he met her. She has told me so. And his father was a parson, and his mother the Honorable Mrs. Colebrook, the daughter of Lord Fanshelm. There is blue blood in your veins, Evie."

"But really, Christina," Evie's voice was eager and her eyes bright, "you are not fooling; is it true? It makes such an awful difference--"

Christina groaned. "My God, what have I said?" she asked dramatically.

"But really, Christina?"

"You are related so distantly to nobility that you can hardly see it without a telescope," said Christina, "I thought you knew. Mother used always to be talking about it at one time. My dear, what difference does it make?"

Evie was silent.

"A man doesn't love a girl any more because she has a fifth cousin in the House of Lords; he doesn't love her any less because her mother takes in laundry, and if her lowly origin stands in the way of his marriage, and he finds that really she is the great grandaughter of a princess, he cannot obliterate her intermediate relations."

"What's 'intermediate'?"

"Well, mother and father, and the parson who got into trouble through drinking, and his wife who ran away with a groom."

Evie drew a long sigh.

"Where is your swain?" she asked. "I don't like that word 'swain,' it sounds so much like 'swine'."

"I hope you will never see the resemblance any clearer," said Christina. "My swain is working, too. I shouldn't take off that petticoat, if I were you, Evie; he may come in and you can see your knickers through that dressing-gown."

"Christina!"

"I hate mentioning knickers to a pure-minded girl," said Christina, fanning herself with a paper, "but sisters have no secrets from one another. Ambrose, if that is who you mean, is very busy these days."

"Do you call him Ambrose to his face?" asked Evie curiously, and her sister snorted.

"Would you call Julius Cæsar 'Bill' or 'Juley' to his face; of course not. But I can't think of him as Ambrose Sault, Esquire, can I?"

"I don't understand him," said Evie. "He seems so dull and quiet."

"I'll get him to jazz with you the next time you're home early," said Christina sardonically.

"Don't be so silly. Naturally he isn't very lively being so old."

"Old! He is lively enough to carry me downstairs as though I were a pillow and wheel me for hours at a time in that glorious chariot he got for me! And he is old enough--but what is the good of talking to you, Evie?"

Presently her irritation passed and she laughed. "Tell me the news of the great world, Evie; what startling happenings have there been in Knightsbridge?"

"I can tell you something about Mr. Sault you don't know," Evie was piqued into saying. "He has been in prison." Christina turned on her side with a wince of pain.

"Say that again."

"He has been in prison." A long pause.

"I hoped he had," Christina said at last. "I believe in imprisonment as an essential part of a man's education--who told you?"

"I'm not going to say."

"Ronald Morelle--aha!" She pointed an accusing finger at the dumbfounded Evie.

"I know your guilty secret! The 'Ronnie' you babble about in your sleep is Ronnie Morelle!"

"Wh--what makes you--it isn't true--it is a damned lie--!"

"Don't be profane, Evie. That is the worst of druggists' shops, you pick up such awful language. Mother says you can't work amongst pills without getting ideas in your head."

"I never talk in my sleep--and I don't know Ronnie Morelle--who is he?"

Evie's ignorance was badly assumed. Christina became very thoughtful. She lay with her hand under her cheek, her gray eyes searching her sister's face.

"Would Ronnie be impressed by your distant relationship with nobility?" she asked quietly. "Would it make such an awful difference if he knew about the coat of arms in father's Bible? I don't think it would. If it did, he isn't worth worrying about. What is he?"

"Didn't Mr. Sault tell you?" asked Evie hotly. "He seems to spend his time gossiping about people who are a million times better than him--"

"Than he," murmured Christina, her eyes closed.

"He is a nasty scandal-mongering old man! I hate him!"