Part 2
We have had many reporters for our little country newspaper--some good ones, who have gone up to the city and have become good newspaper men; some bad ones, who have gone back to the livery-stables from which they sprang; and some indifferent ones, who have drifted into the insurance business and have become silent partners in student boarding-houses, taking home the meat for dinner and eating finically at the second table of life, with a first table discrimination. But of all the boys who have sat at the old walnut desk by the window, the Young Prince gave us the most joy. Before he came on the paper he was bell-boy at the National Hotel--bell-hop, he called himself--and he first attracted our attention by handing in personal items written in a fat, florid hand. He seemed to have second sight. He knew more news than anyone else in town--who had gone away, who was entertaining company, who was getting married, and who was sick or dying.
The day the Young Prince went to work he put on his royal garment--a ten-dollar ready-made costume that cost him two weeks' hard work. But it was worth the effort. His freckled face and his tawny shock of red hair rose above the gorgeous plaid of the clothes like a prairie sunset, and as he pranced off down the street he was clearly proud of his job. This pride never left him. He knew all the switchmen in the railroad yards, all the girls in the dry-goods stores, all the boys on the grocers' waggons, all the hack-drivers and all the barbers in town.
These are the great sources of news for a country daily. The reporter who confines his acquaintance to doctors, lawyers, merchants and preachers is always complaining of dull days.
But there was never a dull day with the Young Prince. When he could get the list of "those present" at a social function in no other way, he called up the hired girl of the festal house--we are such a small town that only the rich bankers keep servants--and "made a date" with her, and the names always appeared in the paper the next day; whereupon the proud hostess, who thought it was bad form to give out the names of her guests, sent down and bought a dozen extra copies of the paper to send away to her Eastern kin. He knew all the secrets of the switch shanty. Our paper printed the news of a change in the general superintendent's office of the railroad before the city papers had heard of it, and we usually figured it out that the day after the letter denying our story had come down from the Superintendent's office the change would be officially announced.
One day when the Prince was at the depot "making the train" with his notebook in his hand, jotting down the names of the people who got on or off the cars, the general superintendent saw him, and called the youth to his car.
"Well, kid," said the most worshipful one in his teasingest voice, "What's the latest news at the general offices to-day?"
The Young Prince turned his head on one side like a little dog looking up at a big dog, and replied:
"Well, if you must know it, you're going to get the can, though we ain't printing it till you've got a chance to land somewhere else."
The longer the Prince worked the more clothes he bought. One of his most effective creations was a blue serge coat and vest, and a pair of white duck trousers linked by emotional red socks to patent-leather shoes. This confection, crowned with a wide, saw-edged straw hat with a blue band, made him the brightest bit of colour on the sombre streets of our dull town. He wore his collars so high that he had to order them of a drummer, and as he came down street from the depot, riding magnificently with the 'bus-driver, after the train had gone, the clerks used to cry: "Look out for your horses; the steam-piano is coming!"
But it didn't affect the Young Prince. If he happened to have time and was feeling like it, he would climb down over the rear end of the 'bus and chase his tormentor into the back of the store where he worked, but generally the Young Prince took no heed of the jibes of the envious. He was conscious that he was cutting a figure, and this consciousness made him proud. But his pride did not cut down the stack of copy that he laid on the table every morning and every noon. He couldn't spell and he was innocent of grammar, and every line he wrote had to be edited, but he got the news. He was every where. He rushed down the streets after an item, dodging in and out of stores and offices like a streak of chain lightning having a fit. But it was beneath his dignity to run to fires. When the fire-bell rang, he waited nonchalantly on the corner near the fire-department house, and as the crowds parted to let the horses dash by on the dead run, he would walk calmly to the middle of the street, put his notebook in his pocket, and, as the fire-team plunged by, he would ostentatiously throw out a stiff leg behind him like the tail of a comet, and "flip" onto the end of the fire-waggon. Then he would turn slowly around, raise a hand, and wiggle his fingers patronisingly at the girls in front of the Racket Store as he flew past, swaying his body with the motion of the rolling, staggering cart.
Other reporters who have been on the paper--the good ones as well as the bad--have had to run the gauntlet of the town jokers who delight to give green reporters bogus news, or start them out hunting impossible items. But the man who soberly told the Young Prince that O. F. C. Taylor was visiting at the home of the town drunkard, or that W. H. McBreyer had accepted a position in a town drug-store, only got a wink and a grin from the boy. Neither did the town wags fool him by giving him a birth announcement from the wrong family, nor a wedding where there was none. He was wise as a serpent. Where he got his wisdom, no one knows. He had the town catalogued in a sort of rogues' directory--the liars and the honest men set apart from one another, and it was a classification that would not have tallied with the church directories nor with the town blue-book nor with the commercial agency's reports. The sheep and the goats in the Young Prince's record would have been strangers to one another if they could have been assembled as he imagined them. But he was generally right in his estimates of men. He had a sixth sense for sham.
The Young Prince had the sense to know the truth and the courage to write it. This is the essence of the genius that is required to make a good newspaper man. No paper has trouble getting reporters who can hand in copy that records events from the outside. Any blockhead can go to a public meeting and bring in a report that has the words "as follows" scattered here and there down the columns. But the reporter who can go and bring back the soul of the meeting, the real truth about it--what the inside fights meant that lay under the parliamentary politenesses of the occasion; who can see the wires that reach back of the speakers, and see the man who is moving the wires and can know why he is moving them; who can translate the tall talking into history--he is a real reporter. And the Young Prince was that kind of a youth. He went to the core of everything; and if we didn't dare print the truth--as sometimes we did not--he grumbled for a week about his luck. As passionately as he loved his clothes, he was always ready to get them dirty in the interests of his business.
For three years his nimble feet pounded the sidewalks of the town. He knew no business hours, and ate and slept with his work. He never ceased to be a reporter--never took off his make-up, never let down from his exalted part. One day he fell sick of a fever, and for three weeks fretted and fumed in delirium. In his dreams he wrote pay locals, and made trains, and described funerals, got lists of names for the society column, and grumbled because his stuff was cut or left over till the next day. When he awoke he was weak and wan, and they felt that they must tell him the truth.
The doctor took the boy's hands and told him very simply what they feared. He looked at the man for a moment in dumb wonder, and sighed a long, tired sigh. Then he said: "Well, if I must, here goes"--and turned his face to the wall and closed his eyes without a tremor.
And thus the Young Prince went home.
III
The Society Editor
They say that in the newspaper offices of the city men work in ruts; that the editorial writer never reports an item, no matter how much he knows of it; that a reporter is not allowed to express an editorial view of a subject, even though he be well qualified to speak; but on our little country daily newspaper it is entirely different. We work on the interchangeable point system. Everyone writes items, all of us get advertising and job-work when it comes our way, and when one of us writes anything particularly good, it is marked for the editorial page. The religious reporter does the racing matinée in Wildwood Park, and the financial editor who gets the market reports from the feed-store men also gets any church news that comes along.
The only time we ever established a department was when we made Miss Larrabee society editor. She came from the high school, where her graduating essay on Kipling attracted our attention, and, after an office council had decided that a Saturday society page would be a paying proposition.
At first, say for six months after she came to the office, Miss Larrabee devoted herself to the accumulation of professional pride. This pride was as much a part of her life as her pompadour, which at that time was so high that she had to tiptoe to reach it. However she managed to keep it up was the wonder of the office. Finally, we all agreed that she must use chicken-fence. She denied this, but was inclined to be good-natured about it, and, as an office-joke, the boys used to leave a step-ladder by her desk so that she could climb up and see how her top-knot really looked. Nothing ruffled her spirits, and we soon quit teasing her and began to admire her work. In addition to filling six columns of the Saturday's paper with her society report in a town where a church social is important enough to justify publishing the names of those who wait on the tables, Miss Larrabee was a credit to the office.
[Illustration: As an office joke the boys used to leave a step-ladder by her desk so that she could climb up and see how her top-knot really looked]
She was always invited to the entertainments at the homes of the Worthingtons and the Conklins, who had stationary wash-tubs in the basements of their houses, and who ate dinner instead of supper in the evening; and when she put on what the boys called her trotting harness, her silk petticoats rustled louder than any others at the party. One day she suddenly dropped her pompadour and appeared with her hair parted in the middle and doused over her ears in long, undulating billows. No other girl in town came within a quarter of an inch of Miss Larrabee's dare. When straight-fronts became stylish, Miss Larrabee was a vertical marvel, and when she rolled up her sleeves and organized a country club, she referred to her shoes as boots and took the longest steps in town. But with it all she was no mere clothes-horse. We drilled it into her head during her first two weeks that "society" news in a country town means not merely the doings of the cut-glass set, but that it means as well the doings of the Happy Hoppers, the Trundle-Bed Trash, the Knights of Columbus, the Rathbone Sisters, the King's Daughters, the Epworth League, the Christian Endeavourers, the Woman's Relief Corps, the Ladies' Aid and the Home Missionary Societies, Miss Nelson's Dancing Class, the Switchmen's annual ball--if we get their job-work--and every kindred, every tribe, except such as gather in what is known as "kitchen sweats" and occasionally send in calls for the police. When Miss Larrabee got this into her head she began to groan under her burden, and by the end of the year, though she had great pride in her profession, she affected to loathe her department.
Weddings were her especial abominations. When the first social cloud appeared on the horizon indicating the approach of a series of showers for the bride which would culminate in a cloudburst at some stone church, Miss Larrabee would begin to rumble like distant thunder and, as the storm grew thicker, she would flash out crooked chain-lightning imprecations on the heads of the young people, their fathers and mothers and uncles and aunts. By the day of the wedding she would be rolling a steady diapason of polite, decolourised, expurgated, ladylike profanity.
While she sat at her desk writing the stereotyped account of the event, it was like picking up a live wire to speak to her. As she wrote, we could tell at just what stage she had arrived in her copy. Thus, if she said to the adjacent atmosphere, "What a whopper!" we knew that she had written, "The crowning glory of a happy fortnight of social gatherings found its place when----" and when she hissed out, "Mortgaged clear to the eaves and full of installment furniture!" we felt that she had reached a point something like this: "After the ceremony the gay party assembled at the palatial home." In a moment she would snarl: "I am dead tired of seeing Mrs. Merriman's sprawly old fern and the Bosworth palm. I wish they would stop lending them!" and then we realised that she had reached the part of her write-up which said: "The chancel rail was banked with a profusion of palms and ferns and rare tropical plants." She always groaned when she came to the "simple and impressive ring ceremony." When she wrote:
"The distinguished company came forward to offer congratulations to the newly-wedded pair," she would say as she sharpened her pencil-point: "There's nothing like a wedding to reveal what a raft of common kin people have," and we knew that it was all over and that she was closing the article with: "A dazzling array of costly and beautiful presents was exhibited in the library," for then she would pick up her copy, dog-ear the sheets, and jab them on the hook as she sighed: "Another great American pickle-dish exhibit ended."
In the way she did two things Miss Larrabee excited the wonder and admiration of the office. One was the way that she kept tab on brides. We heard through her of the brides who could cook, and of those who were beginning life by accumulating a bright little pile of tin cans in the alley. She knew the brides who could do their own sewing and those who could not. She had the single girl's sniff at the bride who wore her trousseau season after season, made over and fixed up, and she gave the office the benefit of her opinion of the husband in the case who had a new tailor-made suit every fall and spring. She scented young married troubles from afar, and we knew in the office whether his folks were edging up on her, or her people were edging up on him. If a young married man danced more than twice in one evening with anyone but his wife, Miss Larrabee made faces at his back when he passed the office window, and if she caught a young married woman flirting, Miss Larrabee regaled us by telling with whom the woman in question had opened a "fresh bottle of emotions."
The other way in which Miss Larrabee displayed genius for her work was in describing women's costumes. Three or four times a year, when there are large social gatherings, we print descriptions of the women's gowns. Only three women in our town, Mrs. Worthington, Mrs. Conklin, and the second Mrs. Markley, have more than one new party dress in a twelve-month, and most of the women make a party gown last two or three years. Miss Larrabee was familiar with every dress in town. She knew it made over, and no woman was cunning enough to conceal the truth even with a spangled yoke, a chiffon bertha, or a net over-dress; yet Miss Larrabee would describe the gown, not merely twice, but half a dozen times, so that the woman wearing it might send the description to her relatives back East without arousing their suspicion that she was wearing the same dress year after year. Therefore, whenever Miss Larrabee wrote up the dresses worn at a party, we were sure to sell from fifty to a hundred extra papers. She could so turn a breastpin and a homemade point-lace handkerchief tucked in the front of a good old lady's best black satin into "point-lace and diamonds," that they were always good for a dozen copies of the paper, and she never overlooked the dress of the wife of a good advertiser, no matter how plain it might be.
She was worth her wages to the office merely as a compendium of shams. She knew whether the bridal couple, who announced that they would spend their honeymoon in the East, were really going to Niagara Falls, or whether they were going to spend a week with his relatives in Decatur, Illinois. She knew every woman in town who bought two prizes for her whist party--one to give if her friend should win the prize, and another to give if the woman she hated should win. With the diabolical eye of a fiend she detected the woman who was wearing the dry-cleaned cast-off clothing of her sister in the city. What she saw the office knew, though she kept her conclusions out of the paper if they would do any harm or hurt anyone's feelings. No pretender ever dreamed that she was not fooling Miss Larrabee. She was willing to agree most sympathetically with Mrs. Conklin, who insisted that the "common people" wouldn't be interested in the list of names at her party; and the only place where we ever saw Miss Larrabee's claw in print was in the insistent misspelling of the name of a woman who made it a point to ridicule the paper.
We have had other girls around the office since Miss Larrabee left, but they do not seem to get the work done with any system. She was not only industrious but practical. Friday mornings, when her work piled up, instead of fussing around the office and chattering at the telephone, she would dive into her desk and bring up her regular list of adjectives. These she would copy on three slips, carefully dividing the list so that no one had a duplicate, and in the afternoon each of the boys received a slip with a list of parties, and with instructions to scatter the adjectives she had given him through the accounts of the
## parties assigned to him--and the work was soon done. There was no
scratching the head for synonyms for "beautiful," "superb" or "elegant." Miss Larrabee had doled out to each of us the adjectives necessary, and, given the adjectives, society reporting is easy. The editing of the copy is easy also, for one does not have to remember whether or not the refreshments were "delicious" at the Jones party when he sees the word in connection with the viands at the Smith party. No two parties were ever "elegant" the same week. No two events were "charming." No two women were "exquisitely" gowned. The person who was assigned the adjective "delightful" by Miss Larrabee might stick it in front of a luncheon, pin it on a hostess, or use it for an evening's entertainment. But he could use it only once. And with a list of those present and the adjectives thereunto appertaining, even a new boy could get up a column in half an hour. She had an artist's pride in the finished work, however much she might dislike the thing in making, and she used to sail down to the press-room as soon as the paper was out, and, picking up the paper from the folder, she would stand reading her page, line upon line, precept upon precept, though every word and syllable was familiar to her.
During her first year she joined the Woman's State Press Club, but she discovered that she was the only real worker in the club and never attended a second meeting. She told us that too many of the women wore white stockings and low shoes, read their own unpublished short stories, and regarded her wide-shouldered shirtwaist and melodramatic openwork hosiery with suspicion and alarm.
As the years passed, and wedding after wedding sizzled under her pen, she complained to us that she was beginning to be called "auntie" in too many houses, and that the stock of available young men who didn't wear their handkerchiefs under their collars at the dances had dwindled down to three. This reality faces every girl who lives in a country town. Then she is left with two alternatives: to go visiting or to begin bringing them up by hand.
Miss Larrabee went visiting. At the end of a month she wrote: "It's all over with me. He is a nice fellow, and has a job doing 'Live Topics About Town' here on the _Sun_. Give my job to the little Wheatly girl, and tell her to quit writing poetry, and hike up her dress in the back. My adjectives are in the left-hand corner of the desk under 'When Knighthood Was in Flower.' And do you suppose you could get me and the grand keeper of the records and seals a pass home for Christmas if I'd do you a New York letter some time?
"They say these city papers are hog tight!"
IV
"As a Breath into the Wind"
We are proud of the machinery in our office--the two linotypes, the big perfecting press and the little jobbers. They are endowed by office traditions with certain human attributes--having their moods and vagaries and tantrums--so we love them as men love children. And this is a queer thing about them: though our building is pocked with windows that are open by day seven months in the year, and though the air of the building is clean enough, save for the smell of the ink, yet at night, after the machines have been idle for many hours and are probably asleep, the place smells like the lair of wild animals. By day they are as clean as machines may be kept. And even in the days when David Lewis petted them and coddled them and gave them the core of his heart, they were speckless, and bright as his big, brown, Welsh eyes, but the night stinks of them were rank and beastly.