CHAPTER IV
.
PHARAONIC KINGDOM.
PRINCIPAL KINGS OF THE GREAT THEBAN PERIOD.
XVIIITH DYNASTY. B.C. 1830
Amenhotep I. reigned 25 years. Thothmes I. reigned 13 years. Amenhotep II. reigned 20 years. Hatshepsu (Queen) reigned 21 years. Thothmes II. reigned 12 years. Thothmes III. reigned 26 years. Thothmes IV. reigned 10 years. Amenhotep III. reigned 21 years.
Interregnum of Sun-worshipping Kings.
Horemheb (Horus) reigned 36 years.
XIXTH DYNASTY.
Rameses I. reigned 12 years. Meneptah I. reigned 32 years. Rameses II. reigned 68 years. Meneptah II. reigned 5 years.
Exode B.C. 1312
XXTH DYNASTY.
Rhampsinitus-Rameses reigned 55 years. Ramessidæ reigned 66 years. Amenophis reigned 20 years.
The five centuries[54] which elapsed between the expulsion of the Shepherds and Exode of the Jews comprise the culminating period of the greatness and greatest artistic development of the Egyptians. It is practically within this period that all the great buildings of the “Hundred pyloned city of Thebes” were erected. Memphis was adorned within its limits with buildings as magnificent as those of the southern capital, though subsequently less fortunate in escaping the hand of the spoiler; and in every city of the Delta wherever an obelisk or sculptured stone is found, there we find almost invariably the name of one of the kings of the 18th or 19th dynasties. In Arabia, too, and above the cataracts of the far-off Meroë, everywhere their works and names are found. At Arban,[55] on the Khabour, we find the name of the third Thothmes; and there seems little doubt but that the Naharaina or Mesopotamia was one of the provinces conquered by them, and that all Western Asia was more or less subject to their sway.
Whoever the conquering Thebans may have been, their buildings are sufficient to prove, as above mentioned, that they belonged to a race differing in many essential respects from that of the Memphite kingdom they had superseded.
The pyramid has disappeared as a form of royal sepulchre, to be replaced by a long gloomy corridor cut in the rock; its walls covered with wild and fetish pictures of death and judgment: a sort of magic hall, crowded with mysterious symbols the most monstrous and complicated that any system of human superstition has yet invented.
Instead of the precise orientation and careful masonry of the old kingdom, the buildings of the new race are placed anywhere, facing in any direction, and generally affected with a symmetriphobia that it is difficult to understand. The pylons are seldom in the axis of the temples; the courts seldom square; the angles frequently not right angles, and one court succeeding another without the least reference to symmetry.
The masonry, too, is frequently of the rudest and clumsiest sort, and would long ago have perished but for its massiveness: and there is in all their works an appearance of haste and want of care that sometimes goes far to mar the value of their grandest conceptions.
In their manners, too, there seems an almost equal degree of discrepancy. War was the occupation of the kings, and foreign conquest seems to have been the passion of the people. The pylons and the walls of the temples are covered with battle-scenes, or with the enumeration of the conquests made, or the tribute brought by the subjected races. While not engaged in this, the monarch’s time seems to have been devoted to practising the rites of the most complicated and least rational form of idolatry that has yet been known to exist among any body of men in the slightest degree civilised.
If the monuments of Memphis had come down to our times as perfect as those of Thebes, some of these differences might be found less striking. On the other hand, others might be still more apparent; but judging from such data as we possess—and they are tolerably extensive and complete—we are justified in assuming a most marked distinction; and it is indispensably necessary to bear it in mind in attempting to understand the architecture of the valley of the Nile, and equally important in any attempt to trace the affinities of the Egyptian with any other races of mankind. So far as we can now see, it may be possible to trace some affinities with the pyramid builders in Assyria or in Western Asia; but if any can be dimly predicated of the southern Egyptian race, it is in India and the farther east; and the line of communication was not the Isthmus of Suez, but the Straits of Babelmandeb and the Indian Ocean.
THEBES.
Although, as already mentioned, numerous buildings of the great Pharaonic dynasties are to be found scattered all along the banks of the Nile, it is at Thebes only that the temples are so complete as to enable us to study them with advantage, or to arrive at a just appreciation of their greatness. That city was practically the capital of Egypt during the whole of the 18th and 19th dynasties, and has been fortunate in having had no great city built near it since it fell into decay; unlike Memphis in this respect, which has been used as a quarry during the last 14 or 15 centuries. It has also had the advantage of a barrier of rocky hills on its western limits, which has prevented the sand of the desert from burying its remains, as has been the case at Abydus and elsewhere.
The ruins that still remain are found scattered over an area extending about 2¼ miles north and south, and 3½ miles east and west. The principal group is at Karnac, on the eastern bank of the Nile, consisting of one great temple 1200 feet long, and five or six smaller temples grouped unsymmetrically around it. About two miles farther south is the temple at Luxor 820 feet long, and without any dependencies.
[Illustration: 19. Rameseum at Thebes. Scale 100 ft. to 1 in.]
On the other side of the river is the great temple of Medeenet-Habû, built by the first king of the 19th dynasty, 520 feet in length; the Rameseum, 570 feet long, and the temple at Koorneh, of which only the sanctuary and the foundations of the Propyla now exist. Of the great temple of Thothmes and Amenophis very little remains above ground—it having been situated within the limits of the inundation—except the two celebrated colossi, one of which was known to the Greeks as the vocal Memnon. When complete it probably was, next after Karnac, the most extensive of Theban temples. There are several others, situated at the foot of the Libyan hills, which would be considered as magnificent elsewhere, but sink into insignificance when compared with those just enumerated.
[Illustration: 20. Central Pillar, from Rameseum, Thebes.]
Most of these, like our mediæval cathedrals, are the work of successive kings, who added to the works of their ancestors without much reference to congruity of plan; but one, the Rameseum, was built wholly by the great Rameses in the 15th century B.C., and though the inner sanctuary is so ruined that it can hardly be restored, still the general arrangement, as shown in the annexed woodcut, is so easily made out that it may be considered as a typical example of what an Egyptian temple of this age was intended to have been. Its façade is formed by two great pylons, or pyramidal masses of masonry, which, like the two western towers of a Gothic cathedral, are the appropriate and most imposing part of the structure externally. Between these is the entrance doorway, leading, as is almost invariably the case, into a great square courtyard, with porticoes always on two, and sometimes on three, sides. This leads to an inner court, smaller, but far more splendid than the first. On the two sides of this court, through which the central passage leads, are square piers with colossi in front, and on the right and left are double ranges of circular columns, which are continued also behind the square piers fronting the entrance. Passing through this, we come to a hypostyle hall of great beauty, formed by two ranges of larger columns in the centre, and three rows of smaller ones on each side. These hypostyle halls almost always accompany the larger Egyptian temples of the great age. They derive their name from having, over the lateral columns, what in Gothic architecture would be called a _clerestory_, through which the light is admitted to the central portion of the hall. Although some are more extensive than this, the arrangement of all is nearly similar. They all possess two ranges of columns in the centre, so tall as to equal the height of the side columns together with that of the attic which is placed on them. They are generally of different orders; the central pillars having a bell-shaped capital, the under side of which was perfectly illuminated from the mode in which the light was introduced; while in the side pillars the capital was narrower at the top than at the bottom, apparently for the sake of allowing its ornaments to be seen.
Beyond this are always several smaller apartments, in this instance supposed to be nine in number, but they are so ruined that it is difficult to be quite certain what their arrangement was. These seem to have been rather suited to the residences of the king or priests than to the purposes of a temple, as we understand the word. Indeed, Palace-Temple, or Temple-Palace, would be a more appropriate term for these buildings than to call them simply Temples. They do not seem to have been appropriated to the worship of any particular god, but rather for the great ceremonials of royalty—of kingly sacrifice to the gods for the people, and of worship of the king himself by the people, who seems to have been regarded, if not as a god, at least as the representative of the gods on earth.
Though the Rameseum is so grand from its dimensions, and so beautiful from its design, it is far surpassed in every respect by the palace-temple at Karnac, which is perhaps the noblest effort of architectural magnificence ever produced by the hand of man.
Its principal dimensions are 1200 ft. in length, by about 360 in width, and it covers therefore about 430,000 square ft., or nearly twice the area of St. Peter’s at Rome, and more than four times that of any mediæval cathedral existing. This, however, is not a fair way of estimating its dimensions, for our churches are buildings entirely under one roof; but at Karnac a considerable portion of the area was uncovered by any buildings, so that no comparison is just. The great hypostyle hall, however, is internally 330 ft. by 170, and, with its two pylons, it covers more than 85,000 square feet—nearly as large as Cologne, one of the largest of our northern cathedrals; and when we consider that this is only a part of a great whole, we may fairly assert that the entire structure is among the largest, as it undoubtedly is one of the most beautiful, buildings in the world.
The original part of this great group was, as before mentioned, the sanctuary or temple built by Osirtasen, the great monarch of the 12th dynasty, before the Shepherd invasion. It is the only thing that seems to have been allowed to stand during the five centuries of Shepherd domination, though it is by no means clear that it had not been pulled down by the Shepherds, and reinstated by the first kings of the 18th dynasty, an operation easily performed with the beautiful polished granite masonry of the sanctuary. Be this as it may, Amenhotep, the first king of the restored race, enclosed this in a temple about 120 ft. square. Thothmes I. built in front of it a splendid hall, surrounded by colossi, backed by piers; and Thothmes III. erected behind it a palace or temple, which is one of the most singular buildings in Egypt. The hall is 140 ft. long by 55 in width internally, the roof is supported by two rows of massive square columns, and two of circular pillars of most exceptional form, the capitals of which are reversed, and somewhat resembling the form usually found in Assyria, but nowhere else in Egypt. Like almost all Egyptian halls, it was lighted from the roof in the manner shown in the section. With all these additions, the temple was a complete whole, 540 ft. in length by 280 in width, at the time when the Sun-worshippers broke in upon the regular succession of the great 18th dynasty.
[Illustration: 21. Section of Palace of Thothmes III., Thebes.]
When the original line was resumed, Meneptah commenced the building of the great hall, which he nearly completed. Rameses, the first king of the 19th dynasty, built the small temple in front; and the so-called Bubastite kings of the 22nd dynasty added the great court in front, completing the building to the extent we now find it. We have thus, as in some of our mediæval cathedrals, in this one temple a complete history of the style during the whole of its most flourishing period; and, either for interest or for beauty, it forms such a series as no other country, and no other age, can produce. Besides those buildings mentioned above, there are other temples to the north, to the east, and more especially to the south, and pylons connecting these, and avenues of sphinxes extending for miles, and enclosing-walls, and tanks, and embankments—making up such a group as no city ever possessed before or since. St. Peter’s, with its colonnades, and the Vatican, make up an immense mass, but as insignificant in extent as in style when compared with this glory of ancient Thebes and its surrounding temples.
[Illustration: 22. Plan of Hypostyle Hall at Karnac. Scale 100 ft. to 1 in.]
[Illustration: 23. Section of central portion of Hypostyle Hall at Karnac. Scale 50 ft. to 1 in.]
The culminating point and climax of all this group of building is the hypostyle hall of Meneptah. The plan and section of its central portion on the next page, both to the usual scale, will explain its general arrangement; but no language can convey an idea of its beauty, and no artist has yet been able to reproduce its form so as to convey to those who have not seen it an idea of its grandeur. The mass of its central piers, illumined by a flood of light from the clerestory, and the smaller pillars of the wings gradually fading into obscurity, are so arranged and lighted as to convey an idea of infinite space; at the same time, the beauty and massiveness of the forms, and the brilliancy of their coloured decorations, all combine to stamp this as the greatest of man’s architectural works; but such a one as it would be impossible to reproduce, except in such a climate and in that individual style in which, and for which, it was created.
[Illustration: 24. Caryatide Pillar, from the Great Court at Medeenet-Habû.]
On the same side of the Nile, and probably at one time connected with it by an avenue of sphinxes, stands the temple of Luxor, hardly inferior in some respects to its great rival at Karnac; but either it was never finished, or, owing to its proximity to the Nile, it has been ruined, and the materials carried away. The length is about 830 ft., its breadth ranging from 100 to 200 ft. Its general arrangement comprised, first, a great court at a different angle from the rest, being turned so as to face Karnac. In front of this stand two colossi of Rameses the Great, its founder, and two obelisks were once also there, one of which is now in Paris. Behind this was once a great hypostyle hall, but only the two central ranges of columns are now standing. Still further back were smaller halls and numerous apartments, evidently meant for the king’s residence, rather than for a temple or place exclusively devoted to worship.
The palace at Luxor is further remarkable as a striking instance of how regardless the Egyptians were of regularity and symmetry in their plans. Not only is there a considerable angle in the direction of the axis of the building, but the angles of the courtyards are in scarcely any instance right angles; the pillars are variously spaced, and pains seem to have been gratuitously taken to make it as irregular as possible in nearly every respect. All the portion at the southern end was erected by Amenhotep III., the northern part completed by Rameses the Great, the same who built the Rameseum already described as situated on the other bank of the Nile.
Besides these there stood on the western side of the Nile the Memnonium, or great temple of Amenhotep III., now almost entirely ruined. It was placed on the alluvial plain, within the limits of the inundation, which has tended on the one hand to bury it, and on the other to facilitate the removal of its materials. Nearly the only remains of it now apparent are the two great seated colossi of its founder, one of which, when broken, became in Greek, or rather Roman times, the vocal Memnon, whose plaintive wail to the rising sun, over its own and its country’s desolation, forms so prominent an incident in the Roman accounts of Thebes.[56]
[Illustration: 25. South Temple of Karnac. Scale 100 ft. to 1 in.]
[Illustration: 26. Section through Hall of Columns, South Temple of Karnac. Scale 50 ft. to 1 in.]
Not far from this stands the great temple known as that of Medeenet-Habû, built by the first king of the 19th dynasty. Its dimensions are only slightly inferior to those of the Rameseum, being 520 ft. from front to rear, and its propylon 107 ft. wide. Its two great courts are, however, inferior in size to those of that building. The inner one is adorned by a series of Caryatide figures (Woodcut No. 24), which are inferior both in conception and execution to those of the previous reigns; and indeed throughout the whole building there is an absence of style, and an exaggeration of detail, which shows only too clearly that the great age was passing away when it was erected. The roof of its hypostyle hall, and of the chambers beyond it, is occupied by an Arab village, which would require to be cleared away before it could be excavated; much as this might be desired, the details of its courts would not lead us to expect anything either very beautiful or new from its disinterment. Further down the river, as already mentioned, stood another temple, that of Koorneh, built by the same Meneptah who erected the great hall of Karnac. It is, however, only a fragment, or what may be called the residential part of a temple. The hypostyle hall never was erected, and only the foundations of two successive pylons can be traced in front of it. In its present condition, therefore, it is one of the least interesting of the temples of Thebes, though elsewhere it would no doubt be regarded with wonder.
Another building of this age, attached to the southern side of the great temple of Karnac, deserves especial attention as being a perfectly regular building, erected at one time, and according to the original design, and strictly a temple, without anything about it that could justify the supposition of its being a palace.
It was erected by the first king of the 19th dynasty, and consists of two pylons, approached through an avenue of sphinxes. Within this is an hypæthral court, and beyond that a small hypostyle hall, lighted from above, as shown in the section (Woodcut No. 26). Within this is the cell, surrounded by a passage, and with a smaller hall beyond, all apparently dark, or very imperfectly lighted. The gateway in front of the avenue was erected by the Ptolemys, and, like many Egyptian buildings, is placed at a different angle to the direction of the building itself. Besides its intrinsic beauty, this temple is interesting as being far more like the temples erected afterwards under the Greek and Roman domination than anything else belonging to that early age.
At Tanis, or Zoan, near the mouth of the Nile, the remains of a temple and of 13 obelisks can still be traced. At Soleb, on the borders of Nubia, a temple now stands of the Third Amenhotep, scarcely inferior in beauty or magnificence to those of the capital.
[Illustration: 27. Pillar, from Sedinga.]
At Sedinga, not far below the third cataract, are the remains of temples erected by Amenhotep III. of the 18th dynasty, which are interesting as introducing in a completed form a class of pillar that afterwards became a great favourite with Egyptian architects (Woodcut No. 27). Before this time we find these Isis heads either painted or carved on the face of square piers, but so as not to interfere with the lines of the pillars. Gradually they became more important, so as to form a double capital, as in this instance. In the Roman times, as at Denderah (Woodcut No. 41, p. 143), all the four faces of the pier were so adorned, though it must be admitted in very questionable taste.
It would be tedious to attempt to enumerate without illustrating all the fragments that remain of temples of this age. Some are so ruined that it is difficult to make out their plan. Others, like those of Memphis or Tanis, so entirely destroyed, that only their site, or at most only their leading dimensions, can be made out. Their loss is of course to be regretted; but those enumerated above are sufficient to enable us to judge both of the style and the magnificence of the great building epoch.
[Illustration: 28. Smaller Temple at Abydus.]
[Illustration: 29. Plan of Temple of Abydus.]
At Abydus the remains of two great temples have been found; one of Rameses II., with great court surrounded by piers with osireide figures on them; two halls of columns, a sanctuary, and other small chambers in the rear. The other, completed only and decorated with sculpture by Rameses II., the temple having been built by his father, Sethi I. This second temple differs in the arrangement of its plan from other examples (Woodcut No. 29); it was preceded by two great courts; at the further end of the second court was a peristyle with twelve piers, from which, through three doors, a hall of twenty-four columns was reached; the columns here were so arranged as to suggest seven avenues, beyond which were seven doors leading to a second hall with thirty-six columns, similarly disposed to those in the first hall. These avenues led to seven sanctuaries, the roofs of which were segmental, the arched form of vault being cut out of solid blocks of stone (Woodcut No. 29A). Beyond the sepulchral destination, which roofs of these sanctuaries suggest, nothing is known from inscriptions as to their precise use. Through one of the sanctuaries other halls of columns and chambers were reached which lie in the rear of the building, and on the south side, and approached from the second great hall of columns, many other halls, chambers, and staircases leading to the roof. The special interest to the Egyptologist, however, of this temple lies in the fact that it was on the walls of one of these that the so-called tablet of Abydus was discovered—now in the British Museum—which first gave a connected list of kings, the predecessors of Rameses, and sufficiently extensive to confirm the lists of Manetho in a manner satisfactory to the ordinary inquirer. A second list, far more complete, has recently been brought to light in the same locality, and contains the names of 76 kings, ancestors of Meneptah, the father of Rameses. It begins, as all lists do, with Menes; but even this list is only a selection, omitting many names found in Manetho, but inserting others which are not in his lists.[57] Before the discovery of this perfect list, the longest known were that of the chamber of the ancestors of Thothmes III., at Karnac, containing when perfect 61 names, of which, however, nearly one-third are obliterated; and that recently found at Saccara, containing 58 names originally, but of which several are now illegible.
It is the existence of these lists which gives such interest and such reality to the study of Architecture in Egypt. Fortunately there is hardly a building in that country which is not adorned with the name of the king in whose reign it was erected. In royal buildings they are found on every wall and every pillar. The older cartouches are simple and easily remembered; and when we find the buildings thus dated by the builders themselves, and their succession recorded by subsequent kings on the walls of their temples, we feel perfectly certain of our sequence, and nearly so of the actual dates of the buildings; they are, moreover, such a series as no other country in the world can match either for historic interest or Architectural magnificence.
ROCK-CUT TOMBS AND TEMPLES.
But in Egypt Proper and in Nubia the Egyptians were in the habit of excavating monuments from the living rock, but with this curious distinction, that, with scarcely an exception, all the excavations in Egypt Proper are tombs, and no important example of a rock-cut temple has yet been discovered. In Nubia, on the other hand, all the excavations are temples, and no tombs of importance are to be found anywhere. This distinction may hereafter lead to important historical deductions, inasmuch as on the western side of India there are an infinite number of rock-cut temples, but no tombs of any sort. Every circumstance seems to point to the fact that, if there was any connection between Africa and India, it was with the provinces in the upper part of the Valley of the Nile, and not with Egypt Proper. This, however, is a subject that can hardly be entered on here, though it may be useful to bear in mind the analogy alluded to.
[Illustration: 30. Plan and Section of Rock-cut Temple at Abû Simbel. Scale for plan 100 ft. to 1 in.; section 50 ft. to 1 in.]
Like all rock-cut examples all over the world, these Nubian temples are copies of structural buildings only more or less modified to suit the exigencies of their situation, which did not admit of any very great development inside, as light and air could only be introduced from the one opening of the doorway.
The two principal examples of this class of monument are the two at Abû Simbel, the larger of which is the finest of its class known to exist anywhere. Its total depth from the face of the rock is 150 ft., divided into 2 large halls and 3 cells, with passages connecting them.
Externally the façade is about 100 ft. in height, and adorned by 4 of the most magnificent colossi in Egypt, each 70 ft. in height, and representing the king, Rameses II., who caused the excavation to be made. It may be because they are more perfect than any others now found in that country, but certainly nothing can exceed their calm majesty and beauty, or be more entirely free from the vulgarity and exaggeration which is generally a characteristic of colossal works of this sort.
The smaller temple at the same place has six standing figures of deities countersunk in the rock, and is carved with exceeding richness. It is of the same age with the large temple, but will not admit of comparison with it owing to the inferiority of the design.
Besides these, there is a very beautiful though small example at Kalabsheh (known as the Bayt el Wellee, “the house of the saint”), likewise belonging to the age of Rameses II., and remarkable for the beauty of its sculptural bas-reliefs, as well as for the bold Proto-Doric columns which adorn its vestibule. There are also smaller ones at Dêrr and Balagne, at the upper end of the valley. At Wâdy Saboua and Gerf Hussên, the cells of the temple have been excavated from the rock, but their courts and propylons are structural buildings added in front—a combination only found once in Egypt, at Thebes (Dêr-el-Bahree), and very rare anywhere else, although meeting the difficulties of the case better than any other arrangement, inasmuch as the sanctuary has thus all the imperishability and mystery of a cave, and the temple at the same time has the space and external appearance of a building standing in the open air.
This last arrangement is found also as a characteristic of the temples of Gebel Barkal, in the kingdom of Meroë, showing how far the rock-cutting practice prevailed in the Upper Valley of the Nile.
The plan on which the Temple of Dêr-el-Bahree is constructed is curious, and differs entirely from that of any other in Egypt. It is built in stages up a slope at the foot of the mountain, flights of steps leading from one court to the other. The temple was built by Queen Hatshepsu or Amen-noo-het, the sister of Thothmes II. and Thothmes III., and consisted of three courts rising in terraces one above the other; at the back of these were two ranges of porticoes, the upper one set back behind the lower and built into the vertical face of the rock with which the sanctuary and antechambers were cut. As all the temples above mentioned are contemporary with the great structures in Egypt, it seems strange that the eternity of a rock-cut example did not recommend this form of temple to the attention of the Egyptians themselves. But with the exception of Dêr-el-Bahree and a small grotto, called the Speos Artemidos, near Beni-Hasan, and two small caves at Silsilis, near the Cataract, the Egyptians seem never to have attempted it, trusting apparently to the solidity of their masonic structures for that eternity of duration they aspired to.
MAMMEISI.
[Illustration: 31. Mammeisi at Elephantine.]
In addition to the temples above described, which are all more or less complex in plan, and all made up of various independent parts, there exists in Egypt a class of temples called _mammeisi_, dedicated to the mysterious accouchement of the mother of the gods. Small temples of this form are common to all ages, and belong as well to the 18th dynasty as to the time of the Ptolemys. One of them, built by Amenhotep III. at Elephantine, is represented in plan and elevation in the annexed cut. It is of a simple peristylar form, with columns in front and rear, the latter being now built into a wall, and seven square piers on each flank. These temples are all small, and, like the Typhonia, which somewhat resemble them, were used as detached chapels or cells, dependent on the larger temples. What renders them more than usually interesting to us is the fact that they were undoubtedly the originals of the Greek peristylar forms, that people having borrowed nearly every peculiarity of their architecture from the banks of the Nile. We possess tangible evidence of peristylar temples and Proto-Doric pillars erected in Egypt centuries before the oldest known specimen in Greece. We need therefore hardly hesitate to award the palm of invention of these things to the Egyptians, as we should probably be forced to do for most of the arts and sciences of the Greeks if we had only knowledge sufficient to enable us to trace the connecting links which once joined them together, but which are now in most instances lost, or at least difficult to find.
TOMBS.
Of the first 10 dynasties of Egyptian kings little now remains but their tombs—the everlasting pyramids—and of the people they governed, only the structures and rock-cut excavations which they prepared for their final resting-places.
The Theban kings and their subjects erected no pyramids, and none of their tombs are structural—all are excavated from the living rock; and from Beni-Hasan to the Cataract the plain of the Nile is everywhere fringed with these singular monuments, which, if taken in the aggregate, perhaps required a greater amount of labour to excavate and to adorn than did even all the edifices of the plain. Certain it is that there is far more to be learnt of the arts, of the habits, and of the history of Egypt from these tombs than from all the other monuments. No tomb of any Theban king has yet been discovered anterior to the 18th dynasty; but all the tombs of that and of the subsequent dynasty have been found, or are known to exist, in the Valley of Bibán-el-Molook, on the western side of the plain of Thebes.
It appears to have been the custom with these kings, so soon as they ascended the throne, to begin preparing their final resting-place. The excavation seems to have gone on uninterruptedly year by year, the painting and adornment being finished as it progressed, till the hand of death ended the king’s reign, and simultaneously the works of his tomb. All was then left unfinished; the cartoon of the painter and the rough work of the mason and plasterer were suddenly broken off, as if the hour of the king’s demise called them, too, irrevocably from their labours.
The tomb thus became an index of the length of a king’s reign as well as of his magnificence. Of those in the Valley of the Kings the most splendid is that opened by Belzoni, and now known as that of Meneptah, the builder of the hypostyle hall at Karnac. It descends, in a sloping direction, for about 350 ft. into the mountain, the upper half of it being tolerably regular in plan and direction; but after progressing as far as the unfinished hall with two pillars, the direction changes, and the works begin again on a lower level, probably because they came in contact with some other tomb, or in consequence of meeting some flaw in the rock. It now terminates in a large and splendid chamber with a coved roof, in which stood, when opened by Belzoni, the rifled sarcophagus;[58] but a drift-way has been excavated beyond this, as if it had been intended to carry the tomb still further had the king continued to reign.
[Illustration: 32. Plan and Section of Tomb of Meneptah at Thebes. Scale for plan 100 ft. to 1 in.; section 50 ft. to 1 in.]
The tomb of Rameses Maiamoun, the first king of the 19th dynasty, is more regular, and in some respects as magnificent as this, and that of Amenhotep III. is also an excavation of great beauty, and is adorned with paintings of the very best age. Like all the tombs, however, they depend for their magnificence more on the paintings that cover the walls than on anything which can strictly be called architecture, so that they hardly come properly within the scope of the present work: the same may be said of private tombs. Except those of Beni-Hasan, already illustrated by Woodcuts Nos. 16 to 18, these tombs are all mere chambers or corridors, without architectural ornament, but their walls are covered with paintings and hieroglyphics of singular interest and beauty. Generally speaking, it is assumed that the entrances of these tombs were meant to be concealed and hidden from the knowledge of the people after the king’s death. It is hardly conceivable, however, that so much pains should have been taken, and so much money lavished, on what was designed never again to testify to the magnificence of its founder. It is also very unlike the sagacity of the Egyptians to attempt what was so nearly impossible; for though the entrance of a pyramid might be so built up as to be unrecognisable, a cutting in the rock can never be repaired or disguised, and can only be temporarily concealed by heaping rubbish over it. Supposing it to have been intended to conceal the entrances, such an expedient was as clumsy and unlikely to have been resorted to by so ingenious a people as it has proved futile, for all the royal tombs in the valley of Bibán-el-Molook have been opened and rifled in a past age, and their sites and numbers were matters of public notoriety in the times of the Greeks and Romans. Many of the private tombs have architectural façades, and certainly never were meant to be concealed, so that it is not fair to assume that hiding their tombs’ entrances was ever a peculiarity of the Thebans, though it certainly was of the earlier Memphite kings.
OBELISKS.
Another class of monuments, almost exclusively Egyptian, are the obelisks, which form such striking objects in front of almost all the old temples of the country.
Small models of obelisks are found in the tombs of the age of the pyramid builders, and represented in their hieroglyphics; but the oldest public monument of the class known to exist is that at Heliopolis, erected by Osirtasen, the great king of the 12th dynasty. It is, like all the others, a single block of beautiful red granite of Syene, cut with all the precision of the age, tapering slightly towards the summit, and of about the average proportion, being about 10 diameters in height; exclusive of the top it is 67 ft. 4 in.
The two finest known to exist are, that now in the piazza of the Lateran, originally set up by Thothmes III., 105 ft. in height, and that still existing at Karnac, attributed to Thothmes II., 107 ft. in height. Both are now ascribed to Queen Hatshepsu their sister, who is recorded to have boasted that they were quarried, transported, and set up within the short space of seven months. Those of Luxor, erected by Rameses the Great, one of which is now in Paris, are above 77 ft. in height; and there are two others in Rome, each above 80 ft.
Rome, indeed, has 12 of these monuments within her walls—a greater number than exist, erect at least, in the country whence they came; though judging from the number that are found adorning single temples, it is difficult to calculate how many must once have existed in Egypt. Their use seems to have been wholly that of monumental pillars, recording the style and title of the king who erected them, his piety, and the proof he gave of it in dedicating these monoliths to the deity whom he especially wished to honour.
[Illustration: 33. Lateran Obelisk. Scale 50 ft. to 1 in., for comparison with scale of other buildings.]
It has been already remarked that, with scarcely an exception, all the pyramids are on the west side of the Nile, all the obelisks on the east; with regard to the former class of monument, this probably arose from a law of their existence, the western side of the Nile being in all ages preferred for sepulture, but with regard to the latter it seems to be accidental. Memphis doubtless possessed many monuments of this class, and there is reason to believe that the western temples of Thebes were also similarly adorned. They are, however, monuments easily broken; and, from their form, so singularly useful for many building purposes, that it is not to be wondered at if many of them have disappeared during the centuries that have elapsed since the greater number of them were erected.
DOMESTIC ARCHITECTURE.
Except one small royal pavilion at Medeenet Habû, no structure now remains in Egypt that can fairly be classed as a specimen of the domestic architecture of the ancient Egyptians; but at the same time we possess, in paintings and sculptures, so many illustrations of their domestic habits, so many plans, elevations, and views, and even models of their dwellings of every class, that we have no difficulty in forming a correct judgment not only of the style, but of the details, of their domestic architecture.
Although their houses exhibited nothing of the solidity and monumental character which distinguished their temples and palaces, they seem in their own way to have been scarcely less beautiful. They were of course on a smaller scale, and built of more perishable materials, but they appear to have been as carefully finished, and decorated with equal taste to that displayed in the greater works. We know also, from the tombs that remain to us, that, although the government of Egypt was a despotism of the strictest class, still the wealth of the land was pretty equally diffused among all classes, and that luxury and splendour were by no means confined either to the royal family or within the precincts of the palace. There is thus every reason to believe that the cities which have passed away were worthy of the temples that adorned them, and that the streets were as splendid and as tasteful as the public buildings themselves, and displayed, though in a more ephemeral form, the same wealth and power which still astonish us in the great monuments that remain.
Mr. Maspero, in his work on Egyptian archæology, translated by Miss Amelia B. Edwards[59] devotes a chapter to the description of the existing remains of private dwellings and military architecture. The examples of the former are of comparatively small buildings, and were invariably built in crude or unburnt brick; in the neighbourhood of Memphis Mr. Maspero found walls still standing, from 30 to 40 ft. in height. The plans which are delineated on the walls of the tombs of the 18th dynasty enable us to judge of the extent and magnificence of the more important examples. These as a rule would seem to have features which are evidently derived from temple architecture, that is to say, the palaces are preceded by pylons and the courts enclosed and surrounded with porticoes. Of military architecture the oldest fortresses are those at Abydos, El Kab, and Semneh; at Abydos the earliest example consists of a parallelogram of crude brickwork measuring 410 ft. by 223 ft. The walls, which now stand from 24 to 36 ft. high, have lost somewhat of their original height: they are about 6 ft. thick at the top and were not built in uniform layers, but in huge vertical panels easily distinguished by the nature of the brickwork. In one division the course of the bricks is strictly horizontal, in the next it is slightly concave, and forms a very flat reversed arch, of which the extrados rests on the ground. The alternation of these two methods is regularly repeated. The object of this arrangement was possibly to resist earthquake shocks.
[Illustration: 34. Pavilion at Medeenet Habû. Scale 100 ft. to 1 in.]
[Illustration: 35. View of Pavilion at Medeenet Habû.]
No building can form a greater contrast with the temple behind it than does the little pavilion erected at Medeenet Habû by Rameses, the first king of the 19th dynasty. As will be seen by the annexed plan (Woodcut No. 34), it is singularly broken and varied in its outline, surrounding a small court in the shape of a cross. It is 3 storeys in height, and, properly speaking, consists of only 3 rooms on each floor, connected together by long winding passages. There is reason, however, to believe that this is only a fragment of the building, and foundations exist which render it probable that the whole was originally a square of the width of the front, and had other chambers, probably only in wood or brick, besides those we now find. This would hardly detract from the playful character of the design, and when coloured, as it originally was, and with its battlements or ornaments complete, it must have formed a composition as pleasing as it is unlike our usual conceptions of Egyptian art.
The other illustration represents in the Egyptians’ own quaint style a three-storeyed dwelling, the upper storey apparently being, like those of the Assyrians, an open gallery supported by dwarf columns. The lower windows are closed by shutters. In the centre is a staircase leading to the upper storey, and on the left hand an awning supported on wooden pillars, which seems to have been an indispensable part of all the better class of dwellings. Generally speaking, these houses are shown as situated in gardens laid out in a quaint, formal style, with pavilions, and fishponds, and all the other accompaniments of gardens in the East at the present day.
[Illustration: 36. Elevation of a House. From an Egyptian Painting.]
In all the conveniences and elegances of building they seem to have anticipated all that has been done in those countries down to the present day. Indeed, in all probability the ancient Egyptians surpassed the modern in those respects as much as they did in the more important forms of architecture.
##