Part 6
_Beggar._ Your Objection, Sir, is very just, and is easily remov'd. For you must allow, that in this kind of Drama, 'tis no matter how absurdly things are brought about-- So-- you Rabble there-- run and cry, A Reprieve! --let the Prisoner be brought back to his Wives in Triumph.
_Player._ All this we must do, to comply with the Taste of the Town.
_Beggar._ Through the whole Piece you may observe such a Similitude of Manners in high and low Life, that it is difficult to determine whether (in the fashionable Vices) the fine Gentlemen imitate the Gentlemen of the Road, or the Gentlemen of the Road the fine Gentlemen. --Had the Play remained, as I at first intended, it would have carried a most excellent Moral. 'Twould have shewn that the lower Sort of People have their Vices in a degree as well as the Rich: And that they are punish'd for them.
_To them, _Macheath_ with _Rabble_, &c._
_Macheath._ So, it seems, I am not left to my Choice, but must have a Wife at last. --Look ye, my Dears, we will have no Controversy now. Let us give this Day to Mirth, and I am sure she who thinks herself my Wife will testify her Joy by a Dance.
_All._ Come, a Dance-- a Dance.
_Macheath._ Ladies, I hope you will give me leave to present a Partner to each of you. And (if I may without Offence) for this time, I take _Polly_ for mine. --And for Life, you Slut,-- for we were really marry'd. --As for the rest. --But at present keep your own Secret.
[To _Polly_.
A DANCE.
AIR LXVIII. Lumps of Pudding, &c.
[Music]
Thus I stand like the _Turk_, with his Doxies around; From all Sides their Glances his Passion confound; For Black, Brown, and Fair, his Inconstancy burns, And the different Beauties subdue him by turns: Each calls forth her Charms to provoke his Desires: Though willing to all, with but one he retires. But think of this Maxim, and put off your Sorrow, The Wretch of To-day, may be happy To-morrow.
_Chorus._ But think of this Maxim, &c.
FINIS.
[Illustration]
Printed in Great Britain by Richard Clay & Sons, Limited, Bungay, Suffolk.
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Errata Noted by Transcriber:
Inconsistencies: Dramatis Personae: "Mat of the Mint" [_The name is spelled "Mat" here and on the character's first entrance, "Matt" everywhere else._] The place name "Mary-bone" is spelled randomly with and without a hyphen. There is no illustration at the end of Act II, Scene II.
Spelling Unchanged: Air X. ... Whose Treasure is contreband. the hypocrytical Strumpet
Punctuation or Capitalization Unchanged:
Dear Wife, be a little pacified, Don't let your Passion of rich Brocade. --that, I see, is dispos'd of. you had a handsom Gold Watch of us 'tother Day --But are you sure it is Captain _Macheath_. but to see thee / thus distracts me? Air LXI. The stronger Liquor we'er drinking;
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_About the Music_
The following information is also given in the text file "about_the_music" in the "Music" directory.
The music in the printed book appears to be a hand-written copy of the 1765 original, retaining or adding assorted minor errors. In particular, the use of double bar lines or repeats seems to be almost entirely arbitrary. In the PDF and MIDI files, obvious errors such as missing dots after notes have been corrected, and a few ties have been added. Repeats are used only when required by the lyrics as printed.
All music files, including the PDF images, are in the "Music" directory. In addition to individual Airs, there are PDF files containing the collected songs for each scene that has more than one song. Air LXVIII (the final song) has been omitted because it takes up a complete page by itself.
_Changing the Tempo_
If you want to change the tempo of a MIDI file, do this:
--Install the lilypond program (free from lilypond.org)
--Open the file you want to edit (named in the form "air_N.ly" using the same Roman numerals as in the text) and scroll down to the bottom. The "make-moment" line works just like a metronome setting. Leave the second number alone--usually a 4 for quarter-note--and make the first number larger or smaller.
--Select "Run" or "Typeset File" from the Compile menu. This will create three files in the same location as the original .ly file: an updated MIDI, a new PDF, and a Postscript (.ps) file. You may keep the Postscript file or delete it; they are automatically generated, but were omitted from this Project Gutenberg text because they are very large and are easy to make on your own computer.