Part 31

The Baron returned to the hall in the utmost consternation, and related what had passed. Two ladies fainted outright; others sickened at the idea of having banqueted with a spectre. It was the opinion of some that this might be the wild huntsman famous in German legend. Some talked of mountain sprites, of wood-demons, and of other supernatural beings, with which the good people of Germany have been so grievously harassed since time immemorial. One of the poor relations ventured to suggest that it might be some sportive evasion of the young cavalier, and that the very gloominess of the caprice seemed to accord with so melancholy a personage. This, however, drew on him the indignation of the whole company, and especially of the Baron, who looked upon him as little better than an infidel; so that he was fain to abjure his heresy as speedily as possible, and come into the faith of the true believers.

But, whatever may have been the doubts entertained, they were completely put to an end by the arrival, next day, of regular missives confirming the intelligence of the young Count's murder, and his interment in Wurtzburg cathedral.

The dismay at the castle may well be imagined. The Baron shut himself up in his chamber. The guests who had come to rejoice with him could not think of abandoning him in his distress. They wandered about the courts, or collected in groups in the hall, shaking their heads and shrugging their shoulders at the troubles of so good a man; and sat longer than ever at table, and ate and drank more stoutly than ever, by way of keeping up their spirits. But the situation of the widowed bride was the most pitiable. To have lost a husband before she had even embraced him--and such a husband! if the very spectre could be so gracious and noble, what must have been the living man? She filled the house with lamentations.

On the night of the second day of her widowhood, she had retired to her chamber, accompanied by one of her aunts, who insisted on sleeping with her. The aunt, who was one of the best tellers of ghost stories in all Germany, had just been recounting one of her longest, and had fallen asleep in the very midst of it. The chamber was remote, and overlooked a small garden. The niece lay pensively gazing at the beams of the rising moon, as they trembled on the leaves of an aspen tree before the lattice. The castle clock had just tolled midnight, when a soft strain of music stole up from the garden. She rose hastily from her bed and stepped lightly to the window. A tall figure stood among the shadows of the trees. As it raised its head, a beam of moonlight fell upon the countenance. Heaven and earth! she beheld the Spectre Bridegroom! A loud shriek at that moment burst upon her ear, and her aunt, who had been awakened by the music, and had followed her silently to the window, fell into her arms. When she looked again, the spectre had disappeared.

Of the two females, the aunt now required the most soothing, for she was perfectly beside herself with terror. As to the young lady, there was something, even in the spectre of her lover, that seemed endearing. There was still the semblance of manly beauty; and though the shadow of a man is but little calculated to satisfy the affections of a love-sick girl, yet, where the substance is not to be had, even that is consoling. The aunt declared she would never sleep in that chamber again; the niece, for once, was refractory, and declared as strongly that she would sleep in no other in the castle: the consequence was that she had to sleep in it alone; but she drew a promise from her aunt not to relate the story of the spectre, lest she should be denied the only melancholy pleasure left her on earth--that of inhabiting the chamber over which the guardian shade of her lover kept its nightly vigils.

How long the good old lady would have observed this promise is uncertain, for she dearly loved to talk of the marvelous, and there is a triumph in being the first to tell a frightful story; it is, however, still quoted in the neighborhood, as a memorable instance of female secrecy, that she kept it to herself for a whole week; when she was suddenly absolved from all further restraint by intelligence brought to the breakfast-table one morning that the young lady was not to be found. Her room was empty--the bed had not been slept in--the window was open--and the bird had flown!

The astonishment and concern with which the intelligence was received can only be imagined by those who have witnessed the agitation which the mishaps of a great man cause among his friends. Even the poor relations paused for a moment from the indefatigable labors of the trencher; when the aunt, who had at first been struck speechless, wrung her hands and shrieked out, "The goblin! the goblin! She's carried away by the goblin!"

In a few words she related the fearful scene of the garden, and concluded that the spectre must have carried off his bride. Two of the domestics corroborated the opinion, for they had heard the clattering of a horse's hoofs down the mountain about midnight, and had no doubt that it was the spectre on his black charger, bearing her away to the tomb. All present were struck with the direful probability; for events of the kind are extremely common in Germany, as many well-authenticated histories bear witness.

What a lamentable situation was that of the poor Baron! What a heartrending dilemma for a fond father, and a member of the great family of Katzenellenbogen! His only daughter had either been rapt away to the grave, or he was to have some wood-demon for a son-in-law, and, perchance, a troop of goblin grandchildren. As usual, he was completely bewildered, and all the castle in an uproar. The men were ordered to take horse and scour every road and path and glen of the Odenwald. The Baron himself had just drawn on his jack-boots, girded on his sword, and was about to mount his steed to sally forth on the doubtful quest, when he was brought to a pause by a new apparition. A lady was seen approaching the castle, mounted on a palfrey attended by a cavalier on horseback. She galloped up to the gate, sprang from her horse, and falling at the Baron's feet, embraced his knees. It was his lost daughter, and her companion--the Spectre Bridegroom! The Baron was astounded. He looked at his daughter, then at the spectre, and almost doubted the evidence of his senses. The latter, too, was wonderfully improved in his appearance, since his visit to the world of spirits. His dress was splendid, and set off a noble figure of manly symmetry. He was no longer pale and melancholy. His fine countenance was flushed with the glow of youth, and joy rioted in his large dark eye.

The mystery was soon cleared up. The cavalier (for, in truth, as you must have known all the while, he was no goblin) announced himself as Sir Herman Von Starkenfaust. He related his adventure with the young Count. He told how he had hastened to the castle to deliver the unwelcome tidings, but that the eloquence of the Baron had interrupted him in every attempt to tell his tale. How the sight of the bride had completely captivated him, and that to pass a few hours near her he had tacitly suffered the mistake to continue. How he had been sorely perplexed in what way to make a decent retreat, until the Baron's goblin stories had suggested his eccentric exit. How, fearing the feudal hostility of the family, he had repeated his visits by stealth--had haunted the garden beneath the young lady's window--had wooed--had won--had borne away in triumph--and, in a word, had wedded the fair.

Under any other circumstances the Baron would have been inflexible, for he was tenacious of paternal authority and devoutly obstinate in all family feuds; but he loved his daughter; he had lamented her as lost; he rejoiced to find her still alive; and, though her husband was of a hostile house, yet, thank Heaven, he was not a goblin. There was something, it must be acknowledged, that did not exactly accord with his notions of strict veracity, in the joke the knight had passed upon him of his being a dead man; but several old friends present, who had served in the wars, assured him that every stratagem was excusable in love, and that the cavalier was entitled to especial privilege, having lately served as a trooper.

Matters, therefore, were happily arranged. The Baron pardoned the young couple on the spot. The revels at the castle were resumed. The poor relations overwhelmed this new member of the family with loving-kindness; he was so gallant, so generous--and so rich. The aunts, it is true, were somewhat scandalized that their system of strict seclusion, and passive obedience, should be so badly exemplified, but attributed it all to their negligence in not having the windows grated. One of them was particularly mortified at having her marvelous story marred, and that the only spectre she had ever seen should turn out a counterfeit; but the niece seemed perfectly happy at having found him substantial flesh and blood--and so the story ends.

THE MYSTERIOUS SKETCH

BY ERCKMANN--CHATRIAN

_Emile Erckmann (born 1822, died 1899) and Alexandre Chatrian (born 1826, died 1890), natives of Alsace-Lorraine, formed a literary partnership in 1847 and wrote many charming novels and plays which attained a great vogue. These, appearing under the signature of Erckmann-Chatrian, were supposed to be the productions of a single writer until 1863, when the collaboration was announced. It is said that their first stories were rejected by all the newspapers of Paris._

_"The Mysterious Sketch" is from "Les Contes Fantastiques."_

THE MYSTERIOUS SKETCH

By ERCKMANN--CHATRIAN

I

Opposite the chapel of Saint Sebalt in Nuremberg, at the corner of Trabaus Street, there stands a little tavern, tall and narrow, with a toothed gable and dusty windows, whose roof is surmounted by a plaster Virgin. It was there that I spent the unhappiest days of my life. I had gone to Nuremberg to study the old German masters; but in default of ready money, I had to paint portraits--and such portraits! Fat old women with their cats on their laps, big-wigged aldermen, burgomasters in three-cornered hats--all horribly bright with ochre and vermilion. From portraits I descended to sketches, and from sketches to silhouettes.

Nothing is more annoying than to have your landlord come to you every day with pinched lips, shrill voice, and impudent manner to say: "Well, sir, how soon are you going to pay me? Do you know how much your bill is? No; that doesn't worry you! You eat, drink, and sleep calmly enough. God feeds the sparrows. Your bill now amounts to two hundred florins and ten kreutzers--it is not worth talking about."

Those who have not heard any one talk in this way can form no idea of it; love of art, imagination, and the sacred enthusiasm for the beautiful are blasted by the breath of such an attack. You become awkward and timid; all your energy evaporates, as well as your feeling of personal dignity, and you bow respectfully at a distance to the burgomaster Schneegans.

One night, not having a sou, as usual, and threatened with imprisonment by this worthy Mister Rap, I determined to make him a bankrupt by cutting my throat. Seated on my narrow bed, opposite the window, in this agreeable mood, I gave myself up to a thousand philosophical reflections, more or less comforting.

"What is man?" I asked myself. "An omnivorous animal; his jaws, provided with canines, incisors, and molars, prove it. The canines are made to tear meat; the incisors to bite fruits; and the molars to masticate, grind and triturate animal and vegetable substances that are pleasant to smell and to taste. But when he has nothing to masticate, this being is an absurdity in Nature, a superfluity, a fifth wheel to the coach."

Such were my reflections. I dared not open my razor for fear that the invincible force of my logic would inspire me with the courage to make an end of it all. After having argued so finely, I blew out my candle, postponing the sequel till the morrow.

That abominable Rap had completely stupefied me. I could do nothing but silhouettes, and my sole desire was to have some money to rid myself of his odious presence. But on this night a singular change came over my mind. I awoke about one o'clock--I lit my lamp, and, enveloping myself in my gray gabardine, I drew upon the paper a rapid sketch after the Dutch school--something strange and bizarre, which had not the slightest resemblance to my ordinary conceptions.

Imagine a dreary courtyard enclosed by high dilapidated walls. These walls are furnished with hooks, seven or eight feet from the ground. You see, at a glance, that it is a butchery.

On the left, there extends a lattice structure; you perceive through it a quartered beef suspended from the roof by enormous pulleys. Great pools of blood run over the flagstones and unite in a ditch full of refuse.

The light falls from above, between the chimneys where the weathercocks stand out from a bit of the sky the size of your hand, and the roofs of the neighboring houses throw bold shadows from story to story.

At the back of this place is a shed, beneath the shed a pile of wood, and upon the pile of wood some ladders, a few bundles of straw, some coils of rope, a chicken-coop, and an old dilapidated rabbit-hutch.

How did these heterogeneous details suggest themselves to my imagination? I don't know; I had no reminiscences, and yet every stroke of the pencil seemed the result of observation, and strange because it was all so true. Nothing was lacking.

But on the right, one corner of the sketch remained a blank. I did not know what to put there.... Something suddenly seemed to writhe there, to move! Then I saw a foot, the sole of a foot. Notwithstanding this improbable position, I followed my inspiration without reference to my own criticism. This foot was joined to a leg--over this leg, stretched out with effort, there soon floated the skirt of a dress. In short, there appeared by degrees, an old woman, pale, disheveled, and wasted, thrown down at the side of a well, and struggling to free herself from a hand that clutched at her throat.

It was a murder scene that I was drawing. The pencil fell from my hand.

This woman, in the boldest attitude, with her thighs bent on the curb of the well, her face contracted by terror, and her two hands grasping the murderer's arm, frightened me. I could not look at her. But the man--he, the person to whom that arm belonged--I could not see him. It was impossible for me to finish the sketch.

"I am tired," I said, my forehead dripping with perspiration; "there is only this figure to do; I will finish it to-morrow. It will be easy then."

And I went to bed again, thoroughly frightened by my vision.

The next morning, I got up very early. I was dressing in order to resume my interrupted work, when two little knocks were heard on my door.

"Come in!"

The door opened. An old man, tall, thin, and dressed in black, appeared on the threshold. This man's face, his eyes set close together and his large nose like the beak of an eagle, surmounted by a high bony forehead, had something severe about it. He bowed to me gravely.

"Mister Christian Vénius, the painter?" said he.

"That is my name, sir."

He bowed again, adding:

"The Baron Frederick Van Spreckdal."

The appearance of the rich amateur, Van Spreckdal, judge of the criminal court, in my poor lodging, greatly disturbed me. I could not help throwing a stealthy glance at my old worm-eaten furniture, my damp hangings and my dusty floor. I felt humiliated by such dilapidation; but Van Spreckdal did not seem to take any account of these details; and sitting down at my little table:

"Mister Vénius," he resumed, "I come--" But at this instant his glance fell upon the unfinished sketch--he did not finish his phrase.

I was sitting on the edge of my little bed; and the sudden attention that this personage bestowed upon one of my productions made my heart beat with an indefinable apprehension.

At the end of a minute, Van Spreckdal lifted his head:

"Are you the author of that sketch?" he asked me with an intent look.

"Yes, sir."

"What is the price of it?"

"I never sell my sketches. It is the plan for a picture."

"Ah!" said he, picking up the paper with the tips of his long yellow fingers.

He took a lens from his waistcoat pocket and began to study the design in silence.

The sun was now shining obliquely into the garret. Van Spreckdal never said a word; the hook of his immense nose increased, his heavy eyebrows contracted, and his long pointed chin took a turn upward, making a thousand little wrinkles in his long, thin cheeks. The silence was so profound that I could distinctly hear the plaintive buzzing of a fly that had been caught in a spider's web.

"And the dimensions of this picture, Mister Vénius," he said without looking at me.

"Three feet by four."

"The price?"

"Fifty ducats."

Van Spreckdal laid the sketch on the table, and drew from his pocket a large purse of green silk shaped like a pear; he drew the rings of it--

"Fifty ducats," said he, "here they are."

I was simply dazzled.

The Baron rose and bowed to me, and I heard his big ivory-headed cane resounding on each step until he reached the bottom of the stairs. Then, recovering from my stupor, I suddenly remembered that I had not thanked him, and I flew down the five flights like lightning; but when I reached the bottom, I looked to the right and left; the street was deserted.

"Well!" I said, "this is strange."

And I went upstairs again all out of breath.

II

The surprising way in which Van Spreckdal had appeared to me threw me into a deep wonderment. "Yesterday," I said to myself, as I contemplated the pile of ducats glittering in the sun, "yesterday I formed the wicked intention of cutting my throat, all for the want of a few miserable florins, and now to-day Fortune has showered them from the clouds. Indeed it was fortunate that I did not open my razor; and, if the same temptation ever comes to me again, I will take care to wait until the morrow."

After making these judicious reflections, I sat down to finish the sketch; four strokes of the pencil and it would be finished. But here an incomprehensible difficulty awaited me. It was impossible for me to make those four sweeps of the pencil; I had lost the thread of my inspiration, and the mysterious personage no longer stood out in my brain. I tried in vain to evoke him, to sketch him, and to recover him; he no longer accorded with the surroundings than with a figure by Raphael in a Teniers inn-kitchen. I broke out into a profuse perspiration.

At this moment, Rap opened the door without knocking, according to his praiseworthy custom. His eyes fell upon my pile of ducats and in a shrill voice he cried:

"Eh! eh! so I catch you. Will you still persist in telling me, Mr. Painter, that you have no money?"

And his hooked fingers advanced with that nervous trembling that the sight of gold always produces in a miser.

For a few seconds I was stupefied.

The memory of all the indignities that this individual had inflicted upon me, his covetous look, and his impudent smile exasperated me. With a single bound, I caught hold of him, and pushed him out of the room, slamming the door in his face.

This was done with the crack and rapidity of a spring snuff-box.

But from outside the old usurer screamed like an eagle:

"My money, you thief, my money!"

The lodgers come out of their rooms, asking:

"What is the matter? What has happened?"

I opened the door suddenly and quickly gave Mister Rap a kick in the spine that sent him rolling down more than twenty steps.

"That's what's the matter!" I cried, quite beside myself. Then I shut the door and bolted it, while bursts of laughter from the neighbors greeted Mister Rap in the passage.

I was satisfied with myself; I rubbed my hands together. This adventure had put new life into me; I resumed my work, and was about to finish the sketch when I heard an unusual noise.

Butts of muskets were grounded on the pavement. I looked out of my window and saw three soldiers in full uniform with grounded arms in front of my door.

I said to myself in my terror: "Can it be that that scoundrel of a Rap has had any bones broken?"

And here is the strange peculiarity of the human mind: I, who the night before had wanted to cut my own throat, shook from head to foot, thinking that I might well be hanged if Rap were dead.

The stairway was filled with confused noises. It was an ascending flood of heavy footsteps, clanking arms, and short syllables.

Suddenly somebody tried to open my door. It was shut.

Then there was a general clamor.

"In the name of the law--open!"

I arose, trembling and weak in the knees.

"Open!" the same voice repeated.

I thought to escape over the roofs; but I had hardly put my head out of the little snuff-box window, when I drew back, seized with vertigo. I saw in a flash all the windows below with their shining panes, their flower-pots, their birdcages, and their gratings. Lower, the balcony; still lower, the street lamp; still lower again, the sign of the "Red Cask" framed in iron-work; and, finally, three glittering bayonets, only awaiting my fall to run me through the body from the sole of my foot to the crown of my head. On the roof of the opposite house a tortoise-shell cat was crouching behind a chimney, watching a band of sparrows fighting and scolding in the gutter.

One can not imagine to what clearness, intensity, and rapidity the human eye acquires when stimulated by fear.

At the third summons I heard:

"Open, or we shall force it!"

Seeing that flight was impossible, I staggered to the door and drew the bolt.

Two hands immediately fell upon my collar. A dumpy, little man, smelling of wine, said:

"I arrest you!"

He wore a bottle-green redingote, buttoned to the chin, and a stovepipe hat. He had large brown whiskers, rings on every finger, and was named Passauf.

He was the chief of police.

Five bull-dogs with flat caps, noses like pistols, and lower jaws turning upward, observed me from outside.

"What do you want?" I asked Passauf.

"Come downstairs," he cried roughly, as he gave a sign to one of his men to seize me.

This man took hold of me, more dead than alive, while several other men turned my room upside down.

I went downstairs supported by the arms like a person in the last stages of consumption--with hair disheveled and stumbling at every step.