Part 19
In the night the eyes are partly closed or retire into the head. Other senses take the lead. The walker is guided as well by the sense of smell. Every plant and field and forest emits its odor now, swamp-pink in the meadow and tansy in the road; and there is the peculiar dry scent of corn which has begun to show its tassels. The senses both of hearing and smelling are more alert. We hear the tinkling of rills which we never detected before. From time to time, high up on the sides of hills, you pass through a stratum of warm air. A blast which has come up from the sultry plains of noon. It tells of the day, of sunny noon-tide hours and banks, of the laborer wiping his brow and the bee humming amid flowers. It is an air in which work has been done,—which men have breathed. It circulates about from wood-side to hill-side like a dog that has lost its master, now that the sun is gone. The rocks retain all night the warmth of the sun which they have absorbed. And so does the sand. If you dig a few inches into it you find a warm bed. You lie on your back on a rock in a pasture on the top of some bare hill at midnight, and speculate on the height of the starry canopy. The stars are the jewels of the night, and perchance surpass anything which day has to show. A companion with whom I was sailing one very windy but bright moonlight night, when the stars were few and faint, thought that a man could get along with _them_,—though he was considerably reduced in his circumstances,—that they were a kind of bread and cheese that never failed.
No wonder that there have been astrologers, that some have conceived that they were personally related to particular stars. Dubartas, as translated by Sylvester, says he’ll
“not believe that the great architect With all these fires the heavenly arches decked Only for show, and with these glistering shields, T’ awake poor shepherds, watching in the fields.” He’ll “not believe that the least flower which pranks Our garden borders, or our common banks, And the least stone, that in her warming lap Our mother earth doth covetously wrap, Hath some peculiar virtue of its own, And that the glorious stars of heav’n have none.”
And Sir Walter Raleigh well says, “the stars are instruments of far greater use, than to give an obscure light, and for men to gaze on after sunset;” and he quotes Plotinus as affirming that they “are significant, but not efficient;” and also Augustine as saying, “_Deus regit inferiora corpora per superiora_:” God rules the bodies below by those above. But best of all is this which another writer has expressed: “_Sapiens adjuvabit opus astrorum quemadmodum agricola terrae naturam_:” a wise man assisteth the work of the stars as the husbandman helpeth the nature of the soil.
It does not concern men who are asleep in their beds, but it is very important to the traveller, whether the moon shines brightly or is obscured. It is not easy to realize the serene joy of all the earth, when she commences to shine unobstructedly, unless you have often been abroad alone in moonlight nights. She seems to be waging continual war with the clouds in your behalf. Yet we fancy the clouds to be _her_ foes also. She comes on magnifying her dangers by her light, revealing, displaying them in all their hugeness and blackness, then suddenly casts them behind into the light concealed, and goes her way triumphant through a small space of clear sky.
In short, the moon traversing, or appearing to traverse, the small clouds which lie in her way, now obscured by them, now easily dissipating and shining through them, makes the drama of the moonlight night to all watchers and night-travellers. Sailors speak of it as the moon eating up the clouds. The traveller all alone, the moon all alone, except for his sympathy, overcoming with incessant victory whole squadrons of clouds above the forests and lakes and hills. When she is obscured he so sympathizes with her that he could whip a dog for her relief, as Indians do. When she enters on a clear field of great extent in the heavens, and shines unobstructedly, he is glad. And when she has fought her way through all the squadron of her foes, and rides majestic in a clear sky unscathed, and there are no more any obstructions in her path, he cheerfully and confidently pursues his way, and rejoices in his heart, and the cricket also seems to express joy in its song.
How insupportable would be the days, if the night with its dews and darkness did not come to restore the drooping world. As the shades begin to gather around us, our primeval instincts are aroused, and we steal forth from our lairs, like the inhabitants of the jungle, in search of those silent and brooding thoughts which are the natural prey of the intellect.
Richter says that “The earth is every day overspread with the veil of night for the same reason as the cages of birds are darkened, viz: that we may the more readily apprehend the higher harmonies of thought in the hush and quiet of darkness. Thoughts which day turns into smoke and mist, stand about us in the night as light and flames; even as the column which fluctuates above the crater of Vesuvius, in the daytime appears a pillar of cloud, but by night a pillar of fire.”
There are nights in this climate of such serene and majestic beauty, so medicinal and fertilizing to the spirit, that methinks a sensitive nature would not devote them to oblivion, and perhaps there is no man but would be better and wiser for spending them out of doors, though he should sleep all the next day to pay for it; should sleep an Endymion sleep, as the ancients expressed it,—nights which warrant the Grecian epithet ambrosial, when, as in the land of Beulah, the atmosphere is charged with dewy fragrance, and with music, and we take our repose and have our dreams awake,—when the moon, not secondary to the sun,
“gives us his blaze again, Void of its flame, and sheds a softer day. Now through the passing cloud she seems to stoop, Now up the pure cerulean rides sublime.”
Diana still hunts in the New England sky.
“In Heaven queen she is among the spheres. She, mistress-like, makes all things to be pure. Eternity in her oft change she bears; She Beauty is; by her the fair endure.
Time wears her not; she doth his chariot guide; Mortality below her orb is placed; By her lie virtues of the stars down slide; By her is Virtue’s perfect image cast.”
The Hindoos compare the moon to a saintly being who has reached the last stage of bodily existence.
Great restorer of antiquity, great enchanter. In a mild night, when the harvest or hunter’s moon shines unobstructedly, the houses in our village, whatever architect they may have had by day, acknowledge only a master. The village street is then as wild as the forest. New and old things are confounded. I know not whether I am sitting on the ruins of a wall, or on the material which is to compose a new one. Nature is an instructed and impartial teacher, spreading no crude opinions, and flattering none; she will be neither radical nor conservative. Consider the moonlight, so civil, yet so savage!
The light is more proportionate to our knowledge than that of day. It is no more dusky in ordinary nights, than our mind’s habitual atmosphere, and the moonlight is as bright as our most illuminated moments are.
“In such a night let me abroad remain Till morning breaks, and all’s confused again.”
Of what significance the light of day, if it is not the reflection of an inward dawn?—to what purpose is the veil of night withdrawn, if the morning reveals nothing to the soul? It is merely garish and glaring.
When Ossian in his address to the sun exclaims,
“Where has darkness its dwelling? Where is the cavernous home of the stars, When thou quickly followest their steps, Pursuing them like a hunter in the sky,— Thou climbing the lofty hills, They descending on barren mountains?”
who does not in his thought accompany the stars to their “cavernous home,” “descending” with them “on barren mountains?”
Nevertheless, even by night the sky is blue and not black, for we see through the shadow of the earth into the distant atmosphere of day, where the sunbeams are revelling.
THE END.