Part 31
"But not for his own women, not for the beauties of the East. Baroudi is one of the many Egyptians who go mad over the women of Europe and of the New World, who go mad over their fairness of skin, their delicate colouring and shining hair. There was a dancer at the opera house here one season--a Dane she was, all fairness, the Northern sunbeam type--"
"I know."
"He spent thousands upon her. Gave her a yacht, took her off in it to the Greek islands and Naples. Presently she wanted to marry."
"Him?"
"A merchant of Copenhagen, a very rich man. Baroudi was charming about it. The merchant came out to Cairo during the dancer's second season at the opera. Baroudi entertained him, became his friend, talked business, impressed the Dane immensely with his practical qualities, put him up to some splendid 'specs.' Result--the Dane was ruined, and went back to Copenhagen minus his fortune and--naturally--minus his lady-love."
"And what became of her?"
"I forget. Don't think I ever knew. She vanished from the opera house. But the best of it is that the Dane to this day swears by Baroudi, and thinks it was his own folly that did for him. There are much worse things than that, though. Baroudi's a man who would stick at absolutely nothing once he got the madness for a woman into his body. For instance--"
He told stories of Baroudi, stories which the Europeans of Egypt knew nothing of, but which some Egyptians knew and smiled at; one or two of them sounded very ugly to European ears.
"He's a Turco-Egyptian, you know," Starnworth said, presently, "and has the cunning that comes from the Bosphorus grafted on to the cunning that flourishes beneath the indifference of the Sphinx. We should call him a rank bad lot"--the dressing-gown and slippers manner was very much in evidence just here--"but the Turco-Egyptian has a different code from ours. I must say I admire the man. He's got so much grit in him. Worker, lover, hater--there's grit and go in each. Whichever bobs up, bobs up to win right out. But it's the madness for women that really rules the fellow's life, according to Egyptians who are near him and who know him well. And that's so with far more men of Eastern blood than you would suppose, unless you'd lived among them and knew them as I do. Arabs will literally run crazy for a fair face. So will Egyptians. And once they are dominated, they are dominated to an extent an Englishman would scarcely be able to understand. I knew an Arab of the Sahara who broke down the palm-wood door of an auberge at El-Kelf and cut the throat of the Frenchwoman who kept it, cut it while she was screaming her soul out--and only to get the few francs in the till to send to a girl in Paris he'd met at the great Exhibition. And the old Frenchwoman had befriended that man for over sixteen years, had almost brought him up from a boy, had written his letters for him to the tourists and sportsmen whose guide he was. Mahmoud Baroudi would do as much for a woman, once he'd got the madness for her into his body, but he'd do it in a more brainy way."
Starnworth talked on and on. The time of the third prayer was at hand when at last he said good-night. Turning at the door, just as he was going out, he looked at Isaacson with his light and imaginative eyes.
"A different code from ours, you see!" he murmured.
He went out and gently shut the door.
Although it was so late and Isaacson had that day arrived from a journey, he felt strongly alive, and as if no power to sleep were in him. Of course, he must go to bed, nevertheless. Slowly he began to undress, slowly and reluctantly.
And he was in Cairo, actually in Cairo! All around him in the night was Cairo, with its houses full of Egyptians sleeping, with its harims, with its mosques! Not far away was the Sphinx looking east in the sand!
He pottered about his room. He did things very slowly. Eastern life, as it had flowed from the lips of Starnworth, went before his imagination like a great and strange procession. And in this procession Mahmoud Baroudi drove Russian horses, and walked, almost like a mendicant, in a discoloured gibbeh. And then the procession stopped, and Isaacson saw the dingy cafe in the entrails of Cairo, and Mahmoud Baroudi crouched upon the floor drawing the smoke of the hashish into his nostrils.
At last Isaacson was in pajamas and ready for bed. But still his mind was terribly wide awake. The papers he had bought in the afternoon were lying upon his table. Should he read a little to compose his mind? He took up a paper--the _Morning Post_--opened it, and glanced casually over the middle page.
"Sudden death of the Earl of Harwich."
So Nigel's brother was gone, and, but for the twin boys so recently arrived, Mrs. Armine would at this moment be Countess of Harwich!
Isaacson read the paragraph quickly; then he put the paper down and opened his window. He wanted to think in the air. As he leaned out to the silent city, faintly, as if from very far off, he heard a cry that thrilled through his blood and set his pulses beating.
From a minaret a mueddin was calling the faithful to prayer, at "fegr," when the sun pushes the first ray of steel-coloured light, like the blade of a distant lance, into the breast of the East.
"Al-la-hu-akbar! Al-la-hu-ak-bar!"
XXX
Isaacson had come out to Egypt with no settled plan. The only thing he knew was that he meant to see Nigel Armine. He had not cabled or written to let Nigel know he was coming, and now that he was in Cairo he did not attempt to communicate with the _Loulia_. He would go up the Nile. He would find the marvellous boat. And one day he would stand upon a brown bank above her, he would see his friend on the deck, would hail him, would cross the gangway and walk on board. Nigel would be amazed.
And Mrs. Armine?
Many times on shipboard Isaacson had wondered what look he would surprise in the eyes of Bella Donna when he held out his hand to her. Those eyes had already defied him. They had laughed at him ironically. Once they had almost seemed to menace him. What greeting would they give him in Egypt?
That the death of Lord Harwich would recall Nigel to England he scarcely supposed. The death had been sudden. It would be impossible for Nigel to arrive for the funeral. And Isaacson knew what had been the Harwich view of the connection with Mrs. Chepstow, what Lady Harwich had thought and said of it. Zoe Harwich was very outspoken. It was improbable that Nigel's trip on the Nile would be brought to an end by his brother's death. Still, it was not impossible. Isaacson realized that, and on the following day, meeting a London acquaintance in the hotel, a man who knew everything about everybody, he spoke of the death casually, and wondered whether Armine would be leaving the Nile for England.
"Not he! Too seedy!" was the reply.
Isaacson remembered the letter he had had in London from his patient at Luxor.
"What's the matter?" he asked.
"Sunstroke, they say. He went out at midday without a hat--just the sort of thing Armine would do--went out diggin' for antiquities, and got a touch of the sun. I don't think it's serious. But there's no doubt he's damned seedy."
"D'you know where the boat is--the _Loulia_?"
"Somewhere between Luxor and Assouan, I believe. Armine and his wife are perfect turtle-doves, you know, always keep to themselves and get right away from the crowd. One never sees 'em, except by chance. She's playin' the model wife. Wonder how long it'll last!"
In his laugh there was a sound of cynical incredulity. When he had strolled away, Isaacson went round to Cook's office, and took a sleeping compartment in the express train that started for Luxor that evening. He would see the further wonders of Cairo, the Pyramids, the Sphinx, Sakkara--later, when he came down the Nile, if he had time; if not, he would not see them at all. He had not travelled from England to see sights. That was the truth. He knew it now, despite the longing that Cairo, the real Cairo of the strange, dimly-lit and brightly-tinted interiors, of the shrill and weary music, of the painted girls and the hashish smokers, and of that voice which cried aloud in the mystic hour the acclamation of the Creator--had waked in his Eastern nature to sink into the life which his ancestors knew--the life of the Eastern Jews. He knew what his real purpose had been.
Yet he left Cairo with regret. Starnworth had asked him to come on that six weeks' desert journey. He longed to do that, too. With this cessation of work, this abrupt and complete change of life, had come an almost wild desire for liberty, for adventure. This persistent worker woke to the great, stretching life outside--outside of his consulting-room, of the grey sea that ringed the powerful Island, outside of Europe, a little weary, a little over-civilized. And a voice that seemed to come from the centre of his soul clamoured for wild empires, for freedoms unutterable. It was as if the walls of his consulting-room fell with a noise of the walls of Jericho. And he looked out upon what he needed, what he had always needed, sub-consciously. But he could not take it yet.
In the train he slept but little. Early in the morning he was up and dressed. From his window he saw the sunrise, and, for the first time was moved by the hard wonder of barren hills in an Eastern land. Those hills on the left bank of the river, glowing with delicate colours, hills with dimples that looked like dimples in iron, with outlines that were cruel and yet romantic, stirred his imagination and made him again regret his life. Why had he never been here before? Why had he grown to middle age encompassed by restrictions? A man like Starnworth had a truer conception of life than he. Even now, at this moment, he was not running quite free. And then he thought of the _Loulia_. Was he not really a man in pursuit? Suppose he gave up this pursuit. No one constrained him to it. He was here with plenty of money, entirely independent. If he chose to hire a caravan, to start away for the Gold Coast, there was no one to say him nay. He could go, if he would, forgetting that in the world there were men who were sick, forgetting everything except that he was in liberty and in a land where he was at home.
And then he asked himself whether he would have the power to forget that in the world there were men who were sick. And he remembered the words in a letter and other spoken words of an acquaintance in an hotel--and he was not sure.
The Armines, when they arrived at Luxor, had walked to their villa. When Isaacson arrived he refused all frantic offers of conveyance, and set out to walk to his hotel. It was the height of the tourist season, and Luxor was a centre for travellers. They swarmed, even at this early hour, in the little town. When Isaacson reached the bank of the Nile he saw a floating wharf with a big steamer moored against it, on which Cook's tourists were promenading, breakfasting, leaning over the rail, calling to and bargaining with smiling brown people on the shore. Beyond were a smaller mail steamer and a long line of dahabeeyahs flying the Union Jack, the Stars and Stripes, flags of France, Spain, and other countries. Donkeys cantered by, bearing agitated or exultant sight-seers, and pursued by shouting donkey-boys. Against the western shore, flat and sandy, and melting into the green of crops which, in their turn, melted into the sterility that holds the ruins of Thebes, lay more dahabeeyahs, the high, tapering masts of which cut sharply the crude, unclouded blue of a sky which announced a radiant day. Already, at a little after nine, the heat was very great. Isaacson revelled in it. But he longed to take a seven-thonged whip and drive out the happy travellers. He longed to be alone with the brown children of the Nile.
On the terrace of the Winter Palace Hotel he saw at once people whom he knew. Within the bay of sand formed by its crescent stood or strolled throngs of dragomans, and as he approached, one of them, who looked compact of cunning and guile, detached himself from a group, came up to him, saluted, and said:
"Good-morning, sir. You want a dahabeeyah? I get you a very good dahabeeyah. You go on board to-day--not stay at the hotel. One night you sleep. When morning-time come, we go away from all these noisy peoples, we go 'mong the Egyptian peoples. Heeyah"--he threw out a brown hand with fingers curling backward--"heeyah peoples very vulgar, make much noise. You not at all happy heeyah, my nice gentleman!"
The rascal had read his thought.
"What's your name?"
"Hassan ben Achmed."
"I'll see you later."
Isaacson went up the steps and into the great hotel.
When he had had a bath and made his toilet, he came out into the sun. For a moment he stood upon the terrace rejoicing, soul and body, in the radiance. Then he looked down, and saw the long white teeth of Hassan displayed in a smile of temptation and understanding. Beyond those teeth was the river, to which Hassan was inviting him in silence. He looked at the tapering masts, and--he hesitated. Hassan showed more teeth.
At this moment the lady patient who had written to Isaacson from the Nile and mentioned Nigel came up with exclamations of wonder and delight, to engage all his attention. For nearly an hour he strolled from end to end of the crescent and talked with her. When at last she slowly vanished in the direction of the temple of Luxor, accompanied by a villainous-looking dragoman who was "the most intelligent, simple-minded old dear" in Upper Egypt, Isaacson, with decision, descended the steps and stood on the sand by Hassan.
"Where's that dahabeeyah you spoke about?" he said. "I'll go and have a look at her."
That evening, just before sunset he went on board the _Fatma_ as proprietor.
He had been bargaining steadily for some hours, and felt weary, though triumphant, as he stood upon the upper deck, with Hassan in attendance, while the crew poled off from the bank into the golden river. Despite the earnest solicitations of the lady patient and various acquaintances staying in Luxor, he had given the order to remove to the western bank of the Nile. There he could be at peace.
Friends of his cried out adieux from the road in front of the shops and the great hotel. Unknown donkey-boys saluted. Tourists stood at gaze. He answered and looked back. But already a new feeling was stealing over him; already he was forgetting the turmoil of Luxor. The Reis stood on the raised platform in the stern, still as a figure of bronze, with the gigantic helm in his hand. The huge sail hung limp from the mast. Then there came a puff of wind. Slowly the shore receded. Slowly the _Fatma_ crept over the wrinkled gold of the river towards the unwrinkled gold of the west. And Isaacson stood there, alone among his Egyptians, and saw his first sunset on the Nile. Over the gold from Thebes came boats going to the place he had left. And the boatmen sang the deep and drowsy chant that set the time for the oars. Mrs. Armine had often heard it. Now Isaacson heard it, and he thought of the beating pulse in a certain symphony to which he had listened with Nigel, and of the beating pulse of life; and he thought, too, of the destinies of men that often seem so fatal. And he sank down in the magical wonder of this old and golden world.
"Don't tie up near any other dahabeeyah."
"No, gentlemans," said Hassan.
Again the crew got out their poles. Two men stripped, went overboard with a rope, and, running along the shore, towed the _Fatma_ up stream against the tide till she came to a lonely place where two men were vehemently working a shaduf. There they tied up for the night.
The gold was fading. Less brilliant, but deeper now, was the dream of river and shore, of the groves of palms and the mountains. Here and there, far off, a window, touched by a dying ray of light, glittered out of the softened dusk. Isaacson leaned over the rail. This evening, after his long months of perpetual work in a house in London, deprived of all real light, he felt like a man taken by the hand and led into Heaven. Behind him the naked fellahin, unmindful of his presence, cried aloud in the fading gold.
For a long while he stood there without moving. His eyes were attracted, were held, by a white house across the water. It stood alone, and the river flowed in a delicate curve before it by a low tangle of trees or bushes. The windows of this house gleamed fiercely as restless jewels. At last he lifted himself up from the rail.
"Who lives in that house?" he asked of Hassan.
"An English lord, sah. My Lord Arminigel."
"What house is it? What's the name?"
"The Villa Androud, my kind gentlemans."
"The Villa Androud!"
So that was where Armine had gone for his honeymoon with Bella Donna! The windows glittered like the jewels many men had given to her.
Night fell. The song of the fellahin failed. The stars came out. Just where the _Loulia_ had lain the _Fatma_ lay. And under the stars, on deck, Isaacson dined alone. To-morrow at dawn he would start on his voyage up river. He would follow where the _Loulia_ had gone. When dinner was finished, he sent Hassan away, and strolled about on the deck smoking his cigar. Through the tender darkness of the exquisite night the lights of Luxor shone, and from somewhere below them came a faint but barbaric sound of native music.
To-morrow he would follow where the _Loulia_ had gone.
The lady patient that morning had been very communicative. One of her chief joys in life was gossip. Her joy in gossip was second only to her joy in poor health. And she had told her beloved doctor "all the news." The news of the Armine _menage_ was that Nigel Armine had got sunstroke in Thebes and been "too ill for words," and that the _Loulia_, after a short stay near Luxor, had gone on up the Nile, and was now supposed to be not far from the temple of Edfou. Not a soul had been able to explore the marvellous boat. Only a young American doctor, very susceptible indeed to female charm, had been permitted to set foot on her decks. He had diagnosed "sunstroke," had prescribed for Nigel Armine, and had come away "positively raving" about Mrs. Armine--"silly fellow." Isaacson would have liked a word with him, but he had gone to Assouan.
On the lower deck the boatmen began to sing.
Isaacson paced to and fro. The gentle and monotonous exercise, now accompanied by monotonous though ungentle music, seemed to assist the movement of his thought. When he left the garrulous lady patient, he might have gone to the post-office and telegraphed to the _Loulia_. It was possible to telegraph to Edfou. Since he intended to leave Luxor and sail up the Nile, surely the natural thing to do was to let his friend know of his coming. Why had he not done the natural thing? Some instinct had advised him against the completely straightforward action. If Nigel had been alone on the _Loulia_ the telegram would have been sent. That Isaacson knew. But Nigel was not alone. A spy was with him, she who had come to spy out the land when she had come to Cleveland Square. Perhaps it was very absurd, but the remembrance of Bella Donna prevented Isaacson now from announcing his presence on the Nile. He was resolved to come to her as she had once come to him. She had appeared in Cleveland Square carrying her secret reason with her. He would appear in the shadow of the temple of Horus. And his secret reason? Perhaps he had none. He was a man who was often led by instinct.
And he trusted very much in his instinctive mistrust of Bella Donna.
The _Fatma_ was no marvellous boat like the _Loulia_. She was small, poorly furnished, devoid of luxury, and not even very comfortable! That night Isaacson lay on a mattress so thin that he felt the board beneath it. The water gurgled close to him against the vessel's side. It seemed to have several voices, which were holding secret converse together in the great stillness of the night. For long he lay awake in the darkness. How different this darkness seemed from that other darkness of London! He thought of the great temples so near him, of the tombs of the Kings, of all those wonders to see which men travelled from the ends of the earth. And he was sailing at dawn, he who had seen nothing! It seemed a mad thing to do. His friends had been openly amazed when he had been forced to tell them of his immediate departure. And he wanted, he longed, to see the wonders that were so near him in the night; Karnak with its pylons, its halls, its statues; the Colossi sitting side by side in their plain, with the springing crops about their feet; the fallen King in the Ramesseum, and that sad King who gazes for ever into the void beneath the mountain.
He longed to see these things, and many others that were near him in the night.
But he longed still more to look for a moment into the eyes of a woman, to take the hand and gaze at the face of a man. And he was glad when, at dawn, he heard the movement of naked feet and the murmur of voices above his head, when, presently, the dahabeeyah shivered and swayed, and the Nile water spoke in a new and more ardent way as it held her in its embrace.
He was glad, for he knew he was going towards Edfou.
XXXI
Upon a hard and habitual worker an unexpected holiday sometimes has a weakening rather than a strengthening effect, in the first days of it. Later may come from it vitality and a renewal of energy. Just at first there steals over the worker a curious lassitude. Parts of him seem to lie down and sleep. Other parts of him are dreaming.
So it was now with Meyer Isaacson.