Part 2

“How did the paseo go?” Manuel asked Retana’s man.

“Like a wedding,” said the handler. “Fine. You came out like Joselito and Belmonte.”

Zurito rode by, a bulky equestrian statue. He wheeled his horse and faced him toward the toril on the far side of the ring where the bull would come out. It was strange under the arc-light. He pic-ed in the hot afternoon sun for big money. He didn’t like this arc-light business. He wished they would get started.

Manuel went up to him.

“Pic him, Manos,” he said. “Cut him down to size for me.”

“I’ll pic him, kid,” Zurito spat on the sand. “I’ll make him jump out of the ring.”

“Lean on him, Manos,” Manuel said.

“I’ll lean on him,” Zurito said. “What’s holding it up?”

“He’s coming now,” Manuel said.

Zurito sat there, his feet in the box-stirrups, his great legs in the buckskin-covered armor gripping the horse, the reins in his left hand, the long pic held in his right hand, his broad hat well down over his eyes to shade them from the lights, watching the distant door of the toril. His horse’s ears quivered. Zurito patted him with his left hand.

The red door of the toril swung back and for a moment Zurito looked into the empty passageway far across the arena. Then the bull came out in a rush, skidding on his four legs as he came out under the lights, then charging in a gallop, moving softly in a fast gallop, silent except as he woofed through wide nostrils as he charged, glad to be free after the dark pen.

In the first row of seats, slightly bored, leaning forward to write on the cement wall in front of his knees, the substitute bull-fight critic of _El Heraldo_ scribbled: “Campagnero, Negro, 42, came out at 90 miles an hour with plenty of gas——”

Manuel, leaning against the barrera, watching the bull, waved his hand and the gypsy ran out, trailing his cape. The bull, in full gallop, pivoted and charged the cape, his head down, his tail rising. The gypsy moved in a zigzag, and as he passed, the bull caught sight of him and abandoned the cape to charge the man. The gyp sprinted and vaulted the red fence of the barrera as the bull struck it with his horns. He tossed into it twice with his horns, banging into the wood blindly.

The critic of _El Heraldo_ lit a cigarette and tossed the match at the bull, then wrote in his note-book, “large and with enough horns to satisfy the cash customers, Campagnero showed a tendency to cut into the terrane of the bull-fighters.”

Manuel stepped out on the hard sand as the bull banged into the fence. Out of the corner of his eye he saw Zurito sitting the white horse close to the barrera, about a quarter of the way around the ring to the left. Manuel held the cape close in front of him, a fold in each hand, and shouted at the bull. “Huh! Huh!” The bull turned, seemed to brace against the fence as he charged in a scramble, driving into the cape as Manuel side-stepped, pivoted on his heels with the charge of the bull, and swung the cape just ahead of the horns. At the end of the swing he was facing the bull again and held the cape in the same position close in front of his body, and pivoted again as the bull recharged. Each time, as he swung, the crowd shouted.

Four times he swung with the bull, lifting the cape so it billowed full, and each time bringing the bull around to charge again. Then, at the end of the fifth swing, he held the cape against his hip and pivoted, so the cape swung out like a ballet dancer’s skirt and wound the bull around himself like a belt, to step clear, leaving the bull facing Zurito on the white horse, come up and planted firm, the horse facing the bull, its ears forward, its lips nervous, Zurito, his hat over his eyes, leaning forward, the long pole sticking out before and behind in a sharp angle under his right arm, held half-way down, the triangular iron point facing the bull.

_El Heraldo’s_ second-string critic, drawing on his cigarette, his eyes on the bull, wrote: “the veteran Manolo designed a series of acceptable veronicas, ending in a very Belmontistic recorte that earned applause from the regulars, and we entered the tercio of the cavalry.”

Zurito sat his horse, measuring the distance between the bull and the end of the pic. As he looked, the bull gathered himself together and charged, his eyes on the horse’s chest. As he lowered his head to hook, Zurito sunk the point of the pic in the swelling hump of muscle above the bull’s shoulder, leaned all his weight on the shaft, and with his left hand pulled the white horse into the air, front hoofs pawing, and swung him to the right as he pushed the bull under and through so the horns passed safely under the horse’s belly and the horse came down, quivering, the bull’s tail brushing his chest as he charged the cape Hernandez offered him.

Hernandez ran sideways, taking the bull out and away with the cape, toward the other picador. He fixed him with a swing of the cape, squarely facing the horse and rider, and stepped back. As the bull saw the horse he charged. The picador’s lance slid along his back, and as the shock of the charge lifted the horse, the picador was already half-way out of the saddle, lifting his right leg clear as he missed with the lance and falling to the left side to keep the horse between him and the bull. The horse, lifted and gored, crashed over with the bull driving into him, the picador gave a shove with his boots against the horse and lay clear, waiting to be lifted and hauled away and put on his feet.

Manuel let the bull drive into the fallen horse; he was in no hurry, the picador was safe; besides, it did a picador like that good to worry. He’d stay on longer next time. Lousy pics! He looked across the sand at Zurito a little way out from the barrera, his horse rigid, waiting.

“Huh!” he called to the bull, “Tomar!” holding the cape in both hands so it would catch his eye. The bull detached himself from the horse and charged the cape, and Manuel, running sideways and holding the cape spread wide, stopped, swung on his heels, and brought the bull sharply around facing Zurito.

“Campagnero accepted a pair of varas for the death of one rosinante, with Hernandez and Manolo at the quites,” _El Heraldo’s_ critic wrote. “He pressed on the iron and clearly showed he was no horse-lover. The veteran Zurito resurrected some of his old stuff with the pike-pole, notably the suerte——”

“Olé Olé!” the man sitting beside him shouted. The shout was lost in the roar of the crowd, and he slapped the critic on the back. The critic looked up to see Zurito, directly below him, leaning far out over his horse, the length of the pic rising in a sharp angle under his armpit, holding the pic almost by the point, bearing down with all his weight, holding the bull off, the bull pushing and driving to get at the horse, and Zurito, far out, on top of him, holding him, holding him, and slowly pivoting the horse against the pressure, so that at last he was clear. Zurito felt the moment when the horse was clear and the bull could come past, and relaxed the absolute steel lock of his resistance, and the triangular steel point of the pic ripped in the bull’s hump of shoulder muscle as he tore loose to find Hernandez’s cape before his muzzle. He charged blindly into the cape and the boy took him out into the open arena.

Zurito sat patting his horse and looking at the bull charging the cape that Hernandez swung for him out under the bright light while the crowd shouted.

“You see that one?” he said to Manuel.

“It was a wonder,” Manuel said.

“I got him that time,” Zurito said. “Look at him now.”

At the conclusion of a closely turned pass of the cape the bull slid to his knees. He was up at once, but far out across the sand Manuel and Zurito saw the shine of the pumping flow of blood, smooth against the black of the bull’s shoulder.

“I got him that time,” Zurito said.

“He’s a good bull,” Manuel said.

“If they gave me another shot at him, I’d kill him,” Zurito said.

“They’ll change the thirds on us,” Manuel said.

“Look at him now,” Zurito said.

“I got to go over there,” Manuel said, and started on a run for the other side of the ring, where the monos were leading a horse out by the bridle toward the bull, whacking him on the legs with rods and all, in a procession, trying to get him toward the bull, who stood, dropping his head, pawing, unable to make up his mind to charge.

Zurito, sitting his horse, walking him toward the scene, not missing any detail, scowled.

Finally the bull charged, the horse leaders ran for the barrera, the picador hit too far back, and the bull got under the horse, lifted him, threw him onto his back.

Zurito watched. The monos, in their red shirts, running out to drag the picador clear. The picador, now on his feet, swearing and flopping his arms. Manuel and Hernandez standing ready with their capes. And the bull, the great, black bull, with a horse on his back, hooves dangling, the bridle caught in the horns. Black bull with a horse on his back, staggering short-legged, then arching his neck and lifting, thrusting, charging to slide the horse off, horse sliding down. Then the bull into a lunging charge at the cape Manuel spread for him.

The bull was slower now, Manuel felt. He was bleeding badly. There was a sheen of blood all down his flank.

Manuel offered him the cape again. There he came, eyes open, ugly, watching the cape. Manuel stepped to the side and raised his arms, tightening the cape ahead of the bull for the veronica.

Now he was facing the bull. Yes, his head was going down a little. He was carrying it lower. That was Zurito.

Manuel flopped the cape; there he comes; he side-stepped and swung in another veronica. He’s shooting awfully accurately, he thought. He’s had enough fight, so he’s watching now. He’s hunting now. Got his eye on me. But I always give him the cape.

He shook the cape at the bull; there he comes; he side-stepped. Awful close that time. I don’t want to work that close to him.

The edge of the cape was wet with blood where it had swept along the bull’s back as he went by.

All right, here’s the last one.

Manuel, facing the bull, having turned with him each charge, offered the cape with his two hands. The bull looked at him. Eyes watching, horns straight forward, the bull looked at him, watching.

“Huh!” Manuel said, “Toro!” and leaning back, swung the cape forward. Here he comes. He side-stepped, swung the cape in back of him, and pivoted, so the bull followed a swirl of cape and then was left with nothing, fixed by the pass, dominated by the cape. Manuel swung the cape under his muzzle with one hand, to show the bull was fixed, and walked away.

There was no applause.

Manuel walked across the sand toward the barrera, while Zurito rode out of the ring. The trumpet had blown to change the act to the planting of the banderillos while Manuel had been working with the bull. He had not consciously noticed it. The monos were spreading canvas over the two dead horses and sprinkling sawdust around them.

Manuel came up to the barrera for a drink of water. Retana’s man handed him the heavy porous jug.

Fuentes, the tall gypsy, was standing holding a pair of banderillos, holding them together, slim, red sticks, fish-hook points out. He looked at Manuel.

“Go on out there,” Manuel said.

The gypsy trotted out. Manuel set down the jug and watched. He wiped his face with his handkerchief.

The critic of _El Heraldo_ reached for the bottle of warm champagne that stood between his feet, took a drink, and finished his paragraph.

“—the aged Manolo rated no applause for a vulgar series of lances with the cape and we entered the third of the palings.”

Alone in the centre of the ring the bull stood, still fixed. Fuentes, tall, flat-backed, walking toward him arrogantly, his arms spread out, the two slim, red sticks, one in each hand, held by the fingers, points straight forward. Fuentes walked forward. Back of him and to one side was a peon with a cape. The bull looked at him and was no longer fixed.

His eyes watched Fuentes, now standing still. Now he leaned back, calling to him. Fuentes twitched the two banderillos and the light on the steel points caught the bull’s eye.

His tail went up and he charged.

He came straight, his eyes on the man. Fuentes stood still, leaning back, the banderillos pointing forward. As the bull lowered his head to hook, Fuentes leaned backward, his arms came together and rose, his two hands touching, the banderillos two descending red lines, and leaning forward drove the points into the bull’s shoulder, leaning far in over the bull’s horns and pivoting on the two upright sticks, his legs tight together, his body curving to one side to let the bull pass.

“Olé!” from the crowd.

The bull was hooking wildly, jumping like a trout, all four feet off the ground. The red shaft of the banderillos tossed as he jumped.

Manuel standing at the barrera, noticed that he hooked always to the right.

“Tell him to drop the next pair on the right,” he said to the kid who started to run out to Fuentes with the new banderillos.

A heavy hand fell on his shoulder. It was Zurito.

“How do you feel, kid?” he asked.

Manuel was watching the bull.

Zurito leaned forward on the barrera, leaning the weight of his body on his arms. Manuel turned to him.

“You’re going good,” Zurito said.

Manuel shook his head. He had nothing to do now until the next third. The gypsy was very good with the banderillos. The bull would come to him in the next third in good shape. He was a good bull. It had all been easy up to now. The final stuff with the sword was all he worried over. He did not really worry. He did not even think about it. But standing there he had a heavy sense of apprehension. He looked out at the bull, planning his faena, his work with the red cloth that was to reduce the bull, to make him manageable.

The gypsy was walking out toward the bull again, walking heel-and-toe, insultingly, like a ball-room dancer, the red shafts of the banderillos twitching with his walk. The bull watched him, not fixed now, hunting him, but waiting to get close enough so he could be sure of getting him, getting the horns into him.

As Fuentes walked forward the bull charged. Fuentes ran across the quarter of a circle as the bull charged and, as he passed running backward, stopped, swung forward, rose on his toes, arms straight out, and sunk the banderillos straight down into the tight of the big shoulder muscles as the bull missed him.

The crowd were wild about it.

“That kid won’t stay in this night stuff long,” Retana’s man said to Zurito.

“He’s good,” Zurito said.

“Watch him now.”

They watched.

Fuentes was standing with his back against the barrera. Two of the cuadrilla were back of him, with their capes ready to flop over the fence to distract the bull.

The bull, with his tongue out, his barrel heaving, was watching the gypsy. He thought he had him now. Back against the red planks. Only a short charge away. The bull watched him.

The gypsy bent back, drew back his arms, the banderillos pointing at the bull. He called to the bull, stamped one foot. The bull was suspicious. He wanted the man. No more barbs in the shoulder.

Fuentes walked a little closer to the bull. Bent back. Called again. Somebody in the crowd shouted a warning.

“He’s too damn close,” Zurito said.

“Watch him,” Retana’s man said.

Leaning back, inciting the bull with the banderillos, Fuentes jumped, both feet off the ground. As he jumped the bull’s tail rose and he charged. Fuentes came down on his toes, arms straight out, whole body arching forward, and drove the shafts straight down as he swung his body clear of the right horn.

The bull crashed into the barrera where the flopping capes had attracted his eye as he lost the man.

The gypsy came running along the barrera toward Manuel, taking the applause of the crowd. His vest was ripped where he had not quite cleared the point of the horn. He was happy about it, showing it to the spectators. He made the tour of the ring. Zurito saw him go by, smiling, pointing at his vest. He smiled.

Somebody else was planting the last pair of banderillos. Nobody was paying any attention.

Retana’s man tucked a baton inside the red cloth of a muleta, folded the cloth over it, and handed it over the barrera to Manuel. He reached in the leather sword-case, took out a sword, and holding it by its leather scabbard, reached it over the fence to Manuel. Manuel pulled the blade out by the red hilt and the scabbard fell limp.

He looked at Zurito. The big man saw he was sweating.

“Now you get him, kid,” Zurito said.

Manuel nodded.

“He’s in good shape,” Zurito said.

“Just like you want him,” Retana’s man assured him.

Manuel nodded.

The trumpeter, up under the roof, blew for the final act, and Manuel walked across the arena toward where, up in the dark boxes, the president must be.

In the front row of seats the substitute bull-fight critic of _El Heraldo_ took a long drink of the warm champagne. He had decided it was not worth while to write a running story and would write up the corrida back in the office. What the hell was it anyway? Only a nocturnal. If he missed anything he would get it out of the morning papers. He took another drink of the champagne. He had a date at Maxim’s at twelve. Who were these bull-fighters anyway? Kids and bums. A bunch of bums. He put his pad of paper in his pocket and looked over toward Manuel, standing very much alone in the ring, gesturing with his hat in a salute toward a box he could not see high up in the dark plaza. Out in the ring the bull stood quiet, looking at nothing.

“I dedicate this bull to you, Mr. President, and to the public of Madrid, the most intelligent and generous of the world,” was what Manuel was saying. It was a formula. He said it all. It was a little long for nocturnal use.

He bowed at the dark, straightened, tossed his hat over his shoulder, and, carrying the muleta in his left hand and the sword in his right, walked out toward the bull.

Manuel walked toward the bull. The bull looked at him; his eyes were quick. Manuel noticed the way the banderillos hung down on his left shoulder and the steady sheen of blood from Zurito’s pic-ing. He noticed the way the bull’s feet were. As he walked forward, holding the muleta in his left hand and the sword in his right, he watched the bull’s feet. The bull could not charge without gathering his feet together. Now he stood square on them, dully.

Manuel walked toward him, watching his feet. This was all right. He could do this. He must work to get the bull’s head down, so he could go in past the horns and kill him. He did not think about the sword, not about killing the bull. He thought about one thing at a time. The coming things oppressed him, though. Walking forward, watching the bull’s feet, he saw successively his eyes, his wet muzzle, and the wide, forward-pointing spread of his horns. The bull had light circles about his eyes. His eyes watched Manuel. He felt he was going to get this little one with the white face.

Standing still now and spreading the red cloth of the muleta with the sword, pricking the point into the cloth so that the sword, now held in his left hand, spread the red flannel like the jib of a boat, Manuel noticed the points of the bull’s horns. One of them was splintered from banging against the barrera. The other was sharp as a porcupine quill. Manuel noticed while spreading the muleta that the white base of the horn was stained red. While he noticed these things he did not lose sight of the bull’s feet. The bull watched Manuel steadily.

He’s on the defensive now, Manuel thought. He’s reserving himself. I’ve got to bring him out of that and get his head down. Always get his head down. Zurito had his head down once, but he’s come back. He’ll bleed when I start him going and that will bring it down.

Holding the muleta, with the sword in his left hand widening it in front of him, he called to the bull.

The bull looked at him.

He leaned back insultingly and shook the wide-spread flannel.

The bull saw the muleta. It was a bright scarlet under the arc-light. The bull’s legs tightened.

Here he comes. Whoosh! Manuel turned as the bull came and raised the muleta so that it passed over the bull’s horns and swept down his broad back from head to tail. The bull had gone clean up in the air with the charge. Manuel had not moved.

At the end of the pass the bull turned like a cat coming around a corner and faced Manuel.

He was on the offensive again. His heaviness was gone. Manuel noted the fresh blood shining down the black shoulder and dripping down the bull’s leg. He drew the sword out of the muleta and held it in his right hand. The muleta held low down in his left hand, leaning toward the left, he called to the bull. The bull’s legs tightened, his eyes on the muleta. Here he comes, Manuel thought. Yuh!

He swung with the charge, sweeping the muleta ahead of the bull, his feet firm, the sword following the curve, a point of light under the arcs.

The bull recharged as the pase natural finished and Manuel raised the muleta for a pase de pecho. Firmly planted, the bull came by his chest under the raised muleta. Manuel leaned his head back to avoid the clattering banderillo shafts. The hot, black bull body touched his chest as it passed.

Too damn close, Manuel thought. Zurito, leaning on the barrera, spoke rapidly to the gypsy, who trotted out toward Manuel with a cape. Zurito pulled his hat down low and looked out across the arena at Manuel.

Manuel was facing the bull again, the muleta held low and to the left. The bull’s head was down as he watched the muleta.

“If it was Belmonte doing that stuff, they’d go crazy,” Retana’s man said.