Part 24

I paused a moment, but though there was much uneasy stirring about, and the dismal clanking directly above us was incessant, no one of my audience spoke. It was wholly dark now, and I think all had drawn closer together.

"About ten years ago people began calling Creed crazy." Here I was forced to interrupt my own story. "I shall have to ask you, Miss Anstell, to stop annoying me. I have been aware for some moments that you are brushing my head with a straw, but I have ignored it for the sake of the others." Out of the darkness came Miss Anstell's voice, protesting earnestly, and I realized from the direction of the sound that in the general readjustment she must have settled down in the very center of our circle, and could not be the one at fault. One of the others was childish enough to simulate a mocking burst of raucous laughter, but I chose to ignore it.

"Very well," said I, graciously; "shall I go on?"

"Go on," echoed a subdued chorus.

"It was the night of the twenty-eighth of May, ten years ago----"

"Not the twenty-eighth," broke in my wife's voice, sharply; "that is to-day's date." There was a note in her voice that I hardly recognized, but it indicated that she was in some way affected by my narration, and I felt a distinct sense of triumph.

"It was the night of May twenty-eighth," I repeated firmly.

"Are you making up this story?" my wife's voice continued, still with the same odd tone.

"I am, my dear, and you are interrupting it."

"But an Ashley Turner and later a Peter Creed owned this place," she persisted almost in a whisper, "and I am sure you never heard of them."

I confess that I might wisely have broken off my story then and called for a light. There had been an hysterical note in my wife's voice, and I was startled at her words, for I had no conscious recollection of either name; yet I felt a resultant exhilaration. Our lanterns had grown strangely dim, though I was certain both had been recently trimmed and filled; and from their far corner of the barn they threw no light whatever into our circle. I faced an utter blackness.

"On that night," said I, "old Ike was wakened by sounds as of someone fumbling to unbar and open the housedoor. It was an unwonted hour, and he peered from the window of his little room. By the dim starlight--it was just before dawn--he could see all of the open yard and roadway before the house, with the great barn looming like a black and sinister shadow as its farther barrier. Crossing this space, he saw the figure of Peter Creed, grotesquely stooped and old in the obscuring gloom, moving slowly, almost gropingly, and yet directly, as though impelled, toward the barn's overwhelming shadow. Slowly he unbarred the great door, swung it open, and entered the blacker shadows it concealed. The door closed after him.

"Ike in his secure post of observation did not stir. He could not. Even to his crude imagining there was something utterly horrible in the thought of Creed alone at that hour in just such black darkness as this, with the great timbered chamber haunted at least by its dread memories. He could only wait, tense and fearful of he knew not what.

"A shriek that pierced the silence relaxed his tension, bringing almost a sense of relief, so definite had been his expectancy. But it was a burst of shrill laughter, ribald, uncanny, undeniable, accompanying the shriek that gave him power of motion. He ran half naked a quarter of a mile to the nearest neighbor's and told his story."

* * * * *

"They found Creed hanging, the rope hooked simply around his neck. It was a silent jury that filed from the barn that morning after viewing the body. 'Suicide,' said they, after Ike, shivering and stammering, had testified, harking back to the untold evidence of that other morning years before. Yes, Creed was dead, with a terrible look on his wizen face, and the dusty old rope ran through its pulley-wheel and was fast to a beam high above.

"'He must of climbed to the beam, made the rope fast, and jumped,' said the foreman, solemnly. 'He must of, he must of,' repeated the man, parrot-like, while the sweat stood out on his forehead, 'because there wasn't no other way; but as God is my judge, the knot in the rope and the dust on the beam ain't been disturbed for years.'"

At this dramatic climax there was an audible sigh from my audience. I sat quietly for a time, content to allow the silence and the atmosphere of the place, which actually seemed surcharged with influences not of my creation, to add to the effect my story had caused. There was scarcely a movement in our circle; of that I felt sure. And yet once more, out of the almost tangible darkness above me, something seemed to reach down and brush against my head. A slight motion of air, sufficient to disturb my rather scanty locks, was additional proof that I was the butt of some prank that had just missed its objective. Then, with a fearful suddenness, close to my ear burst a shrill discord of laughter, so uncanny and so unlike the usual sound of student merriment that I started up, half wondering if I had heard it. Almost immediately after it the heavy darkness was torn again by a shriek so terrible in its intensity as completely to differentiate it from the other cries which followed.

"Bring a light!" cried a voice that I recognized as that of my wife, though strangely distorted by emotion. There was a great confusion. Young women struggled from their places and impeded one another in the darkness; but finally, and it seemed an unbearable delay, someone brought a single lantern.

Its frail light revealed Miss Anstell half upright from her place in the center of our circle, my wife's arms sustaining her weight. Her face, as well as I could see it, seemed darkened and distorted, and when we forced her clutching hands away from her bared throat we could see, even in that light, the marks of an angry, throttling scar entirely encircling it. Just above her head the old pulley-rope swayed menacingly in the faint breeze.

My recollection is even now confused as to the following moments and our stumbling escape from that gruesome spot. Miss Anstell is now at her home, recovering from what her physician calls mental shock. My wife will not speak of it. The questions I would ask her are checked on my lips by the look of utter terror in her eyes. As I have confessed to you, my own philosophy is hard put to it to withstand not so much the community attitude toward what they are pleased to call my taste in practical joking, but to assemble and adjust the facts of my experience.

A SHADY PLOT

BY ELSIE BROWN

This story was submitted as a class exercise in one of my short-story classes at Columbia University. At my request the author, Elsie Brown, contributed it to this volume.

A Shady Plot

BY ELSIE BROWN

So I sat down to write a ghost story.

Jenkins was responsible.

"Hallock," he had said to me, "give us another on the supernatural this time. Something to give 'em the horrors; that's what the public wants, and your ghosts are live propositions."

Well, I was in no position to contradict Jenkins, for, as yet, his magazine had been the only one to print my stuff. So I had said, "Precisely!" in the deepest voice I was capable of, and had gone out.

I hadn't the shade of an idea, but at the time that didn't worry me in the least. You see, I had often been like that before and in the end things had always come my way--I didn't in the least know how or why. It had all been rather mysterious. You understand I didn't specialize in ghost stories, but more or less they seemed to specialize in me. A ghost story had been the first fiction I had written. Curious how that idea for a plot had come to me out of nowhere after I had chased inspiration in vain for months! Even now whenever Jenkins wanted a ghost, he called on me. And I had never found it healthy to contradict Jenkins. Jenkins always seemed to have an uncanny knowledge as to when the landlord or the grocer were pestering me, and he dunned me for a ghost. And somehow I'd always been able to dig one up for him, so I'd begun to get a bit cocky as to my ability.

So I went home and sat down before my desk and sucked at the end of my pencil and waited, but nothing happened. Pretty soon my mind began to wander off on other things, decidedly unghostly and material things, such as my wife's shopping and how on earth I was going to cure her of her alarming tendency to take every new fad that came along and work it to death. But I realized _that_ would never get me any place, so I went back to staring at the ceiling.

"This writing business _is_ delightful, isn't it?" I said sarcastically at last, out loud, too. You see, I had reached the stage of imbecility when I was talking to myself.

"Yes," said a voice at the other end of the room, "I should say it is!"

I admit I jumped. Then I looked around.

It was twilight by this time and I had forgotten to turn on the lamp. The other end of the room was full of shadows and furniture. I sat staring at it and presently noticed something just taking shape. It was exactly like watching one of these moving picture cartoons being put together. First an arm came out, then a bit of sleeve of a stiff white shirtwaist, then a leg and a plaid skirt, until at last there she was complete,--whoever she was.

She was long and angular, with enormous fishy eyes behind big bone-rimmed spectacles, and her hair in a tight wad at the back of her head (yes, I seemed able to see right through her head) and a jaw--well, it looked so solid that for the moment I began to doubt my very own senses and believe she was real after all.

She came over and stood in front of me and glared--yes, positively glared down at me, although (to my knowledge) I had never laid eyes on the woman before, to say nothing of giving her cause to look at me like that.

I sat still, feeling pretty helpless I can tell you, and at last she barked:

"What are you gaping at?"

I swallowed, though I hadn't been chewing anything.

"Nothing," I said. "Absolutely nothing. My dear lady, I was merely waiting for you to tell me why you had come. And excuse me, but do you always come in sections like this? I should think your parts might get mixed up sometimes."

"Didn't you send for me?" she crisped.

Imagine how I felt at that!

"Why, no. I--I don't seem to remember----"

"Look here. Haven't you been calling on heaven and earth all afternoon to help you write a story?"

I nodded, and then a possible explanation occurred to me and my spine got cold. Suppose this was the ghost of a stenographer applying for a job! I had had an advertisement in the paper recently. I opened my mouth to explain that the position was filled, and permanently so, but she stopped me.

"And when I got back to the office from my last case and was ready for you, didn't you switch off to something else and sit there driveling so I couldn't attract your attention until just now?"

"I--I'm very sorry, really."

"Well, you needn't be, because I just came to tell you to stop bothering us for assistance; you ain't going to get it. We're going on Strike!"

"What!"

"You don't have to yell at me."

"I--I didn't mean to yell," I said humbly. "But I'm afraid I didn't quite understand you. You said you were----"

"Going on strike. Don't you know what a strike is? Not another plot do you get from us!"

I stared at her and wet my lips.

"Is--is that where they've been coming from?"

"Of course. Where else?"

"But my ghosts aren't a bit like you----"

"If they were people wouldn't believe in them." She draped herself on the top of my desk among the pens and ink bottles and leaned towards me. "In the other life _I_ used to write."

"You did!"

She nodded.

"But that has nothing to do with my present form. It might have, but I gave it up at last for that very reason, and went to work as a reader on a magazine." She sighed, and rubbed the end of her long eagle nose with a reminiscent finger. "Those were terrible days; the memory of them made me mistake purgatory for paradise, and at last when I attained my present state of being, I made up my mind that something should be done. I found others who had suffered similarly, and between us we organized 'The Writer's Inspiration Bureau.' We scout around until we find a writer without ideas and with a mind soft enough to accept impression. The case is brought to the attention of the main office, and one of us assigned to it. When that case is finished we bring in a report."

"But I never saw you before----"

"And you wouldn't have this time if I hadn't come to announce the strike. Many a time I've leaned on your shoulder when you've thought _you_ were thinking hard--" I groaned, and clutched my hair. The very idea of that horrible scarecrow so much as touching me! and wouldn't my wife be shocked! I shivered. "But," she continued, "that's at an end. We've been called out of our beds a little too often in recent years, and now we're through."

"But my dear madam, I assure you I have had nothing to do with that. I hope I'm properly grateful and all that, you see."

"Oh, it isn't you," she explained patronizingly. "It's those Ouija board fanatics. There was a time when we had nothing much to occupy us and used to haunt a little on the side, purely for amusement, but not any more. We've had to give up haunting almost entirely. We sit at a desk and answer questions now. And such questions!"

She shook her head hopelessly, and taking off her glasses wiped them, and put them back on her nose again.

"But what have I got to do with this?"

She gave me a pitying look and rose.

"You're to exert your influence. Get all your friends and acquaintances to stop using the Ouija board, and then we'll start helping you to write."

"But----"

There was a footstep outside my door.

"John! Oh, John!" called the voice of my wife.

I waved my arms at the ghost with something of the motion of a beginner when learning to swim.

"Madam, I must ask you to leave, and at once. Consider the impression if you were seen here----"

The ghost nodded, and began, very sensibly, I thought, to demobilize and evaporate. First the brogans on her feet grew misty until I could see the floor through them, then the affection spread to her knees and gradually extended upward. By this time my wife was opening the door.

"Don't forget the strike," she repeated, while her lower jaw began to disintegrate, and as my Lavinia crossed the room to me the last vestige of her ear faded into space.

"John, why in the world are you sitting in the dark?"

"Just--thinking, my dear."

"Thinking, rubbish! You were talking out loud."

I remained silent while she lit the lamps, thankful that her back was turned to me. When I am nervous or excited there is a muscle in my face that starts to twitch, and this pulls up one corner of my mouth and gives the appearance of an idiotic grin. So far I had managed to conceal this affliction from Lavinia.

"You know I bought the loveliest thing this afternoon. Everybody's wild over them!"

I remembered her craze for taking up new fads and a premonitory chill crept up the back of my neck.

"It--it isn't----" I began and stopped. I simply couldn't ask; the possibility was too horrible.

"You'd never guess in the world. It's the duckiest, darlingest Ouija board, and so cheap! I got it at a bargain sale. Why, what's the matter, John?"

I felt things slipping.

"Nothing," I said, and looked around for the ghost. Suppose she had lingered, and upon hearing what my wife had said should suddenly appear----Like all sensitive women, Lavinia was subject to hysterics.

"But you looked so funny----"

"I--I always do when I'm interested," I gulped. "But don't you think that was a foolish thing to buy?"

"Foolish! Oh, John! Foolish! And after me getting it for you!"

"For me! What do you mean?"

"To help you write your stories. Why, for instance, suppose you wanted to write an historical novel. You wouldn't have to wear your eyes out over those musty old books in the public library. All you'd have to do would be to get out your Ouija and talk to Napoleon, or William the Conqueror, or Helen of Troy--well, maybe not Helen--anyhow you'd have all the local color you'd need, and without a speck of trouble. And think how easy writing your short stories will be now."

"But Lavinia, you surely don't believe in Ouija boards."

"I don't know, John--they are awfully thrilling."

She had seated herself on the arm of my chair and was looking dreamily across the room. I started and turned around. There was nothing there, and I sank back with relief. So far so good.

"Oh, certainly, they're thrilling all right. That's just it, they're a darn sight too thrilling. They're positively devilish. Now, Lavinia, you have plenty of sense, and I want you to get rid of that thing just as soon as you can. Take it back and get something else."

My wife crossed her knees and stared at me through narrowed lids.

"John Hallock," she said distinctly. "I don't propose to do anything of the kind. In the first place they won't exchange things bought at a bargain sale, and in the second, if you aren't interested in the other world _I_ am. So there!" and she slid down and walked from the room before I could think of a single thing to say. She walked very huffily.

Well, it was like that all the rest of the evening. Just as soon as I mentioned Ouija boards I felt things begin to cloud up; so I decided to let it go for the present, in the hope that she might be more reasonable later.

After supper I had another try at the writing, but as my mind continued a perfect blank I gave it up and went off to bed.

The next day was Saturday, and it being near the end of the month and a

## particularly busy day, I left home early without seeing Lavinia.

Understand, I haven't quite reached the point where I can give my whole time to writing, and being bookkeeper for a lumber company does help with the grocery bills and pay for Lavinia's fancy shopping. Friday had been a half holiday, and of course when I got back the work was piled up pretty high; so high, in fact, that ghosts and stories and everything else vanished in a perfect tangle of figures.

When I got off the street car that evening my mind was still churning. I remember now that I noticed, even from the corner, how brightly the house was illuminated, but at the time that didn't mean anything to me. I recall as I went up the steps and opened the door I murmured:

"Nine times nine is eighty-one!"

And then Gladolia met me in the hall.

"Misto Hallock, de Missus sho t'inks you's lost! She say she done 'phone you dis mawnin' to be home early, but fo' de lawd's sake not to stop to argify now, but get ready fo' de company an' come on down."

Some memory of a message given me by one of the clerks filtered back through my brain, but I had been hunting three lost receipts at the time, and had completely forgotten it.

"Company?" I said stupidly. "What company?"

"De Missus's Ouija boahrd pahrty," said Gladolia, and rolling her eyes she disappeared in the direction of the kitchen.

I must have gone upstairs and dressed and come down again, for I presently found myself standing in the dimly lighted lower hall wearing my second best suit and a fresh shirt and collar. But I have no recollections of the process.

There was a great chattering coming from our little parlor and I went over to the half-opened door and peered through.

The room was full of women--most of them elderly--whom I recognized as belonging to my wife's Book Club. They were sitting in couples, and between each couple was a Ouija board! The mournful squeak of the legs of the moving triangular things on which they rested their fingers filled the air and mixed in with the conversation. I looked around for the ghost with my heart sunk down to zero. What if Lavinia should see her and go mad before my eyes! And then my wife came and tapped me on the shoulder.

"John," she said in her sweetest voice, and I noticed that her cheeks were very pink and her eyes very bright. My wife is never so pretty as when she's doing something she knows I disapprove of, "John, dear I know you'll help us out. Mrs. William Augustus Wainright 'phoned at the last moment to say that she couldn't possibly come, and that leaves poor Laura Hinkle without a partner. Now, John, I know _some_ people can work a Ouija by themselves, but Laura can't, and she'll just have a horrible time unless you----"

"Me!" I gasped. "Me! I won't----" but even as I spoke she had taken my arm, and the next thing I knew I was sitting with the thing on my knees and Miss Laura Hinkle opposite, grinning in my face like a flirtatious crocodile.

"I--I won't----" I began.

"Now, Mr. Hallock, don't you be shy." Miss Laura Hinkle leaned forward and shook a bony finger almost under my chin.

"I--I'm not! Only I say I won't----!"

"No, it's very easy, really. You just put the tips of your fingers right here beside the tips of my fingers----"

And the first thing I knew she had taken my hands and was coyly holding them in the position desired. She released them presently, and the little board began to slide around in an aimless sort of way. There seemed to be some force tugging it about. I looked at my partner, first with suspicion, and then with a vast relief. If she was doing it, then all that talk about spirits----Oh, I did hope Miss Laura Hinkle was cheating with that board!

"Ouija, dear, won't you tell us something?" she cooed, and on the instant the thing seemed to take life.