Part 26

Brother, close you down his eyes, because you were his eldest; and with them close up your tears, whilst I as all younger brothers do, shift for myself: let us mourn, because he’s dead, but mourn the less, because he cannot revive. The honour we can do him, is to bury him royally; let’s about it then, for I’ll not melt myself to death with scalding sighs, nor drop my soul out at mine eyes, were my father an emperor.

_Amp._ Hence, hence, thou stop’st the tide of my true tears. True grief is dumb, though it hath open ears.

_Andel._ Yet God send my grief a tongue, that I may have good utterance for it: sob on, brother mine, whilst you sigh there, I’ll sit and read what story my father has written here.

[_They both fall asleep_: FORTUNE _and a company of ~Satyrs~ enter with music, and playing about_ FORTUNATUS’ _body, take it away. Afterwards_ SHADOW _enters running_.

_Shad._ I can get none, I can find none: where are you, master? Have I ta’en you napping? and you too? I see sorrow’s eye-lids are made of a dormouse skin, they seldom open, or of a miser’s purse, that’s always shut. So ho, master.

_Andel._ Shadow, why how now? what’s the matter?

_Shad._ I can get none, sir, ’tis impossible.

_Amp._ What is impossible? what canst not get?

_Shad._ No help for my old master.

_Andel._ Hast thou been all this while calling for help?

_Shad._ Yes, sir: he scorned all Famagosta when he was in his huffing,[380] and now he lies puffing for wind, they say they scorn him.

[380] Swaggering mood.

_Amp._ The poison of their scorn infects not him; He wants no help. See where he breathless lies: Brother, to what place have you borne his body?

_Andel._ I bear it? I touched it not.

_Amp._ Nor I: a leaden slumber pressed mine eyes.

_Shad._ Whether it were lead or latten[381] that hasped down those winking casements, I know not, but I found you both snorting.

[381] Ital. _Latta_, tin-plate.

_Amp._ And in that sleep, methought, I heard the tunes Of sullen passions apt for funerals, And saw my father’s lifeless body borne By Satyrs: O I fear that deity Hath stolen him hence!--that snudge, his destiny.

_Andel._ I fear he’s risen again; didst not thou meet him?

_Shad._ I, sir? do you think this white and red durst have kissed my sweet cheeks, if they had seen a ghost? But, master, if the Destinies, or Fortune, or the Fates, or the Fairies have stolen him, never indict them for the felony: for by this means the charges of a tomb is saved, and you being his heirs, may do as many rich executors do, put that money in your purses, and give out that he died a beggar.

_Andel._ Away, you rogue, my father die a beggar! I’ll build a tomb for him of massy gold.

_Shad._ Methinks, master, it were better to let the memory of him shine in his own virtues, if he had any, than in alabaster.

_Andel._ I shall mangle that alabaster face, you whoreson virtuous vice.

_Shad._ He has a marble heart, that can mangle a face of alabaster.

_Andel._ Brother, come, come, mourn not; our father is but stepped to agree with Charon for his boat hire to Elysium. See, here’s a story of all his travels; this book shall come out with a new addition: I’ll tread after my father’s steps; I’ll go measure the world, therefore let’s share these jewels, take this, or this!

_Amp._ Will you then violate our father’s will?

_Andel._ A Puritan!--keep a dead man’s will? Indeed in the old time, when men were buried in soft church-yards, that their ghosts might rise, it was good: but, brother, now they are imprisoned in strong brick and marble, they are fast. Fear not: away, away, these are fooleries, gulleries, trumperies; here’s this or this, or I am gone with both!

_Amp._ Do you as you please, the sin shall not be mine. Fools call those things profane that are divine.

_Andel._ Are you content to wear the jewels by turns? I’ll have the purse for a year, you the hat, and as much gold as you’ll ask; and when my pursership ends, I’ll resign, and cap you.

_Amp._ I am content to bear all discontents. [_Exit._

_Andel._ I should serve this bearing ass rarely now, if I should load him, but I will not. Though conscience be like physic, seldom used, for so it does least hurt, yet I’ll take a dram of it. This for him, and some gold: this for me; for having this mint about me, I shall want no wishing cap. Gold is an eagle, that can fly to any place, and, like death, that dares enter all places. Shadow, wilt thou travel with me?

_Shad._ I shall never fadge[382] with the humour because I cannot lie.

[382] Succeed.

_Andel._ Thou dolt, we’ll visit all the kings’ courts in the world.

_Shad._ So we may, and return dolts home, but what shall we learn by travel?

_Andel._ Fashions.[383]

[383] Farcy, a disease to which horses are subject, still sometimes miscalled “Fashions” by country farriers. Dekker puns on it again in _The Gull’s Horn-Book_:--“Fashions then was counted a disease, and horses died of it: But now (thanks to folly) it is held the only rare physic, and the purest golden Asses live upon it.”

_Shad._ That’s a beastly disease: methinks it’s better staying in your own country.

_Andel._ How? In mine own country--like a cage-bird, and see nothing?

_Shad._ Nothing? yes, you may see things enough, for what can you see abroad that is not at home? The same sun calls you up in the morning, and the same man in the moon lights you to bed at night; our fields are as green as theirs in summer, and their frosts will nip us more in winter: our birds sing as sweetly and our women are as fair: in other countries you shall have one drink to you; whilst you kiss your hand, and duck,[384] he’ll poison you: I confess you shall meet more fools, and asses, and knaves abroad than at home. Yet God be thanked we have pretty store of all. But for punks,[385] we put them down.

[384] Bow.

[385] Prostitutes.

_Andel._ Prepare thy spirits, for thou shalt go with me. To England shall our stars direct our course; Thither the Prince of Cyprus, our king’s son, Is gone to see the lovely Agripyne. Shadow, we’ll gaze upon that English dame, And try what virtue gold has to inflame. First to my brother, then away let’s fly; Shadow must be a courtier ere he die. [_Exit._

_Shad._ If I must, the Fates shall be served: I have seen many clowns courtiers, then why not Shadow? Fortune, I am for thee. [_Exit._

[Illustration]

[Illustration]

ACT THE THIRD.

## SCENE I.--_London. The Court of_ ATHELSTANE.

_Enter_ ORLEANS _melancholy_, GALLOWAY _with him; a ~Boy~ after them with a lute_.

ORLE. Begone: leave that with me, and leave me to myself; if the king ask for me, swear to him I am sick, and thou shalt not lie; pray thee leave me.

_Boy._ I am gone, sir. [_Exit._

_Orle._ This music makes me but more out of tune. O, Agripyne.

_Gall._ Gentle friend, no more. Thou sayest love is a madness, hate it then, Even for the name’s sake.

_Orle._ O, I love that madness, Even for the name’s sake.

_Gall._ Let me tame this frenzy, By telling thee thou art a prisoner here, By telling thee she’s daughter to a king, By telling thee the King of Cyprus’ son Shines like a sun, between her looks and thine, Whilst thou seem’st but a star to Agripyne: He loves her.

_Orle._ If he do: why so do I.

_Gall._ Love is ambitious, and loves majesty.

_Orle._ Dear friend, thou art deceived, love’s voice doth sing As sweetly in a beggar as a king.

_Gall._ Dear friend, thou art deceived: O bid thy soul Lift up her intellectual eyes to Heaven, And in this ample book of wonders read, Of what celestial mould, what sacred essence, Herself is formed, the search whereof will drive Sounds musical among the jarring spirits, And in sweet tune set that which none inherits.

_Orle._ I’ll gaze on Heaven if Agripyne be there: If not: fa, la, la, sol, la, &c.

_Gall._ O, call this madness in; see, from the windows Of every eye derision thrusts out cheeks, Wrinkled with idiot laughter; every finger Is like a dart shot from the hand of scorn, By which thy name is hurt, thine honour torn.

_Orle._ Laugh they at me, sweet Galloway?

_Gall._ Even at thee.

_Orle._ Ha, ha, I laugh at them, are not they mad That let my true true sorrow make them glad? I dance and sing only to anger grief, That in that anger, he might smite life down With his iron fist. Good heart, it seemeth then, They laugh to see grief kill me: O, fond men, You laugh at others’ tears; when others smile, You tear yourselves in pieces: vile, vile, vile! Ha, ha, when I behold a swarm of fools, Crowding together to be counted wise, I laugh because sweet Agripyne’s not there, But weep because she is not anywhere, And weep because whether she be or not, My love was ever, and is still, forgot: forgot, forgot, forgot.

_Gall._ Draw back this stream, why should my Orleans mourn?

_Orle._ Look yonder, Galloway, dost thou see that sun? Nay, good friend, stare upon it, mark it well, Ere he be two hours older, all that glory Is banished Heaven, and then for grief this sky, That’s now so jocund, will mourn all in black, And shall not Orleans mourn? Alack, alack! O what a savage tyranny it were T’enforce care laugh, and woe not shed a tear! Dead is my love, I am buried in her scorn, That is my sunset, and shall I not mourn? Yes, by my troth I will.

_Gall._ Dear friend, forbear, Beauty, like sorrow, dwelleth everywhere. Rase out this strong idea of her face, As fair as hers shineth in any place.

_Orle._ Thou art a traitor to that white and red, Which, sitting on her cheeks, being Cupid’s throne, Is my heart’s sovereign: O, when she is dead, This wonder, beauty, shall be found in none. Now Agripyne’s not mine, I vow to be In love with nothing but deformity. O fair Deformity, I muse all eyes Are not enamoured of thee: thou didst never Murder men’s hearts, or let them pine like wax, Melting against the sun of destiny; Thou art a faithful nurse to chastity; Thy beauty is not like to Agripyne’s, For cares, and age, and sickness hers deface, But thine’s eternal. O Deformity, Thy fairness is not like to Agripyne’s, For dead, her beauty will no beauty have, But thy face looks most lovely in the grave.

_Enter the_ PRINCE OF CYPRUS _and_ AGRIPYNE.

_Gall._ See where they come together, hand in hand.

_Orle._ O watch, sweet Galloway, when their hands do part, Between them shalt thou find my murdered heart.

_Cypr._ By this then it seems a thing impossible, to know when an English lady loves truly.

_Agrip._ Not so, for when her soul steals into her heart, and her heart leaps up to her eyes, and her eyes drop into her hands, then if she say, Here’s my hand! she’s your own,--else never.

_Cyp._ Here’s a pair of your prisoners, let’s try their opinion.

_Agrip._ My kind prisoners, well encountered; the Prince of Cyprus here and myself have been wrangling about a question of love: my lord of Orleans, you look lean, and likest a lover--Whether is it more torment to love a lady and never enjoy her, or always to enjoy a lady whom you cannot choose but hate?

_Orle._ To hold her ever in mine arms whom I loath in my heart, were some plague, yet the punishment were no more than to be enjoined to keep poison in my hand, yet never to taste it.

_Agrip._ But say you should be compelled to swallow the poison?

_Orle._ Then a speedy death would end a speeding misery. But to love a lady and never enjoy her, oh it is not death, but worse than damnation; ’tis hell, ’tis----

_Agrip._ No more, no more, good Orleans; nay then, I see my prisoner is in love too.

_Cypr._ Methinks, soldiers cannot fall into the fashion of love.

_Agrip._ Methinks a soldier is the most faithful lover of all men else; for his affection stands not upon compliment. His wooing is plain home-spun stuff; there’s no outlandish thread in it, no rhetoric. A soldier casts no figures to get his mistress’ heart; his love is like his valour in the field, when he pays downright blows.

_Gall._ True, madam, but would you receive such payment?

_Agrip._ No, but I mean, I love a soldier best for his plain dealing.

_Cypr._ That’s as good as the first.

_Agrip._ Be it so, that goodness I like: for what lady can abide to love a spruce silken-face courtier, that stands every morning two or three hours learning how to look by his glass, how to speak by his glass, how to sigh by his glass, how to court his mistress by his glass? I would wish him no other plague, but to have a mistress as brittle as glass.

_Gall._ And that were as bad as the horn plague.

_Cypr._ Are any lovers possessed with this madness?

_Agrip._ What madmen are not possessed with this love? Yet by my troth, we poor women do but smile in our sleeves to see all this foppery: yet we all desire to see our lovers attired gallantly, to hear them sing sweetly, to behold them dance comely and such like. But this apish monkey fashion of effeminate niceness, out upon it! Oh, I hate it worse than to be counted a scold.

_Cypr._ Indeed, men are most regarded, when they least regard themselves.

_Gall._ And women most honoured, when they show most mercy to their lovers.

_Orle._ But is’t not a miserable tyranny, to see a lady triumph in the passions of a soul languishing through her cruelty?

_Cypr._ Methinks it is.

_Gall._ Methinks ’tis more than tyranny.

_Agrip._ So think not I; for as there is no reason to hate any that love us, so it were madness to love all that do not hate us; women are created beautiful, only because men should woo them; for ’twere miserable tyranny to enjoin poor women to woo men: I would not hear of a woman in love, for my father’s kingdom.

_Cypr._ I never heard of any woman that hated love.

_Agrip._ Nor I: but we had all rather die than confess we love; our glory is to hear men sigh whilst we smile, to kill them with a frown, to strike them dead with a sharp eye, to make you this day wear a feather, and to-morrow a sick nightcap. Oh, why this is rare, there’s a certain deity in this, when a lady by the magic of her looks, can turn a man into twenty shapes.

_Orle._ Sweet friend, she speaks this but to torture me.

_Gall._ I’ll teach thee how to plague her: love her not.

_Agrip._ Poor Orleans, how lamentably he looks: if he stay, he’ll make me surely love him for pure pity. I must send him hence, for of all sorts of love, I hate the French; I pray thee, sweet prisoner, entreat Lord Longaville to come to me presently.

_Orle._ I will, and esteem myself more than happy, that you will employ me. [_Exit._

_Agrip._ Watch him, watch him for God’s sake, if he sigh not or look not back.

_Cypr._ He does both: but what mystery lies in this?

_Agrip._ Nay, no mystery, ’tis as plain as Cupid’s forehead: why this is as it should be.--“And esteem myself more than happy, that you will employ me.” My French prisoner is in love over head and ears.

_Cypr._ It’s wonder how he ’scapes drowning.

_Gall._ With whom, think you?

_Agrip._ With his keeper, for a good wager: Ah, how glad is he to obey! And how proud am I to command in this empire of affection! Over him and such spongy-livered youths, that lie soaking in love, I triumph more with mine eye, than ever he did over a soldier with his sword. Is’t not a gallant victory for me to subdue my father’s enemy with a look? Prince of Cyprus, you were best take heed, how you encounter an English lady.

_Cypr._ God bless me from loving any of you, if all be so cruel.

_Agrip._ God bless me from suffering you to love me, if you be not so formable.

_Cypr._ Will you command me any service, as you have done Orleans?

_Agrip._ No other service but this, that, as Orleans, you love me, for no other reason, but that I may torment you.

_Cypr._ I will: conditionally, that in all company I may call you my tormentor.

_Agrip._ You shall: conditionally, that you never beg for mercy. Come, my Lord of Galloway.

_Gall._ Come, sweet madam.

[_Exeunt all except the_ PRINCE OF CYPRUS.

_Cypr._ The ruby-coloured portals of her speech Were closed by mercy: but upon her eye, Attired in frowns, sat murdering cruelty.

_Re-enter_ AGRIPYNE _and listens_.

She’s angry, that I durst so high aspire. O, she disdains that any stranger’s breast Should be a temple for her deity: She’s full of beauty, full of bitterness. Till now, I did not dally with love’s fire: And when I thought to try his flames indeed, I burnt me even to cinders. O, my stars, Why from my native shore did your beams guide me, To make me dote on her that doth deride me?

[AGRIPYNE _kneels_: CYPRUS _walks musing_.

_Agrip._ Hold him in this mind, sweet Cupid, I conjure thee. O, what music these hey-hos make! I was about to cast my little self into a great love trance for him, fearing his heart had been flint: but since I see ’tis pure virgin wax, he shall melt his bellyful: for now I know how to temper him. [_Exit; as she departs_ CYPRUS _spies her_.

_Cypr._ Never beg mercy? yet be my tormentor. I hope she heard me not: doubtless she did, And now will she insult upon my passions, And vex my constant love with mockeries. Nay, then I’ll be mine own physician, And outface love, and make her think that I Mourned thus, because I saw her standing by. What news, my Lord of Cornwall?

_Enter_ CORNWALL.

_Cornw._ This fair prince, One of your countrymen, is come to court, A lusty gallant brave, in Cyprus’ isle, With fifty bard[386] horses prancing at his heels, Backed by as many strong-limbed Cypriots, All whom he keeps in pay: whose offered service, Our king with arms of gladness hath embraced.

[386] Barded, or barbed: _i.e._ Adorned with trappings.

_Cypr._ Born in the isle of Cyprus? what’s his name?

_Cornw._ His servants call him Fortunatus’ son.

_Cypr._ Rich Fortunatus’ son? Is he arrived?

_Enter_ LONGAVILLE, GALLOWAY, _and_ CHESTER _with jewels_.

_Longa._ This he bestowed on me.

_Chest._ And this on me.

_Gall._ And this his bounteous hand enforced me take.

_Longa._ I prize this jewel at a hundred marks,[387] Yet would he needs bestow this gift on me.

[387] The mark was worth 13_s._ 4_d._

_Cypr._ My lords, whose hand hath been thus prodigal?

_Gall._ Your countryman, my lord, a Cypriot.

_Longa._ The gallant sure is all compact of gold, To every lady hath he given rich jewels, And sent to every servant in the court Twenty fair English angels.[388]

[388] The angel varied from 6_s._ 8_d._ to 10_s._ in value.

_Cypr._ This is rare.

_Enter_ LINCOLN.

_Linc._ My lords, prepare yourselves for revelling, ’Tis the king’s pleasure that this day be spent In royal pastimes, that this golden lord, For so all that behold him, christen him, May taste the pleasures of our English court. Here comes the gallant, shining like the sun. [_Trumpets sound._

_Enter_ ATHELSTANE, ANDELOCIA, AGRIPYNE, ORLEANS, _~Ladies~, and other ~Attendants~, also_ INSULTADO. _Music sounds within._

_Andel._ For these your royal favours done to me, Being a poor stranger, my best powers shall prove, By acts of worth, the soundness of my love.

_Athelst._ Herein your love shall best set out itself, By staying with us: if our English isle Hold any object welcome to your eyes, Do but make choice, and claim it as your prize. [_The_ KING _and_ CYPRUS _confer aside_.

_Andel._ I thank your grace: would he durst keep his word, I know what I would claim. Tush, man, be bold, Were she a saint, she may be won with gold.

_Cypr._ ’Tis strange, I must confess, but in this pride, His father Fortunatus, if he live, Consumes his life in Cyprus: still he spends, And still his coffers with abundance swell, But how he gets these riches none can tell. [_The_ KING _and_ AGRIPYNE _confer aside_.

_Athelst._ Hold him in talk: come hither, Agripyne.

_Cypr._ But what enticed young Andelocia’s soul To wander hither?

_Andel._ That which did allure My sovereign’s son, the wonder of the place.

_Agrip._ This curious heap of wonders, which an Empress Gave him, he gave me, and by Venus’ hand, The warlike Amorato needs would swear, He left his country Cyprus for my love.

_Athelst._ If by the sovereign magic of thine eye, Thou canst enchant his looks to keep the circles Of thy fair cheeks, be bold to try their charms, Feed him with hopes, and find the royal vein, That leads this Cypriot to his golden mine. Here’s music spent in vain, lords, fall to dancing.

_Cypr._ My fair tormentor, will you lend a hand?

_Agrip._ I’ll try this stranger’s cunning[389] in a dance.

[389] Skill.

_Andel._ My cunning is but small, yet who’ll not prove To shame himself for such a lady’s love?

_Orle._ These Cypriots are the devils that torture me. He courts her, and she smiles, but I am born To be her beauty’s slave, and her love’s scorn.

_Andel._ I shall never have the face to ask the question twice.

_Agrip._ What’s the reason? Cowardliness or pride?

_Andel._ Neither: but ’tis the fashion of us Cypriots, both men and women, to yield at first assault, and we expect others should do the like.

_Agrip._ It’s a sign, that either your women are very black, and are glad to be sped, or your men very fond, and will take no denial.

_Andel._ Indeed our ladies are not so fair as you.

_Agrip._ But your men more venturous at a breach than you, or else they are all dastardly soldiers.

_Andel._ He that fights under these sweet colours, and yet turns coward, let him be shot to death with the terrible arrows of fair ladies’ eyes.

_Athelst._ Nay, Insultado, you must not deny us.

_Insultad._ _Mi corazon es muy pesado, mi anima muy atormentada. No por los Cielos: El pie de Español no hace musica en tierra ingles._[390]

[390] “My heart is weighed down, my soul much tormented. No, by Heaven, the Spanish foot does not beat to music on English ground.”

_Cypr._ Sweet Insultado, let us see you dance. I have heard the Spanish dance is full of state.

_Insultad._ _Verdad, señor: la danza española es muy alta, Majestica, y para monarcas: vuestra Inglesa, Baja, fantastica, y muy humilde._[391]

[391] “The truth, sir; the Spanish dance is full of state, majestic, and fit for monarchs: your English low, fantastic, and very humble.”