Chapter 26 of 44 · 3990 words · ~20 min read

Part 26

On the pale-brown water little tufts of water-hyacinth were vaguely sailing, holding up the hand of a leaf for a sail. Everywhere the lake was dotted with these sailing tufts. The heavy rains had washed in flood down the Lerma river into the lake, washing the acres of _Lirio_ loose from the marshy end of the waters, thirty miles away, and slowly setting them travelling over all the expanse of the inland sea, till the shores began to be piled, and the far-off Santiago river, which flowed out of the lake, was choked.

That day Ramón wrote his Fourth Hymn.

What Quetzalcoatl Saw in Mexico.

_Who are these strange faces in Mexico? Palefaces, yellowfaces, blackfaces? These are no Mexicans! Where do they come from, and why?_

Lord of the Two Ways, these are the foreigners. They come out of nowhere. Sometimes they come to tell us things, Mostly they are the greedy ones.

_What then do they want?_

They want gold, they want silver from the mountains. And oil, much oil from the coast. They take sugar from the tall tubes of the cane, Wheat from the high lands, and maize; Coffee from the bushes in the hot lands, even the juicy rubber. They put up tall chimneys that smoke, And in the biggest houses they keep their machines, that talk And work iron elbows up and down, And hold myriad threads from their claws! Wonderful are the machines of the greedy ones!

_And you, Mexicans and peons, what do you do?_

We work with their machines, we work in their fields, They give us pesos made of Mexican silver. They are the clever ones.

_Do you love them then?_

We love them not, and never. Their faces are ugly, yet they make wonderful things. And their wills are like their machines of iron. What can we do?

_I see dark things rushing across the country._

Yea, Lord! Even trains and camions and automobiles.

Trains and camions, automobiles and aeroplanes. How nice! says the peon, to go rushing in a train! How nice, to get in the camion, and for twenty centavos, to be gone! How nice, in the great cities, where all things rush, and huge lights flare bright, to wander and do nothing! How nice to sit in the cine, where the picture of all the world dances before the eyes! How nice if we could take all these things away from the foreigners, and possess them! Take back our lands and silver and oil, take the trains and the factories and the automobiles And play with them all the time! How nice!

Oh, fools! Mexicans and peons! Who are you, to be masters of machines which you cannot make? Which you can only break! Those that can make are masters of these machines. Not you, poor boobs.

How have these palefaces, yellowfaces crossed the waters of the world? Oh, fools! Mexicans and peons, with muddy hearts! Did they do it by squatting on their hams? You do nothing but squat on your hams, and stare with vacant eyes, and drink fire-waters, and quarrel and stab. And then run like surly dogs at the bidding of paleface masters.

Oh, dogs and fools, Mexicans and peons! Watery-hearted, with wishy-washy knees. Sulky in spirit, and inert. What are you good for, but to be slaves, and rot away?

You are not worth a god! Lo! the universe tangles its great dragons, The dragons in the cosmos are stirring with anger again.

The dragon of the disappointed dead, that sleeps in the snow-white north Is lashing his tail in his sleep; the winds howl, the cold rocks round. The spirits of the cold dead whistle in the ears of the world. Prepare for doom.

For I tell you, there are no dead dead, not even your dead. There are dead that sleep in the waves of the Morning Star, with freshening limbs. There are dead that weep in bitter rains. There are dead that cluster in the frozen north, shuddering and chattering among the ice And howling with hate. There are dead that creep through the burning bowels of the earth, Stirring the fires to acid of bitterness. There are dead that sit under the trees, watching with ash-grey eyes for their victims. There are dead that attack the sun like swarms of black flies, to suck his life. There are dead that stand upon you, when you go in to your women, And they dart to her womb, they fight for the chance to be born, they struggle at the gate you have opened, They gnash when it closes, and hate the one that got in, to be born again, Child of the living dead, the dead that live and are not refreshed. I tell you, sorrow upon you; you shall all die. And being dead, you shall not be refreshed. There are no dead dead. Being dead, you shall rove like dogs with broken haunches Seeking the offal and garbage of life, in the invisible lanes of the air.

The dead that have mastered fire live on, salamanders, in fire. The dead of the water-lords rock and glimmer in the seas. The dead of the steel machines go up in motion, _away_! The dead of electric masters are electricity itself.

But the dead of those who have mastered nothing, nothing at all, Crawl like masterless dogs in the back streets of the air, Creeping for the garbage of life, and biting with venomous mouths.

Those that have mastered the forces of the world, die into the forces, they have homes in death. But you! what have you mastered, among the dragon hosts of the cosmos? There are dragons of sun and ice, dragons of the moon and the earth, dragons of salty waters, dragons of thunder; There is the spangled dragon of the stars at large. And far at the centre, with one unblinking eye, the dragon of the Morning Star.

Conquer! says the Morning Star. Pass the dragons, and pass on to me. For I am sweet, I am the last and the best, the pool of new life. But lo! you inert ones, I will set the dragons upon you. They shall crunch your bones. And even then they shall spit you out, as broken-haunched dogs, You shall have nowhere to die into.

Lo! in the back streets of the air, dead ones are crawling like curs! Lo! I release the dragons! The great white one of the north, Him of the disappointed dead, he is lashing and turning round. He is breathing cold corruption upon you, you shall bleed in your chests.

I am going to speak to the dragon of the inner fires, He who housels the dead of the guns, To withdraw his warmth from your feet, so your feet turn cold with death.

I am about to tell the dragon of the waters to turn round on you And spue out corrosion into your streams, on your rains.

And I wait for the final day, when the dragon of thunder, waking under the spider-web nets Which you’ve thrown upon him, shall suddenly shake with rage, And dart his electric needles into your bones, and curdle your blood like milk with electric venom.

Wait! Only wait! Little by little it all shall come upon you.

Ramón put on his black city clothes, and a black hat, and went himself with this hymn to the printer in the city. The sign of Quetzalcoatl he had printed in black and red, and the sign of the dragon, at the end, in green and black and red. And the sheet was folded.

Six soldiers of Cipriano’s command took the bundles of hymns by train; one to the capital, one to Puebla and Jalapa, one to Tampico and Monterrey, one to Torreon and Chihuahua, one to Sinaloa and Sonora, and one to the mines in Pachucha, Guanajuato, and the central region. Each soldier took only a hundred sheets. But in every town there was a recognised Reader of the Hymns; or two, or three, or four, or even ten Readers in one city. And readers who went round to the villages.

Because there was a strange, submerged desire in the people for things beyond the world. They were weary of events, and weary of news and the newspapers, weary even of the things that are taught in education. Weary is the spirit of man with man’s importunity. Of all things human, and humanly invented, we have had enough, they seemed to say. And though they took not much active notice of the Hymns, they craved for them, as men crave for alcohol, as a relief from the weariness and ennui of mankind’s man-made world.

Everywhere, in all the towns and villages, at night-time the little flames would be seen flickering, a cluster of people was seen, sometimes standing, sometimes sitting upon the ground, listening to the slow voice of some Reader.

More rarely, in some small, out-of-the-way plaza, would sound the sinister thud of the tom-tom, beating out of the hollow of the ages. And there would be two men with white sarapes with the blue edges. Then the singing of the Songs of Quetzalcoatl, and perhaps the slow round dance, with the ancient rhythm of the feet on the earth, belonging to aboriginal America.

For the old dances of the Aztecs and the Zapotecs, of all the submerged Indian races, are based upon the old, sinking bird-step of the Red Indians of the north. It is in the blood of the people; they cannot quite forget it. It comes back to them, with a sense of fear, and joy, and relief.

Of themselves, they dared not revive the old motion, nor stir the blood in the old way. The spell of the past is too terrible. But in the Songs and the Hymns of Quetzalcoatl, there spoke a new voice, the voice of a master and authority. And though they were slow to trust, the slowest and the most untrusting, they seized upon the new-old thrill, with a certain fear, and joy, and relief.

The Men of Quetzalcoatl avoided the great market-places and centres of activity. They took their stand in the little, side places. On the rim of a fountain a man in a dark blanket with blue borders, or with the sign of Quetzalcoatl in his hat, would sit down and begin to read aloud. It was enough. The people lingered to listen. He would read to the end, then say: “I have finished this reading of the Fourth Hymn of Quetzalcoatl. Now I will begin again.”

In this way, by a sort of far-away note in the voice, and by the slow monotony of repetition, the thing would drift darkly into the consciousness of the listeners.

Already in the beginning there had been the scandal of the Judases. Holy Week, in Mexico City, is, to all appearance, the great week of Judas. Everywhere you see men carrying home in triumph the great, gaudily-varnished dolls of papier-mâché. They are all men-dolls, more or less lifelike grotesque. Most frequently it is a fat Mexican-Spanish hacendado, landowner and big farmer, who is represented with his tight trousers, sticking-out belly, and huge upturned moustaches. The old-fashioned _patrón_. Some of the figures are like Punch, some are like harlequin. But they all have rosy faces and the white man’s get-up. You never see the dark-faced image of a native-blooded Mexican; always a stiff, haughty grotesque of a white man.

And all these are Judases. Judas is the fun of the fair, the victim, the big man of Holy Week, just as the Skeleton, and the skeleton on horseback, is the idol of the first week in November, the days of the dead and of all the saints.

On Easter Saturday the Judases are hung from the balconies, the string is lighted, and at length, _bang_! Shrieks of joy, Judas has exploded into nothingness, from a big cracker in the middle of him!--All the town is popping with Judases.

There was the scandal of the Holy Images thrown out of one of the churches in Mexico City, and these Judases put in their place. The Church began to move.

But then the Church in Mexico has to move gingerly; it is not popular, and its claws are cut. The priest may not ring the church bells for more than three minutes. Neither priests nor monks may wear any habit in the street, beyond the hideous black vest and white collar of the Protestant clergy. So that the priest shows himself as little as possible in the street, and practically never in the chief streets and the chief plazas.

Nevertheless, he still has influence. Processions in the streets are forbidden, but not sermons from the pulpit, nor advice from the confessional. Montes, the President, had no love for the church, and was meditating the expulsion of all foreign priests. The Archbishop himself was an Italian. But he was also a fighter.

He gave orders to all the priests, to forbid the people from listening to anything concerned with Quetzalcoatl, to destroy any hymn-sheet that might fall into their hands, and to prevent as far as possible the Hymns from being read, and the Songs from being sung, in the parishes.

But Montes had given orders to the police and the military to afford such protection to the Men of Quetzalcoatl as was accorded to any other law-abiding citizen.

Mexico is not Mexico for nothing, however, and already blood had been shed on both sides. This Ramón particularly wanted to avoid, as he felt that violent death was not so easily wiped out of the air and out of the souls of men, as spilt blood was washed off the pavements.

Therefore, when he was in the City, he asked the Bishop of the West if he would consent to an interview with himself and Don Cipriano, and would he name the place. The Bishop--who was an old friend and adviser of Carlota, and who knew Ramón well enough, replied that he should be pleased to see Don Ramón and the _Señor General_ the next day, if they would be so good as to come to his house.

The Bishop no longer occupied the great episcopal palace. This was turned into the post-office building. But he had a large house not far from the Cathedral, which had been presented by the faithful.

Ramón and Cipriano found the thin old man in a dusty, uninteresting library, waiting. He wore a simple black cassock, not too clean, with purple buttons. He received Ramón, who was in a black town suit, and Cipriano, who was in uniform, with an affable manner and suspicious looks. But he played at being the lively, genial old bird.

“Ah, Don Ramón, it is long since I saw you! How goes it, eh? Well, well? That is good! That is very good!” And he patted Ramón on the sleeve like a fussy old uncle. “Ah, my General, much honour, much honour! Welcome to this poor house of yours. It is the house of your Honour! To serve you! Gentlemen! Won’t you take a seat?”

They all sat down, in the dusty, dreary room, in the old leather chairs. The Bishop nervously looked at his thin old hands, at the fine, but rather dull amethyst ring he wore.

“Good! Señores!” he said, glancing up with his little black eyes. “At your service! Entirely at the service of your Honours.”

“Doña Carlota is in the city, Father. You have seen her?” said Ramón.

“Yes, son of mine,” said the Bishop.

“Then you know the latest news about me. She told you everything.”

“Somewhat! Somewhat! She spoke somewhat of you, the poor little thing. Thanks to God she has her sons with her. They are safely back in their native country, in good health.”

“Did you see them?”

“Yes! Yes! Two of my dearest children! Very sympathetic, very intelligent, like their father; and, like him, promising to be of very handsome presence. Yes! Yes! Smoke if you will, my General. Don’t hesitate.”

Cipriano lit a cigarette. From old associations, he was nervous, albeit amused.

“You know all about what I want to do, Father?” said Ramón.

“I don’t know all, son of mine, but I know enough. I wouldn’t want to hear more. Eh!” he sighed. “It is very sad.”

“Not so very sad, Father, if we don’t make it sad. Why make a sad thing out of it, Father? We are in Mexico for the most part Indians. They cannot understand the high Christianity, Father, and the Church knows it. Christianity is a religion of the spirit, and must needs be understood if it is to have any effect. The Indians cannot understand it, any more than the rabbits of the hills.”

“Very good! Very good! Son of mine! But we can convey it to them. The rabbits of the hills are in the hands of God.”

“No, Father, it is impossible. And without a religion that will connect them with the universe, they will all perish. Only religion will serve; not socialism, nor education, nor anything.”

“Thou speakest well,” said the Bishop.

“The rabbits of the hills may be in the hands of God, Father. But they are at the mercy of men. The same with Mexico. The people sink heavier and heavier into inertia, and the Church cannot help them, because the Church does not possess the key-word to the Mexican soul.”

“Doesn’t the Mexican Soul know the Voice of God?” said the Bishop.

“Your own children may know your voice, Father. But if you go out to speak to the birds on the lake, or the deer among the mountains, will they know your voice? Will they wait and listen?”

“Who knows? It is said they waited to listen to the Holy Francisco of Assisi.”

“Now, Father, we must speak to the Mexicans in their own language, and give them the clue-word to their own souls. I shall say _Quetzalcoatl_. If I am wrong, let me perish. But I am not wrong.”

The Bishop fidgetted rather restlessly. He didn’t want to hear all this. And he did not want to answer. He was impotent anyhow.

“Your Church is the Catholic Church, Father?”

“Surely!” said the Bishop.

“And Catholic Church means the Church of All, the Universal Church?”

“Surely, son of mine.”

“Then why not let it be really catholic? Why call it catholic, when it is not only just one among many churches, but is even hostile to all the rest of the churches? Father, why not let the Catholic Church become really the universal Church?”

“It is the Universal Church of Christ, my son.”

“Why not let it be the Universal Church of Mohammet as well; since ultimately, God is One God, but the peoples speak varying languages, and each needs its own prophet to speak with its own tongue. The Universal Church of Christ, and Mohammet, and Buddha, and Quetzalcoatl, and all the others--_that_ would be a Catholic Church, Father.”

“You speak of things beyond me,” said the Bishop, turning his ring.

“Not beyond any man,” said Don Ramón. “A Catholic Church is a church of all the religions, a home on earth for all the prophets and the Christs. A big tree under which every man who acknowledges the greater life of the soul can sit and be refreshed. Isn’t _that_ the Catholic Church, Father?”

“Alas, my son, I know the Apostolic Church of Christ in Rome, of which I am a humble servant. I do not understand these clever things you are saying to me.”

“I am asking you for peace, Father. I am not one who hates the Church of Christ, the _Roman_ Catholic Church. But in Mexico I think it has no place. When my heart is not bitter, I am grateful forever to Christ, the Son of God. The affair of the Judases grieves me more than it does you, and the affairs of bloodshed are far bitterer to me.”

“I am no innovator, my son, to provoke bloodshed.”

“Listen! I am going to remove the holy images from the church at Sayula, with reverence, and with reverence burn them upon the lake. Then I shall put the image of Quetzalcoatl in the church at Sayula.”

The Bishop looked up furtively. For some moments he said nothing. But his silence was furtive, cornered.

“Would you dare do that, Don Ramón?” he said.

“Yes! And I shall not be prevented. General Viedma is with me.”

The Bishop glanced sideways at Cipriano.

“Certainly,” said Cipriano.

“Nevertheless it is illegal,” said the Bishop, with acid bitterness.

“What is illegal in Mexico?” said Ramón. “What is weak is illegal. I will not be weak, My Lord.”

“Lucky you!” said the Bishop, lifting his shoulders.

There was a break of silence.

“No!” said Ramón. “I come to ask you for peace. Tell the Archbishop what I say. Let him tell the Cardinals and the Pope, that the time has come for a Catholic Church of the Earth, the Catholic Church of All the Sons of Men. The Saviours are more than one, and let us pray they will still be increased. But God is one God, and the Saviours are the Sons of the One God. Let the Tree of the Church spread its branches over all the earth, and shelter the prophets in its shade, as they sit and speak their knowledge of the beyond.”

“Are you one of these prophets, Don Ramón?”

“I surely am, Father. And I would speak about Quetzalcoatl in Mexico, and build his Church here.”

“Nay! You would invade the Churches of Christ and the Blessed Virgin, I heard you say.”

“You know my intentions. But I do not want to quarrel with the Church of Rome, nor have bloodshed and enmity, Father. Can you not understand me? Should there not be peace between the men who strive down their different ways to the God-Mystery?”

“Once more desecrate the altars! Bring in strange idols. Burn the images of Our Lord and Our Lady, and ask for peace?” said the poor Bishop, who helplessly longed to be left alone.

“All that, Father,” said Ramón.

“Son, what can I answer? You are a good man smitten with the madness of pride. Don Cipriano is one more Mexican general. I am the poor old Bishop of this diocese, faithful servant of the Holy Church, humble child of the Holy Father in Rome. What can I do? What can I answer? Take me out to the cemetery and shoot me at once, General!”

“I don’t want to,” said Cipriano.

“It will end like that,” said the Bishop.

“But why?” cried Don Ramón. “Is there no sense in what I say? Cannot you understand?”

“My son, my understanding goes no further than my faith, my duty, will allow. I am not a clever man. I live by faith, and my duty to my sacred office. Understand that I do not understand.”

“Good-day, Father!” said Ramón, suddenly rising.

“Go with God, my son,” said the Bishop, rising and lifting his fingers.

“Adios, Señor!” said Cipriano, clicking his spurs, and putting his hand on his sword as he turned to the door.

“Adios, Señor General,” said the Bishop, darting after them his eyes of old malice, which they could feel in their backs.

“He will say nothing,” said Cipriano, as he and Ramón went down the steps. “The old jesuit, he only wants to keep his job and his power, and prevent the heart’s beating. I know them. All they treasure, even more than their money, is their centipede power over the frightened people; especially over the women.”

“I didn’t know you hated them,” laughed Ramón.

“Waste no more breath on them, my dear one,” said Cipriano. “Go forward, you can walk over broken snakes such as those.”