Part 9
A good view of the Nave may be obtained as it is unobstructed through its whole length. A band of treble billet moulding runs under the lower windows; a double hatched moulding under the second tier; and immediately below the parapet is the ornament called the corbel table; these with the billet moulding round the clerestory windows, are in excellent preservation. The parapet on the wall of the aisle is embattled, that above the clerestory windows is plain. Although at one time battlements ran the whole length on both sides, those on the north were removed nearly one hundred years ago. The windows in the clerestory retain their original form, but those of the two lower tiers have been altered. Over one of the lower windows there appears a date (1662), probably referring to the period of some important repairs or alterations on this side. The removal of the ruins of the old Church of St. Cross, which stood near this spot, took place in the reign of Elizabeth, when the use of the Lady Chapel was granted to the parish of Holy Trinity.
We next turn our attention to the Octagon, which forms a grand central point from which radiate the four principal parts of the church--the Nave, the Choir, and the north and south arms of the Transept. Here originally stood a large square Norman Tower, which fell down in 1322, and was replaced by the present building; it is not an exact octagon, having four longer sides adjoining the four main portions of the building, and four shorter sides at the angles. The design was a grand one, but whether it was ever fully carried out is somewhat doubtful, the stone-work is carried up to a height a little above the roof of the Nave, &c., but the Lantern above is of English oak covered with lead. From a strong buttress, surmounted by a pinnacle, at each of the angles formed by the walls of the Nave and Choir aisles with those of the Transept spring two massive flying buttresses, abutting octagonal turrets at each angle of the Octagon; these turrets were probably originally designed to be finished with pinnacles, and thus form a corona; between them runs a pierced parapet formerly surmounted by a bold cresting of leaves and other ornaments; and there are bases of pillars at the cardinal points. These pinnacles with the cresting have just been completed in Clipsham stone, by Mr. Wood, of Ely, in a manner highly creditable to his skill, and greatly to the improvement of the appearance of the building. Beneath the parapet, instead of a corbel table, there is a deep hollow, with running leaves, and small ball flowers at intervals. The sides of the Octagon are adorned with an arcade of pointed arches, some of which are pierced and glazed to admit light; the longer sides have six, and the shorter three, of these arches. In each of the turrets is a winding stair communicating respectively with the main parts of the building. The Lantern above is of two stories, the lower, (which is open to the interior of the Octagon) is lighted by windows assimilating with the large windows in the angles of the Octagon; the upper story is lighted by louvres as adapted to a belfry, for which purpose this chamber was originally designed; the lower windows have been reconstructed, a series of flying buttresses (which had been taken away) have been re-placed against the angle divisions, which are finished with embattled turrets instead of pinnacles, and between them runs an open-work parapet. The whole of the Lantern has been repaired, and the exterior wood work re-covered with lead.
The portion of the north Transept which fell down in 1699, although soon afterwards carefully restored, and the mouldings and ornaments nicely replaced, may yet be distinguished from the old work: the Tuscan door-arch, however, in its northern face, is quite out of place here, not according with the style of the building in which it is placed. The restorations were executed under the directions of Sir Christopher Wren. The northern face of the Transept shows two pairs of Norman windows, the second pair being longer than those in the lower tier; above these is an arcade of small arches, and over these are two high Perpendicular windows, which reach partly into the gable. Over the doorway in the eastern aisle is an original Norman window, and in the western aisle is a replaced one.
The west front of the Lady Chapel[53] is richly decorated with niches, and has a noble window, under which is an arcade of small arches formed entirely in the thickness of the wall, in the back of some of which may be seen traces of coloured decoration; the gable point is adorned with a niche rising above the pierced parapet running up the sides. On each side of the building are five large windows, the tracery of which is much decayed, having been executed in a softer kind of stone than the walls. Between each two windows is a deep projecting buttress surmounted by a crocketed pinnacle; at the angles are double buttresses, on which are two kinds of tabernacles, both are square and occupy the breadth of the buttress, the upper one is recessed in the body of the buttress, the lower one is open on three sides, and had small pillars at the front angles rising from the set-off and carrying the projecting canopy; the tops being finished with crocketed pinnacles. The east end is not so richly ornamented as the west; the window is a very fine one but not so large as the western one, and there are no niches on the sides nor beneath it.
[Footnote 53: Now in course of restoration.]
The north side of the Choir is somewhat hidden by the Lady Chapel, which stands parallel to it, although the latter is much shorter; but a better view may be had by going between them. An opportunity is also thus afforded of observing the original Norman windows of the triforium of the Transept.
The windows of the aisle are uniform in size and shape, those of the triforium are nearly similar, but all were originally lancet-shaped, but altered to their present form in the latter part of the fifteenth century. The aisle roof of the two western bays of Bishop Northwold's work (the six eastern bays) was perhaps originally as high as the other parts, but altered at a later period; the tracery of these windows on the north side remains, but on the south side there is a difference which should be noticed. The lighter style of architecture and the large windows of the fourteenth and fifteenth centuries made the support of buttresses necessary, in this instance they are deep, and surmounted by crocketed pinnacles; on the sides of many of them are gargoyles, or water-spouts of grotesque figures; flying buttresses are sometimes used in addition, reaching from the side buttresses to the clerestory walls, thus forming an important addition to the support as well as to the external beauty of the fabric: of this the exterior of the Choir of Ely Cathedral is a splendid proof.
The east end of the Cathedral is one of the finest specimens extant of an Early English east front. It is divided into three stories; the lowest has three lancet windows of nearly equal height; the next tier has five windows of the same shape, side by side, the centre one being higher and those on the sides gradually lower; the third story, which is within the gable, contains three lancet windows, not seen in the Choir, but giving light to the space between the ceiling and the roof. There are several niches for statues, but no figures; and the spandrils of the window arches are relieved by quatrefoils and other ornaments. The gable point is adorned with an ornamented cross, which has been restored at the expense of Lady Mildred Hope; and a crocketed pinnacle at the south-east corner has been given by A.J.B. Beresford Hope, Esq. Rather more than a century ago this end was about two feet out of the perpendicular, but was skilfully restored by Mr. Essex, the architect.
The eastern faces of the aisles appear as wings to the end of the Choir, and are flanked with double buttresses at the angles, upon which are set larger pinnacles crocketed. The windows lighting the two chapels at the end of the aisles were probably inserted when the chapels were erected; that in the north aisle is set in the wall, while that in the south aisle projects beyond the wall nearly to the depth of the buttress.
The south side of the Choir is similar to the north, with the exception before mentioned--the two western bays of Bishop Northwold's work, in each of which the opening in the triforium is formed into two arches of a style differing from the adjoining portion of the building, but which have the appearance of originality. The walls of the triforium, both in the Choir and Nave were not originally so high as we now see them, but no doubt were heightened when the larger windows were inserted.
The south end of the Transept differs from the north in the arrangement of the windows; in the gable is a low Perpendicular window of seven lights, sunk within a deep recess; the north end has in the upper tier two large Perpendicular windows side by side. There is also a difference in the gable and pinnacles. Some corbels in the lower part of the wall would indicate the former existence of an adjoining structure but what it was we cannot undertake to say.
Considerable anxiety has been felt as to the stability of some portions of the south side, and it has been found necessary to underpin some of the buttresses of the Choir and the walls of the Transept with large slabs of Yorkshire stone. It has also been deemed desirable to circumscribe the two round towers of the south west Transept with iron bands.
The south entrance to the Cathedral is through a portion of the eastern side of the +Cloisters+. The arch of entrance however, does not harmonise with the other portions of the Transept, and was doubtless an insertion, probably at the same time as a similar one in the north Transept, and by the same architect. It passes through a beautiful Norman door-arch in the south wall of the Nave, as described in p. 41. Near this are the remains of an enriched arch, recently discovered when the wall was repaired; if it is in its original position it must have formed a communication from the Cloisters to that portion of the western aisle of the south Transept which now forms the Vergers' vestry.
The south side of the Nave is nearly similar to the north, but there is no corbel table under the embattled parapet of the aisle: the aisle windows have, with one exception, been restored to their original form; those in the second tier retain their altered shape; but those of the clerestory, as on the north side, are original.
The apsidal +Chapel of St. Catharine+, adjoining the south-west Transept, has been rebuilt in accordance with the original structure.
* * * * *
+Dimensions of the Cathedral.+
INTERIOR. Ft. In.
The Galilee, or Western Portico 42 0
The Tower 40 4
The Nave 208 0
Crossing the Octagon 71 5
The Choir 123 0
Retro-choir 35 10
The whole length, from west to east 520 7
The length of Transept from north to south (including the Octagon) 178 6
Breadth of the Nave with the Aisles 77 3
Breadth of the Transept with the Aisles 73 0
Breadth of the Choir with the Aisles 77 3
Height of the walls of the Nave 72 9
Height of the ceiling from the floor, at the east end of the Nave 86 2
Height of the Pillars which support the Dome and Lantern 62 0
Perpendicular height of the Dome, springing from the capitals of the pillars, to the aperture of the Lantern 32 0
Height of the Lantern itself, from its aperture on the Dome to its vaulted roof 48 0
The whole height from the floor to the centre of the Lantern 142 0
Height of the vaulted roof of the Choir 70 0
Clear diameter of the Octagon, from one pillar to the opposite 65 4
Clear diameter of the Lantern, within 30 0
Length of the Lady Chapel (now Trinity Church) 100 0
Breadth of the same 46 0
Height to its vaulted roof 60 0
EXTERIOR.
The whole length, from west to east 537 0
The length of the great Cross, or Transept, from north to south 190 0
Height of the four stone turrets of the western Tower 215 0
Height of the two Towers of the south-west Transept 120 0
Height of the roof over the Nave 104 0
Height of the Lantern over the Dome 170 7
Height of the eastern front, to the top of the Cross 112 0
Having finished our survey of this noble edifice, we will proceed to make a few observations on the remains of the monastery, which will form the subject of a separate chapter. In order to bring them all conveniently before the visitor we will retrace our steps for a short distance round the east end of the Cathedral, and commence with the buildings on the north side of the Lady Chapel.
[Illustration]
+The Monastic Buildings.+
_&c. &c._
We will commence our notice of these remains of former ages by observing that as they now, in a great measure, form private residences, they can only be seen by visitors externally; it will be sufficient, therefore, for us to point out the several localities, and state, as far as we are able, their original uses, and present appropriation.
On the north side of the Lady Chapel stands an old square tower, now used as a belfry for the parish of the Holy Trinity, but it is not certain for what purpose it was originally used. Adjoining this is a building recently erected on the site of a former one, comprising a practice-room and school-room for the Choristers, with a residence for the master; beyond this, eastward, is an arched gateway communicating with the public street: this was closed up for many years, but has lately been re-opened; over it is the muniment room of the Dean and Chapter. Next is a residence for one of the Vergers, and beyond that is another dwelling house; the next portion is in a dilapidated state, and at the present time is used as a mason's yard and workshop for carrying on the works in progress: these occupy the site of the ancient +Sacristy+. A little further in the same direction stands the residence of one of the prebendaries, on the site of the ancient +Almonry+; there are in this building some remains of Early English vaulting, and at the east end may be observed the remains of a triplet window of the same period; the middle window has been destroyed by the insertion of a modern window, now blocked up, but the stone work of the side windows can easily be traced.
We next proceed round the east end of the Cathedral to the south end of the Transept, a few yards south of which may be observed a range of Early English arches, each containing a double arch, which is again subdivided, but all have been long blocked up; this was a portion of what was called the "Dark Cloister." To the eastward of these is another range of arches with piers about twelve feet in height, some of which are comparatively perfect; these piers are alternately cylindrical and octagonal, the octagonal columns presenting alternately a side or an angle in front. The arches are profusely enriched with mouldings; the walls above were pierced with a row of small windows with semicircular heads. These piers and arches may be seen on both sides of the road-way, corresponding with each other like the nave of a church, and afford a good example of "highly refined Norman work." A beautiful arch at the end leads to another series, and beyond this, in one of the prebendal houses, is a vaulted room which seems to have been erected about the period of the transition from the Norman style to the Early English.
They form a church-like building, and by some historians have been described as the remains of the Conventual Church erected at the restoration of the monastery by Ethelwold, A.D. 970, and including the ruins of St. Etheldreda's own church, founded A.D. 673. This, if correct, would make it one of the oldest specimens of the Saxon style in the kingdom. This statement has been contradicted by others, and Professor Willis, who had devoted much attention to these buildings, stated that they are the remains of the +Infirmary+ of the monastery, with a chapel attached, and erected many years subsequent to the period mentioned; the portion we have likened to the nave of a church--now affording an approach to several residences--was the body of the Infirmary; the portion east of the arch was no doubt the chapel, and the vaulted room spoken of, the chancel. This statement derives some confirmation from the existence, in a similar position, of the Infirmary at Peterborough, and at some other places. The style of architecture too denotes a period subsequent to the erection of the nave of the Cathedral.
The house on the north side, adjoining the chapel before mentioned, now a prebendal residence, appears to have undergone little alteration since its erection; the parapet, and the almost flat roof covered with lead, appear to be original. This was probably used by the master of the Infirmary as a residence, and a hall to entertain the aged and infirm separately from the sick monks, being near the chapel and the Infirmary. The next house westward, now the residence of a Minor Canon, is said to have been the "Painted Chamber," but to what use it was applied we are not able to say.
The residence on the south side of the Infirmary, opposite to the last mentioned, now the residence of a prebendary, stands on the site of the "Cellarer's Lodging"; and the next house, eastward, also a prebendal residence, on the site of the "Black Hostelry," or near it.
The +Dormitory+ of the monks was generally a long narrow room, standing north and south, near the church, convenient for the monks' attendance on the nocturnal services; here it was situated near what has been pointed out as part of the "Dark Cloister," not far from the south end of the Transept, and probably the communication was by a passage leading to a winding stair still standing in the south-east angle of the Transept.
The +Chapter House+ is believed to have stood between the north end of the Dormitory and the Transept, similar to Peterborough, having its entrance from the east side of the Cloisters; nothing however remains to shew its exact position; both Mr. Bentham and Mr. Millers describe it as having stood on the space now occupied by the Dean's flower garden, where are some remains of a building in the Norman style, but which has since been stated to have been the Monks' kitchen; but in consequence of the many alterations which have been made at different periods, the demolition and removal of some buildings, and the ruin of others, it is difficult to speak with certainty. The monastery was a large one, and the buildings numerous for the various requirements, of many of which no traces remain, nor is it known where they were situated.
The only part remaining of the +Cloisters+ is the north-east angle, through one part of which is the south entrance to the Cathedral. The inner wall of the north side and part of the east side are yet standing, with the openings partially bricked up, but the roof is gone. These are not the original Cloisters, but occupy nearly the same position as the earlier ones.
The +Refectory+, according to Professor Willis and others, stood at the south side of the Cloisters, on part of the space now occupied by the Dean's garden, a portion of a very thick wall, in which are some Early English corbels, is still remaining.
Our attention will next be directed to the Deanery, sometime thought to have been the Refectory, but was more probably the +Guest-hall+ for the entertainment of strangers and others visiting the monastery. It is a large building, standing like several others upon vaults, and appears to have been built in the latter part of the thirteenth century; it has, however, undergone considerable alterations at different times, and now presents but few remains of that period, although the walls, buttresses, and vaults bear strong characteristics of it. This formed the northern side of a small court, around which were buildings forming the residence of the priors of the monastery, of which also the next house, now the residence of a prebendary, formed a part; the vaulting of this is very ancient, probably in the early part of the Norman era, but the superstructure is of a later period. There is a fine fourteenth-century fire place in the house.
[Illustration]
Adjoining this house, at the south-west corner, next the garden, stands a building generally known as "+Prior Crauden's Chapel+," having been founded by John de Crauden, prior of Ely (1321-1341), as a private chapel attached to his residence, and built under the direction of Alan de Walsingham, the skilful architect of the Octagon. It is most interesting for the rich remains of architectural beauty which it displays. "It is," says Mr. Rickman, "one of the most curious and valuable Decorated remains in the kingdom; its ornaments are of the best character, and well executed, and the whole design is of great excellence." It belongs to the Deanery, but was for many years used in connection with the adjoining house, having been converted into three rooms by floors inserted; these floors have been removed, and the chapel in some degree restored; some of the windows which had been closed have been re-opened, and the eastern one filled with stained glass, the gift of Mrs. Smart. It is now used as a private chapel for the Grammar School.