Part 25
It rushed to the upper left hand corner of the board and hovered with its front leg on the word "Yes." Then it began to fly around so fast that I gave up any attempt to follow it. My companion was bending forward and had started to spell out loud:
"'T-r-a-i-t-o-r.' Traitor! Why, what does she mean?"
"I don't know," I said desperately. My collar felt very tight.
"But she must mean something. Ouija, dear, won't you explain yourself more fully?"
"'A-s-k-h-i-m!' Ask him. Ask who, Ouija?"
"I--I'm going." I choked and tried to get up but my fingers seemed stuck to that dreadful board and I dropped back again.
Apparently Miss Hinkle had not heard my protest. The thing was going around faster than ever and she was reading the message silently, with her brow corrugated, and the light of the huntress in her pale blue eyes.
"Why, she says it's you, Mr. Hallock. What _does_ she mean? Ouija, won't you tell us who is talking?"
I groaned, but that inexorable board continued to spell. I always did hate a spelling match! Miss Hinkle was again following it aloud:
"'H-e-l-e-n.' Helen!" She raised her voice until it could be heard at the other end of the room. "Lavinia, dear, do you know anyone by the name of Helen?"
"By the name of----? I can't hear you." And my wife made her way over to us between the Book Club's chairs.
"You know the funniest thing has happened," she whispered excitedly. "Someone had been trying to communicate with John through Mrs. Hunt's and Mrs. Sprinkle's Ouija! Someone by the name of Helen----"
"Why, _isn't_ that curious!"
"What is?"
Miss Hinkle simpered.
"Someone giving the name of Helen has just been calling for your husband here."
"But we don't know anyone by the name of Helen----"
Lavinia stopped and began to look at me through narrowed lids much as she had done in the library the evening before.
And then from different parts of the room other manipulators began to report. Every plagued one of those five Ouija boards was calling me by name! I felt my ears grow crimson, purple, maroon. My wife was looking at me as though I were some peculiar insect. The squeak of Ouija boards and the murmur of conversation rose louder and louder, and then I felt my face twitch in the spasm of that idiotic grin. I tried to straighten my wretched features into their usual semblance of humanity, I tried and----
"Doesn't he look sly!" said Miss Hinkle. And then I got up and fled from the room.
I do not know how that party ended. I do not want to know. I went straight upstairs, and undressed and crawled into bed, and lay there in the burning dark while the last guest gurgled in the hall below about the wonderful evening she had spent. I lay there while the front door shut after her, and Lavinia's steps came up the stairs and--passed the door to the guest room beyond. And then after a couple of centuries elapsed the clock struck three and I dozed off to sleep.
At the breakfast table the next morning there was no sign of my wife. I concluded she was sleeping late, but Gladolia, upon being questioned, only shook her head, muttered something, and turned the whites of her eyes up to the ceiling. I was glad when the meal was over and hurried to the library for another try at that story.
I had hardly seated myself at the desk when there came a tap at the door and a white slip of paper slid under it. I unfolded it and read:
"DEAR JOHN,
"I am going back to my grandmother. My lawyer will communicate with you later."
"Oh," I cried. "Oh, I wish I was dead!"
And:
"That's exactly what you ought to be!" said that horrible voice from the other end of the room.
I sat up abruptly--I had sunk into a chair under the blow of the letter--then I dropped back again and my hair rose in a thick prickle on the top of my head. Coming majestically across the floor towards me was a highly polished pair of thick laced shoes. I stared at them in a sort of dreadful fascination, and then something about their gait attracted my attention and I recognized them.
"See here," I said sternly. "What do you mean by appearing here like this?"
"_I_ can't help it," said the voice, which seemed to come from a point about five and a half feet above the shoes. I raised my eyes and presently distinguished her round protruding mouth.
"Why can't you? A nice way to act, to walk in sections----"
"If you'll give me time," said the mouth in an exasperated voice, "I assure you the rest of me will presently arrive."
"But what's the matter with you? You never acted this way before."
She seemed stung to make a violent effort, for a portion of a fishy eye and the end of her nose popped into view with a suddenness that made me jump.
"It's all your fault." She glared at me, while part of her hair and her plaid skirt began slowly to take form.
"My fault!"
"Of course. How can you keep a lady up working all night and then expect her to retain all her faculties the next day? I'm just too tired to materialize."
"Then why did you bother?"
"Because I was sent to ask when your wife is going to get rid of that Ouija board."
"How should I know! I wish to heaven I'd never seen you!" I cried. "Look what you've done! You've lost me my wife, you've lost me my home and happiness, you've----you've----"
"Misto Hallock," came from the hall outside, "Misto Hallock, I's gwine t' quit. I don't like no hoodoos." And the steps retreated.
"You've----you've lost me my cook----"
"I didn't come here to be abused," said the ghost coldly. "I--I----"
And then the door opened and Lavinia entered. She wore the brown hat and coat she usually travels in and carried a suitcase which she set down on the floor.
That suitcase had an air of solid finality about it, and its lock leered at me brassily.
I leaped from my chair with unaccustomed agility and sprang in front of my wife. I must conceal that awful phantom from her, at any risk!
She did not look at me, or--thank heaven!--behind me, but fixed her injured gaze upon the waste-basket, as if to wrest dark secrets from it.
"I have come to tell you that I am leaving," she staccatoed.
"Oh, yes, yes!" I agreed, flapping my arms about to attract attention from the corner. "That's fine--great!"
"So you want me to go, do you?" she demanded.
"Sure, yes--right away! Change of air will do you good. I'll join you presently!" If only she would go till Helen could _de_-part! I'd have the devil of a time explaining afterward, of course, but anything would be better than to have Lavinia see a ghost. Why, that sensitive little woman couldn't bear to have a mouse say boo at her--and what would she say to a ghost in her own living-room?
Lavinia cast a cold eye upon me. "You are acting very queerly," she sniffed. "You are concealing something from me."
Just then the door opened and Gladolia called, "Mis' Hallock! Mis' Hallock! I've come to tell you I'se done lef' dis place."
My wife turned her head a moment. "But why, Gladolia?"
"I ain't stayin' round no place 'long wid dem Ouija board contraptions. I'se skeered of hoodoos. I's done gone, I is."
"Is that all you've got to complain about?" Lavinia inquired.
"Yes, ma'am."
"All right, then. Go back to the kitchen. You can use the board for kindling wood."
"Who? Me touch dat t'ing? No, ma'am, not dis nigger!"
"I'll be the coon to burn it," I shouted. "I'll be glad to burn it."
Gladolia's heavy steps moved off kitchenward.
Then my Lavinia turned waspishly to me again. "John, there's not a bit of use trying to deceive me. What is it you are trying to conceal from me?"
"Who? Me? Oh, no," I lied elaborately, looking around to see if that dratted ghost was concealed enough. She was so big, and I'm rather a smallish man. But that was a bad move on my part.
"John," Lavinia demanded like a ward boss, "you are hiding some_body_ in here! Who is it?"
I only waved denial and gurgled in my throat. She went on, "It's bad enough to have you flirt over the Ouija board with that hussy----"
"Oh, the affair was quite above-board, I assure you, my love!" I cried, leaping lithely about to keep her from focusing her gaze behind me.
She thrust me back with sudden muscle. "_I will_ see who's behind you! Where is that Helen?"
"Me? I'm Helen," came from the ghost.
Lavinia looked at that apparition, that owl-eyed phantom, in plaid skirt and stiff shirtwaist, with hair skewed back and no powder on her nose. I threw a protecting husbandly arm about her to catch her when she should faint. But she didn't swoon. A broad, satisfied smile spread over her face.
"I thought you were Helen of Troy," she murmured.
"I used to be Helen of Troy, New York," said the ghost. "And now I'll be moving along, if you'll excuse me. See you later."
With that she telescoped briskly, till we saw only a hand waving farewell.
My Lavinia fell forgivingly into my arms. I kissed her once or twice fervently, and then I shoved her aside, for I felt a sudden strong desire to write. The sheets of paper on my desk spread invitingly before me.
"I've got the bulliest plot for a ghost story!" I cried.
THE LADY AND THE GHOST
BY ROSE CECIL O'NEILL
From the _Cosmopolitan Magazine_. By permission of John Brisben Walker and Rose O'Neill.
The Lady and the Ghost
BY ROSE CECIL O'NEILL
It was some moments before the Lady became rationally convinced that there was something occurring in the corner of the room, and then the actual nature of the thing was still far from clear.
"To put it as mildly as possible," she murmured, "the thing verges upon the uncanny"; and, leaning forward upon her silken knees, she attended upon the phenomenon.
At first it had seemed like some faint and unexplained atmospheric derangement, occasioned, apparently, neither by an opened window nor by a door. Some papers fluttered to the floor, the fringes of the hangings softly waved, and, indeed, it would still have been easy to dismiss the matter as the effect of a vagrant draft had not the state of things suddenly grown unmistakably unusual. All the air of the room, it then appeared, rushed even with violence to the point and there underwent what impressed her as an aerial convulsion, in the very midst and well-spring of which, so great was the confusion, there seemed to appear at intervals almost the semblance of a shape.
The silence of the room was disturbed by a book that flew open with fluttering leaves, the noise of a vase of violets blown over, from which the perfumed water dripped to the floor, and soft touchings all around as of a breeze passing through a chamber full of trifles.
The ringlets of the Lady's hair were swept forward toward the corner upon which her gaze was fixed, and in which the conditions had now grown so tense with imminent occurrence and so rent with some inconceivable throe that she involuntarily rose, and, stepping forward against the pressure of her petticoats which were blown about her ankles, she impatiently thrust her hand into the----
She was immediately aware that another hand had received it, though with a far from substantial envelopment, and for another moment what she saw before her trembled between something and nothing. Then from the precarious situation there slowly emerged into dubious view the shape of a young man dressed in evening clothes over which was flung a mantle of voluminous folds such as is worn by ghosts of fashion.
"The very deuce was in it!" he complained; "I thought I should never materialize."
She flung herself into her chair, confounded; yet, even in the shock of the emergency, true to herself, she did not fail to smooth her ruffled locks.
Her visitor had been scanning his person in a dissatisfied way, and with some vexation he now ejaculated: "Beg your pardon, my dear, but are my feet on the floor, or where in thunder are they?"
It was with a tone of reassurance that she confessed that his patent-leathers were the trivial matter of two or three inches from the rug. Whereupon, with still another effort, he brought himself down until his feet rested decently upon the floor. It was only when he walked about to examine the bric-a-brac that a suspicious lightness was discernible in his tread.
When he had composed himself by the survey, effecting it with an air of great insouciance, which, however, failed to conceal the fact that his heart was beating somewhat wildly, he approached the Lady.
"Well, here we are again, my love!" he cried, and devoured her hands with ghostly kisses. "It seems an eternity that I've been struggling back to you through the outer void and what-not. Sometimes, I confess I all but despaired. Life is not, I assure you, all beer and skittles for the disembodied."
He drew a long breath, and his gaze upon her and the entire chamber seemed to envelop all and cherish it.
"Little room, little room! And so you are thus! Do you know," he continued, with vivacity, "I have wondered about it in the grave, and I could hardly sleep for this place unpenetrated. Heigho! What a lot of things we leave undone! I dashed this off at the time, the literary passion strong in me, thus:
"Now, when all is done, and I lie so low, I cannot sleep for this, my only care; For though of that dim place I could not know; That where my heart was fain I did not go, Nor saw you musing there!
"Well, well, these things irk a ghost so. Naturally, as soon as possible I made my way back--to be satisfied--to be satisfied that you were still mine." He bent a piercing look upon her.
"I observe by the calendar on your writing-table that some years have elapsed since my----um----since I expired," he added, with a faint blush. It appears that the matter of their dissolution is, in conversation, rather kept in the background by well-bred ghosts.
"Heigho! How time does fly! You'll be joining me soon, my dear."
She drew herself splendidly up, and he was aware of her beauty in the full of its tenacious excellence--of the delicate insolence of Life looking upon Death--of the fact _that she had forgotten him_.
He rose, and confronted this, his trembling hands thrust into his pockets, then turned away to hide the dismay of his countenance. He was, however, a spook of considerable spirit, and in a jiffy he met the occasion. To her blank, indignant gaze he drew a card from his case, and, taking a pencil from the secretary, wrote, beneath the name:
Quiet to the breast Wheresoe'er it be, That gave an hour's rest To the heart of me. Quiet to the breast Till it lieth dead, And the heart be clay Where I visited. Quiet to the breast, Though forgetting quite The guest it sheltered once; To the heart, good night!
Handing her the card he bowed, and, through force of habit, turned to the door, forgetting that his ghostly pressure would not turn the knob.
As the door did not open, with a sigh of recollection for his spiritual condition, he prepared to disappear, casting one last look at the faithless Lady. She was still looking at the card in her hand, and the tears ran down her face.
"She has remembered," he reflected; "how courteous!" For a moment it seemed he could contain his disappointment, discreetly removing himself now at what he felt was the vanishing-point, with the customary reticence of the dead, but feeling overcame him. In an instant he had her in his arms, and was pouring out his love, his reproaches, the story of his longing, his doubts, his discontent, and his desperate journey back to earth for a sight of her. "And, ah!" cried he, "picture my agony at finding that you had forgotten. And yet I surmised it in the gloom. I divined it by my restlessness and my despair. Perhaps some lines that occurred to me will suggest the thing to you--you recall my old knack for versification?
"Where the grasses weep O'er his darkling bed, And the glow-worms creep, Lies the weary head Of one laid deep, who cannot sleep: The unremembered dead."
He took a chair beside her, and spoke of their old love for each other, of his fealty through all transmutations; incidentally of her beauty, of her cruelty, of the light of her face which had illumined his darksome way to her--and of a lot of other things--and the Lady bowed her head, and wept.
The hours of the night passed thus: the moon waned, and a pallor began to tinge the dusky cheek of the east, but the eloquence of the visitor still flowed on, and the Lady had his misty hands clasped to her reawakened bosom. At last a suspicion of rosiness touched the curtain. He abruptly rose.
"I cannot hold out against the morning," he said; "it is time all good ghosts were in bed."
But she threw herself on her knees before him, clasping his ethereal waist with a despairing embrace.
"Oh, do not leave me," she cried, "or my love will kill me!"
He bent eagerly above her. "Say it again--convince me!"
"I love you," she cried, again and again and again, with such an anguish of sincerity as would convince the most skeptical spook that ever revisited the glimpses of the moon.
"You will forget again," he said.
"I shall never forget!" she cried. "My life will henceforth be one continual remembrance of you, one long act of devotion to your memory, one oblation, one unceasing penitence, one agony of waiting!"
He lifted her face, and saw that it was true.
"Well," said he, gracefully wrapping his cloak about him, "well, now I shall have a little peace."
He kissed her, with a certain jaunty grace, upon her hair, and prepared to dissolve, while he lightly tapped a tattoo upon his leg with the dove-colored gloves he carried.
"Good-by, my dear!" he said; "henceforth I shall sleep o' nights; my heart is quite at rest."
"But mine is breaking," she wailed, madly trying once more to clasp his vanishing form.
He threw her a kiss from his misty finger-tips, and all that remained with her, besides her broken heart, was a faint disturbance of the air.
THE END
Transcriber's Notes:
Page 25--Possible typo, but left it as the original. "...and contented himself, as a rule, with creeping about the passages in =list= slippers,..."
Page 25--arquebuse--printer typo corrected to arquebus.
Page 231--setting--printer typo corrected to sitting.
Page 255--missing word "have" inserted to: "But now I'll none of you, for you've played with me."
Page 304--Potential typo. "...walkin' round an' round the graveyard =lie= a six days' race fer the belt at Madison Square."
Page 325--inpatient--typo corrected to impatient. Although inpatient is a valid word, it is incorrectly used in this instance.
Page 345--is--printer typo corrected to in.
Page 408--Possible typo, but left it as in the original. "...then the =affection= spread to her knees and gradually extended upward."
Several instances of variant spelling of reci-pe and recipe. Left as in the original.
From A Southern Porch
By
Dorothy Scarborough
_A Book of Whimsy_
The author does not preach the lost art of loafing. No! Nothing so direct as preaching. She merely loafs,--consistently, restfully, delightfully, but with an almost fatal hypnotic persuasiveness. She is a sort of stationary Pied Piper, luring the unwary reader to her sun-flecked porch, to watch with her the queer procession of created things go by,--from lovers and ghosts to lizards and toads.
Under the spell, convinced that loafing is better than doing, the reader stays and chuckles over the quiet humor and quaint fancies. He gets away finally,--all delightful experiences must end in this work-a-day world,--still chuckling, but with a renewed sense of life and life's values.
* * * * *
G. P. Putnam's Sons
New York London
The Kiltartan Poetry Book
_Prose Translations from the Irish_
By
Lady Gregory
Author of "Irish Folk-History Plays," "Seven Short Plays," "Our Irish Theatre," etc.
Certainly no single individual has done more than Lady Gregory to revive the Irish Literature, and to bring again to light the brave old legends, the old heroic poems. From her childhood, the author has studied this ancient language, and has collected most of her material from close association with the peasants who have inherited these poems and tales.
* * * * *
G. P. Putnam's Sons
New York London
End of Project Gutenberg's Humorous Ghost Stories, by Dorothy Scarborough