Part 10

Where the office of thought ends, there the office of will and feeling begins: “Where intellect must stay without,” says Ruysbroeck, “these may enter in.” Desire and intention are the most dynamic of our faculties; they do work. They are the true explorers of the Infinite, the instruments of our ascents to God. Reason comes to the foot of the mountain; it is the industrious will urged by the passionate heart which climbs the slope. It is the “blind intent stretching towards Him,” says the _Cloud of Unknowing_, “the true lovely will of the heart,” which succeeds at last; the tense determination, the effort, the hard work, the definite, eager, humble, outward thrust of the whole personality towards a Reality which is felt rather than known. “We are nothing else but wills,” said St. Augustine. “The will,” said William Law, “maketh the beginning, the middle, and the end of everything. It is the only workman in nature, and everything is its work.” Experience endorses this emphasis on will and desire as the central facts of our personality, the part of us which is supremely our own. In turning that will and desire towards Spiritual Reality, we are doing all that we can of ourselves; are selecting one out of the sheaf-like tendencies of our complex nature, and deliberately concentrating upon it our passion and our power. Also, we are giving consciously, whole-heartedly, with intention, that with which we are free to deal; and self-donation is, we know, an essential part of prayer, as of all true intercourse.

Now, intellect and feeling are not wholly ours to give. A rich mental or emotional life is not possessed of all men; some are naturally stupid, some temperamentally cold. Even those who are greatly endowed with the powers of understanding or of love have not got these powers entirely under their own control. Both feeling and intellect often insist on taking their own line with us. Moreover, they fluctuate from day to day, from hour to hour; they are dependent on many delicate adjustments. Sometimes we are mentally dull, sometimes we are emotionally flat: and this happens more often, perhaps, in regard to spiritual than in regard to merely human affairs. On such occasions it is notoriously useless to try to beat ourselves up to a froth: to make ourselves think more deeply or make ourselves care more intensely. Did the worth of man’s prayerful life depend on the maintenance of a constant high level of feeling or understanding, he were in a parlous case. But, though these often seem to fail him—and with them all the joy of spiritual intercourse fails him too—the regnant will remains. Even when his heart is cold and his mind is dim, the “blind intent stretching to God” is still possible to him. “Our wills are ours, to make them Thine.”

The Kingdom of Heaven, says the Gospel, is taken by violence—that is, by effort, by unfaltering courage—not by cleverness, nor by ecstatic spiritual feelings. The freedom of the City of God is never earned by a mere limp acquiescence in those great currents of the transcendent order which bear life towards its home. The determined fixing of the will upon Spiritual Reality, and pressing towards that Reality steadily and without deflection; this is the very centre of the art of prayer. This is why those splendid psychologists, the mediæval writers on prayer, told their pupils to “mean only God,” and not to trouble about anything else; since “He who has Him has all.” The most theological of thoughts soon becomes inadequate; the most spiritual of emotions is only a fair-weather breeze. Let the ship take advantage of it by all means, but not rely on it. She must be prepared to beat to windward if she would reach her goal.

In proportion to the strength and sincerity of the will, in fact, so shall be the measure of success in prayer. As the self pushes out towards Reality, so does Reality rush in on it. “Grace and the will,” says one of the greatest of living writers on religion, “rise and fall together.” “Grace” is, of course, the theological term for that inflow of spiritual vitality which is the response made by the divine order to the human motions of adoration, supplication, and love; and according to the energy and intensity with which our efforts are made—the degree in which we concentrate our attention upon this high and difficult business of prayer—will be the amount of new life that we receive. The efficacy of prayer, therefore, will be conditioned by the will of the praying self. “Though it be so, that prayer be not the cause of grace,” says Hilton, “nevertheless it is a way or means by which grace freely given comes into the soul.” Grace presses in upon life perpetually, and awaits our voluntary appropriation of it. It is accessible to sincere and loyal endeavour, to “the true lovely will of the heart,” and to nothing else.

So much we have said of will. What place have we left for the operation of feeling in prayer? It is not easy to disentangle will and feeling; for in all intense will there is a strong element of emotion—every volitional act has somewhere at the back of it a desire—and in all great and energizing passions there is a pronounced volitional element. The “synthesis of love and will” is no mere fancy of the psychologist. It is a compound hard to break down in practice. But I think we can say generally that the business of feeling is to inflame the will, to give it intention, gladness, and vividness; to convert it from a dull determination into an eager, impassioned desire. It links up thought with action; effects, in psychological language, the movement of the prayerful self from a mere state of cognition to a state of conation; converts the soul from attention to the Transcendent to first-hand adventure within it. “All thy life now behoveth altogether to stand in desire,” says the author of the _Cloud of Unknowing_ to the disciple who has accepted the principle of prayer; and here he is declaring a psychological necessity rather than a religious platitude, for all successful action has its origin in emotion of some kind. Though we choose to imagine that “pure reason” directs our conduct, in the last resort we always do a thing because of the feeling that we have about it. Not necessarily because we like doing it; but because instinctive feeling of some sort—selfish or unselfish, personal, social, conventional, sacrificial; the disturbing emotion called the sense of duty, or the glorious emotion called the passion of love—is urging us to it. Instinctive emotions, more or less sublimated; Love, Hatred, Ambition, Fear, Anger, Hunger, Patriotism, Self-interest; these are the true names of our reasons for doing things.

If this be true of our reactions to the physical world, it is none the less true of our intercourse with the spiritual world. The will is moved to seek that intercourse by emotion, by feeling; never by a merely intellectual conviction. In the vigour and totality with which the heroes of religion give themselves to spiritual interests, and in the powers which they develop, we see the marks of instinctive feeling operating upon the highest levels. By “a leash of longing,” says the _Cloud of Unknowing_ again, man is led to be the servant of God; not by the faultless deductions of dialectic, but by the mysterious logic of the heart. He is moved most often, perhaps, by an innate unformulated craving for perfection, or by the complementary loathing of imperfection—a love of God, or a hatred of self—by the longing for peace, the miserable sensations of disillusion, of sin, and of unrest, the heart’s deep conviction that it needs a changeless object for its love. Or, if by none of these, then by some other emotional stimulus.

A wide range of feeling states—some, it is true, merely self-seeking, but others high and pure—influence the prayerful consciousness; but those which are normal and healthy fall within two groups, one of subjective, the other of objective emotion. The dominant motive of the subjective group is the self’s feeling of its own imperfection, helplessness, sinfulness, and need, over against the Perfect Reality towards which its prayer is set; a feeling which grows with the growth of the soul’s spiritual perceptions, and includes all the shaded emotions of penitence and of humility. “For meekness in itself is naught else but a true knowing and feeling of a man’s self as he is.” The objective group of feelings is complementary to this, and is centred on the goodness, beauty, and perfection of that Infinite Reality towards which the soul is stretching itself. Its dominant notes are adoration and love. Of these two fundamental emotions—humility and love—the first lies at the back of all prayer of confession and petition, and is a necessary check upon the arrogant tendencies of the will. The second is the energizing cause of all adoration: adoration, the highest exercise of the spirit of man. Prayer, then, on its emotional side should begin in humble contrition and flower in loving adoration. Adoring love—not mere emotional excitement, religious sentimentality or “spiritual feelings”—but the strong, deep love, industrious, courageous and self-giving which fuses all the powers of the self into one single state of enormous intensity; this is the immortal element of prayer. Thought has done all that it may when it has set the scene, prepared the ground, adjusted the mind in the right direction. Will is wanted only whilst there are oppositions to be transcended, difficult things to be done. It represents the soul’s effort and struggle to be where it ought to be. But there are levels of attainment in which the will does not seem to exist any more as a separate thing. It is caught in the mighty rhythms of the Divine will, merged in it and surrendered to it. Instead of its small personal activity, it forms a part of the great deep action of the Whole. In the higher degrees of prayer, in fact, will is transmuted into love. We are reminded of the old story of the phœnix: the active busy will seems to be burned up and utterly destroyed, but living love, strong and immortal, springs from the ashes and the flame. When the reasonable hope and the deliberate wilful faith in which man’s prayer began are both fulfilled, this heavenly charity goes on to lose itself upon the heights.

Within the normal experience of the ordinary Christian, love should give two things to prayer; ardour and beauty. In his prayer, as it were, man swings a censer before the altar of the Universe. He may put into the thurible all his thoughts and dreams, all his will and energy. But unless the fire of love is communicated to that incense, nothing will happen; there will be no fragrance and no ascending smoke. These qualities—ardour and beauty—represent two distinct types of feeling, which ought both to find a place in the complete spiritual life, balancing and completing one another. The first is in the highest degree intimate and personal; the second is disinterested and æsthetic.

The intimate and personal aspect of spiritual love has found supreme literary expression in the works of Richard of St. Victor, of St. Bernard, of Thomas à Kempis, of our own Richard Rolle, Hilton, and Julian of Norwich, and many others. We see it in our own day in its purest form in the living mystic who wrote _The Golden Fountain_. Those who discredit it as “mere religious emotionalism” do so because they utterly mistake its nature; regarding it, apparently, as the spiritual equivalent of the poorest and most foolish, rather than the noblest, most heroic, and least self-seeking, types of human love. “I find the lark the most wonderful of all birds,” says the author of _The Golden Fountain_. “I cannot listen to his rhapsodies without being inspired (no matter what I may be in the midst of doing or saying) to throw up my own love to God. In the soaring insistence of his song and passion I find the only thing in Nature which so suggests the high soaring and rapturous flights of the soul. But I am glad that we surpass the lark in sustaining a far more lengthy and wonderful flight; and that we sing, not downwards to an earthly love, but upwards to a heavenly.” Like real human love, this spiritual passion is poles asunder from every kind of sentimentality. It is profoundly creative, it is self-giving, it does not ask for anything in exchange. Although it is the source of the highest kind of joy—though, as à Kempis says, the true lover “flies, runs, and rejoices; is free, and cannot be restrained”—it has yet more kinship with suffering than with merely agreeable emotions. This is the feeling state, at once generous and desirous, which most of all enflames the will and makes it active; this it is which gives ardour and reality to man’s prayers. “For love is born of God, and cannot rest save in God, above all created things.”

But there is another form of objective emotion besides this intimate and personal passion of love, which ought to play an important part in the life of prayer. I mean that exalted and essentially disinterested type of feeling which expresses itself in pure adoration, and is closely connected with the sense of the Beautiful. Surely this, since it represents the fullest expression of one power in our nature—and that a power which is persistently stretched out in the direction of the Ideal—should have a part in our communion with the spiritual, as well as with the natural world. The Beautiful, says Hegel, is the spiritual making itself known sensuously. It represents, then, a direct message to us from the heart of Reality; ministers to us of more abundant life. Therefore the widening of our horizon which takes place when we turn in prayer to a greater world than that which the senses reveal to us, should bring with it a more poignant vision of loveliness, a more eager passion for Beauty as well as for Goodness and Truth. When St. Augustine strove to express the intensity of his regret for wasted years, it was to his neglect of the Beauty of God that he went to show the poignancy of his feeling, the immensity of his loss. “Oh Beauty so old and so new! too late have I loved thee!”

It needs a special training, I think—a special and deliberate use of our faculties—if we are to avoid this deprivation; and learn, as an integral part of our communion with Reality, to lay hold of the loveliness of the First and Only Fair. “I was caught up to Thee by Thy beauty, but dragged back again by my own weight,” says Augustine in another place; and the weight of the soul, he tells us, is its love—the pull of a misplaced desire. All prayer which is primarily the expression of our wants rather than our worship, which places the demand for daily bread before instead of after the hallowing of the Ineffable Name, will have this dragging-back effect.

Now, as the artist’s passion for sensuous beauty finds expression in his work, and urges him to create beauty as well as he can, so too the soul’s passion for spiritual beauty should find expression in its work; that is to say, in its prayer. A work of art, says Hegel again, is as much the work of the Spirit of God as is the beauty of Nature; but in art the Holy Spirit works through human consciousness. Therefore man’s prayer ought to be as beautiful as he can make it; for thus it approaches more nearly to the mind of God. It should have dignity as well as intimacy, form as well as colour. More, all those little magic thoughts—those delicate winged fancies, which seem like birds rejoicing in God’s sight—these, too, should have their place in it. We find many specimens of them, as it were stuffed and preserved under glass shades, in books of devotion. It is true that their charm and radiance cannot survive this process; the colour now seems crude, the sheen of the plumage is gone. But once these were the living, personal, spontaneous expressions of the love and faith—the inborn poetry—of those from whom they came. Many a liturgic prayer, which now seems to us impersonal and official—foreign to us, perhaps, in its language and thought—will show us, if we have but a little imaginative sympathy, the ardent mood, the exquisite tact, the unforced dignity, of the mind which first composed it; and form a standard by which we may measure our own efforts in this kind.

But the beauty which we seek to incorporate into our spiritual intercourse should not be the dead ceremonious beauty which comes of mere dependence on tradition. It should be the freely upspringing lyric beauty which is rooted in intense personal feeling; the living beauty of a living thing. Nor need we fear the reproach that here we confuse religion with poetry. Poetry ever goes like the royal banners before ascending life; therefore man may safely follow its leadership in his prayer, which is—or should be—life in its intensest form. Consider the lilies: those perfect examples of a measured, harmonious, natural and creative life, under a form of utmost loveliness. I cannot help thinking that it is the duty of all Christians to impart something of that flower-like beauty to their prayer; and only feeling of a special kind will do it—that humble yet passionate love of the beautiful, which finds the perfect object of its adoration in God and something of His fairness in all created things. St. Francis had it strongly, and certain other of the mystics had it too. In one of his rapturous meditations, Suso, for whom faith and poetry were—as they should be—fused in one, calls the Eternal Wisdom a “sweet and beautiful wild flower.” He recognized that flowery charm which makes the Gospels fragrant, and is included in that pattern which Christians are called to imitate if they can. Now, if this quality is to be manifested in human life, it must first be sought and actualized, consciously or unconsciously, in prayer; because it is in the pure, sharp air of the spiritual order that it lives. It must spring up from within outwards, must be the reflection of the soul’s communion with “that Supreme Beauty which containeth in itself all goodness”; which was revealed to Angela of Foligno, but which “she could in no wise describe.” The intellect may, and should, conceive of this Absolute Beauty as well as it can; the will may—and must—be set on the attaining of it. But only by intuitive feeling can man hope to know it, and only by love can he make it his own. The springs of the truest prayer and of the deepest poetry—twin expressions of man’s outward-going passion for that Eternity which is his home—rise very near together in the heart.

THE MYSTICISM OF PLOTINUS

In spite of his enormous importance for the history of Christian philosophy, Plotinus is still one of the least known and least understood among the great thinkers of the ancient world. The extreme difficulty of his style, which Porphyry well described as “dense with thought, and more lavish of ideas than words,” together with the natural laziness of man, may perhaps account for this neglect. He was by choice a thinker, contemplative, and teacher, not a writer. Therefore the Enneads, which represent merely notes of lectures hastily and unwillingly written down during the last fifteen years of his life, offer few inducements to hurried readers. The fact that he was a “mystic” has been held a further excuse for failure to understand the more cryptic passages of his works; though as a matter of fact these are the precipitations of a singularly clear and logical intellect, and will yield all their secrets to a sympathetic and industrious attention. His few translators have often been content to leave difficult phrases unelucidated, or surrounded by a haze of suggestive words; and though his splendid and poetic rhapsodies are quoted again and again, even those later mystics who are most indebted to him show few signs of first-hand study and comprehension of his system as a whole. Thanks to this same obscurity, and the richness, intricacy, and suggestive quality of his thought, most of his interpreters have tended to do for him that which he did for his master Plato: they have re-handled him in the interests of their own religion or philosophy. Of this, the Cambridge Platonists are the most notorious example; but the same inclination is seen in modern scholars. Thus Baron von Hügel seeks to introduce a dualism between his mysticism and his metaphysics. Even the brilliant exposition of his philosophy in the Dean of St. Paul’s _Gifford Lectures_ is not wholly exempt from this criticism. A comparison of his analysis with those of Baron von Hügel in _Eternal Life_, and of Mr. Whittaker in _The Neoplatonists_ makes plain the part which temperament has played in each of these works.

Plotinus himself would probably have been astonished by this charge of obscurity. His teaching had by declaration two aims. The first was the definitely religious aim of bringing men to a knowledge of Divine reality; for he had the missionary ardour inseparable from the saintly type. The second was the faithful interpretation of Platonic philosophy, especially the doctrines of Plato, and of his own immediate master, the unknown Alexandrian Ammonius: for his academic teaching consisted wholly of a commentary on, and interpretation of, Plato’s works. His system, therefore, is a synthesis of practical spirituality and formal philosophy, and will only be grasped by those who keep this twofold character in mind. There must always seem to be a conflict between any closed and self-consistent metaphysical system and the freedom and richness of the spiritual life: but since few metaphysicians are mystics, and few mystics are able to take metaphysics more seriously than the soldier takes the lectures of the armchair strategist, these two readings of reality are seldom brought into direct opposition. In Plotinus we have an almost unique example of the philosopher who is also a practical mystic; and consequently of a mind that cannot be satisfied with anything less than an intellectual system which finds room for the most profound experiences of the spiritual life. In this peculiarity some scholars have found his principal merit; others a source of weakness. The position of his critics has been excellently stated by Baron von Hügel in _Eternal Life_. He finds in the Enneads a “ceaseless conflict” between “the formal principles of the philosopher” and “the experiences of a profoundly religious soul.” The philosophy issues in an utterly transcendent Godhead without qualities, activity, or being: the mysticism issues in ecstatic union, actual contact, with a God, “the atmosphere and home of souls” whose richness is the sum of all affirmations. Yet, as a matter of fact, this disharmony is only apparent; and is resolved when we understand the formal character of the Plotinian dialectic as a “way,” a stepping-stone, the reduction to terms of reason of some aspects of a reality beyond reason’s grasp. The discrepancy is like that which exists between map and landscape. Plotinus, constantly passing over from argument to vision, speaks sometimes the language of geography, sometimes that of adventure: yet both, within their spheres, are true. The Neoplatonic _via negativa_ always implies an unexpressed because ineffable affirmation. Therefore its Absolute, of which reason can predicate no qualities, may yet be the “flower of all beauty” as apprehended by the contemplative soul.