Part 9

"Adolph, you mustn't! All people don't like it when you make fun. Mr. Hochenheimer, you must excuse my husband; a great one he is to tease and make his little fun."

Mr. Shongut's ancient-looking face, covered with a short, grizzled growth of beard and pale as a prophet's beneath, broke into a smile, and a minute network of lines sprang out from the corners of his eyes.

"I was bashful in my life once, too--eh, mamma?"

"Papa!"

"Please, you must excuse my husband, Mr. Hochenheimer; he likes to have his little jokes."

Mr. Hochenheimer pushed away his plate in high embarrassment; nor would his eyes meet Miss Shongut's, except to flash away under cover of exaggerated imperturbability.

"My husband's a great one to tease, Mr. Hochenheimer. My Izzy too, takes after him. I'm sorry that boy ain't home, so you could meet him again. We call him the dude of the family. Renie, pass Mr. Hochenheimer the toothpicks."

A pair of deep-lined brackets sprang out round Mr. Shongut's mouth. "Why ain't that boy home for supper, where he belongs?"

"Ach, now, Adolph, don't get excited right away. Always, Mr. Hochenheimer, my husband gets excited over nothing, when he knows how it hurts his heart. Like that boy ain't old enough to stay out to supper when he wants, Adolph! 'Sh-h-h!"

Mrs. Shongut smiled to conceal that her heart was faint, and the saga of a mother might have been written round that smile.

"Now, now, Adolph, don't you begin to worry."

"I tell you, Shongut, it's a mistake to worry. I save all my excitement for the good things in life."

"See, Adolph; from a young man like Mr. Hochenheimer you can get pointers."

"I tell you, Shongut, over such a nice little home and such a nice little family as you got I might get excited; but over the little things that don't count for much I 'ain't got time."

Mrs. Shongut waved a deprecatory hand. "It's a nice enough little home for us, Mr. Hochenheimer, but with a grand house like I hear you built for your mother up on the stylish hilltop in Cincinnati, I guess to you it seems right plain."

"That's where you're wrong, Mrs. Shongut. Like I says to Shongut coming out on the street-car with him to-night, if it hadn't been that I thought maybe my mother would like a little fanciness after a hard life like hers, for my own part a little house and a big garden is all I ask for."

"Ach, Mr. Hochenheimer, with such a grand house like that is--sunk-in baths Mrs. Schwartz says you got! To see a house like that, I tell you it must be a treat."

"It's a fine place, Mrs. Shongut, but too big for me and my mother. When I got into the hands of architects, let me tell you, I feel I was lucky to get off with only twenty-five rooms. Right now, Mrs. Shongut, we got rooms we don't know how to pronounce."

"Twenty-five rooms! Did you hear that, Adolph? Twenty-five rooms! I bet, Mr. Hochenheimer, your mother is proud of such a son as can give her twenty-five rooms."

"We don't say much about it to each other, my mother and me; but--you can believe me or not--in our big, stylish house up there on the hill, with her servants to take away from her all the pleasure of work and her market and old friends down on Richmond Street yet, and nothing but gold furniture round her, she gets lonesome enough. If it wasn't for my garden and the beautiful scenery from my terraces, I would wish myself back in our little down-town house more than once, too. I tell you, Mrs. Shongut, fineness ain't everything."

"You should bring your mother some time to Mound City with you when you come over on business, Mr. Hochenheimer. We would do our best to make it pleasant for her."

"She's an old woman, Mrs. Shongut, and in a train or an automobile I can't get her. I guess it would be better, Mrs. Shongut, if I carry off some of your family with me to Cincinnati."

And, to belie that his words had any glittering import, he lay back in his chair in a state of silent laughter, which set his soft-fleshed cheeks aquiver; and his blue eyes, so ready yet so reluctant, disappeared behind a tight squint.

"Adolph, I guess Mr. Hochenheimer will excuse us--eh? Renie, you can entertain Mr. Hochenheimer while me and papa go and spend the evening over at Aunt Meena's. Mr. Shongut's sister, Mr. Hochenheimer, 'ain't been so well. Anyways, I always say young folks 'ain't got no time for old ones."

"You go right ahead along, Mrs. Shongut. Don't treat me like company. I hope Miss Renie don't mind if I spend the evening?"

"I should say not."

"Hochenheimer, a cigar?"

"Thanks; I don't smoke."

"My husband, with his heart trouble, shouldn't smoke, neither, Mr. Hochenheimer; it worries me enough. What me and the doctors tell him goes in one ear and out of the other."

"See, Hochenheimer, when you get a wife how henpecked you get!"

"A henpeck never drew much blood, Shongut."

"Come, Adolph; it is a long car-ride to Meena's."

They pushed back from the table, the four of them, smiling-lipped. With his short-fingered, hairy-backed hands Mr. Hochenheimer dusted at his coat lapels, then shook his bulging trousers knees into place.

The lamp of inner sanctity burns in strange temples. A carpenter in haircloth shirt first turned men's hearts outward. Who can know, who does not first cross the plain of the guide with gold, that behind the moldy panels at Ara Coeli reigns the jeweled bambino, robed in the glittering gems of sacrifice?

Who could know, as Mr. Hochenheimer stood there in the curtailed dignity of his five feet five, that behind his speckled and slightly rotund waistcoat a choir sang of love, and that the white flame of his spirit burned high?

"I tell you, Mrs. Shongut, it is a pleasure to be invited out to your house. You should know how this old bachelor hates hotels."

"And you should know how welcome you always are, Mr. Hochenheimer. To-morrow night you take supper with us too. We don't take 'no'--eh, Adolph? Renie?"

"I appreciate that, Mrs. Shongut; but I--I don't know yet--if--if I stay over."

Mr. Shongut batted a playful hand and shuffled toward the door. "You stay, Hochenheimer! I bet you a good cigar you stay. Ain't I right, Renie, that he stays? Ain't I right?"

Against the sideboard, fingering her white dress, Miss Shongut regarded her parents, and her smile was as wan as moonlight.

"Ain't I right, Renie?"

"Yes, papa."

* * * * *

On the bit of porch, the hall light carefully lowered and cushions from within spread at their feet, the dreamy quiet of evening and air as soft as milk flowed round and closed in about Miss Shongut and Mr. Hochenheimer.

They drew their rocking-chairs arm to arm, so that, behind a bit of climbing moonflower vine, they were as snug as in a bower. Stars shone over the roofs of the houses opposite; the shouts of children had died down; crickets whirred.

"Is the light from that street lamp in your eyes, Renie?"

"No, no."

The wooden floor reverberated as they rocked. A little thrill of breeze fluttered her filmy shoulder scarf against his hand. To his fermenting fancy it was as though her spirit had flitted out of the flesh.

"Ah, Miss Renie, I--I--"

"What, Mr. Hochenheimer?"

"Nothing. Your--your little shawl, it tickled my hand so."

She leaned her elbow on the arm of her chair and cupped her chin in her palm. Her eyes had a peculiar value--like a mill-pond, when the wheel is still, reflects the stars in calm and unchurned quiet.

"You look just like a little princess to-night, Miss Renie--that pretty shawl and your eyes so bright."

"A princess!"

"Yes; if I had a tin suit and a sword to match I'd ride up on a horse and carry you off to my castle in Cincinnati."

"Say, wouldn't it be a treat for Wasserman Avenue to see me go loping off like that!"

"This is the first little visit we've ever had together all by ourselves, ain't it, Miss Renie? Seems like, to a bashful fellow like me, you was always slipping away from me."

"The flowers and the candies you kept sending me were grand, Mr. Hochenheimer--and the letter--to-day."

"You read the letter, Miss Renie?"

"Yes, I--I--You shouldn't keep spoiling me with such grand flowers and candy, Mr. Hochenheimer."

"If tell you that never in my life I sent flowers or candy, or wrote a letter like I wrote you yesterday, to another young lady, I guess you laugh at me--not, Miss Renie?"

"You shouldn't begin, Mr. Hochenheimer, by spoiling me."

"Ah, Miss Renie, if you knew how I like to spoil you, if you would let me--Ach, what's the use? I--I can't say it like I want." She could hear him breathing. "It--it's a grand night, Miss Renie."

"Yes."

"Grand!"

"And look over those roofs! It seems like there's a million stars shining, don't it?"

"You're like me, Miss Renie; so many times I've noticed it. Nothing is so grand to me as nature, neither."

"Up at Green Springs, in the Ozarks, where we went for ten days last summer, honest, Mr. Hochenheimer, I used to lie looking out the window all night. The stars up there shone so close it seemed like you could nearly touch them."

"Ain't that wonderful, Miss Renie, you should be just like me again!" She smiled in the dark. "When I was a boy always next to the attic window I liked to sleep. When I built my house, Miss Renie, the first thing after I designed my rose-garden I drew up for myself a sleeping-garden on my roof. The architects fussed enough about spoiling the roof-line, but that's one of the things I wanted which I stood pat for and got--my sleeping-garden."

"Sleeping-garden!"

"Miss Renie, I just wish you could see it--all laid out in roses in summer, and a screened-in pergola, where I sleep, right underneath the stars and roses. I sleep so close to heaven I always say I can smell it."

She turned her little face, white as a spray of jasmine against a dark background of night, toward him. "Underneath a pergola of roses! I guess it's the roses you must smell. How grand!"

"Sometimes when--if you come to Cincinnati I want to show you my place, Miss Renie. If I say so myself, I got a wonderful garden; flowers I can show you grown from clippings from every part of the world. If I do say so, for a sausage-maker who never went to school two years in his life it ain't so bad. I got a lily-pond, Miss Renie, they come from all over to see. By myself I designed it."

"It must be grand, Mr. Hochenheimer."

"On Sunday, Miss Renie, I like for my boys and girls from the factory to come up to my place and make themselves at home. You should see my old mother how she fixes for them! I wish you could see them boys and girls, and old men and women. In a sausage-factory they don't get much time to listen to birds and water when it falls into a fountain. I wish, Miss Renie, you could see them with the flowers. I--well, I don't know how to say it; but I wish you could see them for yourself."

"They like it?"

"Like it! I tell you it's the greatest pleasure I get out of my place. I wish, instead of my fine house, the city would let me build my factory for them right in the garden."

"On such a stylish street they wouldn't ever let you, Mr. Hochenheimer."

"Me and my mother ain't much for style, Miss Renie. Honest, you'd be surprised, but with my fine house I don't even keep an automobile. My mother, she's old, Miss Renie, and won't go in one. Alone it ain't no pleasure; and when I don't walk down to my factory the street-cars is good enough."

"You should take it easier, Mr. Hochenheimer."

"All our lives, Miss Renie, we've been so busy, my mother and me, I tell her we got to be learnt--like children got to be learnt to walk--how to enjoy ourselves. We--we need somebody young--somebody like you in the house, Miss Renie--young and so pretty, and full of life, and--and so sweet."

She gave a gauzy laugh. "Honest, it must seem like a dream to have a rose-garden right on the place you live."

"I wish you could see, Miss Renie, a new Killarney my gardener showed me in the hothouse yesterday before I left--white-and-pink blend; he got the clipping from Jamaica. It's a pale pink in the heart like the first minute when the sun rises; and then it gets pinker and pinker toward the outside petals, till it just bursts out as red as the sun when it's ready to set."

"And those beautiful little tan roses you sent me, Mr. Hochenheimer; I--"

"Ah, Miss Renie, the clipping from those sunset roses comes from Italy; but now I call them Renie Roses, if--if you'll excuse me. I tell you, Miss Renie, you look just enough like 'em to be related. Little satiny gold-looking roses, with a pink blush on the inside of the petals and a--a few little soft thorns on the stem."

"Aw, Mr. Hochenheimer, I ain't got thorns."

Out from the velvet shadows his face came closer. "It's thorns to me, Miss Renie, because you're so pretty and sweet, and--and seem so far away from a--plain fellow like me."

"I--"

"I'm a plain man, Miss Renie, and I don't know how to talk much about the things I feel inside of me; but--but I _feel_, all-righty."

"Looks ain't everything."

"I tell you, Miss Renie, now since I can afford it, I just don't seem to know how to do the things I got the feeling inside of me for. Even in my grand house sometimes I feel like it--it's too late for me to live like I feel."

"Nothing's ever too late, Mr. Hochenheimer."

"Just since I met you I can feel that way, Miss Renie, if you'll excuse me for saying it--just since I met you."

"Me?"

"For the first time in my life, Miss Renie, I got the feeling from a girl that, for me, life--maybe my life--is just beginning. Like a vine, Miss Renie, you got yourself tangled round my feelings."

"Oh, Mr. Hochenheimer!"

"Like I told your papa to-night on the car, I 'ain't got much to offer a beautiful young girl like you; money, I can see, don't count for so much with a fine girl like you, and I--I don't need to be told that my face and my ways ain't my fortune."

"It's the heart that counts, Mr. Hochenheimer."

"If--if you mean that, Miss Renie--if love, just love, can bring happiness, I can make for you a life as beautiful as my rose-garden. For the first time in my life, Miss Renie, I got the feeling I can do that for a woman--and that woman is you. I--Will you--will you be my wife, Miss Renie?" She could feel his breath now, scorching her cheek. "Will you, Miss Renie?"

And even as she leaned over to open her lips a figure, swift as a Greek, dashed to the veranda--up the steps three at a bound.

"Renie!"

"Izzy!" She rose, pushing back her chair, and her hand flew to her breast.

"Just a minute. Inside I gotta see you quick, Renie. Howdy, Hochenheimer? You excuse her a minute. I got to see her."

His voice was like wine that sings in the pouring.

"Yes, yes, Izzy; I'm coming." Hers was trembling and pizzicato. "Excuse me a minute, Mr. Hochenheimer--a minute."

Mr. Hochenheimer rose, mopping his brow. "It's all right, Miss Renie. I wait out here on the porch till it pleases you."

In her tiny bedroom, with the light turned up, she faced her brother; and he grasped her shoulders so that, through the sheer texture of her dress, his hands left red prints on the flesh.

"Renie, you 'ain't done it, have you?"

"No, no, Izzy; I've done nothing. Where you been?"

He gave a great laugh and sank into a chair, limp. "You don't have to, Renie. It's all right! I've fixed it. Everything is all right!"

"What do you mean?"

Then, as though the current of his returning vigor could know no bounds, he scooped her in a one-armed embrace that fairly raised her from the floor.

"All of a sudden, when you went out, Renie, I remembered Aunt Becky. You remember she was the one who made Uncle Isadore fork over to papa that time about the mortgage?"

"Yes, yes."

"All of a sudden it came over me that she was the only one who could do anything with him. I ran over to the house--all the way I ran, Renie. She was up in her room, and--and it's all right, Renie. I told her, and she's fixed it--fixed it!"

"Oh, Izzy!"

"She's fixed it. When he came home to supper we got him right away up in her room before he had his hat off. Like a mother she begged for me, Renie--like a mother. God! I--I tell you I couldn't go through it again; but she got him, Renie--she got him!"

"Go on, Izzy--go on!"

"She told him I wouldn't face the shame; she told him I--I'd kill my own father, and that the blood would be on his hands; she told him if he'd let me go to the devil without another chance--me that had been named after him--that a curse would roost on his chest. He didn't want to give in to her--he didn't want to; but she scared him, and she's a woman and she knew how to get inside of him--she knew how. They're going to send me out to his mines, where I can start over, Renie. Out West, where it'll make a new man of me; where I can begin over--start right, Renie. Start right!"

"Oh, Izzy darling!"

"I can pay up when I earn the money like a man, Renie. It would have killed me if you had sold yourself to him for me. I'd have gone to the stripes first. But I got a man's chance now, Renie, and I don't have to do that rotten thing to you and Squash. A man's chance, Renie, and--and I'm going to take it."

She sat down on the bed suddenly, as though the blood had flowed out of her heart, weakening her.

"A sister like you that would have stuck; and--and I'm going to make good to a sister like you, Renie. I am, this time. Please believe me, Renie. I am! I am!"

Her hand lay pressed to his cheek and she could feel the warm course of his tears. "Izzy, I knew you wasn't yellow; I--I knew you wasn't."

Sobs shook him suddenly and he buried his face in the pillow beside her.

"Why, Izzy! Why, Izzy darling, what--what is it, Izzy darling?"

"It's nothing. You--you get out, Renie. I'm all right; only--only it's--it's--Now that it's all over, I--I--Just let me alone a minute, Renie. Go--you--please--please!"

She closed the door behind her and fumbled through the gloom of the hallway, her hand faltering as she groped ahead.

From the recesses of the moonflower vine Mr. Hochenheimer rose to meet her; and, because her limbs would tremble, she slid quickly into her chair.

"You--you must excuse me, Mr. Hochenheimer."

"It's all right, Miss Renie. I take up where we left off. It ain't so easy, Miss Renie, to begin all over again to say it, but--but will you be my--will you be my--"

She was suddenly in his arms, burrowing against the speckled waistcoat a little resting-place for her head.

IN MEMORIAM

Toward the city Mother Earth turns a plate-glass eye and an asphalt bosom. The rhythm of her heart-beats does not penetrate through paved streets. That cadence is for those few of her billion children who have stayed by to sleep with an ear to the mossy floor of her woodlands. The prodigals, the future Tammany leaders, merchant princes, cotton kings, and society queens march on, each to an urban destiny.

Nor is the return of the prodigal to Mother Earth along a piked highway. The road back to Nature is full of her own secrets, and few who have trod the streets of the city remember the brambled return, or care.

Men who know to the centime each fluctuation of the wheat-market have no eye for the tawny beauty of a whole field of the precious product fluctuating to a breeze. Women stayed by steel and convention into the mold of form love the soft faces of flowers looking up at them from expensive corsages, but care not for their nativity. Greeks, first of men, perched their gods up on Olympus and wandered down to build cities.

Because the city is as insidious as the sleeping-draught of an Indian soothsayer, under its spell men go mad for gain and forget that to stand on the brow of a mountain at night, arms outstretched in kinship to Vega and Capella, is a golden moment of purer alloy than certified bonds. What magnate remembers where the best tackle squirms, or the taste of grass sucked in from the tender end of the blade? All progress is like that. How immediately are the yesterdays metamorphosed into memories; and memories, even the stanchest of them, mold and disintegrate.

There were times when Mrs. Simon Meyerburg, who was threescore and ten years removed from the days when her bare feet had run fleet across a plushy meadow, would pause, hand on brow, when a memory, perhaps moving as it crumpled, would pass before her in faded daguerreotype. A gallery of events--so many pictures faded from her mental walls that the gaps seemed, as it were, to separate her from herself, making of her and that swift-footed girl back there vague strangers. And yet the vivid canvases! A peasant child at a churn, switching her black braids this way and that when they dangled too far over her shoulders; a linnet dead in its cage outside a thatched doorway, and the taste of her first heart tears; a hand-made crib in a dark corner and hardly ever empty of a little new-comer.

Then gaps, except here and there a faded bit. Then again large memories close and full of color: Simon Meyerburg, with the years folded back and youth on him, wooing her beside a stile that led off a South German country road, his peasant cap fallen back off his strong black curls, and even then a seer's light in his strong black eyes. Her own black eyes more diffident now and the black braids looped up and bound in a tight coronet round her head. The voice of the mother calling her homeward through cupped hands and in the Low Dutch of the Lowlands. A moonrise and the sweet, vivid smell of evening, and once more the youth Simon Meyerburg wooing her there beside the roadside stile.