Chapter II
., 'And sometimes they went vowing at their heathen shrines
and offered sacrifices,' et seq., are quite inconsistent with the Christian sentiment attributed to Hrothgar later in the poem. 'It is generally thought,' says the writer in The Cambridge History of English Literature, 'that several originally separate lays have been combined into one poem, and, while there is no proof of this, it is quite possible and not unlikely.'
There are in the poem four distinct lays:
1. Beowulf's Fight with Grendel.
2. Beowulf's Fight with Grendel's mother.
3. Beowulf's Return to the land of the Geats.
4. Beowulf's Fight with the Dragon.
Competent critics say that probably 1 and 2 ought to be taken together, while Beowulf's reception by Hygelac (see 3 above) is probably a separate lay. Some scholars have gone much further in the work of disintegration, even attributing one half of the poem to interpolators, whilst others suggest two parallel versions. Summing up, the writer in The Cambridge History of English Literature says: 'I am disposed to think that a large portion of the poem existed in epic form before the change of faith, and that the appearance of Christian elements in the poem is due to revision. The Christianity of Beowulf is of a singularly indefinite and individual type, which contrasts somewhat strongly with what is found in later Old English poetry. This revision must have been made at a very early date.'
The poem was built up between A.D. 512, the date of the famous raid of Hygelac (Chocilaicus) against the Hetware (Chatuarii), and 752, when the French Merovingian dynasty fell; for, says Arnold, 'The poem contains not a word which by any human ingenuity could be tortured into a reference to any event subsequent to the fall of the Merovingians' (A.D. 752).
II
THE PRELUDE
The Prelude would seem to be an attempt to link up the hero of the poem with the mythological progenitors of the Teutonic nations. Thomas Arnold says: 'That Sceaf, Scyld, and Beaw were among the legendary ancestors of the West Saxon line of kings no one disputes. But this does not mean much, for the poem itself shows that the same three were also among the legendary ancestors of the Danish kings.' Ethelward, who wrote early in the tenth century, gives the ancestry of Ethelwulf, the father of Alfred. Ethelward says: 'The seventeenth ancestor from Cerdic was Beo, the eighteenth Scyld, the nineteenth Scef.' Ethelward also says: 'Scef himself, with one light vessel, arrived in the island of the ocean which is called Scani, dressed in armour, and he was a very young boy, and the inhabitants of that land knew nothing about him; however, he was received by them, and kept with care and affection as though he were of their own kin, and afterwards they chose him to be king, from whose stock the King Athulf [Ethelwulf] derives his line.'
It may be noted that neither Scyld nor Scef is mentioned in the A.S. Chronicle (A.D. 855). William of Malmesbury, in his Gesta Regum, says that Scef was so called from the sheaf of wheat that lay at his head, that he was asleep when he arrived, and that when he grew up he became a king in the town then called Slaswic, now Haithebi (Rolls Ed., 1. 121).
Müllenhoff says: 'If we look closely into the saga, the ship and the sheaf clearly point to navigation and agriculture, the arms and jewels to kingly rule--all four gifts, therefore, to the main elements and foundations of the oldest state of culture among the Germans [Teutons?] of the sea-board; and if the bearer of these symbols became the first king of the country, the meaning can only be this, that from his appearance the beginning of the oldest state of culture dates, and that generally before him no orderly way of leading a human life had existed.'
Scyld (meaning Shield) refers to the fact that the king was the protector of the people in war, and is therefore symbolical, like Scef.
The ship and the sheaf, the arms and the jewels and the shield--these are the symbols of that primitive civilization--the sheaf, the symbol of agriculture and food, the ship of commerce, the arms of warfare, the jewels of reward of bravery, and the shield of the protection of the people by the king.
Arnold mentions the fact that no writer not English mentions the saga of Scef and Scyld, and suggests that this is presumption for the English origin of the legend. I do not, however, think it is conclusive evidence. One is surprised that they are not mentioned in Icelandic literature. Yet somehow the impression on my mind is that these legends were probably brought by our Saxon and Danish ancestors from the Continent, and are taken for granted as well known to the hearers of the song. I think they probably formed part of the legendary genealogy of our common Germanic (Teutonic) ancestors, and happened to find their way into literature only among the English, or have survived only in the English.
III
'BROSINGA MENE'
'Brosinga Mene,' p. 82, is the 'Brisinga-mén' mentioned in the Edda, an Icelandic poem. 'This necklace is the Brisinga-mén--the costly necklace of Freja, which she won from the Dwarfs, and which was stolen from her by Loki, as is told in the Edda' (Kemble).
Loki was a Scandinavian demi-god. He was beautiful and cunning. He was the principle of strife, the spirit of evil; cp. Job's Satan. Freya was the Scandinavian Goddess of Love. She claimed half of the slain in battle. She was the dispenser of joy and happiness. The German frau is derived from Freya. Hama carried off this necklace when he fled from Eormanric. The origin of this legend, though worked up in the Edda, seems to have been German or Gothic, and 'Brosinga' has reference to the rock-plateau of Breisgau on the Rhine. It is probably a relic of the lost saga of Eormanric (see Appendix IV.), the famous Ostrogothic king referred to in Chapter XVIII . Eormanric is one of the few historical personages of the poem.
IV
EORMANRIC
Gibbon mentions Eormanric in his chapter XXV . of the Decline and Fall, and, in spite of chronological discrepancies, this Eormanric is probably identical with the one mentioned in Beowulf ( Chapter XVIII .), in Jornandes (