CHAPTER XXVI

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WILL.

=Voluntary Acts.=--Desire, wish, will, are states of mind which everyone knows, and which no definition can make plainer. We desire to feel, to have, to do, all sorts of things which at the moment are not felt, had, or done. If with the desire there goes a sense that attainment is not possible, we simply _wish_; but if we believe that the end is in our power, we _will_ that the desired feeling, having, or doing shall be real; and real it presently becomes, either immediately upon the willing or after certain preliminaries have been fulfilled.

The only ends which follow _immediately_ upon our willing seem to be movements of our own bodies. Whatever _feelings_ and _havings_ we may will to get come in as results of preliminary movements which we make for the purpose. This fact is too familiar to need illustration; so that we may start with the proposition that the only _direct_ outward effects of our will are bodily movements. The mechanism of production of these voluntary movements is what befalls us to study now.

=They are secondary performances.= The movements we have studied hitherto have been automatic and reflex, and (on the first occasion of their performance, at any rate) unforeseen by the agent. The movements to the study of which we now address ourselves, being desired and intended beforehand, are of course done with full prevision of what they are to be. It follows from this that _voluntary movements must be secondary, not primary, functions of our organism_. This is the first point to understand in the psychology of Volition. Reflex, instinctive, and emotional movements are all primary performances. The nerve-centres are so organized that certain stimuli pull the trigger of certain explosive parts; and a creature going through one of these explosions for the first time undergoes an entirely novel experience. The other day I was standing at a railroad station with a little child, when an express-train went thundering by. The child, who was near the edge of the platform, started, winked, had his breathing convulsed, turned pale, burst out crying, and ran frantically towards me and hid his face. I have no doubt that this youngster was almost as much astonished by his own behavior as he was by the train, and more than I was, who stood by. Of course if such a reaction has many times occurred we learn what to expect of ourselves, and can then foresee our conduct, even though it remain as involuntary and uncontrollable as it was before. But if, in voluntary action properly so called, the act must be foreseen, it follows that no creature not endowed with prophetic power can perform an

## act voluntarily for the first time. Well, we are no more endowed with

prophetic vision of what movements lie in our power than we are endowed with prophetic vision of what sensations we are capable of receiving. As we must wait for the sensations to be given us, so we must wait for the movements to be performed involuntarily, before we can frame ideas of what either of these things are. We learn all our possibilities by the way of experience. When a particular movement, having once occurred in a random, reflex, or involuntary way, has left an image of itself in the memory, then the movement can be desired again, and deliberately willed. But it is impossible to see how it could be willed before.

_A supply of ideas of the various movements that are possible, left in the memory by experiences of their involuntary performance, is thus the first prerequisite of the voluntary life._

=Two Kinds of Ideas of Movement.=--Now these ideas may be either _resident_ or _remote_. That is, they may be of the movement as it feels, when taking place, in the moving parts; or they may be of the movement as it feels in some other part of the body which it affects (strokes, presses, scratches, etc.), or as it sounds, or as it looks. The resident sensations in the parts that move have been called _kinæsthetic_ feelings, the memories of them are kinæsthetic ideas. It is by these kinæsthetic sensations that we are made conscious of _passive movements_--movements communicated to our limbs by others. If you lie with closed eyes, and another person noiselessly places your arm or leg in any arbitrarily chosen attitude, you receive a feeling of what attitude it is, and can reproduce it yourself in the arm or leg of the opposite side. Similarly a man waked suddenly from sleep in the dark is aware of how he finds himself lying. At least this is what happens in normal cases. But when the feelings of passive movement as well as all the other feelings of a limb are lost, we get such results as are given in the following account by Prof. A. Strümpell of his wonderful anæsthetic boy, whose only sources of feeling were the right eye and the left ear:[53]

"Passive movements could be imprinted on all the extremities to the greatest extent, without attracting the patient's notice. Only in violent forced hyperextension of the joints, especially of the knees, there arose a dull vague feeling of strain, but this was seldom precisely localized. We have often, after bandaging the eyes of the patient, carried him about the room, laid him on a table, given to his arms and legs the most fantastic and apparently the most inconvenient attitudes without his having a suspicion of it. The expression of astonishment in his face, when all at once the removal of the handkerchief revealed his situation, is indescribable in words. Only when his head was made to hang away down he immediately spoke of dizziness, but could not assign its ground. Later he sometimes inferred from the sounds connected with the manipulation that something special was being done with him.... He had no feelings of muscular fatigue. If, with his eyes shut, we told him to raise his arm and to keep it up, he did so without trouble. After one or two minutes, however, the arm began to tremble and sink without his being aware of it. He asserted still his ability to keep it up.... Passively holding still his fingers did not affect him. He thought constantly that he opened and shut his hand, whereas it was really fixed."

_No third kind of idea is called for._ We need, then, when we perform a movement, either a kinæsthetic or a remote idea of which special movement it is to be. In addition to this it has often been supposed that we need an _idea of the amount of innervation_ required for the muscular contraction. The discharge from the motor centre into the motor nerve is supposed to give a sensation _sui generis_, opposed to all our other sensations. These accompany incoming currents, whilst that, it is said, accompanies an outgoing current, and no movement is supposed to be totally defined in our mind, unless an anticipation of this feeling enter into our idea. The movement's degree of strength, and the effort required to perform it, are supposed to be specially revealed by the feeling of innervation. Many authors deny that this feeling exists, and the proofs given of its existence are certainly insufficient.

The various degrees of 'effort' actually felt in making the same movement against different resistances are all accounted for by the incoming feelings from our chest, jaws, abdomen, and other parts sympathetically contracted whenever the effort is great. There is no need of a consciousness of the amount of outgoing current required. If anything be obvious to introspection, it is that the degree of strength put forth is completely revealed to us by incoming feelings from the muscles themselves and their insertions, from the vicinity of the joints, and from the general fixation of the larynx, chest, face, and body. When a certain degree of energy of contraction rather than another is thought of by us, this complex aggregate of afferent feelings, forming the material of our thought, renders absolutely precise and distinctive our mental image of the exact strength of movement to be made, and the exact amount of resistance to be overcome.

Let the reader try to direct his will towards a particular movement, and then notice what _constituted_ the direction of the will. Was it anything over and above the notion of the different feelings to which the movement when effected would give rise? If we abstract from these feelings, will any sign, principle, or means of orientation be left by which the will may innervate the proper muscles with the right intensity, and not go astray into the wrong ones? Strip off these images anticipative of the results of the motion, and so far from leaving us with a complete assortment of directions into which our will may launch itself, you leave our consciousness in an absolute and total vacuum. If I will to write _Peter_ rather than _Paul_, it is the thought of certain digital sensations, of certain alphabetic sounds, of certain appearances on the paper, and of no others, which immediately precedes the motion of my pen. If I will to utter the word _Paul_ rather than _Peter_, it is the thought of my voice falling on my ear, and of certain muscular feelings in my tongue, lips, and larynx, which guide the utterance. All these are incoming feelings, and between the thought of them, by which the act is mentally specified with all possible completeness, and the

## act itself, there is no room for any third order of mental phenomenon.

There is indeed the _fiat_, the element of consent, or resolve that the act shall ensue. This, doubtless, to the reader's mind, as to my own, constitutes the essence of the voluntariness of the act. This _fiat_ will be treated of in detail farther on. It may be entirely neglected here, for it is a constant coefficient, affecting all voluntary actions alike, and incapable of serving to distinguish them. No one will pretend that its quality varies according as the right arm, for example, or the left is used.

_An anticipatory image, then, of the sensorial consequences of a movement, plus (on certain occasions) the fiat that these consequences shall become actual, is the only psychic state which introspection lets us discern as the forerunner of our voluntary acts._ There is no coercive evidence of any feeling attached to the efferent discharge.

The entire content and material of our consciousness--consciousness of movement, as of all things else--seems thus to be of peripheral origin, and to come to us in the first instance through the peripheral nerves.

_The Motor-cue._--Let us call the last idea which in the mind precedes the motor discharge the 'motor-cue.' Now do 'resident' images form the only motor-cue, or will 'remote' ones equally suffice?

_There can be no doubt whatever that the cue may be an image either of the resident or of the remote kind._ Although, at the outset of our learning a movement, it would seem that the resident feelings must come strongly before consciousness, later this need not be the case. The rule, in fact, would seem to be that they tend to lapse more and more from consciousness, and that the more practised we become in a movement, the more 'remote' do the ideas become which form its mental cue. What we are _interested_ in is what sticks in our consciousness; everything else we get rid of as quickly as we can. Our resident feelings of movement have no substantive interest for us at all, as a rule. What interest us are the ends which the movement is to attain. Such an end is generally a remote sensation, an impression which the movement produces on the eye or ear, or sometimes on the skin, nose, or palate. Now let the idea of such an end associate itself definitely with the right discharge, and the thought of the innervation's _resident_ effects will become as great an encumbrance as we have already concluded that the feeling of the innervation itself is. The mind does not need it; the end alone is enough.

The idea of the end, then, tends more and more to make itself all-sufficient. Or, at any rate, if the kinæsthetic ideas are called up at all, they are so swamped in the vivid kinæsthetic feelings by which they are immediately overtaken that we have no time to be aware of their separate existence. As I write, I have no anticipation, as a thing distinct from my sensation, of either the look or the digital feel of the letters which flow from my pen. The words chime on my mental _ear_, as it were, before I write them, but not on my mental eye or hand. This comes from the rapidity with which the movements follow on their mental cue. An end consented to as soon as conceived innervates directly the centre of the first movement of the chain which leads to its accomplishment, and then the whole chain rattles off _quasi_-reflexly, as was described on pp. 115-6.

The reader will certainly recognize this to be true in all fluent and unhesitating voluntary acts. The only special fiat there is at the outset of the performance. A man says to himself, "I must change my clothes," and involuntarily he has taken off his coat, and his fingers are at work in their accustomed manner on his waistcoat-buttons, etc.; or we say, "I must go downstairs," and ere we know it we have risen, walked, and turned the handle of the door;--all through the idea of an end coupled with a series of guiding sensations which successively arise. It would seem indeed that we fail of accuracy and certainty in our attainment of the end whenever we are preoccupied with the way in which the movement will feel. We walk a beam the better the less we think of the position of our feet upon it. We pitch or catch, we shoot or chop the better the less tactile and muscular (the less resident), and the more exclusively optical (the more remote), our consciousness is. Keep your _eye_ on the place aimed at, and your hand will fetch it; think of your hand, and you will very likely miss your aim. Dr. Southard found that he could touch a spot with a pencil-point more accurately with a visual than with a tactile mental cue. In the former case he looked at a small object and closed his eyes before trying to touch it. In the latter case he _placed_ it with closed eyes, and then after removing his hand tried to touch it again. The average error with touch (when the results were most favorable) was 17.13 mm. With sight it was only 12.37 mm.--All these are plain results of introspection and observation. By what neural machinery they are made possible we do not know.

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