Part 58
The “Mysteries of Mesmerism” was an account of the marvels of that “newly-discovered and most wonderful power in natur and art.” With it Dr. Elliotson’s, or some well-known name, was usually associated, and any marvel was “pattered,” according to the patterer’s taste and judgment. The illustrations were of persons, generally women, in a state of coma, but in this also there was no indecency; nor was there in the narrative sold.
Of these two popular exhibitions there are, I am informed, none now in town, and both, I was told, was more the speculations of a printer, who sent out men, than in the hands of the regular patterers.
It may tend somewhat to elucidate the character of the patterers, if I here state, that in my conversation with the whole of them, I heard from their lips strong expressions of disgust at Sloane,--far stronger than were uttered in abhorrence of any murderer. Rush, indeed, was, and is, a popular man among them. One of them told me, that not long before Madame Tussaud’s death, he thought of calling upon that “wenerable lady,” and asking her, he said, “to treat me to something to drink the immortal memory of Mr. Rush, my friend and her’n.”
It is admitted by all concerned in the exercise of street elocution, that “the stander” must have “the best of patter.” He usually works alone,--there are very rarely two at standing patter,--and beyond his board he has no adventitious aids, as in the running patter, so that he must be all the more effective; but the board is pronounced “as good as a man.” When the standing patterer visits the country, he is accompanied by a mate, and the “copy of werses” is then announced as being written by an “under-paid curate” within a day’s walk. “It tells mostly, sir,” said one man; “for it’s a blessing to us that there always is a journeyman parson what the people knows, and what the patter fits.” Sometimes the poetry is attributed to a sister of mercy, or to a popular poetess; very frequently, by the patterers who best understand the labouring classes, to Miss Eliza Cook. Sometimes the verses are written by “a sympathising gent. in that parish,” but his name wasn’t to be mentioned. Another intelligent patterer whom I questioned on the subject, told me that my information was correct. “It’s just the same in the newspapers,” he continued; “why the ‘sympathising gent.’ is the same with us as what in the newspapers is called “other intelligence (about any crime), to publish which might defeat the ends of justice.” That means, they know nothing at all about it, and can’t so much as venture on a guess. I’ve known a little about it for the papers, sir,--it doesn’t matter in what line.”
Some standing patterers are brought up to the business from childhood. Some take to it through loss of character, or through their inability to obtain a situation from intemperate habits, and some because “a free life suits me best.” In a former inquiry into a portion of this subject, I sought a standing patterer, whom I found in a threepenny lodging-house in Mint-street, Southwark. On my inquiring what induced him to adopt, or pursue, that line of life, he said:--
“It was distress that first drove me to it. I had learnt to make willow bonnets, but that branch of trade went entirely out. So, having a wife and children, I was drove to write out a paper that I called ‘The People’s Address to the King on the Present State of the Nation.’ I got it printed, and took it into the streets and sold it. I did very well with it, and made 5_s._ a day while it lasted. I never was brought up to any mechanical trade. My father was a clergyman” [here he cried bitterly]. “It breaks my heart when I think of it. I have as good a wife as ever lived, and I would give the world to get out of my present life. It would be heaven to get away from the place where I am. I am obliged to cheer up my spirits. If I was to give way to it, I shouldn’t live long. It’s like a little hell to be in the place where we live” [crying], “associated with the ruffians that we are. My distress of mind is awful, but it won’t do to show it at my lodgings--they’d only laugh to see me down-hearted; so I keep my trouble all to myself. Oh, I am heartily sick of this street work--the insults I have to put up with--the drunken men swearing at me. Yes, indeed, I am heartily sick of it.”
This poor man had some assistance forwarded to him by benevolent persons, after his case had appeared in my letter in the _Morning Chronicle_. This was the means of his leaving the streets, and starting in the “cloth-cap trade.” He seemed a deserving man.
EXPERIENCE OF A STANDING PATTERER.
From one of this body I received, at the period just alluded to, the following information:--
“I have taken my 5_s._ a day (said my informant); but ‘paper’ selling now isn’t half so good as it used to be. People haven’t got the money to lay out; for it all depends with the working man. The least we take in a day is, upon an average, sixpence; but taking the good and bad together, I should say we take about 10_s._ a week. I know there’s some get more than that, but then there’s many take less. Lately, I know, I haven’t taken 9_s._ a week myself, and people reckon me one of the best patterers in the trade. I’m reckoned to have the gift--that is, the gift of the gab. I never works a last dying speech on any other than the day of execution--all the edge is taken off of it after that. The last dying speeches and executions are all printed the day before. They’re always done on the Sunday, if the murderers are to be hung on the Monday. I’ve been and got them myself on the Sunday night, over and over again. The flying stationers goes with the papers in their pockets, and stand under the drop, and as soon as ever it falls, and long before the breath is out of the body, they begin bawling out.” [Here my informant gave a further account of the flying stationers under the gallows, similar to what I have given. He averred that they “invented every lie likely to go down.”] “‘Here you have also an exact likeness,’ they say, ‘of the murderer, taken at the bar of the Old Bailey!’ when all the time it is an old wood-cut that’s been used for every criminal for the last forty years. I know the likeness that was given of Hocker was the one that was given for Fauntleroy; and the wood-cut of Tawell was one that was given for the Quaker that had been hanged for forgery twenty years before. Thurtell’s likeness was done expressly for the ‘papers;’ and so was the Mannings’ and Rush’s likenesses too. The murders are bought by men, women, and children. Many of the tradespeople bought a great many of the affair of the Mannings. I went down to Deptford with mine, and did uncommonly well. I sold all off. Gentlefolks won’t have anything to do with murders sold in the street; they’ve got other ways of seeing all about it. We lay on the horrors, and picture them in the highest colours we can. We don’t care what’s in the ‘papers’ in our hands. All we want to do is to sell ’em; and the more horrible we makes the affairs, the more sale we have. We do very well with ‘love-letters.’ They are ‘cocks;’ that is, they are all fictitious. We give it out that they are from a tradesman in the neighbourhood, not a hundred yards from where we are a-standing. Sometimes we say it’s a well-known sporting butcher; sometimes it’s a highly respectable publican--just as it will suit the tastes of the neighbourhood. I got my living round Cornwall for one twelvemonth with nothing else than a love-letter. It was headed, ‘A curious and laughable love-letter and puzzle, sent by a sporting gentleman to Miss H--s--m, in _this_ neighbourhood;’ that suits any place that I may chance to be in; but I always patter the name of the street or village where I may be. This letter, I say, is so worded, that had it fallen into the hands of her mamma or papa, they could not have told what it meant; but the young lady, having so much wit, found out its true meaning, and sent him an answer in the same manner. You have here, we say, the number of the house, the name of the place where she lives (there is nothing of the kind, of course), and the initials of all the parties concerned. We dare not give the real names in full, we tell them; indeed, we do all we can to get up the people’s curiosity. I did very well with the ‘Burning of the House of Commons.’ I happened by accident to put my pipe into my pocket amongst some of my papers, and burnt them. Then, not knowing how to get rid of them, I got a few straws. I told the people that my burnt papers were parliamentary documents that had been rescued from the flames, and that, as I dare not sell them, I would let them have a straw for a penny, and give them one of the papers. By this trick I got rid of my stock twice as fast, and got double the price that I should have done. The papers had nothing at all to do with the House of Commons. Some was ‘Death and the Lady,’ and ‘Death and the Gentleman,’ and others were the ‘Political Catechism,’ and 365 lies, Scotch, English, and Irish, and each lie as big round as St. Paul’s. I remember a party named Jack Straw, who laid a wager, half-a-gallon of beer, that he’d bring home the money for two dozen blank papers in one hour’s time. He went out into the Old-street-road, and began a patter about the political affairs of the nation, and Sir Robert Peel, and the Duke of Wellington, telling the public that he dared not sell his papers, they were treasonable; so he gave them with a straw--that he sold for one penny. In less than the hour he was sold clean out, and returned and drank the beer. The chief things that I work are quarter-sheets of recitations and dialogues. One is ‘Good Advice to Young Men on Choosing their Wives.’ I have done exceedingly well with that--it’s a good moral thing. Another is the ‘Drunkard’s Catechism;’ another is ‘The Rent Day; or, the Landlord gathering his Rents.’ This is a dialogue between the landlord and his tenant, beginning with ‘Good morning, Mrs. Longface; have you got my rent ready, ma’am?’ The next one is ‘The Adventures of Larry O’Flinn.’ It’s a comic story, and a very good got-up thing. Another is ‘A Hint to Husbands and Wives;’ and ‘A Pack of Cards turned into a Bible, a Prayer-book, and an Almanack.’ These cards belonged to Richard Middleton, of the 60th regiment of foot, who was taken a prisoner for playing at cards in church during divine service. But the best I do is ‘The Remarkable Dream of a Young Man of loose character, who had made an agreement to break into a gentleman’s house at twelve at night on Whitsun Monday, but, owing to a little drink that he took, he had a remarkable dream, and dreamed he was in hell. The dream had such influence on his mind that he refused to meet his comrade. His comrade was taken up for the burglary, found guilty, and executed for it. This made such an impression on the young man’s mind that he became a reformed character.’ There is a very beautiful description of hell in this paper,” said my informant, “that makes it sell very well among the old women and the apprentice lads, for the young man was an apprentice himself. It’s all in very pretty poetry, and a regular ‘cock.’ The papers that I work chiefly are what are called ‘the standing patters;’ they’re all of ’em stereotype, and some of them a hundred years old. We consider the ‘death hunters’ are the lowest grade in the trade. We can make most money of the murders while they last, but they don’t last, and they merely want a good pair of lungs to get them off. But it’s not every one, sir, that can work the standing patters. Many persons I’ve seen try at it and fail. One old man I knew tried the ‘Drunkard’s Catechism’ and the ‘Soldier’s Prayer-book and Bible.’ He could manage to patter these because they’ll almost work themselves; but ‘Old Mother Clifton’ he broke down in. I heard him do it in Sun-street and in the Blackfriars-road; but it was such a dreadful failure--he couldn’t humour it a bit--that, thinks I to myself, you’ll soon have to give up, and sure enough he’s never been to the printer’s since. He’d a very poor audience, chiefly boys and girls, and they were laughing at him because he made so many blunders in it. A man that’s never been to school an hour can go and patter a dying speech or ‘A Battle between Two Ladies of Fortune.’ They require no scholarship. All you want is to stick a picture on your hat, to attract attention, and to make all the noise you can. It’s all the same when they does an ‘Assassination of Louis Philippe,’ or a ‘Diabolical Attempt on the Life of the Queen’--a good stout pair of lungs and plenty of impudence is all that is required. But to patter ‘Bounce, the Workhouse Beadle, and the Examination of the Paupers before the Poor-law Commissioners,’ takes a good head-piece and great gift of the gab, let me tell you. It’s just the same as a play-actor. I can assure you I often feel very nervous. I begin it, and walk miles before I can get confidence in myself to make the attempt. I got rid of two quire last night. I was up among the gentlemen’s servants in Crawford-street, Baker-street, and I had a very good haul out of the grown-up people. I cleared 1_s._ 8_d._ altogether. I did that from seven till nine in the evening. It’s all chance-work. If it’s fine, and I can get a crowd of grown-up people round me, I can do very well, but I can’t do anything amongst the boys. There’s very little to be done in the day-time. I begin at ten in the day, and stop out till one. After that I starts off again at five, and leaves off about ten at night. Marylebone, Paddington, and Westminster I find the best places. The West-end is very good the early part of the week, for any thing that’s genteel, such as the ‘Rich Man and his Wife quarrelling because they have no Family.’ Our customers there are principally the footmen, the grooms, and the maid-servants. The east end of the town is the best on Friday and Saturday evenings. I very often go to Limehouse on Friday evening. Most part of the dock-men are paid then, and anything comic goes off well among them. On Saturdays I go to the New-cut, Ratcliff-highway, the Brill, and such places. I make mostly 2_s._ clear on a Saturday night. After nineteen years’ experience of the patter and paper line in the streets, I find that a foolish nonsensical thing will sell twice as fast as a good moral sentimental one; and, while it lasts, a good murder will cut out the whole of them. It’s the best selling thing of any. I used at one time to patter religious tracts in the street, but I found no encouragement. I did the ‘Infidel Blacksmith’--that would not sell. ‘What is Happiness? a Dialogue between Ellen and Mary’--that was no go. No more was the ‘Sorrows of Seduction.’ So I was driven into the comic standing patters.”
The more recent “experiences” of standing patterers, as they were detailed to me, differ so little in subject, or anything else, from what I have given concerning running patterers, that to cite them would be a repetition.
From the best information to be obtained, I have no doubt that there are always at least 20 standing patterers--sometimes they are called “boardmen”--at work in London. Some of them “run” occasionally, but an equal number or more, of the regular “runners” resort now and then to the standing patter, so the sum is generally kept up.
Notwithstanding the drawbacks of bad weather, which affects the standing, and does not affect the running, patterer; and notwithstanding the more frequent interruptions of the police, I am of opinion that the standing patterer earns on an average 1_s._ a week more than his running brother. His earnings too are often all his own; whereas the runners are a ‘school,’ and, their gains divided. More running patterers become, on favourable occasions, stationary, with boards, perhaps in the proportion of five to four, than the stationary become itinerant. One standing patterer told me, that, during the excitement about the Sloanes, he cleared full 3_s._ a day for more than a week; but at other times he had cleared only 1_s._ 6_d._ in a whole week, and he had taken nothing when the weather was too wet for the standing work, and there was nothing up to “run” with.
If, then, 20 standing patterers clear 10_s._ weekly, each, the year through--“taking” 15_s._ weekly--we find that 780_l._ is yearly expended in the standing patter of London streets.
The capital required for the start of the standing is greater than that needed by the running patterer. The painting for a board costs 3_s._ 6_d._; the board and pole, with feet, to which it is attached, 5_s._ 6_d._; and stock-money, 2_s._; in all, 11_s._
OF POLITICAL LITANIES, DIALOGUES, ETC.
To “work a litany” in the streets is considered one of the higher exercises of professional skill on the part of the patterer. In working this, a clever patterer--who will not scruple to introduce anything out of his head which may strike him as suitable to his audience--is very particular in his choice of a mate, frequently changing his ordinary partner, who may be good “at a noise” or a ballad, but not have sufficient acuteness or intelligence to patter politics as if he understood what he was speaking about. I am told that there are not twelve patterers in London whom a critical professor of street elocution will admit to be capable of ‘working a catechism’ or a litany. “Why, sir,” said one patterer, “I’ve gone out with a mate to work a litany, and he’s humped it in no time.” To ‘hump,’ in street parlance, is equivalent to ‘botch,’ in more genteel colloquialism. “And when a thing’s humped,” my informant continued, “you can only ‘call a go.’” To ‘call a go,’ signifies to remove to another spot, or adopt some other patter, or, in short, to resort to some change or other in consequence of a failure.
An elderly man, not now in the street trade, but who had “pattered off a few papers” some years ago, told me that he had heard three or four old hands--“now all dead, for they’re a short-lived people”--talk of the profits gained and the risk ran by giving Hone’s parodies on the Catechism, Litany, St. Athanasius’ Creed, &c. in the streets, after the three consecutive trials and the three acquittals of Hone had made the parodies famous and Hone popular. To work them in the streets was difficult, “for though,” said my informant, “there was no new police in them days, there was plenty of officers and constables ready to pull the fellows up, and though Hone was acquitted, a beak that wanted to please the high dons, would find some way of stopping them that sold Hone’s things in the street, and so next to nothing could be done that way, but a little was done.” The greatest source of profit, I learned from the reminiscences of the same man, was in the parlours and tap-rooms of public-houses, where the patterers or reciters were well paid “for going through their catechisms,” and sometimes, that there might be no interruption, the door was locked, and even the landlord and his servants excluded. The charge was usually 2_d._ a copy, but 1_d._ was not refused.
During Queen Caroline’s trial there were the like interruptions and hindrances to similar performances; and the interruptions continued during the passing of the Catholic Emancipation Bill until about the era of the Reform Bill, and then the hindrance was but occasional. “And perhaps it was our own fault, sir,” said one patterer, “that we was then molested at all in the dialogues and catechisms and things; but we was uncommon bold, and what plenty called sarcy, at that time: we was so.”
Thus this branch of a street profession continued to be followed, half surreptitiously, until after the subsidence of the political ferment consequent on the establishment of a new franchise and the partial abolition of an old one. The calling, however, has never been popular among street purchasers, and I believe that it is sometimes followed by a street-patterer as much from the promptings of the pride of art as from the hope of gain.
The street-papers in the dialogue form have not been copied nor derived from popular productions--but even in the case of Political Litanies and Anti-Corn-law Catechisms and Dialogues are the work of street authors.
One intelligent man told me, that properly to work a political litany, which referred to ecclesiastical matters, he “made himself up,” as well as limited means would permit, as a bishop! and “did stunning, until he was afraid of being stunned on skilly.” Of the late papers on the subject of the Pope, I cite the one which was certainly the best of all that appeared, and concerning which indignant remonstrances were addressed to some of the newspapers. The “good child” in the patter, was a tall bulky man; the examiner (also the author), was rather diminutive:--
“_The old English Bull John_ v. _the Pope’s Bull of Rome_.
“My good Child as it is necessary at this very important crisis; when, that good pious and very reasonable old gentleman Pope Pi-ass the nineth has promised to favor us with his presence, and the pleasures of Popery--and trampled on the rights and privilages which, we, as Englishmen, and Protestants, have engaged for these last three hundred years--Since Bluff, king Hal. began to take a dislike to the broad brimmed hat of the venerable Cardinal Wolsey, and proclaimed himself an heretic; It is necessary I say, for you, and all of you, to be perfect in your Lessons so as you may be able to verbly chastize this saucy prelate, his newly made Cardinal Foolishman, and the whole host of Puseites and protect our beloved Queen, our Church, and our Constitution.
“_Q._ Now my boy can you tell me what is your Name?
“_A._ B---- Protestant.
“_Q._ How came you by that name?
“_A._ At the time of Harry the stout, when Popery was in a galloping consumption the people protested against the surpremacy and instalence of the Pope; and his Colleges had struck deep at the hallow tree of superstition I gained the name of Protestant, and proud am I, and ever shall be to stick to it till the day of my death.
“_Let us say._