Part 5
Duly accoutred according to the directions of master Izaak, I wended my way with a light heart and impatient step, to the slippery banks of old Neuse, chasing and catching grasshoppers for bait, as I passed through a meadow that lay in my way. When arrived at the {539} river I ensconced myself “secretly behind a tree,” fastened a grasshopper on my hook, and let it down to the water “as softly as a snail moves,” nothing doubting that I should soon draw forth a chub of the first water. There I sat with all the patience recommended by the “complete angler,” for two good long hours, expecting every moment to see the writhing grasshopper taken down by some monster of a chub. But nothing disturbed the poor fellow's kicking, except an impudent dragon fly that alighted on him, and sat there, floating lazily on the water and basking his bright wings in the warm sun, very prejudicially, as I thought, to Mr. Walton's manner of fishing. About this time I began to have some doubts as to the practice of master Izaak's rules for chub fishing in our uncivilized streams, and was pretty well cured of my fishing mania. I must say, though in justice to my preceptor, that I lacked one essential qualification for a fisherman—_devotion_, though I swore not an oath, sorely tempted as I was. This was doubtless the reason of my bad luck. After seeing the poor grasshopper make his last effort to get loose, without the least interruption from a chub, I despaired of ever being an angler, and “drew up stakes” to make for home, consoling myself with the reflection that “angling is like poetry—men are born to it.” As I trudged leisurely along I could not help thinking that I had been vastly more taken with the oddities and eccentricities of the devout old fisherman, than with the practice of his art in these unromantic regions, and inwardly assented to Swift's definition of angling—“a stick and a string, with a fool at one end and a worm at the other.” Ever since that day, I have been pointed at as the man that fished by the book, much to the gratification of my rustic neighbors, and mortification of myself.
ISRAFEL.[1]
BY E. A. POE.
[Footnote 1: And the angel Israfel who has the sweetest voice of all God's creatures.—_Koran._]
In Heaven a spirit doth dwell Whose heart-strings are a lute: None sing so wild—so well As the angel Israfel— And the giddy stars are mute.
Tottering above In her highest noon, The enamored moon Blushes with love— While, to listen, the red levin Pauses in Heaven.
And they say (the starry choir And all the listening things) That Israfeli's fire Is owing to that lyre With those unusual strings.
But the Heavens that angel trod Where deep thoughts are a duty— Where Love is a grown god— Where Houri glances are Imbued with all the beauty Which we worship in a star.
Thou art not, therefore, wrong Israfeli, who despisest An unimpassion'd song: To thee the laurels belong Best bard—because the wisest.
The extacies above With thy burning measures suit— Thy grief—if any—thy love With the fervor of thy lute— Well may the stars be mute!
Yes, Heaven is thine: but this Is a world of sweets and sours: Our flowers are merely—flowers, And the shadow of thy bliss Is the sunshine of ours.
If I did dwell where Israfel Hath dwelt, and he where I, He would not sing one half as well— One half as passionately— And a loftier note than this would swell From my lyre within the sky.
JUDGMENT OF RHADAMANTHUS.
BY JAMES K. PAULDING.
One day, Rhadamanthus, the stern and wise judge of the dead, sat in the shades, passing sentence on the crimes, follies, and virtues of the human race, that flocked in myriads to his awful tribunal. On his right hand extended a delicious region, fragrant with flowers of unnumbered tints and odors, musical with the song of myriads of happy birds, and glowing in glories brighter than sunbeams, for they were reflected from the smiling face of an approving deity. On his left lay the kingdom of darkness and despair, where though nothing could be seen, the wretchedness of its tenants was sadly indicated by groans and howlings of suffering and despair, which might aptly represent the universal chorus of human misery. To the former, Rhadamanthus beckoned the good with a benignant and approving smile—to the latter, he condemned the wicked with a withering frown.
Few—alas! few and far between, were they who were beckoned to the land of delight, while crowds of wicked beings expiated in the region of howling darkness, the crimes of a guilty life. At length there approached a proud stately woman, clad carelessly in attire not the most cleanly, her cap on one side, her hands begrimed with ink, and a hole in either stocking. Pride and conceit sat on her brow, and she was passing to the right of the judge, towards the region of the blest, before receiving judgment, when Rhadamanthus stopped her, and demanded an account of her doings in the other world.
She seemed mightily indignant at this, and after muttering something about “an old ignoramus,” proceeded as follows:
{540} “Your worship surely cannot be ignorant of the services I have rendered the present age, as well as posterity, in writing six folio volumes on political economy, the duties of kings, princes and governors, the character of different nations, and the true principles of government. That I might the more exclusively devote myself to these great objects, I resolved never to marry, lest the care of my household and children might interfere with the desire I had to be useful.”
“Humph,” quoth Rhadamanthus—and the woman of six folios mistaking this for an approving fiat, was about to pass into the happy region, when he sternly bade her remain where she was. Whereupon she tossed her head, cocked her chin, and took a pinch of snuff, half of which she flourished in the face of the judge.
At this moment there approached a respectable matronly female, of an open, contented, and happy countenance, which seemed the index of a virtuous mind. She was dressed in plain attire of exquisite neatness, and as she came before the judgment seat, made a low obeisance, reverent, yet devoid of fear. The judge returned the salutation with a bow, and asked in a voice of kind encouragement what she had been doing in her past life.
With timid modesty, she told her tale of usefulness. She had married a worthy man, whose house she tried to make a happy home, and whose moderate means she exerted all the becoming arts of domestic economy to render sufficient for the supply of all the rational wants of life. She had borne him six children, four sons and two daughters; of the former of whom, one was now fighting in defence of his country at the head of its armies; another was a judge administering the laws to the people with justice and mingled mercy; a third was cultivating his father's land, and watching over his declining age; and a fourth imitating the faith of his forefathers both by precept and example. The daughters were all happily married, and living a life of virtue, in the midst of their children.
The lady of the six folios listened to this detail of modest usefulness with unutterable scorn, but far different were the feelings of Rhadamanthus, who nodded and smiled approbation at every sentence.
“Approach,” cried he to the mother of six children, and the writer of six folios. “Thou,” addressing himself to the former—“Thou that hast made thy husband happy by thy cares and thy economy, and thy children useful to their country by thy precepts and example, pass into the region of the blest, and enjoy thy reward in an eternity of happiness. But thou”—and he frowned majestically—“thou that has preferred the quill to the spindle; to instruct mankind rather than teach thy children the ways of virtue; and to be the mother of six musty books, rather than of as many sons and daughters, to honor their parents, serve their country, and worship their God, thou shalt return again to the earth, where thy punishment shall be to give advice which none will follow, and write books that nobody will read.”
The happy mother passed into the region of bliss, and the instructer of nations returned to the earth, with a resolution to write another folio, contesting the decision of Rhadamanthus, and pointing out the abuses of his system of jurisprudence.
SCENES IN CAMPILLO.[1]
BY LIEUT. A. SLIDELL.
[Footnote 1: These hitherto unpublished _Scenes in Campillo_ are from a new edition (now in press) of the “Year in Spain.” We are indebted for them to the kindness of the author and of the Messrs. Harpers.]
The Andalusian village of Campillo is built on a plain, with regular and well-paved streets, houses in good repair and neatly whitewashed, each with its stone seat at the door, and grated cage projecting from the window and garnished with shrubs and flowers, the scene of many a tender parley and midnight interview. Everything in Campillo, to the village church and village posada, bespeaks a pervading spirit of order and cleanliness, and the little room into which I was installed, partook largely of these qualities. It looked upon the principal square of the village, having in front the church, with its Gothic tower surmounted by the simple emblem of our faith, and embellished with the unwonted decoration of a clock, under whose promptings a hoarse old bell muttered forth the passing hours. On another side of the square was the hotel of the Ayuntamiénto, which contained the offices of the municipal authorities and police; while opposite was a guard-room, in which were a few ill-fed soldiers, shabbily accoutred in dirty belts and rusty muskets. In the middle of the square was a plain granite fountain, surrounded by a kerb, which formed a reservoir for watering cattle.
For want of better occupation, I passed a great part of the day in gazing from my window upon the moving scene below. Sometimes a stable boy would bring a train of jaded mules to the fountain, give them water, and wash their backs where they had been galled by the pack-saddles. Next would come a party of mules, heavily laden; each muleteer having his carbine slung securely beside him. These would pause a moment, refresh their cattle at the fountain, and then pass on and leave the arena again solitary, until some modern Sancho came ambling across the square, sitting upon the end of a mouse-colored ass, which he would guide at pleasure by means of a staff, touching the animal first on one side of the neck, then on the other. He too would pause at the fountain, renew his journey, and then have a contest with the animal about stopping at the open door of the posada, disappearing at length in a rage, and at a full gallop.
While the middle of the square seemed given up to passing travellers, the sides were more exclusively occupied by the native worthies of Campillo. In the guard-house, the soldiers were all sleeping away the heat of the day upon wooden benches in the interior; while the one on post sat under the shade of the portico, with his musket leaning against the wall beside him, occupied in cutting up tobacco on a board to make paper cigars. Immediately under my window was a group of the village notables, seated upon the stone bench that ran along the whole front of the building, or gathered round the more important personages of the assemblage. I amused myself in assigning to each a character, and in guessing at the import of his discourse.
That well-fed royalist, with silver shoe and knee buckles, and the red cockade in his hat, is doubtless the Alcalde of Campillo. He is declaiming upon the {541} late successes of the insurgent royalists in Portugal; and of those two who listen to him, and seem to catch the words that fall from his lips, the one is our own innkeeper paying his court to the powers that be, and the other, with the thin legs and long nose, who is followed by a half-starved dog, equally miserable with his master, is certainly the village doctor, the Sangrado of Campillo. He is evidently looked on contemptuously by the rest of the assembly, who are aware of his ignorance, and know that he owes his situation, and the right to kill or cure the good people of Campillo, rather to two ounces of gold opportunely bestowed on the Alcalde, than to any acquaintance with the healing art. The thick-set man in the oil-cloth cocked hat, with scowling look and bushy whiskers, who is fingering the hilt of his sabre, is the commandant of the royalist volunteers. He has become terrible to the “negros,” who will tell you that he is no better than he should be, that he began the world after the manner of Robin Hood, and passed in due season to the command of a royalist guerrilla. But who is that tall sharp featured individual, walking across the Plaza, with the village curate on one side and a capuchin on the other? That is doubtless the intendant of police, who has just received intelligence of some pretended revolutionary plot, and who will soon go with a force in search of persons and papers.
THE PINE WOOD.
A SONG—WRITTEN IN GEORGIA.
BY DR. ROBERT M. BIRD.
'Tis brave and good through the broad pine-wood, As through a sea, to steer, Cheering the heart and warming the blood, In chase of the gallant deer; Up o'er the hill, and down the hollow, Still through a wood to go, With some antique pine in the distance ever Echoing your loud hillo. Hillo! hillo!
In opening May, what a grand array Of flowers is spread around! Solemn, aloft, are the tree-tops gray, But a garden on the ground; With the pleasant wild-pink, goatsbeard, and brier, And the wild-rose here and there, Smelling so sweet in the desert woods, And making them so fair. Hillo! hillo!
Your dogs they rest on the ridgy crest, When evening darkens o'er, The trumpeter[1] creeps to her high perched nest, The hawk he screams no more. Down with a pine—how the light-wood catches! And soon 'tis in a glow: A merry fine time in the pines one passes, When we camp—Now, my dogs, hillo! Hillo! Hillo!
Just at your ear, all night you hear The wailing whippoorwill; The turkey tramps through the hollow near, The owl hoots from the hill; The katydid, too, if the summer wake her, Pipes out from the flame-bush nigh: Sure, the song of the midnight woods is sweeter Than mortal minstrelsy! Hillo! hillo!
And hark! the sound that swells around! How mournfully it gush'd! A groan of air in the tree-trops drown'd, A voice, half-heard, then hush'd; The ghostly whisper, the sob, and sigh, The dirge of the piny breeze, As spirits were clustering over-head, Like birds, upon the trees. Hillo! Hillo!
Then Memory wakes from her silent cell,— Perhaps a tear is shed For the few we love, or loved, so well, The distant, or the dead. But a truce to sorrow—the night is waxing, The fire is burning low: We sleep as well in the dry pine-wood As ever in sheets of snow. Hillo! Hillo!
[Footnote 1: The greater wood-pecker.]
THE BATTLE OF LODI.
BY MAJOR HENRY LEE.[1]
[Footnote 1: We are pleased at an opportunity afforded us of presenting our readers in anticipation with an extract of great beauty from the _second_ volume of Major Lee's Life of Napoleon. This volume will not be published for some time—many laborious investigations operating to delay the work much longer than was anticipated by its author. We are indebted to Major Lee himself for the MS,—who sends it to us from Paris.]
Bonaparte, having despatched the affairs which on the evening of the action of Fombio called him back to Placentia; having adjusted the amount of contribution imposed on that town, provided for the immediate passage of his rear division across the Po, and signed an armistice with the commissioners of the Duke of Parma, hastened to rejoin his advance, and to resume the personal direction of its movements. He arrived at Casal Pusterlengo at 3 o'clock on the morning of the 10th, and marched without delay in pursuit of Beaulieu. Early in the forenoon, and at some distance in front of Lodi, with the grenadiers under Lannes, he reached the Austrian rear guard, composed of the grenadiers of Nadasti, and two squadrons of hussars, with two field pieces; which detachment, Beaulieu, that he might gain time to withdraw his main body, encumbered with a heavy train of artillery, across the Adda, had directed to defend to the last the approach to Lodi. The ground they occupied was found to be so strong that it was necessary to execute several manœuvres before they could be advantageously attacked. The onset of the French was made with that ardor which the presence of their general, and the confidence of victory {542} inspired. The defence, which was as obstinate as the post was important, was persisted in until the French battalions pouring along in succession, the Austrians were nearly surrounded. They at last gave way, leaving their killed and wounded, with one field piece, on the field; and were pursued so closely into Lodi, that they could neither shut the gates nor cross the river before the French van-guard was in possession of the town.
Beaulieu's main body, upon which the fugitives retreated, consisting of 12,000 infantry, 4,000 horse, and 30 pieces of artillery, was drawn up behind field-works on the left bank of the Adda, and immediately opposite to Lodi; the artillery, in front, looking on the bridge, and the cavalry, a little withdrawn, on the flanks. From this position, in which he felt at last safe and unassailable, the Austrian general directed a violent cannonade on the town of Lodi, as soon as he perceived it was occupied by the French; and expecting rather to dislodge his adversary than to be himself disturbed, he declined destroying the bridge over the Adda, and thus interrupting his direct communication with Milan. To avoid and to mitigate the effect of this cannonade, Bonaparte sheltered his infantry and horse, as fast as they came up, behind the rampart of the town, which ran along the bank of the river; and planting advantageously his own artillery, opened a fire, which though supported by fewer guns, was more effectual than the enemy's, inasmuch as the Austrians were uncovered. Notwithstanding the strength of Beaulieu's ground, Bonaparte perceived, that with men like his, it was not impregnable; and persevering in his design of intercepting Wukassowich and Colli in their retreat to Mantua, he resolved, even under the Austrian guns, to force the passage of the Adda. The attempt was hazardous; but the soul of the enterprise consisted in its danger, and the main chance of success, in its apparent impossibility, which, so long as the bridge remained entire, was only apparent. To prevent its destruction, he proceeded in person, in full exposure to the Austrian artillery, to place two guns in such positions that their cross fires, which assisted by Berthier he himself tried, covered the farther end of the bridge, and rendered all approach to it impracticable. The freedom with which he exposed himself while making his skill as an artillery officer, instrumental to his success as their general, delighted the troops extremely, and was the occasion of their conferring on him that rank, which rendered him famous in the annals of the bivouac, as “the Little Corporal.” Then, comparatively at leisure, he made his preparations for forcing the passage, ordering the artillery officers to maintain their fire with unabated spirit, and directing Massena to give the rest of the troops, who were drawn up behind the rampart, and had been in constant exertion from 3 o'clock in the morning, a hasty breakfast and a short repose.
The force which he had in hand at Lodi was more formidable in character than numbers, consisting of three brigades of Massena's division, the grenadier corps lately commanded by Laharpe, and a reserve of light cavalry under general Beaumont, in all about 13,000 men; Gen. Kilmaine with the principal part of the horse, and Gen. Mesnard with a brigade of infantry, had been detached in the morning from Casal; the first to the left for the double purpose of keeping free that wing of the army, and of hanging upon the flank of the Austrian divisions in their retreat from Milan to Cassano; the second to the right, for security on that side, and with instructions to observe and act against the garrison of Pizzighitone. Serrurier's division being the last in crossing the Po, and having been directed to occupy Pavia, was at some distance in the rear; while Augereau's, which had encamped the previous night at Borghetto, was following by the way of Casal the progress of the advance. To this General, therefore, as additional force might be required at Lodi, orders were sent to expedite his march, and close up with the front as soon as possible.
Although the chief reliance for success in this undertaking, was to be on the courage and alacrity of the troops engaged in it, two circumstances enabled Bonaparte to bring its issue, in some degree, within the range of calculation. One of these was the information of the inhabitants, that at the present stage of the water, the Adda was fordable for cavalry, at a point half a league above the town; and the other, his own observation, that the Austrian commander, in order to shelter his troops from the French artillery as the French were sheltered from his own, had withdrawn his mass of infantry and his corps of horse behind a swell in the surface of the ground, to a position so much in the rear, that it placed them farther from the Austrian guns, than the French grenadiers would be when prepared to rush across the bridge. In the first he perceived an opportunity of annoying the right flank of the enemy, and distracting his attention at a critical moment; in the second, and more important one, the practicability, by a sudden and impetuous charge, of reaching his guns before his infantry could interpose; and in both the probability that his own column of attack, would be exposed but for an instant, to the enemy's artillery. Upon the edge of this sharp inference, which few minds would have had the acuteness to shape or the firmness to act upon, the fate of the day was to turn.