I.

ITALY.

Canals in connection with the Arno (1001-1008).

1001.

CANAL OF FLORENCE.

Sluices should be made in the valley of la Chiana at Arezzo, so that when, in the summer, the Arno lacks water, the canal may not remain dry: and let this canal be 20 braccia wide at the bottom, and at the top 30, and 2 braccia deep, or 4, so that two of these braccia may flow to the mills and the meadows, which will benefit the country; and Prato, Pistoia and Pisa, as well as Florence, will gain two hundred thousand ducats a year, and will lend a hand and money to this useful work; and the Lucchese the same, for the lake of Sesto will be navigable; I shall direct it to Prato and Pistoia, and cut through Serravalle and make an issue into the lake; for there will be no need of locks or supports, which are not lasting and so will always be giving trouble in working at them and keeping them up.

And know that in digging this canal where it is 4 braccia deep, it will cost 4 dinari the square braccio; for twice the depth 6 dinari, if you are making 4 braccia [Footnote: This passage is illustrated by a slightly sketched map, on which these places are indicated from West to East: Pisa, Luccha, Lago, Seravalle, Pistoja, Prato, Firenze.] and there are but 2 banks; that is to say one from the bottom of the trench to the surface of the edges of it, and the other from these edges to the top of the ridge of earth which will be raised on the margin of the bank. And if this bank were of double the depth only the first bank will be increased, that is 4 braccia increased by half the first cost; that is to say that if at first 4 dinari were paid for 2 banks, for 3 it would come to 6, at 2 dinari the bank, if the trench measured 16 braccia at the bottom; again, if the trench were 16 braccia wide and 4 deep, coming to 4 lire for the work, 4 Milan dinari the square braccio; a trench which was 32 braccia at the bottom would come to 8 dinari the square braccio.

1002.

>From the wall of the Arno at [the gate of] la Giustizia to the bank of the Arno at Sardigna where the walls are, to the mills, is 7400 braccia, that is 2 miles and 1400 braccia and beyond the Arno is 5500 braccia.

[Footnote: 2. _Giustizia_. By this the Porta della Giustizia seems to be meant; from the XVth to the XVIth centuries it was also commonly known as Porta Guelfa, Porta San Francesco del Renaio, Porta Nuova, and Porta Reale. It was close to the Arno opposite to the Porta San Niccolo, which still exists.]

1003.

By guiding the Arno above and below a treasure will be found in each acre of ground by whomsoever will.

1004.

The wall of the old houses runs towards the gate of San Nicolo.

[Footnote: By the side of this text there is an indistinct sketch, resembling that given under No.973. On the bank is written the word _Casace_. There then follows in the original a passage of 12 lines in which the consequences of the windings of the river are discussed. A larger but equally hasty diagram on the same page represents the shores of the Arno inside Florence as in two parallel lines. Four horizontal lines indicate the bridges. By the side these measures are stated in figures: I. (at the Ponte alla Carraja): _230--largho br. 12 e 2 di spoda e 14 di pile e a 4 pilastri;_ 2. (at the Ponte S. Trinita); _l88--largho br. 15 e 2 di spode he 28 di pilastri for delle spode e pilastri so 2;_ 3. (at the Ponte vecchio); _pote lung br. 152 e largo;_ 4. (at the Ponte alle Grazie): _290 ellargo 12 e 2 di spode e 6 di pili._

There is, in MS. W. L. 2l2b, a sketched plan of Florence, with the following names of gates: _Nicholo--Saminiato--Giorgo--Ghanolini--Porta San Fredian --Prato--Faenza--Ghallo--Pinti--Giustitia_.]

1005.

The ruined wall is 640 braccia; 130 is the wall remaining with the mill; 300 braccia were broken in 4 years by Bisarno.

1006.

They do not know why the Arno will never remain in a channel. It is because the rivers which flow into it deposit earth where they enter, and wear it away on the opposite side, bending the river in that direction. The Arno flows for 6 miles between la Caprona and Leghorn; and for 12 through the marshes, which extend 32 miles, and 16 from La Caprona up the river, which makes 48; by the Arno from Florence beyond 16 miles; to Vico 16 miles, and the canal is 5; from Florence to Fucechio it is 40 miles by the river Arno.

56 miles by the Arno from Florence to Vico; by the Pistoia canal it is 44 miles. Thus it is 12 miles shorter by the canal than by the Arno.

[Footnote: This passage is written by the side of a map washed in Indian ink, of the course of the Arno; it is evidently a sketch for a completer map.

These investigations may possibly be connected with the following documents. _Francesco Guiducci alla Balia di Firenze. Dal Campo contro Pisa_ 24 _Luglio_ 1503 (_Archivio di Stato, Firenze, Lettere alla Balia_; published by J. GAYE, _Carteggio inedito d'Artisti, Firenze_ 1840, _Tom. II_, p. 62): _Ex Castris, Franciscus Ghuiduccius,_ 24. _Jul._ 1503. _Appresso fu qui hieri con una di V. Signoria Alexandro degli Albizi insieme con Leonardo da Vinci et certi altri, et veduto el disegno insieme con el ghovernatore, doppo molte discussioni et dubii conclusesi che l'opera fussi molto al proposito, o si veramente Arno volgersi qui, o restarvi con un canale, che almeno vieterebbe che le colline da nemici non potrebbono essere offese; come tucto referiranno loro a bocha V. S._

And, _Archivio di Stato, Firenze, Libro d'Entrata e Uscita di cassa de' Magnifici Signori di luglio e agosto_

1503 _a_ 51 _T.: Andata di Leonardo al Campo sotto Pisa. Spese extraordinarie dieno dare a di XXVI di luglio L. LVI sol. XII per loro a Giovanni Piffero; e sono per tanti, asegnia avere spexi in vetture di sei chavalli a spese di vitto per andare chon Lionardo da Vinci a livellare Arno in quello di Pisa per levallo del lilo suo._ (Published by MILANESI, _Archivio Storico Italiano, Serie III, Tom. XVI._} VASARI asserts: _(Leonardo) fu il primo ancora, che giovanetto discorresse sopra il fiume d'Arno per metterlo in canale da Pisa a Fiorenza_ (ed. SANSONI, IV, 20).

The passage above is in some degree illustrated by the map on Pl. CXII, where the course of the Arno westward from Empoli is shown.]

1007.

The eddy made by the Mensola, when the Arno is low and the Mensola full.

[Footnote: _Mensola_ is a mountain stream which falls into the Arno about a mile and a half above Florence.

A=Arno, I=Isola, M=Mvgone, P=Pesa, N=Mesola.]

1008.

That the river which is to be turned from one place to another must be coaxed and not treated roughly or with violence; and to do this a sort of floodgate should be made in the river, and then lower down one in front of it and in like manner a third, fourth and fifth, so that the river may discharge itself into the channel given to it, or that by this means it may be diverted from the place it has damaged, as was done in Flanders--as I was told by Niccolo di Forsore.

How to protect and repair the banks washed by the water, as below the island of Cocomeri.

Ponte Rubaconte (Fig. 1); below [the palaces] Bisticci and Canigiani (Fig. 2). Above the flood gate of la Giustizia (Fig. 3); _a b_ is a sand bank opposite the end of the island of the Cocomeri in the middle of the Arno (Fig. 4). [Footnote: The course of the river Arno is also discussed in Nos. 987 and 988.]

Canals in the Milanese (1009-1013).

1009.

The canal of San Cristofano at Milan made May 3rd 1509. [Footnote: This observation is written above a washed pen and ink drawing which has been published as Tav. VI in the _,,Saggio."_ The editors of that work explain the drawing as _"uno Studio di bocche per estrazione d'acqua."_]

1010.

OF THE CANAL OF MARTESANA.

By making the canal of Martesana the water of the Adda is greatly diminished by its distribution over many districts for the irrigation of the fields. A remedy for this would be to make several little channels, since the water drunk up by the earth is of no more use to any one, nor mischief neither, because it is taken from no one; and by making these channels the water which before was lost returns again and is once more serviceable and useful to men.

[Footnote: _"el navilio di Martagano"_ is also mentioned in a note written in red chalk, MS. H2 17a Leonardo has, as it seems, little to do with Lodovico il Moro's scheme to render this canal navigable. The canal had been made in 1460 by Bertonino da Novara. Il Moro issued his degree in 1493, but Leonardo's notes about this canal were, with the exception of one (No. 1343), written about sixteen years later.]

1011.

No canal which is fed by a river can be permanent if the river whence it originates is not wholly closed up, like the canal of Martesana which is fed by the Ticino.

1012.

>From the beginning of the canal to the mill.

>From the beginning of the canal of Brivio to the mill of Travaglia is 2794 trabochi, that is 11176 braccia, which is more than 3 miles and two thirds; and here the canal is 57 braccia higher than the surface of the water of the Adda, giving a fall of two inches in every hundred trabochi; and at that spot we propose to take the opening of our canal.

[Footnote: The following are written on the sketches: At the place marked _N: navilio da dacquiue_ (canal of running water); at _M: molin del Travaglia_ (Mill of Travaglia); at _R: rochetta ssanta maria_ (small rock of Santa Maria); at _A: Adda;_ at _L: Lagho di Lecho ringorgato alli 3 corni in Adda,--Concha perpetua_ (lake of Lecco overflowing at Tre Corni, in Adda,-- a permanent sluice). Near the second sketch, referring to the sluice near _Q: qui la chatena ttalie d'u peso_ (here the chain is in one piece). At _M_ in the lower sketch: _mol del travaglia, nel cavare la concha il tereno ara chotrapero co cassa d'acqua._ (Mill of Travaglia, in digging out the sluice the soil will have as a counterpoise a vessel of water).]

1013.

If it be not reported there that this is to be a public canal, it will be necessary to pay for the land; [Footnote 3: _il re_. Louis XII or Francis I of France. It is hardly possible to doubt that the canals here spoken of were intended to be in the Milanese. Compare with this passage the rough copy of a letter by Leonardo, to the _"Presidente dell' Ufficio regolatore dell' acqua"_ on No. 1350. See also the note to No. 745, 1. 12.] and the king will pay it by remitting the taxes for a year.

Estimates and preparatory studies for canals (1014. 1015).

1014.

CANAL.

The canal which may be 16 braccia wide at the bottom and 20 at the top, we may say is on the average 18 braccia wide, and if it is 4 braccia deep, at 4 dinari the square braccia; it will only cost 900 ducats, to excavate by the mile, if the square braccio is calculated in ordinary braccia; but if the braccia are those used in measuring land, of which every 4 are equal to 4 1/2 and if by the mile we understand three thousand ordinary braccia; turned into land braccia, these 3000 braccia will lack 1/4; there remain 2250 braccia, which at 4 dinari the braccio will amount to 675 ducats a mile. At 3 dinari the square braccio, the mile will amount to 506 1/4 ducats so that the excavation of 30 miles of the canal will amount to 15187 1/2 ducats.

1015.

To make the great canal, first make the smaller one and conduct into it the waters which by a wheel will help to fill the great one.

Notes on buildings in Milan (1016-1019)

1016.

Indicate the centre of Milan.

Moforte--porta resa--porta nova--strada nova--navilio--porta cumana--barco--porta giovia--porta vercellina--porta sco Anbrogio--porta Tesinese--torre dell' Imperatore-- porta Lodovica--acqua.

[Footnote: See Pl. CIX. The original sketch is here reduced to about half its size. The gates of the town are here named, beginning at the right hand and following the curved line. In the bird's eye view of Milan below, the cathedral is plainly recognisable in the middle; to the right is the tower of San Gottardo. The square, above the number 9147, is the Lazzaretto, which was begun in 1488. On the left the group of buildings of the _'Castello'_ will be noticed. On the sketched Plan of Florence (see No. 1004 note) Leonardo has written on the margin the following names of gates of Milan: Vercellina --Ticinese--Ludovica--Romana--Orientale-- Nova--Beatrice--Cumana--Compare too No. 1448, 11. 5, 12.]

1017.

The moat of Milan.

Canal 2 braccia wide.

The castle with the moats full.

The filling of the moats of the Castle of Milan.

1018.

THE BATH.

To heat the water for the stove of the Duchess take four parts of cold water to three parts of hot water.

[Footnote: _Duchessa di Milano_, Beatrice d'Este, wife of Ludovico il Moro to whom she was married, in 1491. She died in June 1497.]

1019.

In the Cathedral at the pulley of the nail of the cross.

Item.

To place the mass _v r_ in the...

[Footnote: On this passage AMORETTI remarks _(Memorie Storiche_ chap. IX): _Nell'anno stesso lo veggiamo formare un congegno di carucole e di corde, con cui trasportare in piu venerabile e piu sicuro luogo, cioe nell'ultima arcata della nave di mezzo della metropolitana, la sacra reliquia del Santo Chiodo, che ivi ancor si venera. Al fol. 15 del codice segnato Q. R. in 16, egli ci ha lasciata di tal congegno una doppia figura, cioe una di quattro carucole, e una di tre colle rispettive corde, soggiugnandovi: in Domo alla carucola del Chiodo della Croce._

AMORETTI'S views as to the mark on the MS, and the date when it was written are, it may be observed, wholly unfounded. The MS. L, in which it occurs, is of the year 1502, and it is very unlikely that Leonardo was in Milan at that time; this however would not prevent the remark, which is somewhat obscure, from applying to the Cathedral at Milan.]

1020.

OF THE FORCE OF THE VACUUM FORMED IN A MOMENT.

I saw, at Milan, a thunderbolt fall on the tower della Credenza on its Northern side, and it descended with a slow motion down that side, and then at once parted from that tower and carried with it and tore away from that wall a space of 3 braccia wide and two deep; and this wall was 4 braccia thick and was built of thin and small old bricks; and this was dragged out by the vacuum which the flame of the thunderbolt had caused, &c.

[Footnote: With reference to buildings at Milan see also Nos. 751 and 756, and Pl. XCV, No. 2 (explained on p. 52), Pl. C (explained on pages 60-62). See also pages 25, 39 and 40.]

Remarks on natural phenomena in and near Milan (1021. 1022).

1021.

I have already been to see a great variety (of atmospheric effects). And lately over Milan towards Lago Maggiore I saw a cloud in the form of an immense mountain full of rifts of glowing light, because the rays of the sun, which was already close to the horizon and red, tinged the cloud with its own hue. And this cloud attracted to it all the little clouds that were near while the large one did not move from its place; thus it retained on its summit the reflection of the sunlight till an hour and a half after sunset, so immensely large was it; and about two hours after sunset such a violent wind arose, that it was really tremendous and unheard of.

[Footnote: _di arie_ is wanting in the original but may safely be inserted in the context, as the formation of clouds is under discussion before this text.]

1022.

On the 10th day of December at 9 o'clock a. m. fire was set to the place.

On the l8th day of December 1511 at 9 o'clock a. m. this second fire was kindled by the Swiss at Milan at the place called DCXC. [Footnote: With these two texts, (l. 1--2 and l. 3--5 are in the original side by side) there are sketches of smoke wreaths in red chalk.]

Note on Pavia.

1023.

The chimneys of the castle of Pavia have 6 rows of openings and from each to the other is one braccio.

[Footnote: Other notes relating to Pavia occur on p. 43 and p. 53 (Pl. XCVIII, No. 3). Compare No. 1448, 26.]

Notes on the Sforzesca near Vigevano (1024-1028).

1024.

On the 2nd day of February 1494. At Sforzesca I drew twenty five steps, 2/3 braccia to each, and 8 braccia wide.

[Footnote: See Pl. CX, No. 2. The rest of the notes on this page refer to the motion of water. On the lower sketch we read: 4 _br._ (four braccia) and _giara_ (for _ghiaja_, sand, gravel).]

1025.

The vineyards of Vigevano on the 20th day of March 1494.

[Footnote: On one side there is an effaced sketch in red chalk.]

1026.

To lock up a butteris at Vigevano.

1027.

Again if the lowest part of the bank which lies across the current of the waters is made in deep and wide steps, after the manner of stairs, the waters which, in their course usually fall perpendicularly from the top of such a place to the bottom, and wear away the foundations of this bank can no longer descend with a blow of too great a force; and I find the example of this in the stairs down which the water falls in the fields at Sforzesca at Vigevano over which the running water falls for a height of 50 braccia.

1028.

Stair of Vigevano below La Sforzesca, 130 steps, 1/4 braccio high and 1/2 braccio wide, down which the water falls, so as not to wear away anything at the end of its fall; by these steps so much soil has come down that it has dried up a pool; that is to say it has filled it up and a pool of great depth has been turned into meadows.

Notes on the North Italian lake. (1029-1033)

1029.

In many places there are streams of water which swell for six hours and ebb for six hours; and I, for my part, have seen one above the lake of Como called Fonte Pliniana, which increases and ebbs, as I have said, in such a way as to turn the stones of two mills; and when it fails it falls so low that it is like looking at water in a deep pit.

[Footnote: The fountain is known by this name to this day: it is near Torno, on the Eastern shore of Como. The waters still rise and fall with the flow and ebb of the tide as Pliny described it (Epist. IV, 30; Hist. Nat. II, 206).]

1030.

LAKE OF COMO. VALLEY OF CHIAVENNA.

Above the lake of Como towards Germany is the valley of Chiavenna where the river Mera flows into this lake. Here are barren and very high mountains, with huge rocks. Among these mountains are to be found the water-birds called gulls. Here grow fir trees, larches and pines. Deer, wildgoats, chamois, and terrible bears. It is impossible to climb them without using hands and feet. The peasants go there at the time of the snows with great snares to make the bears fall down these rocks. These mountains which very closely approach each other are parted by the river. They are to the right and left for the distance of 20 miles throughout of the same nature. >From mile to mile there are good inns. Above on the said river there are waterfalls of 400 braccia in height, which are fine to see; and there is good living at 4 soldi the reckoning. This river brings down a great deal of timber.

VAL SASINA.

Val Sasina runs down towards Italy; this is almost the same form and character. There grow here many _mappello_ and there are great ruins and falls of water [Footnote 14: The meaning of _mappello_ is unknown.].

VALLEY OF INTROZZO.

This valley produces a great quantity of firs, pines and larches; and from here Ambrogio Fereri has his timber brought down; at the head of the Valtellina are the mountains of Bormio, terrible and always covered with snow; marmots (?) are found there.

BELLAGGIO.

Opposite the castle Bellaggio there is the river Latte, which falls from a height of more than 100 braccia from the source whence it springs, perpendicularly, into the lake with an inconceivable roar and noise. This spring flows only in August and September.

VALTELLINA.

Valtellina, as it is called, is a valley enclosed in high and terrible mountains; it produces much strong wine, and there is so much cattle that the natives conclude that more milk than wine grows there. This is the valley through which the Adda passes, which first runs more than 40 miles through Germany; this river breeds the fish _temolo_ which live on silver, of which much is to be found in its sands. In this country every one can sell bread and wine, and the wine is worth at most one soldo the bottle and a pound of veal one soldo, and salt ten dinari and butter the same and their pound is 30 ounces, and eggs are one soldo the lot.

1031.

At BORMIO.

At Bormio are the baths;--About eight miles above Como is the Pliniana, which increases and ebbs every six hours, and its swell supplies water for two mills; and its ebbing makes the spring dry up; two miles higher up there is Nesso, a place where a river falls with great violence into a vast rift in the mountain. These excursions are to be made in the month of May. And the largest bare rocks that are to be found in this part of the country are the mountains of Mandello near to those of Lecco, and of Gravidona towards Bellinzona, 30 miles from Lecco, and those of the valley of Chiavenna; but the greatest of all is that of Mandello, which has at its base an opening towards the lake, which goes down 200 steps, and there at all times is ice and wind.

IN VAL SASINA.

In Val Sasina, between Vimognio and Introbbio, to the right hand, going in by the road to Lecco, is the river Troggia which falls from a very high rock, and as it falls it goes underground and the river ends there. 3 miles farther we find the buildings of the mines of copper and silver near a place called Pra' Santo Pietro, and mines of iron and curious things. La Grigna is the highest mountain there is in this part, and it is quite bare.

[Footnote: 1030 and 1031. From the character of the handwriting we may conclude that these observations were made in Leonardo's youth; and I should infer from their contents, that they were notes made in anticipation of a visit to the places here described, and derived from some person (unknown to us) who had given him an account of them.]

1032.

The lake of Pusiano flows into the lake of Segrino [Footnote 3: The statement about the lake Segrino is incorrect; it is situated in the Valle Assina, above the lake of Pusiano.] and of Annone and of Sala. The lake of Annone is 22 braccia higher at the surface of its water than the surface of the water of the lake of Lecco, and the lake of Pusiano is 20 braccia higher than the lake of Annone, which added to the afore said 22 braccia make 42 braccia and this is the greatest height of the surface of the lake of Pusiano above the surface of the lake of Lecco.

[Footnote: This text has in the original a slight sketch to illustrate it.]

1033.

At Santa Maria in the Valley of Ravagnate [Footnote 2: _Ravagnate_ (Leonardo writes _Ravagna_) in the Brianza is between Oggiono and Brivio, South of the lake of Como. M. Ravaisson avails himself of this note to prove his hypothesis that Leonardo paid two visits to France. See Gazette des Beaux Arts, 1881 pag. 528:

_Au recto du meme feuillet, on lit encore une note relative a une vallee "nemonti brigatia"; il me semble qu'il s'agit bien des monts de Briancon, le Brigantio des anciens. Briancon est sur la route de Lyon en Italie. Ce fut par le mont Viso que passerent, en aout 1515, les troupes francaises qui allaient remporter la victoire de Marignan.

Leonard de Vinci, ingenieur de Francois Ier, comme il l'avait ete de Louis XII, aurait-il ete pour quelque chose dans le plan du celebre passage des Alpes, qui eut lieu en aout 1515, et a la suite duquel on le vit accompagner partout le chevaleresque vainqueur? Auraitil ete appele par le jeune roi, de Rome ou l'artiste etait alors, des son avenement au trone?_] in the mountains of Brianza are the rods of chestnuts of 9 braccia and one out of an average of 100 will be 14 braccia.

At Varallo di Ponbia near to Sesto on the Ticino the quinces are white, large and hard.

[Footnote 5: Varallo di Ponbia, about ten miles South of Arona is distinct from Varallo the chief town in the Val di Sesia.]

Notes on places in Central Italy, visited in 1502 (1034-1054).

1034.

Pigeon-house at Urbino, the 30th day of July 1502. [Footnote: An indistinct sketch is introduced with this text, in the original, in which the word _Scolatoro_ (conduit) is written.]

1035.

Made by the sea at Piombino. [Footnote: Below the sketch there are eleven lines of text referring to the motion of waves.]

1036.

Acquapendente is near Orvieto. [Footnote: _Acquapendente_ is about 10 miles West of Orvieto, and is to the right in the map on Pl. CXIII, near the lake of Bolsena.]

1037.

The rock of Cesena. [Footnote: See Pl. XCIV No. 1, the lower sketch. The explanation of the upper sketch is given on p. 29.]

1038.

Siena, _a b_ 4 braccia, _a c_ 10 braccia. Steps at [the castle of] Urbino. [Footnote: See Pl. CX No. 3; compare also No. 765.]

1039.

The bell of Siena, that is the manner of its movement, and the place of the attachment of the clapper. [Footnote: The text is accompanied by an indistinct sketch.]

1040.

On St. Mary's day in the middle of August, at Cesena, 1502. [Footnote: See Pl. CX, No. 4.]

1041.

Stairs of the [palace of the] Count of Urbino,--rough. [Footnote: The text is accompanied by a slight sketch.]

1042.

At the fair of San Lorenzo at Cesena. 1502.

1043.

Windows at Cesena. [Footnote: There are four more lines of text which refer to a slightly sketched diagram.]

1044.

At Porto Cesenatico, on the 6th of September 1502 at 9 o'clock a. m.

The way in which bastions ought to project beyond the walls of the towers to defend the outer talus; so that they may not be taken by artillery.

[Footnote: An indistinct sketch, accompanies this passage.]

1045.

The rock of the harbour of Cesena is four points towards the South West from Cesena.

1046.

In Romagna, the realm of all stupidity, vehicles with four wheels are used, of which O the two in front are small and two high ones are behind; an arrangement which is very unfavourable to the motion, because on the fore wheels more weight is laid than on those behind, as I showed in the first of the 5th on "Elements".

1047.

Thus grapes are carried at Cesena. The number of the diggers of the ditches is [arranged] pyramidically. [Footnote: A sketch, representing a hook to which two bunches of grapes are hanging, refers to these first two lines. Cesena is mentioned again Fol. 82a: _Carro da Cesena_ (a cart from Cesena).]

1048.

There might be a harmony of the different falls of water as you saw them at the fountain of Rimini on the 8th day of August, 1502.

1049.

The fortress at Urbino. [Footnote: 1049. In the original the text is written inside the sketch in the place here marked _n_.]

1050.

Imola, as regards Bologna, is five points from the West, towards the North West, at a distance of 20 miles.

Castel San Piero is seen from Imola at four points from the West towards the North West, at a distance of 7 miles.

Faenza stands with regard to Imola between East and South East at a distance of ten miles. Forli stands with regard to Faenza between South East and East at a distance of 20 miles from Imola and ten from Faenza.

Forlimpopoli lies in the same direction at 25 miles from Imola.

Bertinoro, as regards Imola, is five points from the East to wards the South East, at 27 miles.

1051.

Imola as regards Bologna is five points from the West towards the North West at a distance of 20 miles.

Castel San Pietro lies exactly North West of Imola, at a distance of 7 miles.

Faenza, as regards Imola lies exactly half way between the East and South East at a distance of 10 miles; and Forli lies in the same direction from Imola at a distance of 20 miles; and Forlimpopolo lies in the same direction from Forli at a distance of 25 miles.

Bertinoro is seen from Imola two points from the East towards the South East at a distance of 27 miles.

[Footnote: Leonardo inserted this passage on the margin of the circular plan, in water colour, of Imola--see Pl. CXI No. 1.--In the original the fields surrounding the town are light green; the moat, which surrounds the fortifications and the windings of the river Santerno, are light blue. The parts, which have come out blackish close to the river are yellow ochre in the original. The dark groups of houses inside the town are red. At the four points of the compass drawn in the middle of the town Leonardo has written (from right to left): _Mezzodi_ (South) at the top; to the left _Scirocho_ (South east), _levante_ (East), _Greco_ (North East), _Septantrione_ (North), _Maesstro_ (North West), _ponente_ (West) _Libecco_ (South West). The arch in which the plan is drawn is, in the original, 42 centimetres across.

At the beginning of October 1502 Cesare Borgia was shut up in Imola by a sudden revolt of the Condottieri, and it was some weeks before he could release himself from this state of siege (see Gregorovius, _Geschichte der Stadt Rom im Mittelalter_, Vol. VII, Book XIII, 5, 5).

Besides this incident Imola plays no important part in the history of the time. I therefore think myself fully justified in connecting this map, which is at Windsor, with the siege of 1502 and with Leonardo's engagements in the service of Cesare Borgia, because a comparison of these texts, Nos. 1050 and 1051, raise, I believe, the hypothesis to a certainty.]

1052.

>From Bonconventi to Casa Nova are 10 miles, from Casa Nova to Chiusi 9 miles, from Chiusi to Perugia, from, Perugia to Santa Maria degli Angeli, and then to Fuligno. [Footnote: Most of the places here described lie within the district shown in the maps on Pl. CXIII.]

1053.

On the first of August 1502, the library at Pesaro.

1054.

OF PAINTING.

On the tops and sides of hills foreshorten the shape of the ground and its divisions, but give its proper shape to what is turned towards you. [Footnote: This passage evidently refers to the making of maps, such as Pl. CXII, CXIII, and CXIV. There is no mention of such works, it is true, excepting in this one passage of MS. L. But this can scarcely be taken as evidence against my view that Leonardo busied himself very extensively at that time in the construction of maps; and all the less since the foregoing chapters clearly prove that at a time so full of events Leonardo would only now and then commit his observations to paper, in the MS. L.

By the side of this text we find, in the original, a very indistinct sketch, perhaps a plan of a position. Instead of this drawing I have here inserted a much clearer sketch of a position from the same MS., L. 82b and 83a. They are the only drawings of landscape, it may be noted, which occur at all in that MS.]

Alessandria in Piedmont (1055. 1056).

1055.

At Candia in Lombardy, near Alessandria della Paglia, in making a well for Messer Gualtieri [Footnote 2: Messer Gualtieri, the same probably as is mentioned in Nos. 672 and 1344.] of Candia, the skeleton of a very large boat was found about 10 braccia underground; and as the timber was black and fine, it seemed good to the said Messer Gualtieri to have the mouth of the well lengthened in such a way as that the ends of the boat should be uncovered.

1056.

At Alessandria della Paglia in Lombardy there are no stones for making lime of, but such as are mixed up with an infinite variety of things native to the sea, which is now more than 200 miles away.

The Alps (1057-1062).

1057.

At Monbracco, above Saluzzo,--a mile above the Certosa, at the foot of Monte Viso, there is a quarry of flakey stone, which is as white as Carrara marble, without a spot, and as hard as porphyry or even harder; of which my worthy gossip, Master Benedetto the sculptor, has promised to give me a small slab, for the colours, the second day of January 1511.

[Footnote: Saluzzo at the foot of the Alps South of Turin.]

[Footnote 9. 10.: _Maestro Benedetto scultore_; probably some native of Northern Italy acquainted with the place here described. Hardly the Florentine sculptor Benedetto da Majano. Amoretti had published this passage, and M. Ravaisson who gave a French translation of it in the _Gazette des Beaux Arts_ (1881, pag. 528), remarks as follows: _Le maitre sculpteur que Leonard appelle son "compare" ne serait-il pas Benedetto da Majano, un de ceux qui jugerent avec lui de la place a donner au David de Michel-Ange, et de qui le Louvre a acquis recemment un buste d'apres Philippe Strozzi?_ To this it may be objected that Benedetto da Majano had already lain in his grave fourteen years, in the year 1511, when he is supposed to have given the promise to Leonardo. The colours may have been given to the sculptor Benedetto and the stone may have been in payment for them. >From the description of the stone here given we may conclude that it is repeated from hearsay of the sculptor's account of it. I do not understand how, from this observation, it is possible to conclude that Leonardo was on the spot.]

1058.

That there are springs which suddenly break forth in earthquakes or other convulsions and suddenly fail; and this happened in a mountain in Savoy where certain forests sank in and left a very deep gap, and about four miles from here the earth opened itself like a gulf in the mountain, and threw out a sudden and immense flood of water which scoured the whole of a little valley of the tilled soil, vineyards and houses, and did the greatest mischief, wherever it overflowed.

1059.

The river Arve, a quarter of a mile from Geneva in Savoy, where the fair is held on midsummerday in the village of Saint Gervais.

[Footnote: An indistinct sketch is to be seen by the text.]

1060.

And this may be seen, as I saw it, by any one going up Monbroso [Footnote: I have vainly enquired of every available authority for a solution of the mystery as to what mountain is intended by the name Monboso (Comp. Vol. I Nos. 300 and 301). It seems most obvious to refer it to Monte Rosa. ROSA derived from the Keltic ROS which survives in Breton and in Gaelic, meaning, in its first sense, a mountain spur, but which also--like HORN--means a very high peak; thus Monte Rosa would mean literally the High Peak.], a peak of the Alps which divide France from Italy. The base of this mountain gives birth to the 4 rivers which flow in four different directions through the whole of Europe. And no mountain has its base at so great a height as this, which lifts itself above almost all the clouds; and snow seldom falls there, but only hail in the summer, when the clouds are highest. And this hail lies [unmelted] there, so that if it were not for the absorption of the rising and falling clouds, which does not happen more than twice in an age, an enormous mass of ice would be piled up there by the layers of hail, and in the middle of July I found it very considerable; and I saw the sky above me quite dark, and the sun as it fell on the mountain was far brighter here than in the plains below, because a smaller extent of atmosphere lay between the summit of the mountain and the sun. [Footnote 6: _in una eta._ This is perhaps a slip of the pen on Leonardo's part and should be read _estate_ (summer).]

Leic. 9b]

1061.

In the mountains of Verona the red marble is found all mixed with cockle shells turned into stone; some of them have been filled at the mouth with the cement which is the substance of the stone; and in some parts they have remained separate from the mass of the rock which enclosed them, because the outer covering of the shell had interposed and had not allowed them to unite with it; while in other places this cement had petrified those which were old and almost stripped the outer skin.

1062.

Bridge of Goertz-Wilbach (?).

[Footnote: There is a slight sketch with this text, Leonardo seems to have intended to suggest, with a few pen-strokes, the course of the Isonzo and of the Wipbach in the vicinity of Gorizia (Goerz). He himself says in another place that he had been in Friuli (see No. 1077 1. 19).]

The Appenins (1063-1068).

1063.

That part of the earth which was lightest remained farthest from the centre of the world; and that part of the earth became the lightest over which the greatest quantity of water flowed. And therefore that part became lightest where the greatest number of rivers flow; like the Alps which divide Germany and France from Italy; whence issue the Rhone flowing Southwards, and the Rhine to the North. The Danube or Tanoia towards the North East, and the Po to the East, with innumerable rivers which join them, and which always run turbid with the soil carried by them to the sea.

The shores of the sea are constantly moving towards the middle of the sea and displace it from its original position. The lowest portion of the Mediterranean will be reserved for the bed and current of the Nile, the largest river that flows into that sea. And with it are grouped all its tributaries, which at first fell into the sea; as may be seen with the Po and its tributaries, which first fell into that sea, which between the Appenines and the German Alps was united to the Adriatic sea.

That the Gallic Alps are the highest part of Europe.

1064.

And of these I found some in the rocks of the high Appenines and mostly at the rock of La Vernia. [Footnote 6: _Sasso della Vernia._ The frowning rock between the sources of the Arno and the Tiber, as Dante describes this mountain, which is 1269 metres in height.

This note is written by the side of that given as No. 1020; but their connection does not make it clear what Leonardo's purpose was in writing it.]

1065.

At Parma, at 'La Campana' on the twenty-fifth of October 1514. [Footnote 2: _Capano_, an Inn.]

A note on the petrifactions, or fossils near Parma will be found under No. 989.]

1066.

A method for drying the marsh of Piombino. [Footnote: There is a slight sketch with this text in the original.--Piombino is also mentioned in Nos. 609, l. 55-58 (compare Pl. XXXV, 3, below). Also in No. 1035.]

1067.

The shepherds in the Romagna at the foot of the Apennines make peculiar large cavities in the mountains in the form of a horn, and on one side they fasten a horn. This little horn becomes one and the same with the said cavity and thus they produce by blowing into it a very loud noise. [Footnote: As to the Romagna see also No. 1046.]

1068.

A spring may be seen to rise in Sicily which at certain times of the year throws out chesnut leaves in quantities; but in Sicily chesnuts do not grow, hence it is evident that that spring must issue from some abyss in Italy and then flow beneath the sea to break forth in Sicily. [Footnote: The chesnut tree is very common in Sicily. In writing _cicilia_ Leonardo meant perhaps Cilicia.]