Part 3
Among these were a Scotch settler and his son-in-law, Jacob Barr, who owned jointly a great stretch of land to the west of Shane’s farm. They kept horses to ride though they were in no sense sporting men. They were honest stock, dignified and hard-working, prosperous and respected throughout the country as men who had wrested from the wilderness a prosperous living. MacDougal was the first abolitionist in the county. He it was who established the first station of the underground railway and organized the plans for helping slaves to escape across the border into Canada. These two sometimes brought their horses into the paddock at Shane’s farm and there, under his guidance, taught them to jump.
The abolitionist activities culminated in the Civil War, and the three men joined the colors, Shane as a lieutenant because somewhere in his mysterious background there was a thorough experience in military affairs. His two friends joined the ranks, rising at length to commands. MacDougal lost his life in the campaign of the Wilderness. Jacob Barr returned stricken by fever, and Shane himself received a bullet in the thigh.
Returning as a colonel from the war he found that in place of the dead MacDougal he had as a riding companion the farmer’s youngest daughter, a girl of nineteen. She had taken to the saddle with enthusiasm and was a horsewoman after his own heart. She knew no such thing as fear; she joined him recklessly in the most perilous feats and sat his most unruly horses with the ease and grace of an Amazon. She was not a pretty girl. The word “handsome” would have described her more accurately. She was strong, lithe and vigorous, and her features, though large like the honest MacDougal’s, were clearly chiseled and beautiful in a large way.
The strange pair rode together in the paddock more and more frequently until, at last, the astonished county learned that John Shane, the greatest gentleman in the state, had taken MacDougal’s youngest daughter east over the mountains and quietly made her mistress of Shane’s Castle. It also learned that he had taken his bride to Europe, and that his housekeeper, a pretty middle-aged Irish woman who never mingled with the townspeople, had been sent away, thus ending rumors of sin which had long scandalized the county. It appeared, some citizens hinted, that Julia MacDougal had been substituted for the Irish woman.
For two years the couple remained abroad, but during that time they were separated, for Shane, conscious of his bride’s rustic simplicity, sent her to a boarding school for English girls kept by a Bonapartist spinster named Violette de Vaux at St. Cloud on the outskirts of Paris. During those two years he did not visit her, choosing instead to absent himself upon some secret business in the south of Europe; and when he returned, his bride found it difficult to recognize in the man with a thick, blue black beard, the husband she had married two years earlier. The adornment gave him an appearance even more alien and sinister.
The two years were for the girl wretched ones, but in some incomprehensible fashion they hardened her and fitted her to begin the career her mysterious husband had planned. When they returned to Cypress Hill, Shane shaved off his beard once more and entered politics. From then on, great people came to stay at Cypress Hill--judges, politicians, lawyers, once even a president. As for Shane he sought no office for himself. It seemed that he preferred in politics to be the power behind the throne, the kingmaker, the man who advised and planned campaigns; he preferred the intrigues without the responsibilities. And so he became a figure in the state, a strange, bizarre, dashing figure which caught somehow the popular imagination. His face became known everywhere, as well as the stories about his private life, of strange brawls in the growing cities of the middle-west, of affairs with women, of scandals of every sort save those which concerned his personal honesty. Here he was immune. No one doubted his honesty. And the scandals did him little harm save in a small group of his own townspeople who regarded him as the apotheosis of sin, as a sort of Lucifer dwelling in a great brick house in the center of the Black Fork marshes.
In the great house, his wife, whose life it was whispered was far from happy, bore him two daughters, a circumstance which might have disappointed most men. It pleased the perverse John Shane who remarked that he was glad there was no son to carry on “his accursed name.”
As he grew older the unpopularity increased until among the poorer residents of the Town strange stories found their way into circulation, tales of orgies and wickedness in the great brick house. The stories at length grew by repetition until they included the unfortunate wife. But Shane went his proud way driving his handsome horses through the Town, riding like mad in the paddock. The Town grew and spread along the outskirts of his farm, threatening to surround it, but Shane would not sell. He scorned the arguments for progress and prosperity and held on to his land. At last there came a second railroad and then a third which crossed the continent, passing on their way along the banks of the sluggish Black Fork through the waving green swamp. Shane found himself powerless because the state condemned the land and it was his own party which promoted the railroad. He gave way and his land doubled and tripled in value. Factories began to appear and the marsh land became precious because in its midst three railroads crossed in a triangle which surrounded the house at Cypress Hill. Shane became older and more perverse. The tales increased, tales of screams heard in the night and of brutalities committed upon his wife; more scandals about a young servant girl leaked out somehow and were seized by the population of the Town. But throughout the state Shane’s name still commanded respect. When the great came to the Town they stopped at Shane’s Castle where the drawing-room was thrown open and receptions were held with the rag, tag and bobtail permitted to satisfy their curiosity. They found nothing but a handsome house, strange and beautifully furnished in a style unknown in the Town. John Shane and his wife, her face grown hard now as the jewels on her fingers, stood by this judge or that governor to receive, calm and dignified, distinguished by a worldliness foreign to the rugged, growing community.
And at last the master of Shane’s Castle was stricken dead by apoplexy one winter night at the top of the long polished stairway; and the wiry, thin old body rolled all the way to the bottom. Irene, who was a neurotic, timid girl, saw him fall and ran screaming from the house. Lily was in Europe at St. Cloud on the outskirts of Paris, a _pensionnaire_ in the boarding school of Mademoiselle Violette de Vaux. The wife quietly raised the body, laid it on a sofa under the portrait in the library and summoned a doctor who made certain that the terrible old man at last was dead.
When the news of his death spread through the Town, Italian workmen passing along the railroad at the foot of Cypress Hill crossed themselves and looked away as though the devil himself lay in state inside the wrought iron gates. Governors, judges and politicians attended the funeral and the widow appeared in deep mourning which she wore for three years. She played the role of a wife bereft of a devoted husband. The world whispered tales of her unhappiness, but the world _knew_ nothing. When great people came to the Town, they were still entertained at Cypress Hill. The legend of John Shane attained the most fantastic proportions; it became a part of the Town’s tradition. The words which Stepan Krylenko, the tow-headed Ukrainian, shouted through the wrought iron gates at the terrified Irene were simply an echo of certain grotesque stories.
After the death of her husband, Julia Shane sold off piecemeal at prodigious prices the land in the marshes traversed by the railroads. Factory after factory was erected. Some built farming implements, some manufactured wooden ware, but it was steel which occupied most of the district. Rolling mills came in and blast furnaces raised their bleak towers until Shane’s Castle was no longer an island surrounded by marshes but by great furnaces, steel sheds and a glistening maze of railway tracks. New families grew wealthy and came into prominence, the Harrisons among them. Some of the Shane farm land was sold, but out of it the widow kept a wide strip bordering Main Street where she erected buildings which brought her fat rents. The money that remained she invested shrewdly so that it increased at a startling rate. She became a rich woman and the legend of Shane’s Castle grew, spurred on by envy.
To the foreigners who lived in the hovels at the gate of Cypress Hill, the house and the park became the symbols of an oppressing wealth, of a crude relentless power no less savage than the old world which they had deserted for this new one. It was true that Julia Shane had nothing to do with the mills and furnaces; her money came from the land she owned. The mills were owned by the Harrisons and Judge Weissman; but Shane’s Castle became an easy symbol upon which to fix a hatred. Its fading grandeur arose in the very midst of the hot and overcrowded kennels of the workers.
VII
Six weeks after the night the Governor drove furiously away from the house at Cypress Hill, Julia Shane gave her last dinner before sending Lily away. It was small, including only Mrs. Julis Harrison, her son William, and Miss Abercrombie, but it served her purpose clearly as a piece of strategy to deceive the Town. Irene was absent, having gone back to the convent in the east where she had been to school as a little girl. A great doctor advised the visit, a doctor who held revolutionary ideas gained in Vienna. It was, he said, the one means of bringing the girl round, since he could drag from her no sane reason for her melancholy and neurasthenic behavior. Her mother could discover nothing; indeed it appeared that the girl had a strange fear of her which struck her dumb. So Julia Shane overcame her distaste for the Roman Catholic church and permitted the girl to return, thanking Heaven that she had kept from her the truth. This, she believed, would have caused Irene to lose her mind.
In the drawing-room after dinner a discreet battle raged with Julia Shane on one side and Mrs. Julis Harrison and Miss Abercrombie on the other. Lily and William Harrison withdrew to the library. In a curious fashion the drawing-room made an excellent battle-ground for so polite a struggle. It was so old, so mysterious and so delicate. There were no lights save the lamps, three of them, one majolica, one blue faience and one Ming, and the candles in the sconces on each side of the tall mirror and the flaming Venice of Mr. Turner. The only flowers were a bowl of white peonies which Lily had been able to save from the wreck of a garden beaten for three days by a south wind.
“The Governor’s visit,” observed Mrs. Harrison, “turned out unfortunately. He succeeded in offending almost every one of importance.”
“And his sudden going-away,” added Miss Abercrombie, eagerly leaning forward.
Julia Shane stirred in her big chair. To-night she wore an old-fashioned gown of black lace, very tight at the waist and very low in the neck, which displayed boldly the boniness of her strong shoulders. “I don’t think he intended slighting any one,” she said. “He was called away by a telegram. A Governor, you know, has duties. When Colonel Shane was alive....” And she launched into an anecdote of twenty years earlier, told amusingly and skilfully, leading Mrs. Julis Harrison and Miss Abercrombie for the time being far away from the behavior of the Governor. She spoke of her husband as she always did, in terms of the most profound devotion.
Mrs. Harrison was a handsome stout woman, a year or two older than Julia Shane but, unlike her, given to following the fashions closely. She preserved an illusion of youth by much lacing and secret recourse to rouge, a vain deception before Julia Shane, who knew rouge in all its degrees in Paris where rouge was used both skilfully and frankly. She moved, the older woman, with a slight pomposity, conscious always of the dignity of her position as the richest woman in the Town; for she was richer by a million or two than Julia Shane, to whom she acceded nothing save the prestige which was Cypress Hill and its tradition.
Miss Abercrombie, a spinster of uncertain age, wore her hair in a pompadour and spoke French, as she believed, perfectly. It was necessary that she believe in her own French, for she it was who instructed the young girls of the Town in French and in history, drawing upon a background derived from a dozen summers spent at one time or another on the continent. Throughout Julia Shane’s long anecdote, Miss Abercrombie interrupted from time to time with little fluttering sighs of appreciation, with “Ohs!” and “Ahs!” and sudden observations of how much pleasanter the Town had been in the old days. When the anecdote at last was finished, she it was who brought the conversation by a sudden heroic gesture back to the Governor.
“And tell me, dear Julia,” she said. “Is there no news of Lily?... Has nothing come of the Governor’s devotion?”
There was nothing, Julia replied with a sharp, compressed smile. “Nothing at all, save a flirtation. Lily, you know, is very pretty.”
“So beautiful!” remarked Mrs. Harrison. “I was telling my son William so, only to-night. He admires her ... deeply, you know, deeply.” She had taken to fanning herself vigorously for the night was hot. She did it boldly, endeavoring in vain to force some stray zephyr among the rolls of fat inside her tight bodice.
“What I can never understand,” continued Miss Abercrombie, “is why Lily hasn’t already married. A girl so pretty and so nice to every one ... especially older people.”
Mrs. Shane became falsely deprecating of Lily’s charms. “She is a good girl,” she said. “But hardly as charming as all that. The trouble is that she’s very fastidious. She isn’t easy to suit.” In her deprecation there was an assumption of superiority, as though she could well afford to deprecate because no one could possibly take her seriously.
“She’s had plenty of chances.... I don’t doubt that,” observed Miss Abercrombie. “I can remember that summer when we were all in Aix together.... Do you remember the young Englishman, Julia? The nice one with yellow hair?” She turned to Mrs. Julis Harrison with an air of arrogant pride and intimacy. “He was the second son of a peer, you know, and she could have had him by a turn of her finger.”
And the association with the peerage placed for the time being Miss Abercrombie definitely on the side of Julia Shane in the drawing-room skirmish.
“And Harvey Biggs was so devoted to her,” she babbled on. “Such a nice boy ... gone now to the war like so many other brave fellows.” Then as though remembering suddenly that William Harrison was not at the war but safe in the library across the hall, she veered quickly. “They say the Spanish atrocities in Cuba are beyond comprehension. I feel that we should spread them as much as possible to rouse the spirit of the people.”
“I’ve thought since,” remarked Mrs. Harrison, “that you should have had flags for decorations at the garden party, Julia. With a war on and especially with the Governor here. I only mention it because it has made people talk. It only adds to the resentment against his behavior.”
“I thought the flowers were enough,” replied Mrs. Shane, making a wry face. “They were so beautiful until cinders from your furnaces destroyed them. Those peonies,” she added, indicating the white flowers that showed dimly in the soft light, “are all that is left.” There was a moment’s pause and the distant throb of the Mills filled the room, proclaiming their eternal presence. It was a sound which never ceased. “The garden party seems to have been a complete failure. I’m growing too old to entertain properly.”
“Nonsense!” declared Mrs. Julis Harrison with great emphasis. “But I don’t see why you persist in living here with the furnaces under your nose.”
“I shan’t live anywhere else. Cypress Hill was here before the Mills ... long before.”
Almost unconsciously each woman discovered in the eye of the other a faint gleam of anger, the merest flash of spirit, a sign of the eternal struggle between that which is established and that which is forever in a state of flux, which Mrs. Julis Harrison in her heart called “progress” and Julia Shane in hers called “desecration.”
VIII
The struggle ended here because at that moment the voice of William Harrison, drawling and colorless, penetrated the room. He came in from the hallway, preceded by Lily, who wore a gown of rose-colored satin draped at the waist and ornamented with a waterfall of lace which descended from the discreet V at the neck. He was an inch or two shorter than Lily, with pale blond hair and blue eyes that protruded a little from beneath a high bald forehead. His nose was long and his mouth narrow and passionless. He held himself very straight, for he was conscious that his lack of stature was inconsistent with the dignity necessary to the heir of the Harrison millions.
“It is late, mother,” he said. “And Lily is leaving to-morrow for New York. She is sailing, you know, on Thursday.”
His face was flushed and his manner nervous. He fingered his watch-chain, slipping the ruby clasp backward and forward restlessly.
“Sailing!” repeated Mrs. Harrison, sitting bolt upright in her chair and suspending her fan in mid-air. “Sailing! Why didn’t you tell me, Julia? I should have sent you a going-away present, Lily.”
“Sailing,” echoed Miss Abercrombie, “to France, my dear! I have some commissions you must do for me. Do you mind taking a package or two?”
Lily smiled slowly. “Of course not. Can you send them down in the morning? I’m afraid I won’t get up to the Town to-morrow.”
She moved aside suddenly to make way for the mulatto woman, Hennery’s wife, for whom Julia Shane had rung at the moment of William Harrison’s first speech.
“Tell Hennery,” she said, “to send round Mrs. Harrison’s carriage.” The old woman was taking no chances now.
There followed the confusion which surrounds the collecting of female wraps, increased by the twittering of Miss Abercrombie in her excitement over the thought of a voyage to “the continent.” The carriage arrived and the guests were driven off down the long drive and out into the squalid street.
When Miss Abercrombie had been dropped at a little old house which, sheltered by lilacs, elms and syringas, stood in the old part of the Town, William Harrison shifted his position in the victoria, fingered his watch chain nervously and lowered his voice lest the coachman hear him above the rumble of the rubber-tires on the cobble-stones.
“She refused me,” he said.
For a time the victoria rumbled along in silence with its mistress sitting very straight, breathing deeply. At length she said, “She may come round.... You’re not clever with women, William.”
The son writhed in the darkness. He must sometimes have suspected that his mother’s opinion of him was even less flattering than his own. There was no more talk between them that night. For Mrs. Harrison a great hope had been killed--put aside perhaps expressed it more accurately, for she was a powerful woman who did not accept defeat passively. She had hoped that she might unite the two great fortunes of the Town. Irene had been tried and found impossible. She would never marry any one. One thing puzzled the indomitable woman and so dulled a little the keen edge of her disappointment. It was the sudden trip to Paris. A strange incredible suspicion raised itself in her mind. This she considered for a time, turning it over and over with a perverse pleasure. At last, despite all her desire to believe it, she discarded it as too fantastic.
“It couldn’t be,” she thought. “Julia would never have dared to invite us to meet the girl. Lily herself could not have been so calm and pleasant. No, it’s impossible!”
All the same when she went to her room in the great ugly house of red sandstone, she sat down before undressing and wrote a note to a friend who lived in Paris.
IX
At Cypress Hill, Julia Shane and her elder daughter returned, when the door had closed on their guests, to the drawing-room to discuss after a custom of long standing the entertainment of the evening. They agreed that Mrs. Harrison had grown much too stout, that she was indeed on the verge of apoplexy; that Miss Abercrombie became steadily more fidgety and affected.
“A woman should marry,” said Julia Shane, “even if she can do no better than a day laborer.”
Two candles by the side of the tall mirror and one by the flaming Venice of Mr. Turner guttered feebly and expired. Now that she was alone, the old woman lighted a cigarette and blew the smoke quietly into the still air. It was Lily who interrupted the silence.
“Willie proposed to me again,” she said presently.
The mother made no answer but regarded the girl quietly with a curious questioning look in her tired eyes. Lily, seated in the glow of light from the majolica lamp, must have understood what was passing in her mind.
“No,” she said, “if I had wanted to marry, I could have had a man ... a real man.” For a second her eyes grew dark with emotion and her red lips curved as if she remembered suddenly and with a shameless pleasure the embraces of her lover. “No,” she continued, “I wouldn’t play such a trick, even on a poor thing like Willie.”
The old woman knocked the ashes from her cigarette. The rings flashed and glittered in the candle light. “Sometimes,” she said softly, “I think you are hopeless ... altogether abandoned.”
There was a note of melancholy in her voice, so poignant that the girl suddenly sprang from her chair, crossed the little space between them and embraced her mother impulsively. “I’m sorry for your sake, Mama,” she said. “I’m sorry....” She kissed the hard, handsome face and the mother returned the embrace with a sudden fierce burst of unaccustomed passion.
“It’s all right, Lily dear. I’m only thinking of you. I don’t think anything can really hurt me any longer. I’m an old warrior, tough and well-armored.” For a second she regarded the girl tenderly and then asked, “but aren’t you afraid?”
“No!” The answer was quiet and confident.
“You’re a strange, strange girl,” said the mother.
X