Part 14

According to the nature of the background, [Professor Gamble writes] so is the mixture of the pigments compounded so as to form a close reproduction both of its colour and its pattern. A sweep of the shrimp net detaches a battalion of these sleeping prawns, and if we turn the motley into a dish and give a choice of seaweed, each variety after its kind will select the one with which it agrees in colour, and vanish. Both when young and when full-grown, the Æsop prawn takes on the colour of its immediate surroundings. At nightfall Hippolyte, of whatever colour, changes to a transparent azure blue: its stolidity gives place to a nervous restlessness; at the least tremor it leaps violently, and often swims actively from one food-plant to another. This blue fit lasts till daybreak, and is then succeeded by the prawn's diurnal tint.

Thus, Professor Gamble continues, the colour of an animal may express a nervous rhythm.

[Illustration: _Photo: J. J. Ward, F.E.S._

PROTECTIVE RESEMBLANCE

Hawk Moth, settled down on a branch, and very difficult to detect as long as it remains stationary. Note its remarkable sucking tongue, which is about twice the length of its body. The tongue can be quickly coiled up and put safely away beneath the lower part of the head.]

[Illustration: WHEN ONLY A FEW DAYS OLD, YOUNG BITTERN BEGIN TO STRIKE THE SAME ATTITUDE AS THEIR PARENTS THRUSTING THEIR BILLS UPWARDS AND DRAWING THEIR BODIES UP SO THAT THEY RESEMBLE A BUNCH OF REEDS

The soft browns and blue-greens harmonise with the dull sheaths of the young reeds; the nestling bittern is thus completely camouflaged.]

The Case of Chameleons

The highest level at which rapid colour-change occurs is among lizards, and the finest exhibition of it is among the chameleons. These quaint creatures are characteristic of Africa; but they occur also in Andalusia, Arabia, Ceylon, and Southern India. They are adapted for life on trees, where they hunt insects with great deliberateness and success. The protrusible tongue, ending in a sticky club, can be shot out for about seven inches in the common chameleon. Their hands and feet are split so that they grip the branches firmly, and the prehensile tail rivals a monkey's. When they wish they can make themselves very slim, contracting the body from side to side, so that they are not very readily seen. In other circumstances, however, they do not practise self-effacement, but the very reverse. They inflate their bodies, having not only large lungs, but air-sacs in connection with them. The throat bulges; the body sways from side to side; and the creature expresses its sentiments in a hiss. The power of colour-change is very remarkable, and depends partly on the contraction and expansion of the colour-cells (chromatophores) in the under-skin (or dermis) and partly on close-packed refractive granules and crystals of a waste-product called guanin. The repertory of possible colours in the common chameleon is greater than in any other animal except the Æsop prawn. There is a legend of a chameleon which was brown in a brown box, green in a green box, and blue in a blue box, and died when put into one lined with tartan; and there is no doubt that one and the same animal has a wide range of colours. The so-called "chameleon" (_Anolis_) of North America is so sensitive that a passing cloud makes it change its emerald hue.

There is no doubt that a chameleon may make itself more inconspicuous by changing its colour, being affected by the play of light on its eyes. A bright-green hue is often seen on those that are sitting among strongly illumined green leaves. But the colour also changes with the time of day and with the animal's moods. A sudden irritation may bring about a rapid change; in other cases the transformation comes about very gradually. When the colour-change expresses the chameleon's feelings it might be compared to blushing, but that is due to an expansion of the arteries of the face, allowing more blood to get into the capillaries of the under-skin. The case of the chameleon is peculiarly interesting because the animal has two kinds of tactics--self-effacement on the one hand and bluffing on the other. There can be little doubt that the power of colour-change sometimes justifies itself by driving off intruders. Dr. Cyril Crossland observed that a chameleon attacked by a fox-terrier "turned round and opened its great pink mouth in the face of the advancing dog, at the same time rapidly changing colour, becoming almost black. This ruse succeeded every time, the dog turning off at once." In natural leafy surroundings the startling effect would be much greater--a sudden throwing off of the mantle of invisibility and the exposure of a conspicuous black body with a large red mouth.

§ 4

Likeness to Other Things

Dr. H. O. Forbes tells of a flat spider which presents a striking resemblance to a bird's dropping on a leaf. Years after he first found it he was watching in a forest in the Far East when his eye fell on a leaf before him which had been blotched by a bird. He wondered idly why he had not seen for so long another specimen of the bird-dropping spider (_Ornithoscatoides decipiens_), and drew the leaf towards him. Instantaneously he got a characteristic sharp nip; it was the spider after all! Here the colour-resemblance was enhanced by a form-resemblance.

[Illustration: A. PROTECTIVE COLORATION OR CAMOUFLAGING, GIVING ANIMALS A GARMENT OF INVISIBILITY

At the foot of the plate is a Nightjar, with plumage like bark and withering leaves; to the right, resting on a branch, is shown a Chameleon in a green phase amid green surroundings; the insects on the reeds are Locusts; while a green Frog, merged into its surroundings, rests on a leaf near the centre at the top of the picture.

B. ANOTHER EXAMPLE OF PROTECTIVE COLORATION OR CAMOUFLAGE

A shore scene showing Trout in the pool almost invisible against their background. The Stone Curlews, both adult and young, are very inconspicuous among the stones on the beach.]

But why should it profit a spider to be like a bird-dropping? Perhaps because it thereby escapes attention; but there is another possibility. It seems that some butterflies, allied to our Blues, are often attracted to excrementitious material, and the spider Dr. Forbes observed had actually caught its victim. This is borne out by a recent observation by Dr. D. G. H. Carpenter, who found a Uganda bug closely resembling a bird-dropping on sand. The bug actually settled down on a bird-dropping on sand, and caught a blue butterfly which came to feed there!

Some of the walking-stick insects, belonging to the order of crickets and grasshoppers (Orthoptera), have their body elongated and narrow, like a thin dry branch, and they have a way of sticking out their limbs at abrupt and diverse angles, which makes the resemblance to twigs very close indeed. Some of these quaint insects rest through the day and have the remarkable habit of putting themselves into a sort of kataleptic state. Many creatures turn stiff when they get a shock, or pass suddenly into new surroundings, like some of the sand-hoppers when we lay them on the palm of our hand; but these twig-insects put themselves into this strange state. The body is rocked from side to side for a short time, and then it stiffens. An advantage may be that even if they were surprised by a bird or a lizard, they will not be able to betray themselves by even a tremor. Disguise is perfected by a remarkable habit, a habit which leads us to think of a whole series of different ways of lying low and saying nothing which are often of life-preserving value. The top end of the series is seen when a fox plays 'possum.

The leaf-butterfly _Kallima_, conspicuously coloured on its upper surface, is like a withered leaf when it settles down and shows the under side of its wings. Here, again, there is precise form-resemblance, for the nervures on the wings are like the mid-rib and side veins on a leaf, and the touch of perfection is given in the presence of whitish spots which look exactly like the discolorations produced by lichens on leaves. An old entomologist, Mr. Jenner Weir, confessed that he repeatedly pruned off a caterpillar on a bush in mistake for a superfluous twig, for many brownish caterpillars fasten themselves by their posterior claspers and by an invisible thread of silk from their mouth, and project from the branch at a twig-like angle. An insect may be the very image of a sharp prickle or a piece of soft moss; a spider may look precisely like a tiny knob on a branch or a fragment of lichen; one of the sea-horses (_Phyllopteryx_) has frond-like tassels on various parts of its body, so that it looks extraordinarily like the seaweeds among which it lives. In a few cases, e.g. among spiders, it has been shown that animals with a special protective resemblance to something else seek out a position where this resemblance tells, and there is urgent need for observations bearing on this selection of environment.

§ 5

Mimicry in the True Sense

It sometimes happens that in one and the same place there are two groups of animals not very nearly related which are "doubles" of one another. Investigation shows that the members of the one group, _always in the majority_, are in some way specially protected, e.g. by being unpalatable. They are the "mimicked." The members of the other group, _always in the minority_, have not got the special protection possessed by the others. They are the "mimickers," though the resemblance is not, of course, associated with any conscious imitation. The theory is that the mimickers live on the reputation of the mimicked. If the mimicked are left alone by birds because they have a reputation for unpalatability, or because they are able to sting, the mimickers survive--although they are palatable and stingless. They succeed, not through any virtue of their own, but because of their resemblance to the mimicked, for whom they are mistaken. There are many cases of mimetic resemblance so striking and so subtle that it seems impossible to doubt that the thing works; there are other cases which are rather far-fetched, and may be somewhat of the nature of coincidences. Thus although Mr. Bates tells us that he repeatedly shot humming-bird moths in mistake for humming-birds, we cannot think that this is a good illustration of mimicry. What is needed for many cases is what is forthcoming for some, namely, experimental evidence, e.g. that the unpalatable mimicked butterflies are left in relative peace while similar palatable butterflies are persecuted. It is also necessary to show that the mimickers do actually consort with the mimicked. Some beetles and moths are curiously wasplike, which may be a great advantage; the common drone-fly is superficially like a small bee; some harmless snakes are very like poisonous species; and Mr. Wallace maintained that the powerful "friar-birds" of the Far East are mimicked by the weak and timid orioles. When the model is unpalatable or repulsive or dangerous, and the mimic the reverse, the mimicry is called "Batesian" (after Mr. Bates), but there is another kind of mimicry called Müllerian (after Fritz Müller) where the mimic is also unpalatable. The theory in this case is that the mimicry serves as mutual assurance, the members of the ring getting on better by consistently presenting the same appearance, which has come to mean to possible enemies a signal, _Noli me tangere_ ("Leave me alone"). There is nothing out of the question in this theory, but it requires to be taken in a critical spirit. It leads us to think of "warning colours," which are the very opposite of the disguises which we are now studying. Some creatures like skunks, magpies, coral-snakes, cobras, brightly coloured tree-frogs are obtrusive rather than elusive, and the theory of Alfred Russel Wallace was that the flaunting conspicuousness serves as a useful advertisement, impressing itself on the memories of inexperienced enemies, who soon learn to leave creatures with "warning colours" alone. In any case it is plain that an animal which is as safe as a wasp or a coral-snake can afford to wear any suit of clothes it likes.

[Illustration: DEAD-LEAF BUTTERFLY (_Kallima Inachis_) FROM INDIA

It is conspicuous on its upper surface, but when it settles down on a twig and shows the underside of its wings it is practically invisible. The colouring of the under surface of the wings is like that of the withering leaf; there are spots like fungas spots; and the venation of the wings suggests the mid-rib and veins of the leaf. A, showing upper surface; B, showing under surface; C, a leaf.]

[Illustration: PROTECTIVE RESEMBLANCE BETWEEN A SMALL SPIDER (_to the left_) AND AN ANT (_to the right_)

As ants are much dreaded, it is probably profitable to the spider to be like an ant. It will be noted that the spider has four pairs of legs and no feelers, whereas the ant has three pairs of legs and a pair of feelers.]

[Illustration: _Photo: J. J. Ward, F.E.S._

THE WASP BEETLE, WHICH, WHEN MOVING AMONGST THE BRANCHES GIVES A WASP-LIKE IMPRESSION]

[Illustration: HERMIT-CRAB WITH PARTNER SEA-ANEMONES

Hermit-crabs hide their soft tail in the shell of a whelk or some other sea-snail. But some hermit-crabs place sea-anemones on the back of their borrowed shell. The sea-anemones mask the hermit-crab and their tentacles can sting. As for the sea-anemones, they are carried about by the hermit-crab and they get crumbs from its table. This kind of mutually beneficial external partnership is called commensalism, i.e. eating at the same table.]

[Illustration: _Photo: G. P. Duffus._

CUCKOO-SPIT

The white mass in the centre of the picture is a soapy froth which the young frog-hopper makes, and within which it lies safe both from the heat of the sun and almost all enemies. After sojourning for a time in the cuckoo-spit, the frog-hopper becomes a winged insect.]

Masking

The episode in Scottish history called "The Walking Wood of Birnam," when the advancing troop masked their approach by cutting down branches of the trees, has had its counterpart in many countries. But it is also enacted on the seashore. There are many kinds of crabs that put on disguise with what looks like deliberateness. The sand-crab takes a piece of seaweed, nibbles at the end of it, and then rubs it on the back of the carapace or on the legs so that it fixes to the bristles. As the seaweed continues to live, the crab soon has a little garden on its back which masks the crab's real nature. It is most effective camouflaging, but if the crab continues to grow it has to moult, and that means losing the disguise. It is then necessary to make a new one. The crab must have on the shore something corresponding to a reputation; that is to say, other animals are clearly or dimly aware that the crab is a voracious and combative creature. How useful to the crab, then, to have its appearance cloaked by a growth of innocent seaweed, or sponge, or zoophyte. It will enable the creature to sneak upon its victims or to escape the attention of its own enemies.

If a narrow-beaked crab is cleaned artificially it will proceed to clothe itself again, the habit has become instinctive; and it must be admitted that while a particular crab prefers a particular kind of seaweed for its dress, it will cover itself with unsuitable and even conspicuous material, such as pieces of coloured cloth, if nothing better is available. The disguise differs greatly, for one crab is masked by a brightly coloured and unpalatable sponge densely packed with flinty needles; another cuts off the tunic of a sea-squirt and throws it over its shoulders; another trundles about a bivalve shell. The facts recall the familiar case of the hermit-crab, which protects its soft tail by tucking it into the empty shell of a periwinkle or a whelk or some other sea-snail, and that case leads on to the elaboration known as commensalism, where the hermit-crab fixes sea-anemones on the back of its borrowed house. The advantage here is beyond that of masking, for the sea-anemone can sting, which is a useful quality in a partner. That this second advantage may become the main one is evident in several cases where the sea-anemone is borne, just like a weapon, on each of the crustacean's great claws. Moreover, as the term commensalism (eating at the same table) suggests, the partnership is _mutually_ beneficial. For the sea-anemone is carried about by the hermit-crab, and it doubtless gets its share of crumbs from its partner's frequent meals. There is a very interesting sidelight on the mutual benefit in the case of a dislodged sea-anemone which sulked for a while and then waited in a state of preparedness until a hermit-crab passed by and touched it. Whereupon the sea-anemone gripped and slowly worked itself up on to the back of the shell.

§ 6

Other Kinds of Elusiveness

There are various kinds of disguise which are not readily classified. A troop of cuttlefish swimming in the sea is a beautiful sight. They keep time with one another in their movements and they show the same change of colour almost at the same moment. They are suddenly attacked, however, by a small shark, and then comes a simultaneous discharge of sepia from their ink-bags. There are clouds of ink in the clear water, for, as Professor Hickson puts it, the cuttlefishes have thrown dust in the eyes of their enemies. One can see a newborn cuttlefish do this a minute after it escapes from the egg.

Very beautiful is the way in which many birds, like our common chaffinch, disguise the outside of their nest with moss and lichen and other trifles felted together, so that the cradle is as inconspicuous as possible. There seems to be a touch of art in fastening pieces of spider's web on the outside of a nest!

How curious is the case of the tree-sloth of South American forests, that walks slowly, back downwards, along the undersides of the branches, hanging on by its long, curved fingers and toes. It is a nocturnal animal, and therefore not in special danger, but when resting during the day it is almost invisible because its shaggy hair is so like certain lichens and other growths on the branches. But the protective resemblance is enhanced by the presence of a green alga, which actually lives on the surface of the sloth's hairs--an alga like the one that makes tree-stems and gate-posts green in damp weather.

There is no commoner sight in the early summer than the cuckoo-spit on the grasses and herbage by the wayside. It is conspicuous and yet it is said to be left severely alone by almost all creatures. In some way it must be a disguise. It is a sort of soap made by the activity of small frog-hoppers while they are still in the wingless larval stage, before they begin to hop. The insect pierces with its sharp mouth-parts the skin of the plant and sucks in sweet sap which by and by overflows over its body. It works its body up and down many times, whipping in air, which mixes with the sugary sap, reminding one of how "whipped egg" is made. But along with the sugary sap and the air, there is a little ferment from the food-canal and a little wax from glands on the skin, and the four things mixed together make a kind of soap which lasts through the heat of the day.

There are many other modes of disguise besides those which we have been able to illustrate. Indeed, the biggest fact is that there are so many, for it brings us back to the idea that life is not an easy business. It is true, as Walt Whitman says, that animals do not sweat and whine about their condition; perhaps it is true, as he says, that not one is unhappy over the whole earth. But there is another truth, that this world is not a place for the unlit lamp and the ungirt loin, and that when a creature has not armour or weapons or cleverness it must find some path of safety or go back. One of these paths of safety is disguise, and we have illustrated its evolution.

V

THE ASCENT OF MAN

THE ASCENT OF MAN

§ 1

No one thinks less of Sir Isaac Newton because he was born as a very puny infant, and no one should think less of the human race because it sprang from a stock of arboreal mammals. There is no doubt as to man's apartness from the rest of creation when he is seen at his best--"a little lower than the angels, crowned with glory and honour." "What a piece of work is a man! How noble in reason! How infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension so like a God." Nevertheless, all the facts point to his affiliation to the stock to which monkeys and apes also belong. Not, indeed, that man is descended from any living ape or monkey; it is rather that he and they have sprung from a common ancestry--are branches of the same stem. This conclusion is so momentous that the reasons for accepting it must be carefully considered. They were expounded with masterly skill in Darwin's _Descent of Man_ in 1871--a book which was but an expansion of a chapter in _The Origin of Species_ (1859).

Anatomical Proof of Man's Relationship with a Simian Stock

The anatomical structure of man is closely similar to that of the anthropoid apes--the gorilla, the orang, the chimpanzee, and the gibbon. Bone for bone, muscle for muscle, blood-vessel for blood-vessel, nerve for nerve, man and ape agree. As the conservative anatomist, Sir Richard Owen, said, there is between them "an all-pervading similitude of structure." Differences, of course, there are, but they are not momentous except man's big brain, which may be three times as heavy as that of a gorilla. The average human brain weighs about 48 ounces; the gorilla brain does not exceed 20 ounces at its best. The capacity of the human skull is never less than 55 cubic inches; in the orang and the chimpanzee the figures are 26 and 27-1/2 respectively. We are not suggesting that the most distinctive features of man are such as can be measured and weighed, but it is important to notice that the main seat of his mental powers is physically far ahead of that of the highest of the anthropoid apes.

Man alone is thoroughly erect after his infancy is past; his head weighted with the heavy brain does not droop forward as the ape's does; with his erect attitude there is perhaps to be associated his more highly developed vocal organs. Compared with an anthropoid ape, man has a bigger and more upright forehead, a less protrusive face region, smaller cheek-bones and eyebrow ridges, and more uniform teeth. He is almost unique in having a chin. Man plants the sole of his foot flat on the ground, his big toe is usually in a line with the other toes, and he has a better heel than any monkey has. The change in the shape of the head is to be thought of in connection with the enlargement of the brain, and also in connection with the natural reduction of the muzzle region when the hand was freed from being an organ of support and became suited for grasping the food and conveying it to the mouth.