Part 7

"You think that papa seems so well, Renie? At breakfast this morning he looked so bad underneath his eyes."

Rena yawned in her rocking-chair and rustled the morning paper. The horrific caprice of her pores had long since succumbed to the West End balm of Wasserman Avenue. No rajah's seventh daughter of a seventh daughter had cheeks more delicately golden--that fine tinge which is like the glory of sunlight.

"Now begin, mamma, to find something to worry about! For two months he hasn't had a heart spell."

Mrs. Shongut drew a thin-veined hand across her brow. Her narrow shoulders, which were never held straight, dropped even lower, as though from pressure.

"He don't say much, but I know he worries enough about that second payment coming due in July and only a month and a half off. I tell you I knew what I was talking about when I never wanted him to buy out the Mound City. I was the one who said we was doing better in little business."

"Now begin, mamma!"

"I told him he couldn't count on Izzy to stay down in the business with him. I told him Izzy wouldn't spoil his white hands by helping his papa in business."

"I suppose, mamma, you think Izzy should have stayed down with papa when he could get that job with Uncle Isadore."

"You know why your Uncle Isadore took Izzy? Because to a strange bookkeeper he has to pay more. Your Uncle Isadore is my own brother, Renie, but I tell you he 'ain't never acted like it."

"That's what I say. What have we got rich relatives with a banking-house for, if Izzy can't start there instead of in papa's little business?"

"Ya, ya! What your Uncle Isadore does for Izzy wait and see. For his own sister he never done nothing, and for his own sister's son he don't do nothing, neither. You seen for yourself, if it was not for Aunt Becky begging him nearly on her knees, how he would have treated us that time with the mortgage. Better, I say, Izzy should stay with his papa in business or get out West like he wants, and where he can't keep such fine white hands to gamble with."

Miss Shongut slanted deeper until her slim body was a direct hypotenuse to the chair. "Honest, mamma, it's a shame the way you look for trouble, and the way you and papa pick on that boy."

"Pick! When a boy gambles the roulette and the cards and the horses until--"

"When a boy likes cards and horses and roulette it isn't so nice, I know, mamma; but it don't need to mean he's a born gambler, does it? Boys have got to sow their wild oats."

"Ya, ya! Wild oats! A boy that gambles away his last cent when he knows just the least bit of excitement his father can't stand! Izzy knows how it goes against his father when he plays. Ya, ya! I don't need to look for trouble; I got it. Your papa, with his heart trouble, is enough by itself."

"Well, we're all careful, ain't we, mamma? Did I even holler the other night when I thought I heard a burglar in the dining-room?"

"Ya! How I worry about the things you should know." Mrs. Shongut flung wide the windows and pinned back the lace curtains, so that the spring air, cool as water, flowed in.

Her daughter sprang to her feet and drew her filmy wrapper closer about her. "Mamma, the Solingers don't need to look right in on us from their dining-room."

"Say, I 'ain't got no time to be stylish for the neighbors. On wash-day I got my housework to do. Honest, Renie, do you think, instead of laying round, it would hurt you to go back and make the beds awhile? Do you think a girl like you ought to got to be told, on wash-day and with Lizzie in the laundry, to help a little with the housework? Do you think, Renie, it's nice? I ask you."

"It's early yet, mamma; the housework will keep."

"Early yet, she says! On Monday, with my girl in the laundry and you with five shirtwaists in the wash, it's early, she says! Your mother ain't too lazy to start now, lemme tell you. Get them Kingston Place ideas out of your head, Renie. Remember we don't do nothing but look out on their fine white garages; remember business ain't so grand with your papa, neither."

"Now begin that, mamma! I know it all by heart."

"I ain't beginning nothing, Renie; but, believe me, it ain't so nice for a girl to have to be told everything. How that little Jeannie Lissman, next door, helps her mother already, it's a pleasure to see. I--"

"You've told me about her before, mamma."

Mrs. Shongut flung a sheet across the upright piano.

"Gimme the broom, mamma. I'll sweep."

"Sweep I never said you need to do. It's bad enough I got to spoil my hands. Go back and wake Izzy up and make the beds."

"Aw, mamma, let him sleep. He don't have to be down until nine."

"Nine o'clock nowadays young men have got to work! Up to five years ago every morning at dark your papa was down-town to see the poultry come in, and now at eight o'clock my son can't be woke up to go to work. Honest, I tell you times is changed!"

"Mamma, the way you pick on that boy!"

Mrs. Shongut folded both hands atop her broom in a solemn and hieratic gesture; her face was full of lines, as though time had autographed it many times over in a fine hand.

"Can you blame me? Can you blame me that I worry about that boy, with his wild ways? That a boy like him should gamble away every cent of his salary, except when he wins a little and buys us such nonsenses as bracelets! That a boy who learnt bookkeeping in an expensive business school, and knows that with his papa business ain't so good, shouldn't offer to pay out of his salary a little board! I tell you, Renie, as he goes now, it can't lead to no good; sometimes I would do almost anything to get him out West. Not a cent does he offer to--"

"He only makes--"

"You know, Renie, how little I want his money; but that he shouldn't offer to help out at home a little--that every cent on cards and clothes he should spend! I ask you, is it any reason him and his papa got scenes together until for the neighbors I'm ashamed, and for papa's heart so afraid? That a fine boy like our Izzy should run so wild!"

Tears lay close to the surface of her voice, and she created a sudden flurry of dust, sweeping with short, swift strokes.

"Izzy's not so worse! Give me a boy like Izzy any time, to a mollycoddle. He's just throwing off steam now."

"Just take up with your wild brother against your old parents! Your papa's a young man, with no heart trouble and lots of money; he can afford to have a card-playing son what has to have second breakfast alone every morning! Just you side with your brother!"

Miss Shongut side-stepped the furniture, which in the panicky confusion of sweeping was huddled toward the center of the room, and through a cloud of dust to the door.

"Every time I open my mouth in this family I put my foot in it. I should worry about what isn't my business!"

"Well, one thing I can say, me and papa never need to reproach ourselves that we 'ain't done the right thing by our children."

"Clean sheets, mamma?"

"Yes; and don't muss up the linen-shelfs."

Her daughter flitted down a narrow aisle of hallway; from the shoulders her thin, flowing sleeves floated backward, filmy, white.

Mrs. Shongut flung open the screen door and swept a pile of webby dust to the porch and then off on the patch of grass.

Thin spring sunshine lay warm along the neat terraces of Wasserman Avenue. Windows were flung wide to the fresh kiss of spring; pillows, comforters, and rugs draped across their sills. Across the street a negro, with an old gunny-sack tied apron-fashion about his loins, turned a garden hose on a stretch of asphalt and swept away the flood with his broom. A woman, whose hair caught the sunlight like copper, avoided the flood and tilted a perambulator on its two rear wheels down the wooden steps of her veranda.

Across the dividing rail of the Shonguts' porch a child with a strap of school-books flung over one shoulder ran down the soft terrace, and a woman emerged after her to the topmost step of the veranda, holding her checked apron up about her waist and shielding her eyes with one hand.

"Jeannie! Jean-nie!"

"Yes'm."

"Watch out for the street-car crossing, Jeannie."

"Yes'm."

"Jean-nie!"

"What?"

"Be sure!"

"Yeh."

"Good morning, Mrs. Shongut."

"Good morning, Mrs. Lissman. Looks like spring!"

"Ain't it so? I say to Mr. Lissman this morning, before he went down-town, that he should bring home some grass seed to-night."

"Ya, ya! Before you know it now, we got hot summer after such a late spring."

"I say to my Roscoe that after school to-day he should bring up the rubber-plant out of the cellar."

"That's right; use 'em while they're young, Mrs. Lissman. When they grow up it's different."

"Mrs. Shongut, you should talk! Only last night I says to my husband, I says, when I seen Miss Renie pass by, 'Such a pretty girl!' I tell you, Mrs. Shongut, such a pretty girl and such a fine-looking boy you can be proud of."

"Ach, Mrs. Lissman, you think so?"

"There ain't one on the street any prettier than Miss Renie. 'I tell you, if my Roscoe was ten years older she could have him,' I says to my husband."

Mrs. Shongut leaned forward on her broom-handle. "If I say so myself, Mrs. Lissman, I got good reasons to have pleasure out of my children. I guess you heard, Mrs. Lissman, what a grand position my Izzy has got with his uncle, of the Isadore Flexner Banking-house. Bookkeeping in a banking-house, Mrs. Lissman, for a boy like Izzy!"

"I tell you, Mrs. Shongut, if you got rich relations it's a help."

"How grand my brother has done for himself, Mrs. Lissman! Such a house he has built on Kingston Place! Such a home! You can see for yourself, Mrs. Lissman, how his wife and daughters drive up sometimes in their automobile."

"I'm surprised they don't come more often, Mrs. Shongut; your Renie and them girls, I guess, are grand friends."

"Ya; and to be in that banking-house is a grand start for my boy. I always say it can lead to almost anything. Only I tell him he shouldn't let fine company make him wild."

"Ach, boys will be boys, Mrs. Shongut. Even now it ain't so easy for me to get make my Roscoe to come in off his roller-skates at night. My Jeannie I can make mind; but I tell her when she is old enough to have beaus, then our troubles begin with her."

Mrs. Shongut's voice dropped into her throat in the guise of a whisper. "Some time, Mrs. Lissman, when my Renie ain't home, I want you should come over and I read you some of the letters that girl gets from young men. So mad she always gets at me if she knows I talk about them."

"Mrs. Shongut, you'll laugh when I tell you; but already in the school my Jeannie gets little notes what the little boys write to her. Mad it makes me like anything; but what can you do when you got a pretty girl?"

"A young man in Peoria, Mrs. Lissman, such beautiful letters he writes Renie, never in my life did I read. Such language, Mrs. Lissman; just like out of a song-book! Not a time my Renie goes out that I don't go right to her desk to read 'em--that's how beautiful he writes. In Green Springs she met him."

"Ain't it a pleasure, Mrs. Shongut, to have grand letters like that? Even with my little Jeannie, though it makes me so mad, still I--"

"But do you think my Renie will have any of them? 'Not,' she says, 'if they was lined in gold.'"

"I guess she got plenty beaus. Say, I ain't so blind that I don't see Sollie Spitz on your porch every--"

"Sollie Spitz! Ach, Mrs. Lissman, believe me, there's nothing to that! My Renie since a little child likes reading and writing like he does. I tell her papa we made a mistake not to keep her in school like she wanted."

"My Jeannie--"

"She loves learning, that girl. Under her pillow yesterday I found a book of verses about flowers. Where she gets such a mind, Mrs. Lissman, I don't know. But Sollie Spitz! Say, we don't want no poets in the family."

"I should say not! But I guess she gets all the good chances she wants."

"And more. A young man from Cincinnati--if I tell you his name, right away you know him--twice her papa brought him out to supper after they had business down-town together--only twice; and now every week he sends her five pounds--"

"Just think!"

"And such roses, Mrs. Lissman! You seen for yourself when I sent you one the other day. Right in his own hothouse he grows 'em, Mrs. Lissman."

"Just think!"

"If I tell you his name, Mrs. Lissman, right away you know his firm. In Cincinnati they say he's got the finest house up on the hill--musical chairs, that play when you sit on 'em. Twice every week he sends her--"

"Grand!"

"'I tell you,' I says to her papa, 'her cousins over in Kingston Place got tickets to take the young men to theaters with and automobiles to ride them round in; but, if I say so myself, not one of them has better chances than my Renie, right here in our little flat.'"

Mrs. Lissman folded her arms in a shelf across her bosom and leaned her ample uncorseted figure against the railing. "I give you right, Mrs. Shongut. Look at Jeannette Bamberger, over on Kingston; every night when me and Mr. Lissman used to walk past last summer, right on her grand front porch that girl sat alone, like she was glued."

"I know."

"Then look at Birdie Schimm, across the street. Her mother a poor widow who keeps a roomer, and look how her girl did for herself! Down at Rindley's this morning nothing was fine enough for that Birdie to buy for her table. I tell you, Mrs. Shongut, money ain't everything in this world."

"I always tell Renie she can take her place with the best of them."

"Washing?"

"An hour already my Lizzie has been down in the laundry."

"Half a day I take Addie to help with the ironing."

"You should watch her, Mrs. Lissman; she steals soap."

"They're all alike."

"Ah, the mailman. Always in my family no one gets letters but my Renie. Look, Mrs. Lissman! What did I tell you? Another one from Cincinnati. Renie! Renie!" Mrs. Shongut bustled indoors, leaving her broom indolent against the porch pillar. "Renie!"

"Yes, mamma."

"Letter!" Feet hurrying down the hall. "Letter from Cincinnati, Renie."

"Mamma, do you have to read the postmarks off my letters? I can read my own mail without any help."

"How she sasses her mother! Say, for my part, I should worry if you get letters or not. A girl that is afraid to give her mother a little pleasure!"

Mrs. Shongut made a great show of dragging the room's furniture back into place; unpinning the lace curtains and draping them carefully in their folds; drawing chairs across the carpet until the casters squealed; uncovering the piano. At the business of dusting the mantelpiece she lingered, stealing furtive glances through its mirror.

Miss Shongut ripped open the letter with a hairpin and curled her supple figure in a roomy curve of the divan. Her hair, unloosened, fell in a thick, black cascade down her back.

Mrs. Shongut redusted the mantel, raising each piece of bric-a-brac carefully; ran her cloth across the piano keys, giving out a discord; straightened the piano cover; repolished the mantelpiece mirror.

Her daughter read, blew the envelope open at its ripped end and inserted the letter. Her eyes, gray as dawn, met her mother's.

"Well, Renie, is--is he well?"

Silence.

"You're afraid, I guess, it gives me a little pleasure if I know what he has to say. A girl gets a letter from a man like Max Hochenheimer, of Cincinnati, and sits like a funeral!"

Rena unfolded herself from the divan and slid to her feet, slim as a sibyl.

"I knew it!"

"Knew what?"

"He's coming!"

"Coming? What?"

"He left Cincinnati last night and gets here this morning."

"This morning!"

"He comes on business, he says. And at five o'clock he stops in at the store and comes home to supper with papa."

"Supper--and a regular wash-day meal I got! Tongue sweet-sour, and red cabbage! Renie, get on your things and--"

"Honest, if it wasn't too late I would telegraph him I ain't home."

"Get on your things, Renie, and go right down to Rindley's for a roast. If you telephone they don't give you weight. This afternoon I go myself for the vegetables." Excitement purred in Mrs. Shongut's voice. "Hurry, Renie!"

"I'll get Izzy to take me out to supper and to a show."

"Get on your things, I say, Renie. I'll call Lizzie up-stairs too; we don't need no wash-day, with company for supper. Honest, excited like a chicken I get. Hurry, Renie!"

Miss Shongut stood quiescent, however, gazing through the lace curtains at the sun-lashed terrace, still soft from the ravages of winter and only faintly green. A flush spread to the tips of her delicate ears.

"Izzy's got to take me out to supper and a show. I won't stay home."

"Renie, you lost your mind? You! A young man like Max Hochenheimer begins to pay you attentions in earnest--a man that could have any girl in this town he snaps his finger for--a young man what your stuck-up cousins over on Kingston would grab at! You--you--Ach, to a man like Max Hochenheimer, of Cincinnati, she wants to say she ain't home yet!"

"Him! An old fatty like him! Izzy calls him Old Squash! Izzy says he's the only live Cartoon in captivity."

"Izzy--always Izzy! Believe me, your brother could do better than layin' in bed at eight o'clock in the morning, to copy after Max Hochenheimer."

"Always running down Izzy! Money ain't everything. I--I like other things in a man besides money--always money."

"Believe me, he has plenty besides money, has Max Hochenheimer. He 'ain't got no time maybe for silk socks and pressed pants, but for a fine good man your papa says he 'ain't got no equal. Your brother Izzy, I tell you, could do well to mock after Max Hochenheimer--a man what made hisself; a man what built up for hisself in Cincinnati a business in country sausages that is known all over the world."

"Country sausages!"

"No; he 'ain't got no time for rhymes like that long-haired Sollie Spitz, that ain't worth his house-room and sits until by the nightshirt I got to hold papa back from going out and telling him we 'ain't got no hotel! Max Hochenheimer is a man what's in a legitimate business."

"Please, mamma, keep quiet about him. I don't care if he--"

"I tell you the poultry and the sausage business maybe ain't up to your fine ideas; but believe me, the poultry business will keep you in shoes and stockings when in the poetry business you can go barefoot."

"All right, mamma; I won't argue."

"Your papa has had enough business with Max Hochenheimer to know what kind of a man he is and what kind of a firm. Such a grand man to deal with, papa says. Plain as a old shoe--just like he was a salesman instead of the president of his firm. A poor boy he started, and now such a house they say he built for his mother in Avondale on the hill! Squashy! I only wish for a month our Izzy had his income."

"I wouldn't marry him if--"

"Don't be so quick with yourself, missy. Just because he comes here on a day's business and then comes out to supper with papa don't mean so much."

"Don't it? Well, then, if you know more about what's in this letter than I do, I've got no more to say."

Mrs. Shongut sat down as though the power to stand had suddenly deserted her limbs. "What--what do you mean, Renie?"

"I'm not so dumb that I--I don't know what a fellow means by a letter like this."

"Renie!" The lines seemed to fade out of Mrs. Shongut's face, softening it. "Renie! My little Renie!"

"You don't need to my-little-Renie me, mamma; I--"

"Renie, I can't believe it--that such luck should come to us. A man like Max Hochenheimer, of Cincinnati, who can give her the greatest happiness, comes for our little girl--"

"I--"

"Always like me and papa had to struggle, Renie, in money matters you won't have to. I tell you, Renie, nothing makes a woman old so soon. Like a queen you can sit back in your automobile. Always a man what's good to his mother, like Max Hochenheimer, makes, too, a grand husband. I want, Renie, to see your Aunt Becky's and your cousins' faces at the reception. Renie--I--"

"Mamma, you talk like--Oh, you make me so mad."

"Musical chairs they got in the house, Renie, what, as soon as you sit on, begin to play. Mrs. Schwartz herself sat on one; and the harder you sit, she says, the louder it plays. Automobiles; a elevator for his mother! I--Ach, Renie, I--I feel like all our troubles are over. I-- Ach, Renie, you should know how it feels to be a mother."

Tears rained frankly down Mrs. Shongut's face and she smiled through their mist, and her outstretched arms would tremble.

"Renie, come to mamma!"

Miss Shongut, quivering, drew herself beyond their reach. "Such talk! Honest, mamma, you--you make me ashamed, and mad like anything, too. I wouldn't marry a little old squashy fellow like him if he was worth the mint."

"Renie! Re-nie!"

"An old fellow, just because he's got money and--"

"Old! Max Hochenheimer ain't more than in his first thirties, and old she calls him! When a man makes hisself by hard work he 'ain't got time to keep young, with silk socks and creased pants, and hair-tonic what smells up my house a hour after Izzy's been gone. It ain't the color of a man's vest, Renie--it's the color of his heart, underneath it. When papa was a young man, do you think, if I had looked at the cigar ashes on his vest instead of at what was underneath, that I--"

"That talk's no use with me, mamma."

"Renie; you--you wouldn't do it--you wouldn't refuse him?"

Her reply leaped out suddenly, full of fire: "It's not me or my feelings you care anything about. Every one but me you think about first. What about me? What about me? I'm the one that's got to do the marrying and live with him. I'm the one you're trying to sell off like I was cattle. I'm the one! I'm the one!"

"Renie!"

"Yes; sell me off--sell me off--like cattle!"